Harley Davidson and the Marlboro Man
|Harley Davidson and the Marlboro Man|
Theatrical release poster
|Directed by||Simon Wincer|
|Produced by||Jere Henshaw|
|Written by||Don Michael Paul|
|Music by||Basil Poledouris|
|Editing by||Corky Ehlers|
|Running time||98 minutes|
|Box office||$7,434,726 (United States)|
The film was a critical and financial failure, earning only $7 million at the domestic box office (the budget was estimated at $23 million). It became a cult classic following its release to video. It promoted a "male biker" stereotype.
Set in the then-future of 1996, Harley Davidson (Mickey Rourke) is in a motel in Texas when he hears about a dangerous new street drug named "Crystal Dream" on the radio. The significance of this street drug does not arise again until later in the film. Harley then meets a lifelong friend, a cowboy who is nicknamed The Marlboro Man (Don Johnson) and they later plan a bank robbery to help save their friend's bar from being foreclosed and replaced with a skyscraper. However, after they rob a bank's armored car, they discover the cargo they stole is the designer drug "Crystal Dream", not money. Chance Wilder (Tom Sizemore), who is a bank president involved in drug dealing, demands the return of the drugs. A series of increasingly deadly encounters ensue as heavily armed assassins (who work for the bank) hunt for Harley and Marlboro.
- Mickey Rourke as Harley Davidson
- Don Johnson as The Marlboro Man (Robert Lee Anderson)
- Chelsea Field as Virginia Slim
- Daniel Baldwin as Alexander
- Giancarlo Esposito as Jimmy Jiles
- Vanessa Williams as Lulu Daniels
- Tom Sizemore as Chance Wilder
- Tia Carrere as Kimiko
- Big John Studd as Jack Daniels
- Julius Harris as "The Old Man" Jiles
- Eloy Casados as Jose Cuervo
- Kelly Hu as Suzi
- Robert Ginty as Thom
- Branscombe Richmond as Big Indian
- Sean "Hollywood" Hamilton as himself (Radio Personality)
|Harley Davidson and the Marlboro Man|
|Soundtrack album by various artists|
|Genre||Rock, Hard rock|
|1.||"Long Way from Home"||Loyd Neil Carswell||Copperhead||7:15|
|2.||"The Bigger They Come"||Frampton, Marriot, John Regan||Peter Frampton, Steve Marriott||4:26|
|3.||"Tower of Love" (from the album Roadhouse, 1991)||Paul Jackson, Richard Day, Frank Noon||Roadhouse||3:56|
|4.||"I Mess Around" (from the album Shooting Gallery, 1991)||Billy G. Bang, Andy McCoy||Shooting Gallery||4:19|
|5.||"Wild Obsession" (from the album Hollywood Vampires, 1991)||Mick Cripps, Tracii Guns, Phil Lewis, Kelly Nickels, Steve Riley||L.A. Guns||4:14|
|6.||"C'mon" (from the album All for One, 1991)||Dave Gleeson, Richard Lara||The Screaming Jets||2:48|
|7.||"Let's Work Together"||Wilbert Harrison||The Kentucky Headhunters||2:14|
|8.||"Hardline"||Tom Kimmel, Dennis Morgan||Waylon Jennings||4:09|
|9.||"Ride with Me"||Dean Davidson||Blackeyed Susan||5:10|
|10.||"What Will I Tell My Heart?" (from the album The Comfort Zone, 1991)||Peter Tinturin, Irving Gordon, Jack Lawrence||Vanessa Williams||4:15|
Other songs in the film, but not included on the soundtrack are "Stop the World" by The Screaming Jets, "Wanted Dead or Alive" by Bon Jovi, and "Work to Do" and "The Better Part of Me" by Vanessa Williams.
Rotten Tomatoes, a review aggregator, reports that 24% of 17 surveyed critics gave it a positive review; the average rating was 3.6/10. Kevin Thomas of the Los Angeles Times called it "a mindless cobbling from countless buddy movies". Owen Gleiberman of Entertainment Weekly rated it C+ and called it "a kinetic formula shoot-'em-up" that is "engagingly junky entertainment with a healthy sense of its own ludicrousness." Variety called it "a dopey, almost poignantly bad actioner about two legends-in-their-own-minds". Vincent Canby of The New York Times wrote, "Mr. Rourke and Mr. Johnson handle their roles with more ease and humor than can be accommodated by a movie so stuffed with mindless fistfights, gunfights, helicopter chases, explosions and leaps from tall buildings." Time Out London called it "utter rubbish, and badly dressed at that." Kim Newman of Empire wrote, "For a while, its crassness is amusing, but as the plot sets in, it gradually turns into a stultifying bore."
- "Harley Davidson and the Marlboro Man". Box Office Mojo. Retrieved 2014-01-16.
- Rollin, Bernard E. (2006). Harley-Davidson and Philosophy. Open Court. p. 174. ISBN 0-8126-9595-X.
- "Harley Davidson and the Marlboro Man". Rotten Tomatoes. Retrieved 2012-10-08.
- "MOVIE REVIEW: 'Harley Davidson, Marlboro' . . . Lively but Ludicrous". Los Angeles Times. 1991-08-23. Retrieved 2010-12-01.
- Gleiberman, Owen (1991-08-30). "Harley Davidson and the Marlboro Man Review". Entertainment Weekly. Retrieved 2012-10-08.
- "Review: 'Harley Davidson and the Marlboro Man'". Variety. Retrieved 2014-01-16.
- Canby, Vincent (1991-08-24). "Harley Davidson and the Marlboro Man (1991)". The New York Times. Retrieved 2014-01-16.
- "Harley Davidson and the Marlboro Man". Time Out London. Retrieved 2014-01-16.
- Newman, Kim. "Harley Davidson And The Marlboro Man". Empire. Retrieved 2014-01-16.
- Harley Davidson and the Marlboro Man at the Internet Movie Database
- Harley Davidson and the Marlboro Man at allmovie
- Harley Davidson and the Marlboro Man at Rotten Tomatoes