July 11, 1930 |
New York City
|Occupation||literary critic, writer, professor|
|Literary movement||Aestheticism, Romanticism|
|Spouse(s)||Jeanne Gould (m. 1958; 2 children)|
Harold Bloom (born July 11, 1930) is an American literary critic and Sterling Professor of Humanities at Yale University. Since the publication of his first book in 1959, Bloom has written more than 20 books of literary criticism, several books discussing religion, and a novel. He has edited hundreds of anthologies for the Chelsea House publishing firm.
Frank Kermode called Bloom "probably the most celebrated literary critic in the United States"; James Wood described him as "America's best-known man of letters". His books have been translated into more than 40 languages.
Early life and education
Harold Bloom, son of William and Paula Bloom, was born in New York City and lived in the South Bronx at 1410 Grand Concourse. He was raised as an Orthodox Jew in a Yiddish-speaking household, where he learned literary Hebrew. He taught himself English at the age of six. Bloom's father was born in Odessa and his mother near Brest Litovsk. He had three older sisters and an older brother of whom he is the sole survivor.
Teaching career and personal life
Bloom has been a member of the Yale English Department since 1955. He received a MacArthur Fellowship in 1985. From 1988 to 2004, Bloom was Berg Professor of English at New York University while maintaining his position at Yale. In 2010 he became a founding patron of Ralston College, a new institution in Savannah, Georgia that focuses on primary texts.
Bloom married Jeanne Gould in 1959.
Defense of Romanticism
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Bloom began his career by defending the reputations of the High Romantics through a series of highly regarded monographs, beginning with his Doctoral Dissertation on Percy Bysshe Shelley, (Shelley's Myth-making, Yale University Press), W. B. Yeats, (Yeats, Oxford University Press), and Wallace Stevens, (Wallace Stevens: The Poems of Our Climate, Cornell University Press) against neo-Christian critics influenced by such writers as T. S. Eliot, who became a recurring intellectual foil. He had a contentious approach: his first book, Shelley's Myth-making, charged many contemporary critics with sheer carelessness in their reading of Shelley.
Bloom then entered a phase of what he called "religious criticism", beginning in 1989 with Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present.
In The Book of J, he and David Rosenberg (who translated the Biblical texts) portrayed one of the posited ancient documents that formed the basis of the first five books of the bible (see documentary hypothesis) as the work of a great literary artist who had no intention of composing a dogmatically religious work. They further envisaged this anonymous writer as a woman attached to the court of the successors of the Israelite kings David and Solomon — a piece of speculation which drew much attention. Later, Bloom said that the speculations didn't go far enough, and perhaps he should have identified J with the Biblical Bathsheba.
In The American Religion, Bloom surveyed the major varieties of Protestant and post-Protestant religious faiths that originated in the United States and argued that, in terms of their psychological hold on their adherents, most shared more in common with gnosticism than with historical Christianity. The exception was the Jehovah's Witnesses, whom Bloom regards as non-Gnostic. He elsewhere predicted that the Mormon and Pentecostal strains of American Christianity would overtake mainstream Protestant divisions in popularity in the next few decades. In Jesus and Yahweh: The Names Divine (2004), he revisits some of the territory he covered in The Book of J in discussing the significance of Yahweh and Jesus of Nazareth as literary characters, while casting a critical eye on historical approaches and asserting the fundamental incompatibility of Christianity and Judaism.
The Western Canon
Acknowledging that his early output often tends toward the abstruse, Bloom turned to more accessible criticism aimed at a general readership.
In 1994, Bloom published The Western Canon, a survey of the major literary works of Europe and the Americas since the 14th century, focusing on 26 works he considered sublime and representative of their nations and of the Western canon. Besides analyses of the canon's various representative works, the major concern of the volume is reclaiming literature from those he refers to as the "School of resentment", the mostly academic critics who espouse a social purpose in reading. Bloom believes that the goals of reading must be solitary aesthetic pleasure and self-insight rather than the "forces of resentments'" goal of improvement of one's society, which he casts as an absurd aim, writing: "The idea that you benefit the insulted and injured by reading someone of their own origins rather than reading Shakespeare is one of the oddest illusions ever promoted by or in our schools." His position is that politics have no place in literary criticism: a feminist or Marxist reading of Hamlet would tell us something about feminism and Marxism, he says, but probably nothing about Hamlet itself.
In addition to the amount of influence one writer has had on later writers, Bloom introduces the concept of "canonical strangeness" as a benchmark of a literary work's merit. The Western Canon also included a list — which aroused more widespread interest than anything else in the volume — of all the Western works from antiquity to the present that Bloom considered either permanent members of the canon of literary classics, or (among more recent works) candidates for that status. Bloom has said that he made the list off the top of his head at his editor's request, and that he does not stand by it.
Work on Shakespeare
Bloom has a deep appreciation for Shakespeare and considers him to be the supreme center of the Western Canon. The first edition of The Anxiety of Influence almost completely avoided Shakespeare, whom Bloom considered, at the time, barely touched by the psychological drama of anxiety. The second edition, published in 1997, adds a long preface that mostly expounds on Shakespeare's debt to Ovid and Chaucer, and his agon with his contemporary Christopher Marlowe, who set the stage for him by breaking free of ecclesiastical and moralizing overtones.
In his 1998 survey, Shakespeare: The Invention of the Human, Bloom provides an analysis of each of Shakespeare's 38 plays, "twenty-four of which are masterpieces." Written as a companion to the general reader and theatergoer, Bloom declares that bardolatry "ought to be even more a secular religion than it already is." He also contends in the work (as in the title) that Shakespeare "invented" humanity, in that he prescribed the now-common practice of "overhearing" ourselves, which drives our changes. The two paragons of his theory are Sir John Falstaff of Henry IV and Hamlet, whom Bloom sees as representing self-satisfaction and self-loathing, respectively. Throughout Shakespeare, characters from disparate plays are imagined alongside and interacting with each other; this has been decried by numerous contemporary academics and critics as hearkening back to the out of fashion character criticism of A.C. Bradley and others, who happen to gather explicit praise in the book. As in The Western Canon, Bloom cheerfully attacks what he calls the "School of Resentment" for its failure to live up to the challenge of Shakespeare's universality and instead balkanizing the study of literature through various multicultural and historicist departments. Asserting Shakespeare's singular popularity throughout the world, Bloom proclaims him as the only multicultural author, and rather than the "social energies" historicists ascribe Shakespeare's authorship to, Bloom pronounces his modern academic foes — and indeed, all of society — to be "a parody of Shakespearian energies."
Bloom began a book under the working title of Living Labyrinth, centering on Shakespeare and Whitman, which was published in 2011 as Anatomy of Influence: Literature as a Way of Life.
In July 2011, after the publication of Anatomy of Influence and after finishing work on The Shadow of a Great Rock, Bloom was working on three projects: Achievement in the Evening Land from Emerson to Faulkner (a history of American literature), The Hum of Thoughts Evaded in the Mind: A Literary Memoir, and a play with the working title Walt Whitman: A Musical Pageant. By November 2011, Bloom had changed the title of the play to To You Whoever You Are: A Pageant Celebrating Walt Whitman.
Bloom credits Northrop Frye as his nearest precursor. He told Imre Salusinszky in 1986: "In terms of my own theorizations... the precursor proper has to be Northrop Frye. I purchased and read Fearful Symmetry a week or two after it had come out and reached the bookstore in Ithaca, New York. It ravished my heart away. I have tried to find an alternative father in Mr. Kenneth Burke, who is a charming fellow and a very powerful critic, but I don't come from Burke, I come out of Frye." However, he also admits an indebtedness, especially in his later period, to earlier critics such as William Hazlitt, Ralph Waldo Emerson, Walter Pater, A. C. Bradley, and Samuel Johnson, whom he acknowledges in The Western Canon as "unmatched by any critic in any nation before or after him".
Bloom's theory of poetic influence regards the development of Western literature as a process of borrowing and misreading. Writers find their creative inspiration in previous writers and begin by imitating those writers; in order to develop a poetic voice of their own, however, they must make their own work different from that of their precursors. As a result, Bloom argues, authors of real power must inevitably "misread" their precursors' works in order to make room for fresh imaginings.
Observers often identified Bloom with deconstruction in the past, but he himself never admitted to sharing more than a few ideas with the deconstructionists. He told Robert Moynihan in 1983, "What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.... There is no escape, there is simply the given, and there is nothing that we can do."
Bloom's association with the Western canon has provoked a substantial interest in his opinion concerning the relative importance of contemporary writers. In the late 1980s, Bloom told an interviewer: "Probably the most powerful living Western writer is Samuel Beckett. He's certainly the most authentic."
After Beckett's death in 1989, Bloom has pointed towards other authors as the new main figures of the Western literary canon.
Concerning British writers: "Geoffrey Hill is the strongest British poet now active", and "no other contemporary British novelist seems to me to be of Iris Murdoch's eminence". Since Murdoch's death, Bloom has expressed admiration for novelists such as Peter Ackroyd, Will Self, John Banville, and A. S. Byatt.
In his 2003 book, Genius: A Mosaic of One Hundred Exemplary Creative Minds, he named the late Portuguese writer and Nobel Prize winner José Saramago as "the most gifted novelist alive in the world today", and as "one of the last titans of an expiring literary genre".
Of American novelists, he declared in 2003 that "there are four living American novelists I know of who are still at work and who deserve our praise". He claimed that "they write the Style of our Age, each has composed canonical works," and he identified them as Thomas Pynchon, Philip Roth, Cormac McCarthy, and Don DeLillo. He named their strongest works as, respectively, Gravity's Rainbow and Mason & Dixon; American Pastoral and Sabbath's Theater; Blood Meridian; and Underworld. He has added to this estimate the work of John Crowley, with special interest in his Aegypt Sequence and novel Little, Big saying that "only a handful of living writers in English can equal him as a stylist, and most of them are poets...only Philip Roth consistently writes on Crowley's level".
In Kabbalah and Criticism (1975), Bloom identified Robert Penn Warren, James Merrill, John Ashbery, and Elizabeth Bishop as the most important living American poets. By the 1990s, he regularly named A.R. Ammons along with Ashbery and Merrill, and he has lately come to identify Henri Cole as the crucial American poet of the generation following those three. He has expressed great admiration for the Canadian poet Anne Carson, particularly her verse novel Autobiography of Red. Bloom also lists Jay Wright as one of only a handful of major living poets.
Bloom's introduction to Modern Critical Interpretations: Thomas Pynchon (1987) features his canon of the "twentieth-century American Sublime", the greatest works of American art produced in the 20th century. Playwright Tony Kushner sees Bloom as an important influence on his work.
Criticism and controversy
James Wood has described Bloom as "Vatic, repetitious, imprecisely reverential, though never without a peculiar charm of his own — a kind of campiness, in fact — Bloom as a literary critic in the last few years has been largely unimportant." Bloom responded to questions about Wood in an interview by saying: "There are period pieces in criticism as there are period pieces in the novel and in poetry. The wind blows and they will go away ... There’s nothing to the man. .. I don't want to talk about him".
In the early 21st century, Bloom has often found himself at the center of literary controversy after criticizing popular writers such as Adrienne Rich, Maya Angelou, Stephen King, David Foster Wallace, and J. K. Rowling. In the pages of the Paris Review, he criticized the populist-leaning poetry slam, saying: "It is the death of art." When Doris Lessing was awarded the Nobel Prize in Literature, he bemoaned the "pure political correctness" of the award to an author of "fourth-rate science fiction."
MormonVoices, a group associated with Foundation for Apologetic Information & Research, included Bloom on its Top Ten Anti-Mormon Statements of 2011 list for stating "The current head of the Mormon Church, Thomas S. Monson, known to his followers as 'prophet, seer and revelator,' is indistinguishable from the secular plutocratic oligarchs who exercise power in our supposed democracy".
- Shelley's Mythmaking. New Haven: Yale University Press, 1959.
- The Visionary Company: A Reading of English Romantic Poetry. Garden City, N.Y.: Doubleday, 1961. Rev. and enlarged ed. Ithaca: Cornell University Press, 1971.
- Blake's Apocalypse: A Study in Poetic Argument. Anchor Books: New York: Doubleday and Co., 1963.
- The Literary Criticism of John Ruskin.; Edited with introduction. New York: DoubleDay, 1965.
- Walter Pater: Marius the Epicurean; edition with introduction. New York: New American Library, 1970.
- Romanticism and Consciousness: Essays in Criticism.; Edited with introduction. New York: Norton, 1970.
- Yeats. New York: Oxford University Press, 1970. ISBN 0-19-501603-3
- The Ringers in the Tower: Studies in Romantic Tradition. Chicago: University of Chicago Press, 1971.
- The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1973; 2d ed., 1997. ISBN 0-19-511221-0
- The Selected Writings of Walter Pater; edition with introduction and notes. New York: New American Library, 1974.
- A Map of Misreading. New York: Oxford University Press, 1975.
- Kabbalah and Criticism. New York : Seabury Press, 1975. ISBN 0-8264-0242-9
- Poetry and Repression: Revisionism from Blake to Stevens. New Haven: Yale University Press, 1976.
- Figures of Capable Imagination. New York: Seabury Press, 1976.
- Wallace Stevens: The Poems of our Climate. Ithaca, N.Y.: Cornell University Press, 1977.
- Deconstruction and Criticism. New York: Seabury Press, 1980.
- The Flight to Lucifer: Gnostic Fantasy. New York: Vintage Books, 1980. ISBN 0-394-74323-7
- Agon: Towards a Theory of Revisionism. New York : Oxford University Press, 1982.
- The Breaking of the Vessels. Chicago: University of Chicago Press, 1982.
- Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present. Cambridge, Mass.: Harvard University Press, 1989.
- The Book of J: Translated from the Hebrew by David Rosenberg; Interpreted by Harold Bloom. New York: Grove Press, 1990 ISBN 0-8021-4191-9
- The American Religion: The Emergence of the Post-Christian Nation; Touchstone Books; ISBN 0-671-86737-7 (1992; August 1993)
- The Western Canon: The Books and School of the Ages. New York: Harcourt Brace, 1994.
- Omens of Millennium: The Gnosis of Angels, Dreams, and Resurrection. New York: Riverhead Books, 1996.
- Shakespeare: The Invention of the Human. New York: 1998. ISBN 1-57322-751-X
- How to Read and Why. New York: 2000. ISBN 0-684-85906-8
- Stories and Poems for Extremely Intelligent Children of All Ages. New York: 2001.
- El futur de la imaginació (The Future of the Imagination). Barcelona: Anagrama / Empúries, 2002. ISBN 84-7596-927-5
- Genius: A Mosaic of One Hundred Exemplary Creative Minds. New York: 2003. ISBN 0-446-52717-3
- Hamlet: Poem Unlimited. New York: 2003.
- The Best Poems of the English Language: From Chaucer Through Frost. New York: 2004. ISBN 0-06-054041-9
- Where Shall Wisdom Be Found? New York: 2004. ISBN 1-57322-284-4
- Jesus and Yahweh: The Names Divine 2005. ISBN 1-57322-322-0
- American Religious Poems: An Anthology By Harold Bloom 2006. ISBN 1-931082-74-X
- Fallen Angels, illustrated by Mark Podwal. Yale University Press, 2007. ISBN 0-300-12348-5
- Till I End My Song: A Gathering of Last Poems Harper, 2010. ISBN 0-06-192305-2
- The Anatomy of Influence: Literature as a Way of Life- Yale University Press, 2011. ISBN 0-300-16760-1
- The Shadow of a Great Rock: A Literary Appreciation of The King James Bible Yale University Press, 2011. ISBN 0-300-16683-4
- "On Extended Wings"; Wallace Stevens' Longer Poems. By Helen Hennessy Vendler, (Review), The New York Times, October 5, 1969.
- "Poets' meeting in the heyday of their youth; A Single Summer With Lord Byron", The New York Times, February 15, 1970.
- "An angel's spirit in a decaying (and active) body", The New York Times, November 22, 1970.
- "The Use of Poetry", The New York Times, November 12, 1975.
- "Northrop Frye exalting the designs of romance; The Secular Scripture", The New York Times, April 18, 1976.
- "On Solitude in America", The New York Times, August 4, 1977.
- "The Critic/Poet", The New York Times, February 5, 1978.
- "A Fusion of Traditions; Rosenberg", The New York Times, July 22, 1979.
- "Straight Forth Out of Self", The New York Times, June 22, 1980.
- "The Heavy Burden of the Past; Poets", The New York Times, January 4, 1981.
- "The Pictures of the Poet; The Painting and Drawings of William Blake, By Martin Butlin. Vol. I, Text. Vol. II, Plates", (Review) The New York Times, January 3, 1982.
- "A Novelist's Bible; The Story of the Stories, The Chosen People and Its God. By Dan Jacobson", (Review) The New York Times, October 17, 1982.
- "Isaac Bashevis Singer's Jeremiad; The Penitent, By Isaac Bashevis Singer", (Review) The New York Times, September 25, 1983.
- "Domestic Derangements; A Late Divorce, By A. B. Yehoshua Translated by Hillel Halkin", (Review) The New York Times, February 19, 1984.
- "War Within the Walls; In the Freud Archives, By Janet Malcolm", (Review) The New York Times, May 27, 1984.
- "His Long Ordeal by Laughter; Zuckerman Bound, A Trilogy and Epilogue. By Philip Roth", (Review) The New York Times, May 19, 1985.
- "A Comedy of Worldly Salvation; The Good Apprentice, By Iris Murdoch", (Review) The New York Times, January 12, 1986.
- "Freud, the Greatest Modern Writer" (Review) The New York Times, March 23, 1986.
- "Passionate Beholder of America in Trouble; Look Homeward, A Life of Thomas Wolfe. By David Herbert Donald", (Review) The New York Times, February 8, 1987.
- "The Book of the Father; The Messiah of Stockholm, By Cynthia Ozick", (Review) The New York Times, March 22, 1987.
- "Still Haunted by Covenant", (Review) The New York Times, January 31, 1988.
- "New Heyday of Gnostic Heresies", The New York Times, April 26, 1992.
- "A Jew Among the Cossacks; The first English translation of Isaac Babel's journal about his service with the Russian cavalry. 1920 Diary, By Isaac Babel", (Review) The New York Times, June 4, 1995.
- "Kaddish; By Leon Wieseltier", (Review) The New York Times, October 4, 1998.
- "View; On First Looking Into Gates's Crichton", The New York Times, June 4, 2000.
- "What Ho, Malvolio!'; The election, as Shakespeare might have seen it", The New York Times, December 6, 2000.
- "Macbush", (play) Vanity Fair, April, 2004.
- "The Lost Jewish Culture" The New York Review of Books 54/11 (June 28, 2007) : 44-47 [reviews The Dreams of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492, translated, edited, and with an introduction by Peter Cole
- "The Glories of Yiddish" The New York Review of Books 55/17 (November 6, 2008) [reviews History of the Yiddish Language, by Max Weinreich, edited by Paul Glasser, translated from the Yiddish by Shlomo Noble with the assistance of Joshua A. Fishman]
- "Yahweh Meets R. Crumb", The New York Review of Books, 56/19 (December 3, 2009) [reviews The Book of Genesis, illustrated by R. Crumb]
- "Will This Election Be the Mormon Breakthrough?", The New York Times, November 12, 2011.
- Department of English | Yale University
- The New York Times http://www.nytimes.com/books/98/11/01/specials/bloom-colossus.html
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- Kermode, Frank (October 12, 2002). "Review: Genius by Harold Bloom". The Guardian (London).
- Review-a-Day - Jesus and Yahweh: The Names Divine by Harold Bloom, reviewed by The New Republic Online - Powell's Books
- Collins, Glenn (2006-01-16). "New Bronx Library Meets Old Need". The New York Times. Retrieved 2010-02-23.
- Harold Bloom: The Shadow of a Great Rock - Bookworm on KCRW
- The New York Times, "New Bronx Library Meets Old Need", January 16, 2006.
- Bloom, Harold, The Best Poems of the English Language: From Chaucer Through Robert Frost, HarperCollins, 2004, p. 942.
- Collegium Ralstonianum apud Savannenses - Home
- Fish, Stanley (November 8, 2010). "The Woe-Is-Us Books". The New York Times.
- Bloom, Harold, The Western Canon. The Books and Schools of the Ages, Harcourt Brace & Company, New York 1994, p. 5.
- Bloom 1994, pg. 2
- Bloom 1994, pg. 11
- Harold Bloom | VICE
- Bloom 1994, pp. 2-3
- Bloom 1994, pp. 24-5
- Bloom, Harold. Shakespeare: The Invention of the Human. New York: Riverhead, 1998, p. xix.
- Harold Bloom: On the Playing Field of Poetry | Radio Open Source with Christopher Lydon
- "Will This Election Be the Mormon Breakthrough?", The New York Times, November 12, 2011.
- "On His Own Intellectual Roots"
- "Candidates for Survival: A talk with Harold Bloom" Boston Review February, 1989
- Bloom, Harold (2002). Genius : a mosaic of one hundred exemplary creative minds. New York: Warner Books. p. 648. ISBN 0446691291. "There are a few affinities, except perhaps with the admirable Antonia Byatt, in the generation after: novelists I also now admire, like Will Self, Peter Ackroyd, and John Banville."
- "Dumbing Down American Readers" "Boston Globe" 9/24/2003
- Bloom, Harold (2003). Snake's-hands : the fiction of John Crowley. [Canton, OH]: Cosmos Books. p. 10. ISBN 1587155095. More than one of
- "Miss Maya Angelou cannot write her way out of a paper bag!" Kenton Robinson, "Foe To Those Who Would Shape Literature To Their Own End Dissent In Bloom" Hartford Courant October 4, 1994 E.1
- "Dumbing Down American Readers"
- Koski, Lorna (2011-04-26). "The Full Harold Bloom". Women's Wear Daily`. Retrieved 19 October 2012.
- "Poetry Slam"
- Associated Press. "U.K.'s Lessing wins Nobel Prize in literature: Swedish Academy notes author for 'skepticism, fire and visionary power'" msnbc.com October 11, 2007
- Walker, Joseph (January 8, 2012). "Group lists Top Ten Anti-Mormon Statements of 2011". Deseret News.
- Bloom, Harold. The Western Canon: The Books and School of the Ages (1994) Harcourt Brace & Company.
- Allen, Graham, Harold Bloom: Poetics of Conflict, Harvester Wheatsheaf (New York, NY), 1994.
- Bielik-Robson, Agata The Saving Lie: Harold Bloom and Deconstruction, Northwestern, 2011.
- Contemporary Literary Criticism, Volume 24, Gale (Detroit), 1983.
- De Bolla, Peter, Harold Bloom: Toward Historical Rhetorics, Routledge (New York, NY), 1988.
- Dictionary of Literary Biography, Volume 67: Modern American Critics since 1955, Gale, 1988.
- Fite, David, Harold Bloom: The Rhetoric of Romantic Vision, University of Massachusetts Press (Amherst), 1985.
- Moynihan, Robert, A Recent Imagining: Interviews with Harold Bloom, Geoffrey Hartman, J. Hillis Miller, Paul De Man, Archon, 1986.
- Saurberg, Lars Ole, Versions of the Past—Visions of the Future: The Canonical in the Criticism of T. S. Eliot, F. R. Leavis, Northrop Frye, and Harold Bloom, St. Martin's Press (New York, NY), 1997.
- Scherr, Barry J., D. H. Lawrence's Response to Plato: A Bloomian Interpretation, P. Lang (New York, NY), 1995.
- Sellars, Roy (ed.), and Graham Allen (ed.). The Salt Companion to Harold Bloom. Cambridge: Salt, 2007. More info.
- Interview with Bloom on NPR, regarding his book Jesus and Yahweh: The Names Divine
- Interview with Bloom on The NewsHour with Jim Lehrer, regarding his book How to Read and Why (2000).
- God and Harold at Yale, an essay from the Claremont Review on Bloom and his book, "Jesus and Yahweh"
- Breakfast with Brontosaurus, an October 26, 2004 interview by Ieva Lesinska.
- Radio interview with Christopher Lydon, Harvard Law Weblogs, September 3, 2003.
- Interview with Jennie Rothenberg, The Atlantic, July 16, 2003.
- The sage of Concord, a May 24, 2003 Guardian Unlimited article on Ralph Waldo Emerson by Bloom.
- Excerpts from various Bloom interviews, The Stanford Presidential Lecture Series.
- Dumbing down American readers, Harold Bloom, The Boston Globe, September 24, 2003.
- "Can 35 Million Book Buyers Be Wrong? Yes". Harold Bloom, The Wall Street Journal, July 11, 2000. His famous criticism of the Harry Potter series.
- "Out of Panic, Self-Reliance." The New York Times, Opinion on R.W. Emerson. October 12, 2008.
- List of Bloom's contributions to The New York Review of Books
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- Appearances on C-SPAN
- Works by or about Harold Bloom in libraries (WorldCat catalog)
- Harold Bloom collected news and commentary at The New York Times
- Harold Bloom at Stanford Presidential Lectures
- Antonio Weiss (Spring 1991). "Harold Bloom, The Art of Criticism No. 1". Paris Review.
- "Engl 300: Introduction To Theory Of Literature". Lecture 14 - Influence. Open Yale lectures on the influence of Bloom and Eliot.