Harold Monro

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Harold Edward Monro

Harold Edward Monro (14 March 1879 – 16 March 1932) was an English poet born in Brussels and proprietor of the Poetry Bookshop in London, which helped many poets bring their work before the public.

Life and career[edit]

Monro was born at 137 chaussée de Charleroi, Saint-Gilles/St Gillis, Brussels, on 14 March 1879, youngest of three surviving children of Edward William Monro (1848–1889), civil engineer, and his wife and first cousin, Arabel Sophia (1849–1926), daughter of Peter John Margary, also a civil engineer.[1] Monro's father was born at Marylebone and died aged 41 when Monro was only nine years old. This loss may have influenced his character as a poet. The Monro family was well established in Bloomsbury. His paternal grandfather, Dr. Henry Munro FRCP MD, was a surgeon, born at Gower St, Bloomsbury, in 1817.

Monro was educated at Radley College and at Caius College, Cambridge.[2] His first collection of poetry was published in 1906. He also edited a poetry magazine, The Poetry Review, which became influential. In 1912, he founded the Poetry Bookshop at 38 Great Russell Street in Bloomsbury, where he published new collections at his own expense and rarely made a profit, while providing a welcoming environment for readers and poets. Several poets, including Wilfred Owen, lodged in the rooms above the shop. Monro and the Poetry Bookshop were also involved with Edward Marsh in publishing the Georgian Poetry series.

War and peace[edit]

Monro wrote few war poems himself, but his "Youth in Arms" quartet, written in the early months, is one of the first attempts to envisage the "human psychology" of soldiering and understand "how ungrudgingly Youth dies." These poems were inspired by Monro’s fears for his friend, Basil Watt, whom he dearly loved and who was later killed at Loos. Monro’s moving elegy for Watt, "Lament in 1915", is a monologue in unornamented, modern language.

Happy boy, happy boy,
David the immortal-willed,
Youth a thousand thousand times Slain, but not once killed,
Swaggering again today
In the old contemptuous way;

Leaning backward from your thigh
Up against the tinselled bar —
Dust and ashes! is it you?
Laughing, boasting, there you are!
First we hardly recognized you
In your modern avatar.

Soldier, rifle, brown khaki —
Is your blood as happy so?
Where’s your sling or painted shield, Helmet, pike or bow?
Well, you’re going to the wars —
That is all you need to know.

Graybeards plotted. They were sad.
Death was in their wrinkled eyes.
At their tables—with their maps,
Plans and calculations—wise
They all seemed; for well they knew
How ungrudgingly Youth dies.

At their green official baize
They debated all the night
Plans for your adventurous days
Which you followed with delight,
Youth in all your wanderings,
David of a thousand slings.

After the war, Monro wrote his somewhat trenchant overview Some Contemporary Poets (1920).[3] (though this was not published by the Poetry Bookshop). He also founded The Chapbook (1919–25, his third journal after The Poetry Review and Poetry and Drama, 1913–14), which was not commercially viable, but contained some of his best work as a poet. His intention was to find "cultural middle ground" between modernism and the more traditional work exemplified by the Georgians. In this Monro took a broad view of the sphere of poetry, devoting whole numbers to children's rhymes and to songs by Walter de la Mare complete with scores.[4]

Marriages[edit]

The young Monro was raised together with his sister Mary (d. 1921) by their widowed mother, who remarried in 1910 to Sir Daniel Fulthorpe Gooch (1829–1926). Monro's stepbrother Lancelot Daniel Edward Gooch, a midshipman on H.M.S. Implacable, died a fortnight after his 18th birthday in Greece, on 4 October 1915. On 2 December 1903 in Ireland, Monro married Dorothy Elizabeth Browne. Their son Nigel Monro (1904–1951) was born there in 1904 but the marriage was not to last and in 1908, they separated. His son followed Monro family medical tradition and practised as a surgeon.

In March 1913 he met Alida Klemantaski, 17 years his junior, from Hampstead, who also had a passion for poetry and had set herself goals of becoming a doctor or rescuing prostitutes from their predicament. Monro instead persuaded her that by working in the Poetry Bookshop, she would be achieving just as much for society. They were married in 1920. Alida’s brother Louis Klemantaski, a promising young poet and musical editor died at the Somme in 1916. It is said that Alida had a greater influence on the development of Monro’s own poetry than any other.

Disappointment[edit]

In his later years, Monro reflected on whether the Poetry Bookshop had fulfilled its purpose and whether it should be closed, but he was too deeply attached to it. According to the English literary historian Dominic Hibberd, "By now Monro was a disappointed man, appalled at the state of Europe and feeling forgotten by the poets he had helped."[5] He had used up most of his money in subsidizing the shop.

On top of a drinking problem, Monro contracted tuberculosis and died on 16 March 1932 aged 53 at the Cliff Combe Nursing Home, Broadstairs, Kent, and was cremated at Golders Green Crematorium on the 19th. He was remembered as being liberal-minded and without literary prejudices. "Perhaps no one did more for the advancement of twentieth-century poetry" (Hibberd again).

To what God?[edit]

On Monday 4 August 2014, a service was held at Westminster Abbey as "A Solemn Commemoration on the Centenary of the Outbreak of the First World War", HRH Camilla, Duchess of Cornwall, representing HM the Queen. After a reading from St John's Gospel, the choir gave the first performance of a new composition by David Matthews,[6] a pupil of Benjamin Britten, setting a bitter, disillusioned 1914 poem by Harold Monro, "To what God shall we chant our songs of battle?" alongside passages from Lamentations and St Luke. James O'Donnell, Abbey organist and master of the choristers, commented that the work "leaves you standing on the edge of an abyss." It was delivered by young men whose voices blasted the stone walls of the abbey like a rebuke.[7]

To what God
Shall we chant
Our songs of Battle?
Oh, to whom shall a song of battle be chanted?
Not to our lord of the hosts on his ancient throne,
Drowsing the ages out in Heaven alone.
The celestial choirs are mute, the angels have fled:
Word is gone forth abroad that our lord is dead.
Is it nothing to you, all you that pass by?
Behold and see if there be any sorrow like unto my sorrow.

To what God
Shall we chant
Our songs of Battle?
Oh, to whom shall a song of battle be chanted?
If you had only recognised on this day the things that make for peace!
But now they are hidden from your eyes.
Oh, to whom shall a song of battle be chanted?

Anthologized poets[edit]

Poets included in Twentieth Century Poetry, an anthology chosen by Harold Monro, 1933 edition

Lascelles AbercrombieRichard AldingtonJohn AlfordA. C. BensonLaurence BinyonEdmund BlundenW. S. BluntGordon BottomleyRobert BridgesRupert BrookeSamuel "Erewhon" ButlerRoy CampbellG. K. ChestertonRichard ChurchPadraic ColumA. E. CoppardFrances CornfordJohn DavidsonW. H. DaviesJeffery DayWalter de la MareLord Alfred DouglasJohn DrinkwaterHelen Parry EdenT. S. EliotVivian Locke EllisMichael FieldJ. E. FleckerF. S. FlintJohn FreemanStella GibbonsWilfrid GibsonRobert GravesThomas HardyH. D.Philip HendersonMaurice HewlettRalph HodgsonGerard Manley HopkinsA. E. HousmanFord Madox HuefferT. E. HulmeAldous HuxleyJames JoyceRudyard KiplingD. H. LawrenceCecil Day-LewisJohn MasefieldR. A. K. MasonCharlotte MewAlice MeynellViola Meynell – Harold Monro – T. Sturge MooreEdwin MuirHenry NewboltRobert NicholsAlfred NoyesWilfred OwenJ. D. C. PellowH. D. C. PeplerEden PhillpottsEzra PoundPeter QuennellHerbert ReadIsaac RosenbergSiegfried SassoonGeoffrey ScottEdward ShanksFredegond ShoveEdith SitwellOsbert SitwellSacheverell SitwellStephen SpenderJ. C. SquireJames StephensEdward ThomasW. J. TurnerSylvia Townsend WarnerMax WeberAnna WickhamHumbert WolfeWilliam Butler Yeats

References[edit]

  1. ^ Dominic Hibberd: "Monro, Harold Edward (1879–1932)", Oxford Dictionary of National Biography, Oxford University Press, 2004 Retrieved 14 Dec 2014
  2. ^ "Monro, Harold Edward (MNR898HE)". A Cambridge Alumni Database. University of Cambridge. 
  3. ^ Monro, H., 1920."Some Contemporary Poets (1920)", London: Leonard Parsons.
  4. ^ The Modernist Lab at Yale University Retrieved 17 December 2014.
  5. ^ ODNB entry.
  6. ^ Faber Retrieved 15 December 2014.
  7. ^ Order of service. Retrieved 14 December 2014.

Further reading[edit]

External links[edit]