Harry Clarke

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For other people named Harry Clarke, see Harry Clarke (disambiguation).

Harry Clarke (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.

History[edit]

Clarke's illustration for Edgar Allan Poe's "The Pit and the Pendulum".

The son of a craftsman, Joshua Clarke, Harry Clarke was exposed to art (and in particular Art Nouveau) at an early age. He attended Belvedere College in Dublin. By his late teens, he was studying stained glass at the Dublin Art School. While there his The Consecration of St Mel, Bishop of Longford, by St Patrick won the gold medal for stained glass work in the 1910 Board of Education National Competition.[citation needed]

Completing his education in his main field, Clarke traveled to London, where he sought employment as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Pope's The Rape of the Lock.[citation needed]

"They danced with shawls that were woven of mist and moonshine" - one of Clarke's illustrations for Fairy Tales by Hans Christian Andersen (1916).

Difficulties with these projects made Hans Christian Andersen's Fairy Tales by Hans Christian Andersen his first printed work, however, in 1916—a title that included 16 colour plates and more than 24 halftone illustrations. This was closely followed by an illustrations for an edition of Edgar Allan Poe's Tales of Mystery and Imagination: the first version of that title was restricted to halftone illustrations, while a second iteration with eight colour plates and more than 24 halftone images was published in 1923.[citation needed]

The latter of these made his reputation as a book illustrator (this was during the golden age of gift-book illustration in the first quarter of the twentieth century: Clarke's work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac). It was followed by editions of The Years at the Spring, containing 12 colour plates and more than 14 monotone images; (Lettice D'O. Walters, ed., 1920), Charles Perrault's Fairy Tales of Perrault, and Goethe's Faust, containing eight colour plates and more than 70 halftone and duotone images (New York: Hartsdale House,1925). The last of these is perhaps his most famous work, and prefigures the disturbing imagery of 1960s psychedelia.[citation needed]

A Harry Clarke window depicting Saint Patrick preaching to his disciples, commissioned in 1925 for St. Michael's Church in Ballinasloe

Two of his most sought-after titles include promotional booklets for Jameson Irish Whiskey: A History of a Great House (1924, and subsequent reprints) and Elixir of Life (1925), which was written by Geofrey Warren. His final book, Selected Poems of Algernon Charles Swinburne, was published in 1928. He had also worked in stained glass, producing more than 130 windows, he and his brother, Walter, having taken over his father's studio after his death in 1921. Stained glass is central to Clarke's career. His glass is distinguished by the finesse of its drawing, unusual in the medium, his use of rich colours (inspired by an early visit to see the stained glass of the Cathedral of Chartres, he was especially fond of deep blues), and an innovative integration of the window leading as part of the overall design (his use of heavy lines in his black and white book illustrations is probably derived from his glass techniques).

Clarke's stained glass work includes many religious windows but also much secular stained glass. Highlights of the former include the windows of the Honan Chapel in University College Cork, of the latter, a window illustrating John Keats' The Eve of St. Agnes (now in the Hugh Lane Municipal Gallery in Dublin) and the Geneva Window. Perhaps his most seen work was the windows of Bewley's Café on Dublin's Grafton Street.[citation needed]

Last years/death[edit]

Ill health plagued both Clarke brothers; both died within a year of each other—Harry second in early 1931 from tuberculosis while trying to convalesce in Switzerland. The Clarkes' work was influenced by both Art Nouveau and Art Deco movements. His stained glass was particularly informed by the French Symbolist movement.

List of leaded glass windows (by Harry Clarke)[edit]

Building Location Year Details Notes
St. Patrick's Purgatory[1] Lough Derg, County Donegal 1927–28 Apostle Peter – Jesus is condemned to death
St. Paul – Jesus takes up his cross
Apostle Andrew – Jesus Falls the first time
Apostle John The Evangelist – Simon helps Jesus to carry his cross
Apostle Philip – Veronica wipes the face of Jesus
Apostle Bartholomew – Jesus Falls the second time
Apostle Thomas – The Women of Jerusalem weep for Jesus
Apostle Matthew – Jesus falls the third time
Apostle James the Less – Jesus is stripped of his clothes
Apostle Thaddeus – Jesus is nailed to the cross
Apostle Simon – Jesus dies on the cross
St. Matthias – The body of Jesus is taken from the Cross
Our Blessed Lady – The body of Jesus is laid in the tomb
Laurence Ambrose Waldron House[2] Dublin 1917 Queens of Sheba, Meath and Connaught 9 Frieze Windows based on J.M. Synge poem 'Queens'
Queens men drew like Monna Lisa
Lucrenzia Crivelli
Queens in Glenmacnass
Etain, Helen Maeve and Fand
Bert
Queens who cut the bogs of Glanna
Queens who wasted the East by proxy
Queen of all are living or have been
Eneriley and Kilbride Church Arklow, County Wicklow Resurrection window
Castletownshend Church County Cork 1918–20 The Nativity 1918
St. Louis IX and St. Martin of Tours dividing his Cloak for a Beggar 1920
St. Luke 1926
Courtmacsherry Church County Cork 1929–30 Holy Family and Flight into Egypt
Coronation of the Virgin
Assumption
Christ meets his mother
Miracle of Cana
Death of St. Joseph
Carricknacross Church[3] County Monaghan 1925 St. Oliver Plunkett
St. Rita
St. Laurence O'Toole
St. Dabhac
Death of Our Lady
Entombment of Christ
St. Kieran
Death of St. Joseph
Death of St. Patrick
St. Dympna
Chapel of the Noel Family Exton Park, Rutland, England 1926 Blessed Oliver Plunkett and Blessed Thomas More
St. Mary's Church Sturminster Newton, Dorset 1920–21 Our Lady and child, with St. Elizabeth and St. Barbara
Holy Trinity Church Killiney, Dublin 1919 Angel of Hope and Peace
St. Michael and St. John Cloughjordan, County Tipperary 1924 The ascension with 5 Irish saints and St. Michael and St. James
Ballinrobe Church County Mayo 1926 St. Fursey and St. Fechin
St. Colman and St. Brendan
St. Gormgall and St. Kieran
St. Enda and St. Jarleth
Assumption and Coronation of Blessed Virgin Mary
Presentation in the Temple and Immaculate Conception
Ecce Homo and Magdalen in the Garden
Baptism of Christ and Ascension
St. Patrick, St. Brigid and St. Colmcille
St. Mary's Church Nantwich, Cheshire, England 1920 Madonna and Child Representing motherhood and sacrifice[4]
St. Cecelia with birds and flowers Representing music
Richard Coeur de Lion
St. Adrian
St. Clare
St. Francis of Assisi
Mary Magdalen
St. Brigid
St. Nicholas
St. Peter's Church Phibsborough, Dublin 1919 Apparition of the Sacred Heart South Aisle
Mary Magdalen In the Mortuary Chapel
St. John
Castleknock Church Dublin 1928 St. Luke
St. George
St. Hubert
Church of the Assumption Bride Street, Wexford 1919 Our Lady and Child
Adored by Saints Adrian and Aiden Also described as Breen[5]
Honan Chapel[6] University College, Cork 1915–17 St. Brigid Described by Brian Fallon as 'Awesome, hieratic, Neo-Byzantine quality."
St. Patrick
St. Colmcille
St. Gobnait
St. Ita
St. Declan
St. Finnbarr
St. Albert
Our Lady Queen of heaven
St. Joseph
St. Mel's Cathedral Longford Consecration of St. Mel as Bishop of Longford
St. Joseph's Church Terenure, Dublin 1922–23 The Annunciation 1922
Our Lady Queen of Heaven 1923. Described as 'Adoration of the Cross'[7]
Tullamore Church County Offaly 1927–28 St. Peter and St. Paul Windows originally designed for Rathfarnham Castle[8]
St. Brendan
St. Patrick and St. Benignus
St. Ignatius
Sacred Heart
St. Joseph and Our Lady
Christ's Wounds
Balbriggan Church County Dublin 1923 The Visitation
St. Macaulind's Church Lusk, County Dublin 1924 St. Macaulind holding a replica of the new church. The artists self-portrait among the afflicted
Symbolic windows
Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate[9] Belcamp, Raheny, County Dublin 1925 St. Brendan at the helm of his boat
St. Malachy. Also known as St. Maol M'Aodhog
St. Kevin in his cave at Glendalough
St. Laurence O'Toole in the ancient city of Dublin Also known as Lorcon
St. Colmcille
St. Duileach
St. Damhnait
St. Brigid
St. Eithne and St. Fedhlim
St. Gobnait
St. Patrick
St. Oliver Plunkett
Newport Church County Mayo 1927 Last Judgement
Tullycross Church Renvyle, County Galway 1927 St. Barbara
St. Bernard
Apparition of the Sacred Heart
All Saints Church Penarth, Cardiff, Wales St. Michael
St. Gabriel
Laragh Church County Wicklow 1928–29 10 clerestory windows
Killaloe Church County Clare 1927 The Presentation of Our Lord.
Annunciation and Flight into Egypt
Cathedral Church of St. Brigid Kildare St. Hubert
Carnalway Church Kilcullen, County Kildare 1922 St. Hubert
Parish Church Gorey, County Wexford 1922–23 St. Stephen
St. Martin of Tours
Sandford Road Church Ranelagh, Dublin St. Peter and St. Paul
Bewleys Café 78 Grafton Street, Dublin 1928 Decorative windows
Donabate Church County Dublin 1926 Suffer little Children to come unto me
Ballylooby Church Cahir, County Tipperary 1925 Beheading of St. John the Baptist
Vision of Bernadette of Lourdes
Church of Sacred Heart Donnybrook, Dublin 1924 St. Rita and St. Bernard
Wolfsonian Museum Miami, Florida, USA 1930 Geneva Window Commissioned for the International Labour Building, League of Nations, Geneva
The Hugh Lane Gallery Dublin 1923 Eve of St. Agnes Illustration of John Keats' poem.

a) Numb were the Beardsman's fingers.
b) At length burst in.......
c) Meantime, across the moors....
d) Behind a broad hall pillar.....
e) Follow me child...
f) Madelaine.....
g) Full on this casement....
h) These delicates....
i) Still she beheld....
j) 'Tis dark....
k) Awake! Arise!....
l) The arras, rich with horsemen...
m) The key turns.....
n) ...ages long ago...

List of leaded glass windows (by The Harry Clarke Studio)[edit]

Building Location Year Details Notes
Catholic Church Templemore
Clontarf Presbyterian Church Dublin 1919 Pieta Also described as Resurrection and Deposition. This is a war memorial.
Ascension

See also[edit]

References[edit]

  1. ^ Exhibition at Royal Hospital, Kilmainham, 1990.
  2. ^ Harry Clarke, Monograph and catalogue, 12 November to 8 December 1979, The Douglas Hyde Gallery.
  3. ^ Shell Guide To Ireland, p.94.
  4. ^ Nicola Gordon Bowe.
  5. ^ Shell Guide to Ireland, p.305.
  6. ^ Douglas Hyde Gallery Exhibition, 1979.
  7. ^ Shell Guide to Ireland, p.166
  8. ^ Shell Guide to Ireland, p.297
  9. ^ Shell Guide to Ireland.

Sources[edit]

  • Nicola Gordon Bowe. 1994. The Life and Work of Harry Clarke (Irish Academic Press)
  • Martin Moore Steenson. 2003. A Bibliographical Checklist of the Work of Harry Clarke (Books & Things)
  • John J Doherty. 2003. Harry Clarke - Darkness In Light A film on the life and work of Harry Clarke (Camel Productions)
  • Lucy Costigan and Michael Cullen. 2010. Strangest Genius: The Stained Glass of Harry Clarke (The History Press Ireland)

External links[edit]