Harry Norris (conductor)

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Harry Norris

Harry Norris (23 November 1887 – 22 June 1979) was a New Zealand-born conductor best remembered as musical director of the D'Oyly Carte Opera Company from 1920 to 1929.

After musical training at the Royal Academy of Music, Norris served in World War I. He joined the D'Oyly Carte Opera Company after the war, becoming musical director in 1920. However, the company recalled Geoffrey Toye, Norris's predecessor, as musical director for the company's London seasons. During his tenure, Norris led the company's tours both in Britain and abroad. He is remembered for making modifications to Arthur Sullivan's scores, some of which were performed and recorded by the company for many years. His short edition of Cox and Box remains popular.

After leaving that company, Norris emigrated to Canada with his family to teach at McGill University in Montreal. There, he helped to establish a Gilbert and Sullivan company for which he and his wife acted as musical director and stage director from 1939 to 1963. He returned to England in the 1960s to retire.

Life and career[edit]

Norris was born in Invercargill, in the southernmost part of New Zealand. He was awarded a scholarship to study in London at the Royal Academy of Music where he won the Hill Prize for violin.[1] At this time he was known as "Henry W Norris".[2] A fellow student was the future D'Oyly Carte star Darrell Fancourt.[3]

D'Oyly Carte years[edit]

In 1913 the conductor Landon Ronald, responding to a request from Rupert D'Oyly Carte, recommended Norris as a coach and principal violinist for the D'Oyly Carte Opera Company.[3] His appointment was delayed by his active service in World War I, but he finally took up the D'Oyly Carte post in either 1918 (according to his own account) or 1919 (according to Rollins & Witts), not as leader but as conductor. He served briefly with the D'Oyly Carte's new small touring company, and in September 1919, he moved to the main company for the start of the London season at the Prince's Theatre, where he served as assistant musical director to Geoffrey Toye.[4][5]

Norris was the company's musical director from February 1920 to May 1929, except for the London West End seasons in 1921–22 and 1924, when Toye again took charge, and 1926 when Malcolm Sargent was guest conductor. He was never musical director for a D'Oyly Carte London season, though he shared the conducting and was allotted the occasional first night of an opera's run.[6][7] During his tenure with the company, Norris married and divorced one of the company's sopranos, Elsie Coram.[8] From January to June 1927, Norris toured Canada with the company, and from September 1928 to May 1929 they toured Canada and the US. Norris left the company at the end of that tour.[5]

As musical director, Norris was responsible for a number of changes to Sullivan's scores. Prominent horn parts were added to the accompaniment to "A Lady Fair" in Princess Ida that are customarily referred to as the "Norris" horn parts, though they may have been written by Toye. They were expunged by Sargent but subsequently restored by the D'Oyly Carte musical director Royston Nash in the 1970s. In addition, in 1921 Norris, in collaboration with J. M. Gordon, cut Cox and Box from its original one hour running time to play in about half an hour, so that it became suitable as a curtain raiser for The Sorcerer or other shorter full-length pieces.[3] This version remained in the company's repertoire until 1977 and continues to be used in many productions.[9]

Of Norris's work with the D'Oyly Carte company, Samuel Langford in The Manchester Guardian wrote, "Mr Norris, the conductor, we think favours too much in The Mikado an easeful enthusiasm. The work on the stage would be all the finer with a keener precision in the orchestra."[10] Earlier, Langford objected to "the occasions when the accompanying melodies took rather a canonic than a simultaneous form."[11] The Times, on the other hand, praised Norris's "admirable swing and fluency" and commented that he justified D'Oyly Carte's confidence in him."[7]

Later years[edit]

After leaving the company in 1929, Norris settled in Canada with his second wife, Doris Hemingway (also a former D'Oyly Carte performer)[12] and their son, taking up an academic appointment at McGill University in Montreal. The Norrises were founding members of the Montreal West Operatic Society, which performed the Gilbert and Sullivan operas. Doris served as stage director and Harry as musical director, which post he held from 1939 to 1963. They also worked with St. Paul's Operatic Society, among other groups.[13] He also played the viola in the McGill Quartet with university colleagues.[14]

Norris volunteered at St. Helen's School, Dunham, Quebec, in the 1940s and 1950s. He rehearsed and directed the school's annual carol service at St. Matthias and directed an annual spring production of a Gilbert and Sullivan opera. He also gave lessons to the school's advanced piano and singing students.[15]

Norris retired from teaching in the early 1960s and he and Doris moved to Barton-on-Sea near Bournemouth, England. He died in 1979 at the age of 91.[5]


For His Master's Voice, Norris conducted D'Oyly Carte recordings of:

The first four were recorded by the old acoustic process. A photograph of Norris and D'Oyly Carte colleagues with the huge recording horn used in the acoustic process can be seen here. The other three were recorded by the new electrical technique, though it can be clearly heard that in the electrical recordings Norris retained some of the orchestral augmentations (e.g. low brass playing lines written for low strings) used for acoustic recordings.[23]


  1. ^ The Times, 28 November 1910, p. 13; and 27 July 1911, p. 4
  2. ^ The Times, 28 November 1910, p. 13
  3. ^ a b c Norris, Harry. "Recollections of the D'Oyly Carte", Memories of D'Oyly Carte website
  4. ^ Rollins and Witts, Appendix, p. I
  5. ^ a b c Stone, David. Harry Norris biography at Who Was Who in the D'Oyly Carte Opera Company (2006)
  6. ^ Rollins and Witts, Appendix pp. I and II
  7. ^ a b The Times, 11 March 1924, p. 12
  8. ^ Stone, David. Elsie Coram biography at Who Was Who in the D'Oyly Carte Opera Company (2004)
  9. ^ Walters, Michael. "A Brief Overview of the Life of Rutland Barrington", The Gilbert & Sullivan News, vol. II, no. 13, p. 15 (Autumn/Winter 1998; The Gilbert and Sullivan Society)
  10. ^ The Manchester Guardian, 6 April 1926, p. 9
  11. ^ The Manchester Guardian, 2 April 1922, p. 9
  12. ^ Stone, David. Doris Hemingway biography at Who Was Who in the D'Oyly Carte Opera Company (2003)
  13. ^ Whitehead, J. Rennie. Memoirs of a Boffin, Chapter 8: Multinational, 1995
  14. ^ Potvin, Gilles. "McGill String Quartet", Canadian Encyclopedia
  15. ^ St Helen's school yearbook, 1955, p. 3
  16. ^ Shepherd, Marc. "The 1922 HMV Iolanthe", A Gilbert and Sullivan Discography (2001)
  17. ^ Shepherd, Marc. "The 1922 HMV Pinafore", A Gilbert and Sullivan Discography (2003)
  18. ^ Shepherd, Marc. "The 1924 HMV Ruddigore", A Gilbert and Sullivan Discography (2001)
  19. ^ Shepherd, Marc. "The 1924 HMV Princess Ida", A Gilbert and Sullivan Discography (2001)
  20. ^ Shepherd, Marc. "The 1926 D'Oyly Carte Mikado", A Gilbert and Sullivan Discography (2003)
  21. ^ Shepherd, Marc. "The 1927 D'Oyly Carte Gondoliers", A Gilbert and Sullivan Discography (2003)
  22. ^ Shepherd, Marc. "The 1927 D'Oyly Carte Trial By Jury", A Gilbert and Sullivan Discography (2003)
  23. ^ Shepherd, Marc. "The D'Oyly Carte Complete Electrical Sets", A Gilbert and Sullivan Discography (2001)


  • Rollins, C. and R. J. Witts. The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas. Michael Joseph, London, 1962
  • Norris, Harry. "Recollections of the D'Oyly Carte", The Savoyard, September 1980

External links[edit]