Childhood, family life, and education
Sternberg's parents had immigrated from Russia and Hungary. The family moved to Brooklyn in 1910 and Harry began orthodox Jewish religious training. At the age of nine he began to take art classes at the Brooklyn Museum of Art. From 1922 until 1926 he trained at the Art Students League of New York. He rented his first studio in Greenwich Village in 1926 and began his career in etching, printmaking and painting.
In 1931 his work was exhibited at The Whitney Museum of American Art for the first time. He was appointed in 1933 to the staff of the Art Students League of New York where he would remain an instructor for the next 35 years. After meeting Diego Rivera, the prominent Mexican muralist, and his wife Frida Kahlo in 1934 he became more politically active in union and socialist causes. In 1935 he was appointed a technical advisor to the Graphic Art Division, Federal Art Project (FAP). He was awarded a Guggenheim Fellowship in 1936 and spent the year studying the conditions of workers in coal mines and steel mills. His drawings, etchings and paintings depicting life in industrial America influenced his post office mural designs especially in Lakeview, Chicago, IL.
In 1937 he painted his first post office mural: Carrying the Mail for Sellersville, Pennsylvania. This artwork was commissioned by the former United States Department of the Treasury Section of Painting and Sculpture, later known as the Section of Fine Arts. Later that year Sternberg traveled to Chicago. There he studied the city’s history, architecture, industry, and workers. He returned to his New York studio and painted Chicago: Epoch of a Great City, for the Lakeview post office in Chicago. The mural is a powerful depiction of the history of the city from its first settlement of Fort Dearborn to the Great Fire to the life in the stock yards and steel mills and onward into the future. Life for the workers in Chicago’s stockyards and steel mills was graphically described in 1906 by Upton Sinclair in his novel The Jungle and the Lakeview mural captures much of this history.
He married Mary Gosney in 1939 and their family including their baby daughter are depicted in his mural for the Ambler, Pennsylvania post office: The Family - Industry and Agriculture. In fact, he was fond of self-portraits and he also painted his likeness into the scientist figure in his mural for the Lakeview post office.
In 1966 he retired from the Art Students League and the Sternbergs moved to Escondido, California where he continued to work for 35 more years. In 1990 he published a collection of prints: Sternberg: A Life in Woodcuts, one of which depicts his painting of the Lakeview post office mural. In 2001 his life and work were celebrated by a major retrospective exhibition: No Sun Without Shadow: The Art of Harry Sternberg at the Museum–California Center for the Arts, Escondido, California. The catalog of this exhibition was researched and written by Ellen Fleurov the Museum director. Harry Sternberg died on November 27, 2001 in Escondido. He had previously written and published two books: a book on composition called Composition: The Anatomy of Picture Making, and a book on woodblock cutting and printing called WOODCUT.
- "Gerald Garston, 68; artist known for mythic paintings of baseball" Boston Globe, April 5th, 1994 Search Result