The He Zun (何尊) is an ancient Chinese ritual bronze vessel of the zun shape. It is more than 2,700 years old from the era of Western Zhou, and famous as the oldest artifact with the written characters meaning "Middle Kingdom", that is, "China" (中國) in a bronze inscription on the container. Today it is in the Shaanxi Baoji Museum (宝鸡青铜器博物院).
Dimension and significance
The vessel is 38.8cm tall, 28.8 cm in diameter and weights 14.6kg. Inside the container, at the base, it contained 12 rows of 122 inscribed Chinese characters. Of the 122 characters, 119 are identified while 3 are unknown. Among the characters is the phrase (宅茲中國) inscribed in Zhou era form. This is the earliest known artifact to contain the word "Middle Kingdom/China (中國)". It is also the earliest known vessel bearing the character de 德. He zun later became one of only 64 designated pieces of historical artifacts that can never leave Chinese soil.
The construction of the city of Luoyi (洛邑) was documented in two chapters of the Classic of History. This vessel also supports the claim. Historians believe King Wu of Zhou was at Haojing (鎬京) at the time after the construction of Luoyi. The record shows King Cheng of Zhou established his residence in Chengzhou (成周) in his 5th year. Most scholars consider this was 5th year after Duke of Zhou handed over the government.
The lost artifact was discovered by a Chen family. Behind their house in Baoji was a 3 metre tall cliff. One cubic metre of the piece was sticking out from the soil. In 1963 the second son of the family dug out the piece thinking the part that sticks out would hurt somebody. The piece revealed a taotie design, but the family did not know it was a national treasure. They then used it as a food storage container at home. On August 8, 1965 the family struggled with financial difficulties and sold the piece along with other junk to a waste center in Baoji for 30 yuan.
In September 1965 a worker in the waste center informed an expert about the bronze piece. The expert recognized it as a Zhou dynasty artifact and brought it back to a museum. In 1975, near the end of the Cultural revolution, the State Administration of Cultural Heritage sent the piece to the Shaanxi relic bureau. Ma Chengyuan, a bronze expert at the Shanghai Museum, recognised its significance.
- Xinhuanet.com. "Xinhuanet.com." 何尊. Retrieved on 2010-05-01.
- big5.7qiji.com. "China's 7 wonders (中國七大奇蹟)." 何尊. Retrieved on 2010-05-01.
- For a transcription of the vessel's text, see Academy of Chinese Social Science Archaeology Research Institute, ed. (2001). 殷周金文集成釋文 [Transcribed Texts of Collected Shang and Zhou Bronze Inscriptions] 4. Hong Kong: Hong Kong Chinese Culture University Press. p. 275 (no. 6014). ISBN 962-996-039-7. This differs from the reading offered on the vessel's Chinese wikipedia article. See also Shirakawa Shizuka (白川靜) (1962–84). "48.1". 金文通釋 [Complete Explanations of Bronze Inscriptions] (in Japanese) 6. Kobe: Hakutsuru bijutsukan. pp. 167–80.
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- 郑勇 (北京师范大), "由《遂公盨》看西周金文中“德”观念的演变". 学语文学 2012.2:3.
- Wenbao.net. "Chinese cultural heritage protection official web list." 何尊 . Retrieved on 2010-05-01.
- Li Feng.  (2006) Landscape and power in early China: the crisis and fall of the Western Zhou, 1045-771 BC. Cambridge university press. 0521852722, 9780521852722. pg 63.
- News.chinavoc.cn. "News.chinavoc.cn." 西周何尊赏析. Retrieved on 2010-05-01.