Phone connector (audio)
In electronics, a phone connector is a common family of connector typically used for analog signals, primarily audio. It is cylindrical in shape, typically with two, three or four contacts. Three-contact versions are known as TRS connectors, where T stands for "tip", R stands for "ring" and S stands for "sleeve". Similarly, two- and four-contact versions are called TS and TRRS connectors respectively.
The phone connector was invented for use in telephone switchboards in the 19th century and is still widely used, both in its original 1⁄4 in (exactly 6.35 mm) size and in miniaturized versions: 3.5 mm (approx. 1⁄8 in) and 2.5 mm (approx. 3⁄32 in).
Other connectors, other terms 
It is also termed an audio jack, phone jack, phone plug, and jack plug. Specific models are termed stereo plug, mini-stereo, headphone jack, microphone jack, tiny telephone connector, bantam plug.
In the UK, the terms jack plug and jack socket are commonly used for the respective male and female phone connectors. In the US, a stationary (more fixed) electrical connector is called a "jack". The terms phone plug and phone jack are sometimes used to refer to different genders of phone connectors, but are also sometimes used colloquially to refer to RJ11 and older telephone plugs and the corresponding jacks that connect wired telephones to wall outlets (the similar terms phono plug and phono jack (or in the UK, phono socket) refer to RCA connectors common in consumer hi-fi and audiovisual equipment). In conversation, the diameter is often added to specify which size, as in, for example, "quarter-inch phone plug" or "3.5 mm phone jack."
Modern connectors 
Modern phone connectors are available in three standard sizes. The original 1⁄4 in (6.35 mm) version dates from 1878, when it was used for manual telephone exchanges, making it possibly the oldest electrical connector standard still in use. The 3.5 mm or miniature and 2.5 mm or sub-miniature sizes were originally designed as two-conductor connectors for earpieces on transistor radios. The 3.5 mm and 2.5 mm sizes are also referred to as 1⁄8 in and 3⁄32 in respectively in the United States, though those dimensions are only approximations. All three sizes are now readily available in two-conductor (unbalanced mono) and three-conductor (balanced mono or unbalanced stereo) versions.
Four- and five-conductor versions of the 3.5 mm plug are used for certain applications. A four-conductor version is often used in compact camcorders and portable media players, and sometimes also in laptop computers and smartphones, providing stereo sound plus a video signal. Proprietary interfaces using both four- and five-conductor versions exist, where the extra conductors are used to supply power for accessories. The four-conductor 3.5 mm plug is also used as a speaker-microphone connector on handheld amateur radio transceivers from Yaesu and on some mobile phones – see below for details.
Tiny telephone 
Although relatively unknown in modern consumer electronics, the professional audio world and the telecommunication industry has used tiny telephone (TT) connectors in patch bays which are mid-size phone plugs with a 4.40 mm (0.173 in) diameter shaft. In the telecom world, this is termed a "bantam" plug. Though unable to handle as much power, and less reliable than a 6.35 mm (0.250 in) jack, TTs have been used for professional console and outboard patchbays in studios and live sound applications, in which one patch panel needs hundreds of patch points in a limited space. The 3-conductor versions of TT connectors are capable of handling balanced line signals and have been employed in pro audio installations.
The most common arrangement remains to have the male plug on the cable and the female socket mounted in a piece of equipment: the original intention of the design. A considerable variety of line plugs and panel sockets is available, including plugs suiting various cable sizes, right angle plugs, and both plugs and sockets in a variety of price ranges and with current capacities up to 15 amperes for certain heavy duty 1⁄4 in versions intended for loudspeaker connections.
Less common 
Less commonly used sizes, both diameters and lengths, are also available from some manufacturers, and are used when it is desired to restrict the availability of matching connectors, such as 0.210 inch inside diameter jacks for fire safety communication jacks in public buildings, the same size found in discontinued Bell & Howell 16 mm projector speaker jacks.
- A two-pin version, known to the telecom industry as a "310 connector" consists of two phone 6.35 mm jack plugs at a centre spacing of 0.625 inches. The socket versions of these can be used with normal jack plugs provided the plug bodies are not too large, but the plug version will only mate with two jack sockets at 0.625 inches centre spacing, or with line sockets, again with sufficiently small bodies. These connectors are still widely used today in telephone company central offices on "DSX" patch panels for DS1 circuits. A similar type of 3.5 mm connector is often used in the armrests of older aircraft, as part of the on-board in-flight entertainment system. Plugging a stereo plug into one of the two mono jacks typically results in the audio coming into only one ear. Adaptors are available.
- A short-barrelled version was used for 20th century high-impedance mono headphones, and in particular those used in World War II aircraft. It is physically possible to use a normal plug in a short socket, but a short plug will neither lock into a normal socket nor complete the tip circuit. These have become rare.
Mono and stereo compatibility 
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In the original application in manual telephone exchanges, many different configurations of 6.35 mm (1⁄4 in) jack plug were used, some accommodating five or more conductors, with several tip profiles. Of these many varieties, only the two-conductor version with a rounded tip profile was compatible between different manufacturers, and this was the design that was at first adopted for use with microphones, electric guitars, headphones, loudspeakers, and many other items of audio equipment.
When a three-conductor version of the 6.35 mm (1⁄4 in) jack was introduced for use with stereo headphones, it was given a sharper tip profile in order to make it possible to manufacture jacks (sockets) that would accept only stereo plugs, to avoid short-circuiting the right channel amplifier. This attempt has long been abandoned, and now the normal convention is that all plugs fit all sockets of the same size, regardless of whether they are balanced mono, unbalanced mono or stereo. Most 6.35 mm (1⁄4 in) plugs, mono or stereo, now have the profile of the original stereo plug, although a few rounded mono plugs are also still produced. The profiles of stereo miniature and subminiature plugs have always been identical to the mono plugs of the same size.
The results of this physical compatibility are:
- If a two-conductor plug of the same size is connected to a three-conductor socket, the result is that the ring (right channel) of the socket is grounded. This property is deliberately used in several applications, see "tip ring sleeve", below. However, grounding one channel may also be dangerous to the equipment if the result is to short circuit the output of the right channel amplifier. In any case, any signal from the right channel is naturally lost.
- If a three-conductor plug is connected to a two-conductor socket, normally the result is to leave the ring of the plug unconnected (open circuit). In the days of vacuum tubes this was also potentially dangerous to equipment but most solid state devices tolerate this condition well. A 3-conductor socket could be wired as an unbalanced mono socket to ground the ring in this situation, but the more conventional wiring is to leave the ring unconnected, exactly simulating a mono socket.
Due to a lack of standardization in the past regarding the dimensions (length) given to the ring conductor and the insulating portions on either side of it in 6.35 mm (1⁄4 in) phone connectors and the width of the conductors in different brands and generations of sockets there are occasional issues with compatibility between differing brands of plug and socket. This can result in a contact in the socket bridging (shorting) the ring and sleeve contacts on a phone connector, or where a phone plug is inserted into a 2-conductor TS socket in some cases the intended 'sleeve' contact in the socket making contact with only the 'ring' portion of the plug.
Some common uses of jack plugs and their matching sockets are:
- Headphone and earphone jacks on a wide range of equipment. 6.35 mm (1⁄4 in) plugs are common on home and professional component equipment, while 3.5 mm plugs are nearly universal for portable audio equipment. 2.5 mm plugs are not as common, but are used on communication equipment such as cordless phones, mobile phones, and two-way radios.
- Consumer electronics devices such as digital cameras, camcorders, and portable DVD players use 3.5 mm connectors for composite video and audio output. Typically, a TRS connection is used for mono unbalanced audio plus video, and a TRRS connection for stereo unbalanced audio plus video. Cables designed for this use are often terminated with RCA connectors on the other end.
- Hands-free sets and headsets often use 3.5 mm or 2.5 mm connectors. Phone connectors are used for mono audio out and an unbalanced microphone (with a shared ground). Four-conductor TRRS phone connectors are used to add an additional audio channel such as microphone input added to stereo output.
- Microphone inputs on tape and cassette recorders, sometimes with remote control switching on the ring, on early, monaural cassette recorders mostly a dual-pin version consisting of a 3.5 mm TS for the microphone and a 2.5 mm TS for remote control which switches the recorder's power supply.
- Patching points (insert points) on a wide range of equipment.
- Personal computers, sometimes using a sound card plugged into the computer. Stereo 3.5 mm jacks are used for:
- Line in (stereo)
- Line out (stereo)
- Headphones/loudspeaker out (stereo)
- Microphone input (mono, usually with 5 V power available on the ring. Note that traditional, incompatible, use of a stereo plug for a mono microphone is for balanced output)
- Laptop computers generally have one line level jack for headphones and one mono jack for a microphone at microphone level. You can use an attenuating cable to convert line level or use a signal from an XLR connector, but it is not designed to record from a stereo device such as a radio or music player.
- LCD monitors with built-in speakers will need a cable with 3.5 mm male TRS plugs on each end to connect to the sound card.
- Note: Some higher end sound cards provide a breakout panel which supports 1⁄4 in plug devices as well.
- Devices designed for surround output may use multiple jacks for paired channels (e.g. TRS for front left and right; TRRS for front center, rear center, and subwoofer; and TRS for surround left and right). Circuitry on the sound device may be used to switch between traditional Line In/Line Out/Mic functions and surround output.
- Electric guitars. Almost all electric guitars use a 1⁄4 in mono jack (socket) as their output connector. Some makes (such as Shergold) use a stereo jack instead for stereo output, or a second stereo jack, in addition to a mono jack (as with Rickenbacker).
- Instrument amplifiers for guitars, basses and similar amplified musical instruments. 1⁄4 in jacks are overwhelmingly the most common connectors for:
- Inputs. A shielded cable with a mono 1⁄4 in jack plug on each end is commonly termed a guitar cable or a patch cable, the first name reflecting this usage, the second the history of the jack plug's development for use in manual telephone exchanges.
- Loudspeaker outputs, especially on low-end equipment. On professional loudspeakers, Speakon connectors carry higher current, mate with greater contact area, lock in place and do not short out the amplifier upon insertion or disconnection. However, some professional loudspeakers carry both Speakon and TRS connectors for compatibility. Heavy-duty 1⁄4 in loudspeaker jacks are rated at 15 A maximum which limits them to applications involving less than 1,800 watts. 1⁄4 in loudspeaker jacks commonly are not rigged to lock the plug in place and will short out the amplifier's output circuitry if connected or disconnected when the amplifier is live.
- Line outputs.
- Foot switches and effects pedals. Stereo plugs are used for double switches (for example by Fender). There is little compatibility between makers.
- Effects loops, which are normally wired as patch points.
- Electronic keyboards use jacks for a similar range of uses to guitars and amplifiers, and in addition
- Sustain pedals.
- Expression pedals.
- Electronic drums use jacks to connect sensor pads to the synthesizer module or MIDI encoder. In this usage, a change in voltage on the wire indicates a drum stroke.
- Some compact and/or economy model audio mixing desks use stereo jacks for balanced microphone inputs.
- The majority of professional audio equipment uses mono jacks as the standard unbalanced input or output connector, often providing a 1⁄4 in unbalanced line connector alongside (or in a few cases in the middle of!) and as an alternative to an XLR balanced line connector.
- Modular synthesizers commonly use monophonic cables for creating patches.
- ¼ in connectors are widely used to connect external processing devices to mixing consoles' insert points (see Insert (effects processing)). Two- or three-conductor phone connectors might be used in pairs as separate send and return jacks or a single three-conductor phone jack might be employed for both send and return in which case the signals are unbalanced. The one unbalanced combination send/return TRS insert jack saves both panel space and component complexity, but may introduce a slight buzz. Note that insert points on mixing consoles may also be XLR, RCA or bantam TT (tiny telephone) jacks, depending on the make and model.
- Some small electronic devices such as audio cassette players, especially in the cheaper price brackets, use a two-conductor 3.5 mm or 2.5 mm phone jack as a DC power connector.
- Some photographic studio strobe lights have 1⁄4 in or 3.5 mm jacks for the flash synchronization input. A camera's electrical flash output (PC socket or hot shoe adapter) is cabled to the strobe light's sync input jacks. Some examples: Calumet Travelite, and Speedotron use a 1⁄4 in mono jack as the sync input; White Lightning uses 1⁄4 in stereo jacks; PocketWizard (radio trigger) and AlienBees use 3.5 mm mono jacks.
- Some cameras (for example, Canon, Sigma, and Pentax DSLRs) use the 2.5 mm stereo jack for the connector for the remote shutter release (and focus activation); examples are Canon's RS-60E3 remote switch and Sigma's CR-21 wired remote control.
- Some miniaturized electronic devices use 2.5 mm or 3.5 mm jack plugs as serial port connectors for data transfer and unit programming. This technique is particularly common on graphing calculators, such as the TI-83 series, and some types of amateur and two-way radio, though in some more modern equipment USB mini-B connectors are provided in addition to or instead of jack connectors. The second-generation iPod Shuffle from Apple has one TRRS jack which serves as headphone, USB, or power supply, depending on the connected plug.
- Samsung YP-S MP3 player "pebble" uses USB-to-3.5mm TRRS jack adapter for charging as well as for data transfer.
- On CCTV cameras and video encoders, mono audio in (originating from a microphone in or near the camera) and mono audio out (destined to a speaker in or near the camera) are provided on one three-conductor connector, where one signal is on the tip conductor and the other is on the ring conductor.
- The Atari 2600 (Video Computer System), the first widely popular home video game console with interchangeable software programs, used a 3.5 mm TS (two conductor) jack for 9V 500ma DC power. Later games machines included the ZX Spectrum (for loading software from cassette) and the Sega Mega Drive (for stereo audio output).
- The Apple Lisa personal computer used a 3-conductor TRS phone connector for its keyboard.
Computer sound 
Personal computer sound cards, such as Creative Labs' Sound Blaster line use a 3.5 mm phone connector as a mono microphone input, and deliver a 5 V polarizing voltage on the ring to power electret microphones. Sometimes termed phantom power, this is not a suitable power source for microphones designed for true phantom power and is better termed bias voltage. (Note that this is not a polarizing voltage for the condenser, as electrets by definition have an intrinsic voltage; it is power for an FET preamplifier built into the microphone.) Compatibility between different manufacturers is unreliable.
The Apple PlainTalk microphone jack used on some older Macintosh systems is designed to accept an extended 3.5 mm 3-conductor phone connector; in this case, the tip carries power for a preamplifier inside the microphone. If a PlainTalk-compatible microphone is not available, the jack can accept a line-level sound input, though it cannot accept a standard microphone without a preamp.
Normally, 3.5 mm 3-conductor sockets are used in computer sound cards for stereo output. Thus, for a sound card with 5.1 output, there will be three sockets to accommodate six channels: "front left and right," "surround left and right," and "center + subwoofer." 6.1 and 7.1 channel sound cards from Creative Labs, however, use a single 3-conductor socket (for the front speakers) and two 4-conductor sockets. This is to accommodate rear-center (6.1) or rear left & right (7.1) channels without the need for additional sockets on the sound card. (Note that Creative's documentation uses the word "pole" instead of "conductor".)
Since they became available, Apple's iMac has used combined 3.5 mm TRS-TOSLINK jacks for both input and output, supporting stereo input and output with electrical connections, or TOSLINK (stereo or 5.1 Dolby Digital/DTS) digital input and output.
Some newer computers, such as Lenovo laptops, have 3.5 mm headset sockets, which are compatible with phone headsets, and may be distinguished by a headset icon, instead of the usual headphones or microphone icons. These are particularly used for Voice over IP.
Recording equipment 
Many small video cameras, laptops,recorders and other consumer devices use a 3.5 mm microphone connector for attaching a (mono/stereo) microphone to the system. These fall into three categories:
- Devices that use an un-powered microphone: usually a cheap dynamic or piezoelectric microphone. The microphone generates its own voltage, and needs no power.
- Devices that use a self-powered microphone: usually a condenser microphone with internal battery-powered amplifier.
- Devices that use a "plug-in powered" microphone: an electret microphone containing an internal FET amplifier. These provide a good quality signal, in a very small microphone. However, the internal FET needs a DC power supply, which is provided as a bias voltage for an internal preamp transistor.
Plug-in power is supplied on the same line as the audio signal, using an RC filter. The DC bias voltage supplies the FET amplifier (at a low current), while the capacitor decouples the DC supply from the AC input to the recorder. Typically, V=1.5 V, R=1 kΩ, C=47 µF.
If a recorder provides plug-in power, and the microphone does not need it, everything will usually work ok, although the sound quality may be lower than expected. In the converse case (recorder provides no power; microphone needs power), no sound will be recorded. Neither misconfiguration will damage consumer hardware, but providing power when none is needed could destroy a broadcast-type microphone.
Mobile phones 
Three- or four-conductor (TRS or TRRS) 2.5 mm and 3.5 mm sockets are common on cell phones, providing mono (three conductor) or stereo (four conductor) sound and a microphone input, together with signaling (e.g., push a button to answer a call). Three-conductor 2.5 mm connectors are particularly common on older phones, while four-conductor 3.5 mm connectors are more common on newer smartphones. These are used both for handsfree headsets (esp. mono audio plus mic, also stereo audio plus mic, plus signaling for call handling) and for (stereo) headphones (stereo audio, no mic). For wireless connection of headsets or headphones, Bluetooth is the standard protocol, and does not use a connector.
Due to possibility of three rings in the plug versus four rings in the socket and to differing pin assignment on the rings, many physically compatible connections are not electrically compatible. For example, plugging TRS headphones into a TRS headset socket (or the reverse), plugging TRS headphones or headsets into a TRRS socket, or plugging TRRS headphones or headsets from one manufacturer into a TRRS socket from another may not function. Most commonly mono audio will work, but stereo audio or mic may or may not work, depending on wiring. Signaling compatibility depends both on wiring compatibility and the signals sent by the hands-free/headphones controller being correctly interpreted by the phone.[original research?] Specialized adapters are available,[original research?] though adapters that are wired for headsets will not work for stereo headphones and conversely. Further, as TTY/TDDs are wired as headsets, TTY adapters can also be used to connect a 2.5 mm headset to a phone.
3.5 mm TRRS (stereo-plus-mic) sockets are particularly common on recent smartphones, and have been used e.g. by Nokia since 2006; this is often compatible with standard 3.5 mm stereo headphones. 2 different forms are frequently found, both of which place left audio on the tip and right audio on the first ring (mirroring the configuration found on stereo connectors). Where they differ is in the placement of the microphone and return contacts. The first, which places the return signal on the second ring and the microphone on the sleeve, is used by Apple's iPhone line, HTC devices, latest Samsung, Nokia and Sony phones, among others. The second, which reverses these contacts, is used by older Nokia mobiles, Samsung smartphones and some Sony Ericsson phones. Some computers now include a TRRS headset socket, compatible with headsets intended for smartphones. One such pin assignment, with ground on the sleeve, is standardized in OMTP and has been accepted as a national Chinese standard YDT 1885-2009.
Aircraft headsets 
Commercial and general aviation (GA) civil airplane headset plugs are similar, but not identical. A standard 1⁄4 in monaural plug, type PJ-055, is used for headphones, paired with special tip-ring-sleeve, 0.206 inch diameter plug, type PJ-068, for the microphone. On the microphone plug the Ring is used for the microphone 'hot' and the sleeve is common or microphone 'Lo'. The extra (tip) connection in the microphone plug is often left unconnected but is also sometimes used for various functions, most commonly an optional push-to-talk switch, but on some aircraft it carries headphone audio and on others a DC supply. On many newer GA aircraft the headphone jack is a standard 1⁄4 in phone connector wired in the standard unbalanced stereo configuration instead of the PJ-055 to allow stereo music sources to be reproduced.
Military aircraft and civil helicopters have another type termed a U-174/U. These are also termed 'NATO plugs' or Nexus TP120 telephone plugs. They are similar to 1⁄4 in (6.3 mm) plug, but with a 7.10 mm (0.280 in) diameter short shaft with an extra ring, i.e. four conductors in total, allowing two for the headphones (mono), and two for the microphone. There is a confusingly similar four pole (or four conductor) British connector with a slightly smaller diameter and a different wiring configuration used for headsets in many UK Military aircraft and often also referred to as a NATO or 'UK NATO' connector.
Switch contacts 
|This section does not cite any references or sources. (August 2007)|
Panel-mounting jacks are often provided with switch contacts. Most commonly, a mono jack is provided with one normally closed (NC) contact, which is connected to the tip (live) connection when no plug is in the socket, and disconnected when a plug is inserted. Stereo sockets commonly provide two such NC contacts, one for the tip (left channel live) and one for the ring or collar (right channel live). Some designs of jack also have such a connection on the sleeve. As this contact is usually ground, it is not much use for signal switching, but could be used to indicate to electronic circuitry that the socket was in use.
Less commonly, some jacks are provided with normally open (NO) or change-over contacts, and/or the switch contacts may be isolated from the connector.
The original purpose of these contacts was for switching in telephone exchanges, for which there were many patterns. Two sets of change-over contacts, isolated from the connector contacts, were common. The more recent pattern of one NC contact for each signal path, internally attached to the connector contact, stems from their use as headphone jacks. In many amplifiers and equipment containing them, such as electronic organs, a headphone jack is provided that disconnects the loudspeakers when in use. This is done by means of these switch contacts. In other equipment, a dummy load is provided when the headphones are not connected. This is also easily provided by means of these NC contacts.
Other uses for these contacts have been found. One is to interrupt a signal path to enable other circuitry to be inserted. This is done by using one NC contact of a stereo jack to connect the tip and ring together when no plug is inserted. The tip is then made the output, and the ring the input (or vice versa), thus forming a patch point.
Another use is to provide alternative mono or stereo output facilities on some guitars and electronic organs. This is achieved by using two mono jacks, one for left channel and one for right, and wiring the NC contact on the right channel jack to the tip of the other, to connect the two connector tips together when the right channel output is not in use. This then mixes the signals so that the left channel jack doubles as a mono output.
Where a 3.5 mm or 2.5 mm jack is used as a DC power inlet connector, a switch contact may be used to disconnect an internal battery whenever an external power supply is connected, to prevent incorrect recharging of the battery.
A standard stereo jack is used on most battery-powered guitar effects pedals to eliminate the need for a separate power switch. In this configuration, the internal battery has its negative terminal wired to the sleeve contact of the jack. When the user plugs in a two-conductor (mono) guitar or microphone lead, the resulting short-circuit between sleeve and ring connects an internal battery to the unit's circuitry, ensuring that it powers up or down automatically whenever a signal lead is inserted or removed. A drawback of this design is the risk of inadvertently discharging the battery if the lead is not removed after use, such as if the equipment is left plugged in overnight.
|Unbalanced mono in/out||Unbalanced mono insert||Balanced mono in/out||Unbalanced stereo|
|Tip||Signal||Send or return signal||Positive/hot||Left channel|
|Ring||Ground or no Connection||Return or send signal||Negative/cold||Right channel|
- The first version of the popular Mackie 1604 mixer, the CR1604, used a tip negative, ring positive jack wiring scheme on the main left and right outputs.
- Whirlwind Line Balancer/Splitters do not use the sleeve as a conductor on their unbalanced 6.5 mm/1⁄4 in TRS phone input. Tip and ring are wired to the transformer's two terminals; the sleeve is not connected.
Balanced audio 
When a phone connector is used to make a balanced connection, the two active conductors are both used for a monaural signal. The ring, used for the right channel in stereo systems, is used instead for the inverting input. This is a common use in small audio mixing desks, where space is a premium and they offer a more compact alternative to XLR connectors. Another advantage offered by TRS phone connectors used for balanced microphone inputs is that a standard unbalanced signal lead using a TS phone jack can simply be plugged into such an input. The ring (right channel) contact then makes contact with the plug body, correctly grounding the inverting input.
A disadvantage of using phone connectors for balanced audio connections is that the ground mates last and the socket grounds the plug tip and ring when inserting or disconnecting the plug. This causes bursts of hum, cracks and pops and may stress some outputs as they will be short circuited briefly, or longer if the plug is left half in.
This problem does not occur when using the 'gauge B' (BPO) phone connector (PO 316) which although it is of 0.25in (6.3mm) diameter has a smaller tip and a recessed ring so that the ground contact of the socket never touches the tip or ring of the plug. This type was designed for balanced audio use, being the original telephone 'switchboard' connector and is still common in broadcast, telecommunications and many professional audio applications where it is vital that permanent circuits being monitored (bridged) are not interrupted by the insertion or removal of connectors. This same tapered shape used in the 'gauge B' (BPO) plug can be seen also in aviation and military applications on various diameters of jack connector including the PJ-068 and 'bantam' plugs. The more common straight-sided profile used in domestic and commercial applications and discussed in most of this article is known as 'gauge A'.
XLR connectors used in much professional audio equipment mate the ground signal on pin 1 first.
Unbalanced audio 
Phone connectors with three conductors are also commonly used as unbalanced audio patch points (or insert points, or simply inserts), with the output on many mixers found on the tip (left channel) and the input on the ring (right channel). This is often expressed as "tip send, ring return". Other mixers have unbalanced insert points with "ring send, tip return". One advantage of this system is that the switch contact within the panel socket, originally designed for other purposes, can be used to close the circuit when the patch point is not in use. An advantage of the tip send patch point is that if it is used as an output only, a 2-conductor mono jack plug correctly grounds the input. In the same fashion, use of a "tip return" insert style allows a mono jack plug to bring an unbalanced signal directly into the circuit, though in this case the output must be robust enough to withstand being grounded. Combining send and return functions via single 1⁄4 in TRS connectors in this way is seen in very many professional and semi-professional audio mixing desks, due to the halving of space needed for insert jack fields which would otherwise need two jacks, one for send and one for return. The tradeoff is that unbalanced signals are more prone to buzz, hum and outside interference.
In some 3-conductor TRS phone inserts, the concept is extended by using specially designed phone jacks that will accept a mono jack plug partly inserted to the first click and will then connect the tip to the signal path without breaking it. Most standard phone connectors can also be used in this way with varying success, but neither the switch contact nor the tip contact can be relied upon unless the internal contacts have been designed with extra strength for holding the plug tip in place. Even with stronger contacts, an accidental mechanical movement of the inserted plug can interrupt signal within the circuit. For maximum reliability, any usage involving first click or half-click positions will instead rewire the plug to short tip and ring together and then insert this modified plug all the way into the jack.
The TRS tip return, ring send unbalanced insert configuration is mostly found on older mixers. This allowed for the insert jack to serve as a standard-wired mono line input that would bypass the mic preamp. However tip send has become the generally accepted standard for mixer inserts since the early-to-mid 1990s. The TRS ring send configuration is still found on some compressor sidechain input jacks such as the dbx 166XL.
In some very compact equipment, 3.5 mm TRS phone connectors are used as patch points.
Some sound recording devices use a 3-conductor phone connector as a mono microphone input, using the tip as the signal path and the ring to connect a standby switch on the microphone.
See also 
|Wikimedia Commons has media related to: TRS connector|
- International Library of Technology: ... Principles of Telephony .... International Textbook Company, Scranton, PA. 1907.
- Robert McLeish (2005). Radio Production. Newnes. ISBN 0-240-51972-8.
- Standard Reference Designations for Electrical and Electronics Parts and Equipments: IEEE 200-1975 (Reaffirmed 1988): Section 188.8.131.52. IEEE and ANSI, New York, NY. 1975.
- Reference Designations for Electrical and Electronics Parts and Equipment: ASME Y14.44-2008 (Replaced IEEE 200-1975): Section 184.108.40.206. ASME, Fairfield, NJ. 2008.
- Gary D. Davis and Ralph Jones (1989). The Sound Reinforcement Handbook. Hal Leonard. ISBN 0-88188-900-8.
- "Build a Data Cable for the Yaesu VX-6".
- Gibson, Bill. (2007) The Ultimate Live Sound Operator's Handbook, p. 202. Hal Leonard Corporation. ISBN 1-4234-1971-5
- "Switchcraft Z15J 1/4" High Power Speaker Jack". Full Compass. Retrieved October 24, 2011. "High power 2-conductor speaker jack carries 15A (continuous) audio speaker current levels."
- "Switchcraft Telephone Jack and Telephone Plug Mating Chart".[dead link]
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- The Headset Buddy supplies a variety of adapters
- MEElectronics - P version headset earphone compatibility
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- "Item # TP-120, Telephone Plug". Amphenol Nexus Technologies, Inc. Retrieved 2012-01-12.
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- Sweetwater inSync
- Silent Way's recording tricks- Mackie CR-1604 mixer
- "QSC Audio Products. Frequently Asked Questions".
- [dead link]
- "Neutrik mil-b-gauge-type plugs".
- "dbx 166XL compressor with balanced TRS tip send input and output jacks and one TRS ring send sidechain jack".