|Studio album by Insane Clown Posse|
|Released||August 31, 2004|
|Recorded||The Lotus Pod Detroit, MI|
|Genre||Midwest hip hop, indie hip hop, Horrorcore|
|Insane Clown Posse chronology|
Outer cardboard slip cover.
Following the release of The Wraith: Shangri-La, Joseph Bruce admitted that he was considering not completing the production of Hell's Pit. He is quoted as describing Shangri-La as "the end of the road. It's the end of the Joker's Cards. After this I could do anything I want, for the rest of my life. The positivity was so unbelievable."
Preceding the release of Hell's Pit, Bruce stated the album's sound was intended as a throwback to the minimalistic sound of Carnival of Carnage, particularly its darker second half. Bruce also stated that it would contain less rock elements and singing, and that it would not feature guest appearances. "Bowling Balls" samples the drum beat of Madonna's "Justify My Love," which was based upon Public Enemy's instrumental "Security of the First World", which was in turn based on the end drum break of James Brown's "Funky Drummer".
Hell's Pit is the second part of the sixth Joker's Card, The Wraith, written with the opposite intent of its counterpart, Shangri-La, Hell's Pit is intended to illustrate the horrors of hell itself. Many of the songs feature Violent J and Shaggy 2 Dope fictitiously dying, to be sent to Hell, depicted in the album as a place void of all hope and peace, where those who do not atone for their sins and follow the ways of Shangri-La will presumably be sent upon their death. Bruce described the album as "Horror tale after Horror tale, mixed in with songs that describe hell" and stated that it was the darkest, most painful work he had ever done.
Two versions of the album were released, each containing a different DVD. One release featured a live concert and a twelve-minute music video for the song "Real Underground Baby", and another featured a short 3-D film for the song "Bowling Balls", shot in high-definition video.
Critic Steve 'Flash' Juon of Rap Reviews wrote that "Hell's Pit may be appopriately [sic] named, if only because I felt like I was in a burning pit of Hell in my ears while listening to it. Actually, that might be preferable to ever playing this album again." Of the album's conclusion to the Dark Carnival storyline, Allmusic reviewer David Jeffries wrote that "Insane Clown Posse sound tired of the concept, only getting inspired when they've moved on from it".
|2||"Walk into the Darkness"||3:26||Mike Puwal||ICP
|3||"Suicide Hotline"||3:34||Fritz the Cat||ICP|
|4||"C.P.K's"||2:49||Fritz the Cat||ICP|
|5||"Truly Alone"||3:56||Fritz the Cat||ICP|
|6||"Everyday I Die"||3:25||Mike Puwal||ICP|
|7||"The Night of the .44"||3:02||Esham
|8||"The Witch"||3:20||Mike Puwal||ICP|
|11||"Burning Up"||3:36||Mike Puwal||ICP|
|13||"In My Room"||3:53||Mike Puwal||ICP|
|17||"Real Underground Baby"||12:38||Esham||ICP|
|Chart (2004)||Peak Position|
|Top Independent Albums||1|
|Top Internet Albums||12|
- D'Angelo, Joe (October 4, 2002). "Insane Clown Posse Find Light (And Hotties, Homies, Faygo) At End Of Tunnel". MTV. Retrieved 2008-05-05.
- Bruce, Joseph (June 25, 2004). "Weekly Freekly: Number 669". Psychopathic Records. Archived from the original on 2004-04-26. Retrieved 2008-08-17.
- Jeffries, David. "Review of Hell's Pit". Allmusic. Retrieved 2008-06-30.
- Thomas, Lindsey (March 8, 2006). "She Bop". City Pages. Retrieved 2008-06-30.
- Ressner, Jeffrey (1991-08-16). "Justify My Claim". Entertainment Weekly.
- "Who R ICP > History > The Wraith: Hell's Pit". Psychopathic Records. Retrieved 2008-05-02.[dead link]
- Anderson, John (March 26, 2009). "3-D not an alien concept in Hollywood". Newsday. Retrieved 4 April 2009.
- Jeffries, David. "Review of Hell's Pit". Allmusic. Retrieved 2009-02-04.
- Juon, Steve (August 31, 2004). "Review of Hell's Pit". Rap Reviews. Retrieved 2009-02-04.
- "Insane Clown Posse Artist Chart History: Albums". Billboard. Retrieved 2008-08-19.