Herbert Baker (screenwriter)
The only son of composer Maurice Abrahams and singer Belle Baker, Herbert attended Yale School of Drama receiving a Bachelor of Arts. It was no surprise that Herbert would enter the musical field. His first Broadway credit was in 1944 as the lyricist of Erich Wolfgang Korngold's arrangement of Offenbach's La Belle Helene as well as other songs and musical pieces for Helen Goes to Troy that ran for 97 performances.
In 1945, Baker wrote for the Danny Kaye radio show. Henry Morgan hired Baker to write for his radio show in 1947. Baker began his career in screenwriting in 1948 with Morgan's film debut So This Is New York, co-written with Carl Foreman and based upon Ring Lardner's 1920 novel The Big Town. Baker was a Yale classmate of director Richard Fleischer and recommended him to Stanley Kramer for So This Is New York.
He wrote Dream Wife (1953) with Sidney Sheldon for Cary Grant and Deborah Kerr and several films for Dean Martin and Jerry Lewis such as Jumping Jacks (1951), Scared Stiff (1953), and Artists and Models (1955). The latter film was directed and co-written by Frank Tashlin whom Baker worked with again on The Girl Can't Help It.
Baker kept writing songs and contributed new songs to the Rose Marie (1954).
Baker entered television writing and won Emmy Awards for An Evening With Fred Astaire in 1959 and The Flip Wilson Show in 1971. He was nominated twice for The Flip Wilson Show in 1972 and 1973 and was nominated in 1964 for The Danny Kaye Show. Baker wrote television scripts for many other singers such as Perry Como, Frank Sinatra, John Denver, Ted Knight, Mac Davis and Gladys Knight and the Pips. Baker also wrote a television pilot for a version of Some Like It Hot in 1961.
In 1965, Baker wrote for The Dean Martin Show. When Martin agreed to star in and co-produce a series of Matt Helm films for producer Irving Allen in the same year, Baker rewrote Oscar Saul's screenplay for the third and final draft of The Silencers but only received a screen credit for the song parodies he wrote for Martin. Baker received sole credit for Murderers' Row that Saul had rewritten but Baker rewrote again. Baker then wrote the third Matt Helm film The Ambushers but wrote a serious spy adventure for Irving Allen, Hammerhead based on James Mayo's Charles Hood character.
His final screen credit was The Jazz Singer in 1980.
- Obituary Variety 6 July 1983
- The Herbert Baker box papers 1939-1978 http://content.cdlib.org/view?docId=kt1779q0j5&chunk.id=c01-18.104.22.168&brand=oac