||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (July 2011)|
September 30, 1857|
|Died||November 21, 1928(aged 71)|
|Occupation||Dramatist and Novelist|
|Notable works||Heimat (play)
Frau Sorge (novel)
|Spouse||Clara Lauckner (1861-1924)|
He was born at Matzicken, a village just to the east of Heydekrug in the Province of Prussia (now Macikai and Šilutė, in southwestern Lithuania), close to the Russian frontier. The Sudermanns were a Mennonite family long settled near the former Elbing, East Prussia, (now Elbląg), Poland).
His father owned a small brewery in Heydekrug, and Sudermann received his early education at the Realschule in Elbing, but, his parents having been reduced in circumstances, he was apprenticed to a chemist at the age of fourteen. He was, however, able to enter the Realgymnasium (high school) in Tilsit, and to study philosophy and history at Königsberg University.
In order to complete his studies Sudermann went to Berlin, where he was tutor to several families, including that of the author Hans Hopfen (1835–1904). Next he became a journalist, and was in 1881 and 1882 the co-editor of the Deutsches Reichsblatt. He then devoted himself to fiction, beginning with a collection of naturalistic short stories called Im Zwielicht ("At Twilight", 1886), and the novels Frau Sorge ("Dame Care", 1887), Geschwister ("Siblings", 1888) and Der Katzensteg ("Cats' Bridge", 1890). These works failed to bring the young author as much recognition as his first drama, Die Ehre ("Honour", 1889), which inaugurated a new period in the history of the German stage. This play, originally intended to be a tragedy, but on Blumenthal's advice given a "happy ending," was a pseudo-Nietzschean attack on the morality of the lowly.
He married the novelist Clara Lauckner (1861–1924), née Schulz on 20 October 1891. She was a widow and already had three children from her previous short-lived marriage, and she would have one child with Sudermann: a daughter, Hede. They lived in Königsberg for the next two years, before moving to Dresden, and then Berlin in 1895.
Another successful drama, Heimat (1893), was translated into English as Magda (1896). In this play, Sudermann emphasizes the right of the artist to a freer moral life than that of the petty bourgeoisie. It has some of the moralistic and didactic tendency of the later French dramatists, especially the younger Dumas, and all of their technical finesse. Productions featured some of the best known actresses of the time, including Helena Modjeska, Sarah Bernhardt, Eleonora Duse, and Mrs Patrick Campbell.
He had a large following in Japan. During the 20th century, his plays were the basis of more than thirty films.
Sudermann returned to novels with Es War ("It Was", 1894, the title referring to Section 2, §1 of Nietzsche's Unzeitgemässe Betrachtungen), a protest against the fruitlessness of brooding repentance. In 1902, he moved to a mansion with extensive grounds at Blankensee, and used his newfound wealth to collect paintings and sculpture, and to take trips to Italy, Greece, Egypt and India.
At the commencement of World War I, Sudermann was enthusiastic, publishing a Kaiserlied ("Song of the Kaiser"). In autumn 1917, he organised the Frohe Abende ("Cheery Evenings"), a programme promoting artistic endeavours among the common people, for which he received an Iron Cross Second Class on 5 April 1918. After the end of the war he helped found the Bund schaffender Künstler ("Society of Creative Artists"), which posed as a centrist political force and which earned him the reputation of an opportunist.
The most important of his later works are Litauische Geschichten ("Lithuanian Stories", 1917), a realistic portrait of his homeland, and a volume of memoirs in 1922. His last major work, written after the death of his wife in 1924, was Die Frau des Steffen Tromholt ("The Wife of Steffen Tromholt", 1927), a semi-autobiographical novel, which turned into a movie in 1929 named Wonder of Women. He had a stroke in 1928, and died of a lung infection shortly afterwards, in Berlin, aged 71. His stepson Rolf Lauckner set up the Hermann Sudermann Foundation to support young dramatists.
Sudermann's nationalism, and his delight in romanticized ideas of ethnicity and homeland, particularly noticeable in his later works, made him a favourite during World War II. Jürgen Fehling staged Johannisfeuer in Berlin, with Maria Gorvin, Maria Koppenhöfer and Paul Wegener in the lead roles. The film Die Reise nach Tilsit was based on his short story of the same title.
After 1945, his plays and novels were almost completely forgotten. He is chiefly remembered today for his Lithuanian stories, for his autobiography, and for the 1927 silent films Sunrise, based on his short story Die Reise nach Tilsit ("Trip to Tilset"), from the Collection Litauische Geschichten (Lithuanian Stories), The Song of Songs, starring Marlene Dietrich, based on his novel Das Hohe Lied and Flesh and the Devil, starring Greta Garbo, based on his play The Undying Past.
- Im Zwielicht: Zwanglose Geschichten ("At Twilight", 1886)
- Frau Sorge ("Dame Care", 1887; translated by B. Overbeck in 1891)
- Geschwister: Zwei Novellen ("Siblings: Two Stories", 1888)
- Die Geschichte der stillen Mühle ("The Tale of the Idle Millstone")
- Der Wunsch ("The Wish"; translated by Lily Henkel in 1894)
- Die Ehre ("Honour", play, 1889/91)
- Der Katzensteg ("Cats' Bridge", 1890; translated by Beatrice Marshall in 1898 as "Regina or the Sins of the Fathers")
- Sodoms Ende ("Sodom's End", play, 1891), a tragedy of artistic life in Berlin
- Jolanthes Hochzeit ("Iolanthe's Wedding", play, 1892; translated by Adele S. Seltzer in 1918), a humorous novel which breathes the serener realism of common life
- Heimat ("Homeland", play, 1893; translated by C. E. A. Winslow in 1896 as "Magda")
- Es War ("It Was", 1894; translated by Beatrice Marshall in 1906 as "The Undying Past")
- Die Schmetterlingsschlacht ("Battle of the Butterflies", comedy, 1895) (Digital edition from 1904 by the University and State Library Düsseldorf)
- Das Glück im Winkel ("Happiness in a Quiet Corner", 1896)
- Morituri (three one-act plays, 1896)
- Teja, Fritzchen, Das Ewig-Männlich ("The Eternal Masculine")
- Johannes (tragedy concerning John the Baptist, 1898)
- Die drei Reiherfedern ("Three Heron-Feathers", dramatic poem, 1899)
- Drei Reden ("Three Lectures", 1900)
- Johannisfeuer ("The St John's Eve Fire", 1900)
- Es lebe das Leben! ("Let Life Live!", 1902; translated by Edith Wharton in 1903 as "The Joy of Living")
- Verrohung der Theaterkritik (1902)
- Der Sturmgeselle Sokrates ("Stormfellow Socrates", comedy, 1903)
- Die Sturmgesellen: Ein Wort zur Abwehr ("Stormfellows: a Defence", essay, 1903)
- Stein unter Steinen ("Stone Among Stones", 1905)
- Das Blumenboot ("The Flower Boat", 1905)
- Rosen ("Roses", four one-act plays, 1907; translated by Grace Frank in 1912, the last story with the title "The Faraway Princess")
- Die Lichtbänder ("Streaks of Light")
- Der letzte Besuch ("The Last Visit")
- Die Feen-Prinzessin ("The Fairy Princess")
- Das hohe Lied ("The Song of Songs", 1908; translated by T. Seltzer in 1910 and by Edward Sheldton in 1914)
- Strandkinder ("Beach Children", 1909)
- Der Bettler von Syrakus ("The Beggar of Syracuse", 1911)
- Die indische Lilie ("The Indian Lily", 1911; translated by L. Lewisohn in 1911)
- Der gute Ruf ("The Good Name", 1912)
- Die Lobgesänge des Claudian ("Hymns to Claudian", 1914)
- Die entgötterte Welt ("The Godless World", 1915)
- Litauische Geschichten ("Lithuanian Stories", 1917; reprinted 1984, 1985, 1989)
- Die Reise nach Tilsit
- Miks Bumbullis
- Jons unds Erdine
- Die Magd
- Die Raschoffs ("The Raschoffs", 1919)
- Der Hüter der Schwelle ("Watcher at the Step", 1921)
- Das deutsche Schicksal ("The German Destiny", 1921)
- Jons und Erdme: eine litauische Geschichte ("Jons and Erdme: a Lithuanian Tale", 1921)
- Das Bilderbuch meiner Jugend: Autobiographie ("The Picture Book of my Youth", 1922; reprinted, Ernst Osterkamp, ed., 1980, 1988)
- Wie die Träumenden ("Like Dreamers", 1923)
- Die Denkmalsweihe ("Ceremony at the Monument", 1923)
- Der tolle Professor: Roman aus der Bismarckzeit ("The Mad Professor: a Novel of the Bismarck Years", 1926; translated by Isabel Leighton in 1929)
- Der Hasenfellhändler ("The Trader of Hareskins", 1927)
- Die Frau des Steffen Tromholt ("The Wife of Steffen Tromholt", 1927)
- Purzelchen (1928)
- Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p86 ISBN 0-9627613-1-1
- W. Kawerau, Hermann Sudermann, 1897
- H. Landsberg, Hermann Sudermann, 1902
- H. Jung, Hermann Sudermann, 1902
- H. Schoen, Hermann Sudermann, poète dramatique et romancier, 1905
- I. Axelrod, Hermann Sudermann, 1907
- Dorothea Kuhn, Hermann Sudermann: Porträt und Selbstporträt, 1978
- Walter T. Rix (ed.), Hermann Sudermann: Werk und Wirkung, Königshausen und Neumann, 1980
- Cordelia E. Stroinigg, Sudermann's "Frau Sorge": Jugendstil, archetype, fairy tale, New York: P. Lang, 1995
- Karl Leydecker, Marriage and divorce in the plays of Hermann Sudermann, Frankfurt am Main: P. Lang, 1996
- Jutta Noak, "Hermann Sudermann – ein Schriftsteller zwischen Litauen und Deutschland", in Annaberger Annalen l 1/2003
- "Sudermann, Hermann". New International Encyclopedia. 1905.
- Jacob Wittmer Hartmann (1920). "Sudermann, Hermann". In Rines, George Edwin. Encyclopedia Americana.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Sudermann, Hermann". Encyclopædia Britannica (11th ed.). Cambridge University Press.
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