Heroes and Demons

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"Heroes and Demons"
Star Trek: Voyager episode
Episode no. Season 1
Episode 12
Directed by Les Landau
Written by Naren Shankar
Featured music Dennis McCarthy
Production code 112
Original air date April 24, 1995 (1995-04-24)
Guest actors
Episode chronology
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"Heroes and Demons" is the 12th episode of the first season of the American science fiction television series Star Trek: Voyager. The episode first aired on the UPN network on April 24, 1995. It was directed by Les Landau and written by former Star Trek: The Next Generation story editor Naren Shankar.

Set in the 24th century, the series follows the adventures of the Starfleet and Maquis crew of the starship USS Voyager after they were stranded in the Delta Quadrant far from the rest of the Federation. In this episode, after a sample of a protostar is brought on-board Voyager, crewmen start to disappear from a holodeck simulation of Beowulf. The Doctor, a hologram, is transferred from sickbay to the holodeck to investigate to finds that a lifeform was transported to the ship alongside the sample. It escaped to the holodeck where it was converting those who entered into energy. The Doctor has the samples brought to the holodeck and released, resulting in the lifeform returning the crewmen to their corporeal states.


The crew encounters a protostar and Captain Janeway decides to have samples beamed aboard for use as a potential power source. A problem occurs when beaming the samples to Voyager. Janeway recommends to B’Elanna that she should have Ensign Kim's assistance, but it turns out that he is missing. The crew finds his holodeck program, based on the epic poem Beowulf, still running. With each person sent into the holodeck also becoming lost, Captain Janeway sends in The Doctor to investigate, under the assumption that he as an already immaterial hologram cannot be dematerialized the way the missing crew had been. The Doctor shows signs of nervousness when preparing for his first "away" mission, so Kes encourages him to take a name to embolden him with having an identity of his own. He states that he has narrowed his choices to three but does not reveal them.

Once in the holodeck, The Doctor meets Freya, a shieldmaiden, and introduces himself as "Schweitzer". After taking him to the hall, where he is made to prove himself before the others, and after a celebratory meal, after which everyone has retired to separate rooms, she reappears and suggests that, in the cold of the night when the fire in his hearth has gone out, he ought to join her. Though he dismisses her advances, he relaxes his inhibition in later scenes. Later they are confronted by Unferth who kills Freya. She dies in Schweitzer's arms. With her last words she hauntingly speaks his name.

As The Doctor investigates further, he realizes that alien energy lifeforms were beamed onto the ship within the containment field into which the protostar samples were transported. During the transport, one of the lifeforms managed to escape through a breach in the containment field. It escaped to the holodeck and began converting the matter of every person who entered into energy. The Doctor returns the energy samples holding the other lifeforms to the alien in the holodeck; in kind, the missing crew are returned to their original forms. Afterwards, upon reflection, The Doctor decides not to keep the name Schweitzer, as his memories associated with it are too painful.


Rick Berman, Jeri Taylor and Michael Piller had worked together as executive producers for the pilot of Voyager, "Caretaker" and the following ten episodes. "Heroes and Demons" was the first episode where Piller wasn't as heavily involved in the writing of the scripts because he had begun work on the series Legend.[1] Instead, the episode was written by Naren Shankar, the former story editor for Star Trek: The Next Generation during the final two seasons of the show where he worked with Berman, Taylor and Piller. He submitted his final version of the script on February 2, 1995.[2]

Shankar had originally intended the story to be "Star Trek with Vikings", and it wasn't until he was sketching out the plot of the episode that he realised that he had inadvertently created something similar to the Beowulf poem. He deliberately worked direct references in the poem into the script for the episode, such as specific lines and the attack on the mead hall.[3]

Guest star Christopher Neame had previously appeared in Star Trek: The Next Generation in the seventh season episode "Sub Rosa". After his performance in "Heroes and Demons", he would go on to appear in the Star Trek: Deep Space Nine sixth season episode "Statistical Probabilities".[4] Marjorie Monaghan later gained the recurring role of Number One/Theresa Halloran in Babylon 5 from the episode "Lines of Communication" onwards.[5] During the filming of "Heroes and Demons", Monaghan's stunt double was Patricia Tallman. The duo would later work together on Babylon 5 with Tallman playing the character of Lyta Alexander. They didn't initially recognise each other on the later show because of the costumes they wore in the Voyager episode.[6] Monaghan was also considered for the main cast part of T'Pol in Star Trek: Enterprise.[7]


"Heroes and Demons" was first broadcast on April 24, 1995, on the UPN network. According to the Nielsen ratings, it received a 6.4/11 share, meaning it was watched by 6.4 percent of all households and 11 percent of all households watching television at the time of broadcast. This placed it as the 74th highest rated broadcast of the week across all networks.[8] Marvin Rush was subsequently nominated for Individual Achievement in Cinematography for a Series at the 47th Primetime Emmy Awards for his work in this episode, but the award went to Tim Suhrstedt for his work on "Over the Rainbow", an episode of Chicago Hope.[9][10] At the same ceremony, Dennis McCarthy was also nominated for an Emmy in the category of Outstanding Music Composition for his work on "Heroes and Demons".[11]

In his chapter, "From Anglo-Saxon to Angelina: Adapting Beowulf for Film", in Medieval Afterlives in Contemporary Culture, Stewart Brooks compared "Heroes and Demons" to the Beowulf story. He said that certain elements of the episode were more similar to the roleplaying game Dungeons & Dragons instead of historical fact, such as the character of Freya who he also compared to Éowyn from J. R. R. Tolkien's The Lord of the Rings.[3] He praised the episode, saying that the "real pleasures" were "to witness the surly, introverted, neurotic Doctor being forced to play the hero, banter with Vikings and have his first romantic liaison when Freya falls for him."[12] Edward L. Risden said that "Heroes and Demons" was "Pulp TV tackles mead-hall ritual in this episode" in his book,[13] co-authored with Nickolas Haydock, Beowulf on Film: Adaptations and Variations. He added that it gave the Beowulf story "a new twist adaptive to science fiction and to audiences who want human interest even in electronic projections."[13]


  1. ^ Spelling, Ian (August 1995). "Under Western Skies". Starlog 1 (217): 76 – 79. Retrieved May 17, 2015. 
  2. ^ "Lilly Library Manuscript Collections: Taylor, J. Mss.". Indiana University. Retrieved May 17, 2015. 
  3. ^ a b Brooks (2015): p. 82
  4. ^ Erdmann & Block (2000): p. 514
  5. ^ Killick (1998): p. 100
  6. ^ Swallow, James (September 1998). "Freedom Fighter". Starlog 1 (254): 50 – 53. Retrieved May 21, 2015. 
  7. ^ Höhne Sparborth, Christian (April 18, 2001). "Marjorie Monaghan out for Series V Role". TrekNation. Retrieved May 17, 2015. 
  8. ^ "Season 1 Ratings". TrekNation. Archived from the original on October 6, 2000. Retrieved May 17, 2015. 
  9. ^ "Emmys '95". Daily News. July 21, 1995. Retrieved May 17, 2015 – via HighBeam Research. (subscription required (help)). 
  10. ^ "47th Primetime Emmys Nominees and Winners". Television Academy. Retrieved May 17, 2015. 
  11. ^ Ruditis (2003): p. 476
  12. ^ Brooks (2015): p. 83
  13. ^ a b Haydock & Risden (2013): p. 168


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