Holiday (1938 film)

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Holiday
Holiday poster.jpg
theatrical release poster
Directed by George Cukor
Produced by Everett Riskin
Screenplay by Donald Ogden Stewart
Sidney Buchman
Based on Holiday (1928 play) by
Philip Barry
Starring Katharine Hepburn
Cary Grant
Music by Sidney Cutner
Cinematography Franz Planer
Edited by Al Clark
Otto Meyer
Distributed by Columbia Pictures
Release dates
  • June 15, 1938 (1938-06-15) (US)
Running time 95 minutes
Country United States
Language English

Holiday is a 1938 film directed by George Cukor, a remake of the 1930 film of the same name. The film is a romantic comedy which tells the story of a man who has risen from humble beginnings only to be torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family. The movie was adapted by Donald Ogden Stewart and Sidney Buchman from the play by Philip Barry and stars Katharine Hepburn, Cary Grant and features Doris Nolan, Lew Ayres, and Edward Everett Horton, who played the same role he had played in the 1930 version.

Although Hepburn had been Hope Williams' understudy in the original production of the play on Broadway, she only played the part for one performance.[1] Screenwriter Donald Ogden Stewart had also appeared in the original stage version as Nick Potter.[2]

Plot[edit]

Johnny Case (Cary Grant), a self-made man who has worked all of his life, is about to marry Julia Seton (Doris Nolan), whom he met while on holiday in Lake Placid, New York. He knows very little about his bride-to-be, and is flabbergasted to learn that she is from an extremely rich family, the daughter of wealthy banker Edward Seton (Henry Kolker). He meets Julia's vivacious sister Linda (Katharine Hepburn), to whom he confides his plan to take a long holiday from work to find the meaning of life, and also meets the sisters' dissolute brother Ned (Lew Ayres), whose spirit has been broken by subservience to his father. At first, the father is stunned when Julia tells him about her plan to marry Johnny, but he is appeased after meeting him and looking into his work history, and Julia makes plans for an elaborate New Year's Eve engagement party, even though Linda strongly advises her to hold a smaller, more personal affair.

On the night of the party, Linda refuses to come down, and Julia sends Johnny to get her. He finds her and Ned in the "playroom" – the one truly human room in the enormous, cold, over-built Park Avenue mansion – with Johnny's off-beat friends Professor Potter (Edward Everett Horton) and his wife (Jean Dixon), who have gotten lost and serendipitously ended up there. The group spends a joyful time together, interrupted – just as Johnny and Linda display a tumbling trick together – by Julia and her father. Mr. Seton offers Johnny a job at his bank, and Johnny reveals his plans for a holiday from work. Julia is appalled, as is her domineering father, and, after seeing in the New Year with Linda, and the announcement of the engagement to the assembled guests, Johnny leaves the mansion in a dark mood, without saying goodbye. Linda tells her brother Ned that she has fallen in love with Johnny, but, because of her love for her sister, will keep her feelings to herself.

Hoping to patch things up between Johnny and Julia, Linda goes to see the Potters and finds them packing their trunks for a voyage to Europe. She learns from them that Johnny is planning to go as well, and has asked Julia to go with them, but that she has turned him down. Linda returns home, hoping to change her sister's mind, but they argue instead. Julia is certain that Johnny will give up his plans and return to her. Just then, Johnny arrives with a compromise: he will work at the bank for two years, but will quit then if he is unhappy. Mr. Seton accepts this, and he and Julia begin planning the couple's honeymoon in minute detail, mixing together stops at the homes of relatives with business-related matters. This makes Johnny realize that it just won't work, that marrying Julia on these terms will be more of an encumberance on his freedom than he can abide, and he leaves to meet the Potters to sail to Europe. Linda sees from Julia's reaction that she is relieved by Johnny's decision, and makes her admit that she does not really love him after all. With the way now clear, and inspired by Johnny, she renounces her father's stifling influence and declares her independence, rushing off to meet Johnny and the Potters to go on holiday.

Cast[edit]

Production notes[edit]

In 1936, Columbia Pictures purchased a group of scripts, including the script for Holiday, from RKO for $80,000. Although the film was originally intended to reunite The Awful Truth co-stars Cary Grant and Irene Dunne, George Cukor decided to cast Hepburn instead,[3] and Columbia borrowed her from RKO, where she had refused the lead role in Mother Carey's Chickens.[4] Joan Bennett and Ginger Rogers were also initially considered to play Hepburn's role,[4] and Rita Hayworth was tested for the role of Julia.[4]

The character of Linda Seton, played by Hepburn, was loosely based on socialite Gertrude Sanford Legendre.[5] Jean Dixon retired from films after this performance.[4]

The working titles for the film were "Unconventional Linda" and "Vacation Bound".[4]

A scene that was to come before what is now the first scene of the film was set in the snows of Lake Placid, although it was shot in Bishop, California. The idea was to "open up" the stage play by utilizing an exterior scene, but when director George Cukor saw the scene, he did not like it, and decided to cut it. A few still photographs, one of them on a lobby card that was distributed to theaters, are the only known remnants of this scene.[6]

Reception[edit]

Although the film was not a financial success, it was well received by critics. Hepburn biographers have speculated that Johnny Case's plans to give up working did not appeal to Great Depression audiences who were struggling to find jobs.[7][8] Hepburn, at the time, had earned a reputation as box office poison, causing Hepburn to depart RKO Pictures. [9]

Holiday was the third of four films starring Grant and Hepburn, the others being Sylvia Scarlett (1935), Bringing Up Baby (1938), and The Philadelphia Story (1940). All but Sylvia Scarlett belong to a sub-genre of screwball comedy called the comedy of remarriage described by the philosopher Stanley Cavell as Hollywood's crowning achievement.

A recent reviewer referred to Holiday as "one of Cukor's best films".[10]

Awards and honors[edit]

The film was nominated for the Academy Award for Best Art Direction by Stephen Goosson and Lionel Banks.[11]

Adaptations[edit]

Holiday was presented on radio on the Screen Guild Theater program on November 13, 1944.[12]

References[edit]

Notes

  1. ^ Leaming, p.265.
  2. ^ "Donald Ogden Stewart" on the Internet Broadway Database
  3. ^ Edwards, pp.164–165
  4. ^ a b c d e "Notes" on TCM.com
  5. ^ Nemy, Enid. "Gertrude Sanford Legendre, 97, Socialite Turned Hunter and Prisoner of War". New York Times. March 13, 2000.
  6. ^ Holiday DVD, "Deleted Scenes" featurette. Sony. 2006. 
  7. ^ Edwards, p.166.
  8. ^ Leaming, p.352
  9. ^ Osborne, Robert. Outro to the TCM presentation of Holiday (December 18, 2011)
  10. ^ "TM". "Holiday" Time Out London (ndg)
  11. ^ "Holiday". New York Times. Retrieved 2008-12-10. 
  12. ^ Holiday on Screen Guild Theater

Bibliography

  • Edwards, Anne. Katharine Hepburn: A Remarkable Woman. (2000)
  • Leaming, Barbara. Katharine Hepburn. (1995)

External links[edit]