Horst P. Horst

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Horst P. Horst
Born Horst Paul Albert Bohrmann
(1906-08-14)August 14, 1906
Weißenfels-an-der-Saale, German Empire (present-day Saxony-Anhalt, Germany)
Died November 18, 1999(1999-11-18) (aged 93)
Palm Beach Gardens, Florida
Nationality German American
Known for Photography

Horst Paul Albert Bohrmann (August 14, 1906 – November 18, 1999) who chose to be known as Horst P. Horst was a German-American fashion photographer.

Early life[edit]

The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant.

In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris[1] to study under the architect Le Corbusier.

Youth[edit]

While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full page advertisement showing a model in black velvet holding a Klytia scent bottle.[2]

His first exhibition was hung in La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after his exhibit was over, made Horst instantly famous. Horst made a portrait of Bette Davis the same year, the first in a series of celebrities he would photograph during his life. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Madrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others.

Horst rented an apartment in New York in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades.[3]

He met Valentine Lawford, British diplomat in 1938 and they would live together as a couple until Lawford's death in 1991. They adopted and raised a son, Richard J. Horst, together.[4]

In 1941, Horst applied for United States citizenship. In 1942 he passed an Army physical, and joined the Army on July 2, 1943. On October 21 he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945 he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene.

Work[edit]

Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealism and his regard of the ancient Greek ideal of physical beauty.

His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes on Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work.

One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity.

Later life[edit]

In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster, Yves Saint Laurent, Doris Duke, Emilio Pucci, Cy Twombly, Jacqueline Kennedy Onassis, Amanda Burden, Paloma Picasso and Comtesse Jacqueline de Ribes. The articles were written by the photographer's longtime companion, Valentine Lawford, a former English diplomat. From this point until nearly the time of his death, Horst spent most of his time traveling and photographing. In the mid 1970s, he began working for House & Garden magazine as well as for Vogue.

His last photograph for British Vogue was in 1991 with Princess Michael of Kent, shown against a background of tapestry and wearing a tiara belonging to her mother in law Princess Marina who he had photographed in 1934.[2]

He died at his home in Palm Beach Gardens, Florida, at 93 years of age.[5]

Publications[edit]

Books featuring Horst's photography:

  • 1944 Photographs of a Decade
  • 1946 Patterns from Nature - a collection of plant still lifes
  • 1968 Vogue's Book of Houses, Gardens, People
  • 1984 Horst, His Work and His World
  • 1971 Salute to the Thirties (A Studio Book)
  • 1991 Horst - Sixty Years of Photography - this book contains a selection of his work, including his most famous photographs.
  • 1993 Horst : Interiors
  • 1997 Horst P Horst: Magician of Lights
  • 2001 Horst Portraits : 60 Years of Style
  • Spezial Fotografie: Portfolio No. 24

References[edit]

  1. ^ Horst: Photographer of Style - A Timeline
  2. ^ a b Horst: Portraits (Great Britain: NPG Publications, 2001, ISBN 1-85514-325-9)
  3. ^ Horyn, Cathy (1999-11-19). "Horst P. Horst, Photographer Of Fashionable, Dies at 93". New York Times. Retrieved 2008-07-31. 
  4. ^ Horst, Horst P. (1906–1999). Retrieved June 17, 2006.
  5. ^ Core, Phillip (1999-11-20). "Obituary: Horst P. Horst". The Independent. p. 2. Retrieved 2008-07-31. [dead link]

External links[edit]