How the West Was Won (film)
|How the West Was Won|
|Produced by||Bernard Smith|
|Written by||James R. Webb|
|Narrated by||Spencer Tracy|
|Music by||Alfred Newman|
|Editing by||Harold F. Kress|
|Studio||Cinerama Releasing Corporation|
|Running time||162 minutes|
How the West Was Won is a 1962 American epic-Western film. The picture was one of the last "old-fashioned" epic films made by Metro-Goldwyn-Mayer to enjoy great success. Set between 1839 and 1889, it follows four generations of a family (starting as the Prescotts) as they move ever westward, from western New York state to the Pacific Ocean. The picture was filmed in the curved-screen three-projector Cinerama process.
The fundamental idea behind the film was to provide an episodic retelling of the progress of westward migration and development of America. It was inspired by a much longer and more complex series of historical narratives that appeared as a photo essay series, by the same name, three years earlier in Life magazine, which is acknowledged in the film’s credits.
The all-star cast includes (in alphabetical order) Carroll Baker, Walter Brennan, Lee J. Cobb, Andy Devine, Henry Fonda, Carolyn Jones, Karl Malden, Harry Morgan, Gregory Peck, George Peppard, Robert Preston, Debbie Reynolds, James Stewart, Eli Wallach, John Wayne, and Richard Widmark. The film is narrated by Spencer Tracy.
The movie consists of five segments, three directed by Henry Hathaway ("The Rivers", "The Plains" and "The Outlaws"), and one each by John Ford ("The Civil War") and George Marshall ("The Railroad"), with transitional sequences by the uncredited Richard Thorpe. The screenplay was written by John Gay (uncredited) and James R. Webb. Popular western author Louis L'Amour wrote a novelization of the screenplay.
In 1997, How the West Was Won was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The score was listed at #25 on AFI's 100 Years of Film Scores.
The Rivers (1840)
Zebulon Prescott (Karl Malden) and his family set out west for the frontier via the Erie Canal, the “west” at this time being the Illinois country. On the journey, they meet mountain man Linus Rawlings (James Stewart) who is traveling east to Pittsburgh to trade his furs. He and Zebulon's daughter Eve (Carroll Baker) are attracted to each other, but Linus is not ready to settle down.
Linus stops at an isolated trading post run by a murderous clan of river pirates headed by "Alabama Colonel" Hawkins (Walter Brennan). Linus is betrayed when he accompanies seductive Dora Hawkins (Brigid Bazlen) into a cave to see a "varmint". She stabs him in the back and pushes him into a deep hole. He is not seriously wounded, and is able to rescue the Prescott party from a similar fate. The bushwhacking thieves (Lee Van Cleef plays one), including Dora, are dispatched with rough frontier justice.
After burning the thieves' bodies in a massive funeral pyre (made from a temporary cabin where the confrontation took place) and praying to God for the salvation of the thieves' souls "whether You want 'em or not", the settlers continue down the river, but their raft is caught in rapids and Zebulon and his wife Rebecca (Agnes Moorehead) drown. Linus, finding that he cannot live without Eve, reappears and marries her. She insists on homesteading at the spot where her parents died.
Directed by Henry Hathaway.
The Plains (1850s)
Eve's sister Lilith (Debbie Reynolds) chooses to go to St. Louis, where she finds work performing in a dance hall. She attracts the attention of professional gambler Cleve Van Valen (Gregory Peck). After overhearing that she has just inherited a California gold mine, and to avoid paying his debts to another gambler (John Larch), Cleve joins the wagon train taking her there. He and wagonmaster Roger Morgan (Robert Preston) court her along the way, but she rejects them both, much to the dismay of her new friend and fellow traveler Agatha Clegg (Thelma Ritter), who is searching for a husband.
Surviving an attack by Cheyenne Indians, Lilith and Cleve arrive at the mine, only to find that it is worthless. Cleve leaves. Lilith returns to work in a dance hall in a camp town, living out of a covered wagon. Morgan finds her and again proposes marriage unromantically. She tells him, "Not now, not ever."
Later, Lilith is singing in the music salon of a riverboat. By chance, Cleve is a passenger. When he hears Lilith's voice, he leaves the poker table (and a winning hand) to propose to her. He tells her of the opportunities waiting in the rapidly growing city of San Francisco. She accepts his proposal.
Directed by Henry Hathaway.
The Civil War (1861–1865)
Linus Rawlings joins the Union army as a captain in the American Civil War. Despite Eve's wishes, their son Zeb (George Peppard) eagerly enlists as well, looking for glory and an escape from farming. Corporal Peterson (Andy Devine) assures them the conflict won't last very long. The bloody Battle of Shiloh shows Zeb that war is nothing like he imagined and, unknown to him, his father Linus dies there. Zeb encounters a similarly disillusioned Confederate (Russ Tamblyn) who suggests deserting, and Zeb agrees.
By chance, they overhear a private conversation between Generals Ulysses S. Grant (Harry Morgan) and William Tecumseh Sherman (John Wayne). The rebel realizes he has the opportunity to rid the South of two of its greatest enemies and tries to shoot them, leaving Zeb no choice but to stab and kill him with the bayonet from his shattered musket. Afterward, Zeb rejoins the army.
When the war finally ends, he returns home, only to find his mother has died. She had lost the will to live after learning that Linus had been killed. Zeb gives his share of the family farm to his brother, who is more tied to the land, and leaves in search of a more interesting life.
Directed by John Ford.
The Railroad (1868)
Following the daring riders from the Pony Express and the construction of the transcontinental telegraph line in the late 1860s, two ferociously competing railroad lines, the Central Pacific Railroad and the Union Pacific Railroad, one building westward and the other eastward, open up new territory to eager settlers.
Zeb becomes a lieutenant in the U.S. cavalry, trying to maintain peace with the Indians with the help of grizzled buffalo hunter Jethro Stuart (Henry Fonda), an old friend of Linus. When ruthless railroad man Mike King (Richard Widmark) violates a treaty by building on Indian territory, the Arapaho Indians retaliate by stampeding buffalo through his camp, killing many, including women and children. Disgusted, Zeb resigns and heads to Arizona.
Directed by George Marshall.
The Outlaws (1880s)
In San Francisco, widowed Lilith auctions off her possessions (she and Cleve had made and spent several fortunes) to pay her debts. She travels to Arizona, inviting Zeb and his family to oversee her remaining asset, a ranch.
Zeb (now a marshal), his wife Julie (Carolyn Jones) and their children meet Lilith at Gold City's train station. However, Zeb also runs into an old enemy there, outlaw Charlie Gant (Eli Wallach). It is revealed that Zeb killed Gant's brother in a gunfight. When Gant makes veiled threats against Zeb and his family, Zeb turns to his friend and Gold City's marshal, Lou Ramsey (Lee J. Cobb), but Gant is not wanted for anything in that territory, so there is little Ramsey can do.
Zeb decides he has to act rather than wait for Gant to make good his threat to show up someday. Suspecting Gant of planning to rob an unusually large gold shipment being transported by train, he prepares an ambush with Ramsey's reluctant help. Gant and his entire gang (one member played by Harry Dean Stanton) are killed in the shootout. In the end, Lilith and the Rawlings family travel to their new home.
A short epilogue shows modern Los Angeles and San Francisco in the early 1960s, including the famous four-level downtown freeway interchange and Golden Gate Bridge, indicating the growth of the West in 80 years.
Directed by Henry Hathaway.
The film marked then sixty-six-year-old Raymond Massey's last appearance as Abraham Lincoln, a role that he had previously played on stage (Abe Lincoln in Illinois and the stage adaptation of John Brown's Body), on screen (Abe Lincoln in Illinois) and on television (The Day Lincoln Was Shot, and two more productions of Abe Lincoln in Illinois).
How the West Was Won was one of only two dramatic feature films (the other being The Wonderful World of the Brothers Grimm) made using the three-strip Cinerama process. Although the picture quality when projected onto curved screens in theatres was stunning, attempts to convert the movie to a smaller screen suffer from that process's technical shortcomings. When seen in letterbox format the actors' faces are nearly indistinguishable in long shots.
John Ford complained about having to dress such huge sets since Cinerama photographed a much wider view than the standard single camera process to which Hollywood directors had become accustomed. Director Henry Hathaway was quoted as saying, "That God-damned Cinerama. Do you know a waist-shot is as close as you can get with that thing?"
A portion of the film's profits were meant to go to St John's Hospital. This led to Irene Dunne and others to persuade the movies stars to take less than their usual fees. However the hospital later sued for a share of these profits.
An even more difficult problem was that the film had to be shot with the actors artificially positioned out of dramatic and emotional frame, and out of synchronization with one another. Only when the three-print Cinerama process was projected upon a Cinerama screen would the positions and emotions of the actors synchronize, such as normal eye-contact or emotional harmony between actors in a dramatic sequence. Because of the nature of Cinerama if film were shown in flat screen projection it would appear as if the actors were not making eye contact at all.
Stuntman Bob Morgan, husband of Yvonne De Carlo, was seriously injured and lost a leg during a break in filming a gunfight on a moving train while filming "The Outlaws" portion. Chains holding logs on a flat-bed car broke, crushing Morgan as he crouched beside them.
The music for the film was composed and conducted by Alfred Newman. The soundtrack album was originally released by MGM Records. Dimitri Tiomkin, well known for scores to western films, was the first composer approached to compose the music for the film. However, Tiomkin became unavailable as a result of eye surgery, and Newman was hired as a replacement.
Box office performance
How the West Was Won was a massive commercial success. Produced on a then large budget of $15 million, it grossed $46,500,000 at the North American box office, making it the second highest grossing film of 1963. The film grossed $50 million worldwide.
- Best Writing, Story and Screenplay – Written Directly for the Screen (James R. Webb)
- Best Film Editing
- Best Sound (Franklin Milton)
It was also nominated for:
- Best Picture
- Best Art Direction – Set Decoration, Color (George Davis, William Ferrari, Addison Hehr, Henry Grace, Don Greenwood, Jr., Jack Mills)
- Best Cinematography, Color
- Best Costume Design, Color
- Best Music, Score – Substantially Original (Alfred Newman and Ken Darby)
Crest Digital was given the task of restoring the original Cinerama negative for How the West Was Won in 2000 and built their own authentic Cinerama screening room in order to complete the process. There have also been efforts, led by HP, to combine the three image portions and make the Cinerama image look more acceptable on a flat screen. This has finally been accomplished on the latest DVD and Blu-ray Disc release. The lines at which the three Cinerama panels joined were formerly glaringly visible (as seen in the stills reproduced on this page), but this has been largely corrected on the Warner Bros. DVD and Blu-ray Disc, although the joins can still be seen in places, especially against bright backgrounds. The restoration also corrects some of the geometric distortions inherent in the process; for instance, in the final shot, the Golden Gate Bridge appears to curve in perspective as the camera flies underneath it, whereas in the Cinerama version, it breaks into three straight sections at different angles.
The Blu-ray Disc also contains a "SmileBox" version, simulating the curved screen effect.
Even though the aspect ratio of Cinerama was 2.59:1, Warner's new BD and DVD releases of the film offer an aspect ratio of 2.89:1, incorporating image information on both sides that was never meant to be seen when projected. The BD-exclusive SmileBox alternative has the intentional cropping intact.
The restored Warner Bros. release has been shown on television since October 2008, on the Encore Westerns channel.
- Andrea LeVasseur, Allmovie. "How the West was Won – Synopsis". amctv.com.
- "How the West was Won (1962) – Box office / business". IMDb.com.
- Variety film review; November 7, 1962, page 6.
- How the West Was Won – A novel by Louis L'Amour
- Illness Will Force Decision on 'Hush': Picture May Be Called Off; Loretta Young Refuses Lead Hopper, Hedda. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 07 Aug 1964: C10.
- Box Office Information for How the West Was Won. The Numbers. Retrieved September 2, 2013.
- "The 36th Academy Awards (1964) Nominees and Winners". oscars.org. Retrieved 2011-08-23.
- "NY Times: How the West Was Won". NY Times. Retrieved 2008-12-25.
- HP Labs – Movie makeover: HP and Warner Bros. give old movies new life
|Wikimedia Commons has media related to How the West Was Won (film).|
- How the West Was Won at the Internet Movie Database
- How the West Was Won at allmovie
- How the West Was Won at the TCM Movie Database
- How the West Was Won at Rotten Tomatoes