Hrishikesh Mukherjee

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Hrishikesh Mukherjee
Born September 30, 1922(1922-09-30)
Kolkata, West Bengal, India
Died August 27, 2006(2006-08-27) (aged 83)
Mumbai, Maharashtra, India

Hrishikesh Mukherjee (Bengali: হৃষিকেশ মুখোপাধ্যায়/মুখার্জী Hrishikesh Mukhopaddhae/Mukharji (see naming conventions)) (30 September 1922–27 August 2006) was a famous Indian film director known for a number of films, including Satyakam, Chupke Chupke, Anupama, Anand, Abhimaan, Guddi, Gol Maal, Aashirwad, Bawarchi, and Namak Haraam.

Popularly known as Hrishi-da, he directed 42 films during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. Renowned for his social films that reflected the changing middle-class ethos, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art cinema".[1][2][3][4]

He also remained the chairman of the Central Board of Film Certification (CBFC) and of the National Film Development Corporation (NFDC),[5] and was awarded the 1999, Dada Saheb Phalke Award, India's highest award in Cinema for Lifetime achievement.

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[edit] Early life and background

Hrishikesh Mukherjee was born in Calcutta, he studied science and graduated in chemistry from the University of Calcutta. He taught mathematics and science for some time.

[edit] Career

Mukherjee chose to begin working, initially as a cameraman, and then film editor, in B. N. Sircar's New Theatres in Calcutta in the late 1940s, where he learned his skills from Subodh Mitter ('Kenchida'), a well known editor of his times.[6] He then worked with Bimal Roy in Mumbai as film editor and assistant director from 1951,[7] participating in the landmark Roy films Do Bigha Zameen and Devdas.

His debut directorial venture, Musafir (1957), was not a success, but he persisted and received acclaim for his second film Anari in 1959. The film, crew and cast won five Filmfare Awards, with Mukherjee only losing the Best Director Award to his mentor, Bimal Roy.

His string of hits with Dharmendra and Amitabh made him one of the golden directors.

In the following years he made numerous films. Some of his most notable films include: Anuradha (1960), Asli-Naqli (1962), Anupama (1966), Aashirwad (1968), Satyakam (1969), Guddi (1971), Bawarchi (1972), Mili (1975), Chupke Chupke (1975), Khoobsurat (1980) and Bemisal (1982). He was the first to introduce Dharmendra in comedy roles, through Chupke Chupke, and gave Amitabh Bachchan his big break with Anand in 1970, along with Rajesh Khanna, he also introduced Jaya Bhaduri to Hindi cinema in his film Guddi.[5] Having worked with his mentor, Bimal Roy as an editor, in films like Madhumati, he was much sought after as an editor as well.[8]

[edit] Later life

Hrishikesh Mukherjee was honoured with the Dadasaheb Phalke Award by the Government of India, in 1999.[9] Mukherjee was chairman of the Central Board of Film Certification and of the National Film Development Corporation. He was also awarded the Padma Vibhushan, the second highest civilian award for his contribution to Indian cinema by government of India in 2001 . The International Film Festival of India honoured him with a retrospective of his films in November 2005. He holds the distinction of working with almost all the top Indian stars since independence of India in 1947.

The films were realistic and unlike the other Bollywood films do not have crime, violence. The simple plots contain deeper meaning, but are generally straightforward in form, theme and treatment. He directed around 50 films most of which were valued by audiences and critics alike because of their middle-of-the-road accessibility, heart-warming irony and literary sensibilities. His characters inhabited a middle-class, urban, educated milieu. One more characteristic of his films was that it had a character engrossed in music. Such as Anuradha, Aashirwad, Chupke chupke, Abhimaan, Khubsoorat, GolMaal, Alaap, Bawarchi, Aashiq, Mili, Saanjh Aur Sawera and Phir Kab Milogi to name a few.

His last film was Jhoot Bole Kauwa Kaate. Since his original hero Amol Palekar had grown old he had to choose Anil Kapoor. He has also directed TV serials like Talaash. Another director making films akin to him is Basu Chatterjee.

[edit] Death

Hrishikesh Mukherjee was suffering from chronic renal failure and would go to Lilavati Hospital for dialysis. He was admitted to Leelavati Hospital in Mumbai early on Tuesday, 6 June 2006 after he complained of uneasiness. Mukherjee died ten weeks later on 27 August 2006.[10][11]

[edit] Personal life

Hrishikesh Mukherjee was married and has three daughters and a son.[12] His son died at Delhi railway station in 2001 due to asthma attack. His wife died more than three decades before him. He was an animal lover and had many dogs and sometimes an odd cat at his residence in Bandra, Mumbai. He used to stay alone with servants and pets in his last phase of life. Family members and friends would visit him regularly.

[edit] Awards

[edit] Berlin International Film Festival

[edit] National Film Awards

[edit] Filmfare Awards

[edit] Selected filmography

Year Film Starring Notes
1957 Musafir Dilip Kumar, Kishore Kumar, Suchitra Sen and Usha Kiran.
1959 Anari Raj Kapoor, Nutan, Lalita Pawar and Sohrab Modi.
1960 Anuradha Balraj Sahni, Leela Naidu
1962 Asli-Naqli Dev Anand, Sadhna
Aashiq Raj Kapoor, Padmini
1964 Saanjh Aur Savera Guru Dutt
1966 Anupama Dharmendra, Sharmila Tagore, Shashikala
Gaban Sunil Dutt, Sadhana
1968 Aashirwad Ashok Kumar
1969 Satyakam Dharmendra, Sharmila Tagore
Pyar Ka Sapna Mala Sinha, Biswajeet
1970 Anand Rajesh Khanna, Amitabh Bachchan
1971 Guddi Dharmendra, Jaya Bhaduri, Utpal Dutt, Samit Bhanja
1972 Bawarchi Rajesh Khanna, Jaya Bhaduri
1973 Abhimaan Amitabh Bachchan, Jaya Bhaduri
Namak Haraam Rajesh Khanna, Amitabh Bachchan,
1975 Chupke Chupke Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bhaduri
Mili Amitabh Bachchan, Jaya Bhaduri
1979 Gol Maal Amol Palekar, Utpal Dutt, Bindiya Goswami
1980 Khubsoorat Rekha, Rakesh Roshan
1981 Naram Garam Amol Palekar, Utpal Dutt, Swaroop Sampat, Shatrughan Sinha
1983 Rang Birangi Amol Palekar, Parveen Babi, Deepti Naval, Farooq Sheikh
1998 Jhooth Bole Kauwa Kaate Anil Kapoor, Juhi Chawla, Amrish Puri

[edit] Films as Director

[edit] Films as Editor, Writer and/or Assistant Director

Year Film Production
Function
Notes
1947 Tathapi
1950 Maa
1951 Do Bigha Zameen Scenario, Editor, Assistant Director
1953 Parineeta Editor
1954 Biraj Bahu Editor
1955 Devdas
1958 Madhumati Editor
1959 Heera Moti
1961 Char Diwari Editor
1970 Dastak Editor
1977 Alaap Story, Producer
1983 Coolie Editor

[edit] TV Serials

[edit] Further reading

  • Great Masters of Indian Cinema: The Dadasaheb Phalke Award Winners, by D. P. Mishra, Publications Division, Ministry of Information and Broadcasting, Govt. of India, 2006. ISBN 81-230-1361-2. page 122.

[edit] References

[edit] External links

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