I'd Do Anything for Love (But I Won't Do That)
|"I'd Do Anything for Love (But I Won't Do That)"|
|Single by Meat Loaf|
|from the album Bat Out of Hell II: Back into Hell|
|Format||Vinyl, CD, Cassette|
|Recorded||Ocean Way Recording (LA)|
|Genre||Progressive rock, hard rock|
|Length||12:01 (album version)
5:43 (radio edit)
|Meat Loaf singles chronology|
"I'd Do Anything for Love (But I Won't Do That)" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1993 as the first single from the album Bat Out of Hell II: Back into Hell.
The last six verses feature a female vocalist who was credited only as "Mrs. Loud" in the album notes. She was later identified as Lorraine Crosby, from North East England. She does not, however, appear in the video, in which her vocals are lipsynched by Dana Patrick. Meat Loaf promoted the single with American vocalist Patti Russo performing the live female vocals.
The title of the song confused some listeners, who were curious to know what "that" is. The song was a commercial success, reaching number one in 28 countries. The single was certified platinum in the United States and became Meat Loaf's first number-one single on the Billboard Hot 100 chart and on the UK singles chart, and was the best-selling single of 1993 in the UK. The song earned Meat Loaf a Grammy Award for Best Rock Vocal Performance, Solo.
Music and lyrics
The song opens with a guitar played to sound like a revving motorcycle, which scholar Anne Bader interprets as foreshadowing "the male angst to come". This is a reference to Todd Rundgren's contribution in the middle of "Bat Out of Hell". Roy Bittan's piano begins to play, along with the guitars. The vocals begin at the 1:50 point, which is where many pop songs are beginning their second chorus. Steinman "alternates ... [a bombastic] style with mellow moments where the hard-hitting piano licks are fleshed out with ethereal synthesizer and choral-styled backing vocals."
- And I would do anything for love
- I'd run right into hell and back
These opening vocals are accompanied by piano and backing vocals. The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds. An instrumental section follows the first verse and chorus, lasting over 45 seconds, with piano playing the title melody, accompanied by guitar and wordless background vocals by Todd Rundgren, Rory Dodd and Kasim Sulton. The lead vocals recommence with another verse. The popular phrase "sex, drugs and rock 'n' roll" was edited to become "Some days I just pray to the god of sex and drums and rock and roll" on the recording (though not always in live shows). 
At the 9:28 point, the song transforms into a duet coda, which Dr. Frank O'Day analyzes as presenting "the relationship from the woman's point of view. Just like Rapunzel, Snow White and the countless other passive victims who populate our culture's stories, this woman awaits her rescuer. In lyrics that float airily above the level of pop songwriting, she asks her suitor to fix everything for her." The structure of the verses remains, but the female now asks what the male would do. He answers in the affirmative for the first four sections.
- Will you make me some magic with your own two hands?
- Can you build an emerald city with these grains of sand?
- Can you give me something I can take home?
- I can do that!
The song's tone changes for the final two sections, the girl guesses that he would eventually do things to upset her and their relationship: firstly that he'd forget all of their memories and feelings between them and want to move on, and, secondly, would start having affairs. Both times, he denies it.
Perceived ambiguity of "that"
The title of the song was first written by Steinman for the track "Getting So Excited" on Bonnie Tyler's Faster Than the Speed of Night album. Some people misunderstand the lyrics, claiming that the singer never identifies what "that" thing is, which he will not do. Meat Loaf says that the question, "What is 'that'?" is one of the most popular questions he is asked.
Each verse mentions two things that he would do for love, followed by one thing that he will not do. The title phrase repetition reasserts that he "won't do that". Each mention of "that" is a reference to the particular promise that he made earlier in the same verse. The four things he says he will never do are:
- forget the way you feel right now
- forgive myself if we don't go all the way tonight
- do it better than I do it with you, so long
- stop dreaming of you every night of my life
In addition, at the song's conclusion, the female vocalist predicts two other things that he will do: "You'll see that it's time to move on" and "You'll be screwing around". To both of these, he emphatically responds, "I won't do that!"
In his 1998 VH1 Storytellers special, he even explained it on stage using a blackboard and a pointing stick. In a 1993 promotional interview, Steinman states that the definition of "that" is fully revealed in the song in each of the several verses in which it is mentioned.
It sort of is a little puzzle and I guess it goes by - but they're all great things. 'I won't stop doing beautiful things and I won't do bad things.' It's very noble. I'm very proud of that song because it's very much like out of the world of Excalibur. To me, it's like Sir Lancelot or something - very noble and chivalrous. That's my favorite song on the record - it's very ambitious.
It is significant that in this clarification, Steinman says "and I won't do bad things," not "but I won't do bad things." If the lyric had similarly used "and" instead of "but," its meaning would have been clear. "I would do anything for love AND I won't do that." The ambiguity of the song could be unintentional and merely due to a grammatical error. This could be viewed as unfortunately poor writing. It could also be considered serendipitous, since the song has intrigued listeners and resonated with them.
Meat Loaf believed that the lyrics were unambiguous, the singer recalls that Steinman predicted that they would cause confusion. An early episode of the VH1 program Pop-up Video made this claim at the end of the song's video: "Exactly what Meat Loaf won't do for love remains a mystery to this day." A reviewer writing for Allmusic commented that "The lyrics build suspense by portraying a romance-consumed lover who pledges to do anything in the name of love except 'that,' a mysterious thing that he will not specify." The reviewer concludes that the mystery is revealed during the closing stages of the song, incorrectly implying that all references of "that" refer to the female vocalist's predictions at the end. Others assume that "that" is a reference to euthanasia or anal sex.[who?] In a DVD audio commentary, Meat Loaf indicated that the latter of these could be what "that" refers to. Dr. Frank O'day interprets this as providing "an enlightening example of how listeners project their own thoughts, values, and concerns onto the meaning of the song with misconstrued lyrics."
In the 1998 film Spice World, which charted fictional experiences of The Spice Girls leading up to a much-anticipated concert, Meat Loaf played the part of Dennis, the coach driver of the Spice Girls tour bus. In the film, during a long journey between gigs, the girls demand the bus pull over so they can relieve themselves in the bushes due to the broken toilets within the tour bus. When tour manager Richard (Richard E. Grant) tells Dennis to fix the toilets, Dennis replies "I'll do anything for those girls, but I won't do that." In this context, 'that' is fixing the tour bus toilets.
Steinman's songs are usually much longer than most other songs, and "I'd Do Anything for Love (But I Won't Do That)" is no exception. The song is a full 12 minutes, and Steinman broke down when executives advised him that he had to cut it down to get radio play. Manager Allen Kovac warned that any song over five minutes would not be played on radio, saying that if Steinman and the group did not make the cuts then the stations would. Even after they made the cuts, Steinman sent his own version to the stations.
The single version was edited down to five minutes and 25 seconds, where the entire motorcycle introduction is omitted. The video version was whittled down to seven minutes and 38 seconds, where the motorcycle intro remains, but not in its entirety. In the video version and single version, the lengthy instrumental break is completely omitted. In the video and single versions, the refrain, which reads "I'd do anything for love, anything you've been dreaming of, but I just won't do that", which is sung before the instrumental bridge, was to be repeated three times, but was whittled down to having the one line repeated twice. Lorraine Crosby sings six verses in the complete song. In the video version, the second and third verses are omitted. In the single version, the second, third, and fifth verses are omitted.
Lorraine Crosby, a singer from North East England, performed the female vocals. Crosby and her partner Stuart Emerson had moved to Los Angeles to work with Jim Steinman, who became their manager. He secured them a contract with Meat Loaf's recording label MCA. While visiting the company's recording studios on Sunset Boulevard, Crosby was asked to provide guide vocals for Meat Loaf, who was recording "I'd Do Anything for Love". Crosby recalls, "in I went and sang it twice and I never thought anything more of it until six months later when I got a phone call saying, 'Would you mind if we used your vocals?'" Cher, Melissa Etheridge and Bonnie Tyler had been considered for the role. However, as Crosby had recorded her part as guide vocals, she did not receive any royalties from the song.
Michael Bay directed the music video. He also directed the videos for "Objects in the Rear View Mirror May Appear Closer than They Are" and "Rock and Roll Dreams Come Through", also from Bat Out of Hell II. Filming took place in Los Angeles County, California in July 1993; the opening chase was filmed at Chávez Ravine, with the interior mansion scenes filmed at Greystone Mansion in Beverly Hills. The cinematographer was Daniel Pearl, particularly known for filming The Texas Chain Saw Massacre in 1973. Pearl says that this video "is one of my personal all-time favorite projects... I think the cinematography is pure, and it tells a story about the song."
The video is based on Beauty and the Beast and The Phantom of the Opera. Bob Keane did Meat Loaf's make-up, which took up to two hours to apply. The make-up was designed to be simple and scary, yet "with the ability to make him sympathetic." It went over budget, and was filmed in 90 °F (32 °C) heat, across four days. According to one executive, it "probably had the budget of Four Weddings and a Funeral." It is the abridged seven minute single version, rather than the twelve minute (11:58) album version.
The actress in the video, Dana Patrick, is miming to Crosby's vocals, however, as she would to Patti Russo's in the 1995 song "I'd Lie for You (And That's the Truth)". According to the captions aired on Pop-Up Video, Patrick received several offers for record deals after the video aired, by executives who assumed she was actually singing in the video.
The story begins with the opening credits saying: "I have travelled across the universe through the years to find her. Sometimes going all the way is just a start." We then see "The Beast" character – a deformed man portrayed by Meat Loaf, on a motorbike being chased by police officers and a helicopter. As the chase continues into night, the Beast passes through into his castle hiding from his pursuers. He mournfully examines his deformed hands and features; as the officers enter the castle, he ducks out of sight before resuming the chase on his bike. Crashing through the wall, he accidentally knocks down a police officer while the impact causes one of the chandeliers on the ceiling to fall and kill the officer.
In desperation the Beast flees into the nearby woods where he comes across a beautiful woman bathing/cooling herself by a fountain. Oddly enough, the woman appears to be in sunny daylight, while the rest of the woods and castle clearly show that it is night-time, although this may be a symbolic representation of the woman being the light to the Beast's own mental torture or "darkness" or a romance cliché. The woman looks into a mirror and glimpses the Beast watching her. She turns and he flees leaving only an amulet hanging on a branch. The woman picks it up and pursues him.
As she approaches the castle, the Beast is watching her movements through the reflection of his drink. As she comes into the castle the Beast hurriedly removes himself. The woman sits in his chair and rests by the fire. The beast watches her from his hall of mirrors and contemplates approaching her but is ashamed of his appearance. She later is seen having a bath interspersed with the police officers finding the dead officer's body and preparing to raid the castle. She is later seen trying to sleep while being seduced by 3 vampy women while the Beast sits in a chair (a reference to Dracula and the Brides). The Beast leaves the room and, seeing his reflection, begins to smash up the mirrors. The woman, hearing the noise, comes out and follows him into a presumable living room. The Beast observes her from above and levitates the chaise she is sitting on.
The Beast, then hearing the officers are near moves away, pulls the chaise back down breaking a lamp. The two run away and the woman removes the Beast's hood so she can look at him clearly. She accepts him and caresses his face while they embrace. As they pull away, the Beast is returned to his human form, and the two disappear just before the police catch them. The woman and the transformed Beast finally ride off into the sunrise on his motorbike.
All songs written and composed by Jim Steinman.
|UK CD single|
|1.||"I'd Do Anything for Love (But I Won't Do That)"||7:52|
|2.||"Back into Hell"||2:45|
|3.||"Everything Louder than Everything Else (Live)"||9:18|
|US 45 RPM/Cassette Single|
|1.||"I'd Do Anything for Love (But I Won't Do That) (Single Edit)"||5:09|
|2.||"I'd Do Anything for Love (But I Won't Do That) (Edit)"||6:36|
The song reached number one in the charts in 28 countries. In most countries, it was Meat Loaf's first and only number one solo single. It was number one in the US five weeks. In the UK, it topped the singles chart, and at seven minutes and 52 seconds, "I'd Do Anything For Love" becoming the longest song on top there since The Beatles' hit "Hey Jude". This was then broken when Oasis released their 1997 hit "All Around The World", clocking in at 9 minutes and 20 seconds.
In the UK, this was the biggest hit of 1993, selling 761,200 copies and staying at number one for seven weeks. As a result of its success, "Bat Out of Hell" was reissued in the UK, this time reaching the top ten (which it didn't achieve on its first release in 1979), meaning Meat Loaf achieved the rare feat of having two singles in the UK Top Ten at the same time.
In Germany, the song is the 7th best-selling pop hymn ever.
Critical reaction was mixed. Allmusic said that "Meat Loaf sells the borderline-campy lyrics with a full-throated vocal whose stirring sense of conviction brings out the heart hidden behind the clever phrases." Meat Loaf won a Grammy Award for Best Rock Vocal Performance, Solo for the song.
|Austria (Ö3 Austria Top 40)||1|
|Belgium (Ultratop 50 Flanders)||1|
|Germany (Media Control AG)||1|
|Ireland (Irish Singles Chart)||1|
|Netherlands (Dutch Top 40)||1|
|New Zealand (Recorded Music NZ)||1|
|Switzerland (Schweizer Hitparade)||1|
|UK Singles (Official Charts Company)||1|
|US Adult Contemporary (Billboard)||9|
|US Billboard Hot 100||1|
|US Mainstream Top 40 (Billboard)||2|
End of Year Charts
End of decade charts
|U.S. Billboard Hot 100||40|
- "Lorraine Crosby's biography" (archived copy from the Internet Archive). Lorraine Crosby.com. Archived from the original on 2007-07-16. Retrieved 2008-06-18.
- Bader, Anne (2007). "Media myths in popular love songs". In Galician, Mary-Lou; Merskin, Debra L. Critical thinking about Sex, love, and romance in the mass media: media literacy applications. London: Routledge. pp. 155–6. ISBN 0-8058-5615-3.
- The timings in this article refer to the original album version. There are many shorter single and radio edits.
- Guarisco, Donald A. "I'd Do Anything for Love (But I Won't Do That)". Allmusic. Retrieved 2006-09-29. The review incorrectly attributes the female vocals to Ellen Foley.
- Producers: Gina & Jerry Newson (1995-06-12). "Marketing Meat Loaf". The Music Biz. Season 1. Episode 4. BBC2.
The section from this episode about the marketing of Bat Out of Hell II, and the filming of this music video, has been rebroadcast as part of BBC Learning Zone's Media Studies strand.
- Meat Loaf (commentary) (2004). Meat Loaf Live with the Melbourne Symphony Orchestra (DVD). Melbourne: Warner Music Vision.
- "Meat Loaf", VH1 Storytellers, [DVD]
- "Kicked Out of Hell". Indy's Meat Loaf fan site. Retrieved 2006-08-29. ; "I'd Do Anything for Love (But I Won't Do That)". Indy's Meat Loaf fan site. Retrieved 2006-08-29.
- Jim Steinman (1993). Back into Hell: Meat Loaf & Jim Steinman interview (DVD). Virgin Records.
- "The Artist's Mind". jimsteinman.com. Retrieved 2006-10-22.
- Loaf, Meat; David Dalton (2000). To Hell and Back: An Autobiography. London: Virgin Publishing. pp. 203–4. ISBN 0-7535-0443-X. "Jimmy always said, "You know what? Nobody's gonna get it." And he was right."
- "Episode 5". Pop-up Video. VH1.
- Video available on Bat out of Hell II: Collector's Edition, Virgin
- Holt, Pauline (Dec 7 2003). "All on her own". Sunday Sun. Retrieved 2010-02-06.
- "Pearl Looks Forward to Future, 25 Years after Texas Chainsaw Massacre". International Cinematographers Guild. Retrieved 2006-08-29.
- Meat Loaf (1993). Back into Hell: Meat Loaf & Jim Steinman interview (DVD). Virgin Records.
- "Leavetaking". Gallery Collection. The Art of Michael Whelan. Archived from the original on 2006-11-17. Retrieved 2006-11-26.
- Paradise by the Dashboard Light, reached #1 in the Netherlands in 1978.
- Weekly World News 15 (10). Dec 7, 1993. p. 13.
- "I'd Do Anything For Love (But I Won't Do That)". songfacts.com. Retrieved 2006-08-29.
- "Grammy Awards: Best Rock Vocal Solo Performance". Rock on the Net. Retrieved 2006-11-26.
- "Australian-charts.com – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)". ARIA Top 50 Singles.
- "Meat Loaf – I'd Do Anything for Love (But I Won't Do That) – Austriancharts.at" (in German). Ö3 Austria Top 40.
- "Ultratop.be – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)" (in Dutch). Ultratop 50.
- "Top Singles - Volume 58, No. 16, October 30, 1993". RPM. Retrieved July 5, 2011.
- "Lescharts.com – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)" (in French). Les classement single.
- "Die ganze Musik im Internet: Charts, News, Neuerscheinungen, Tickets, Genres, Genresuche, Genrelexikon, Künstler-Suche, Musik-Suche, Track-Suche, Ticket-Suche – musicline.de" (in German). Media Control Charts. PhonoNet GmbH.
- "Irish Singles Chart – Search for song". Irish Recorded Music Association. Retrieved July 5, 2011.
- "Nederlandse Top 40 – week 45, 1993" (in Dutch). Dutch Top 40
- "Charts.org.nz – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)". Top 40 Singles.
- "Norwegiancharts.com – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)". VG-lista.
- "Swedishcharts.com – Meat Loaf – I'd Do Anything for Love (But I Won't Do That)". Singles Top 60.
- "Meat Loaf – I'd Do Anything for Love (But I Won't Do That) – swisscharts.com". Swiss Singles Chart.
- "Archive Chart" UK Singles Chart.
- "Meat Loaf Album & Song Chart History" Billboard Adult Contemporary Songs for Meat Loaf.
- "Meat Loaf Album & Song Chart History" Billboard Hot 100 for Meat Loaf.
- "Meat Loaf Album & Song Chart History" Billboard Pop Songs for Meat Loaf.
- Geoff Mayfield (December 25, 1999). 1999 The Year in Music Totally '90s: Diary of a Decade - The listing of Top Pop Albums of the '90s & Hot 100 Singles of the '90s. Billboard. Retrieved October 15, 2010.
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