I Have No Mouth, and I Must Scream
|"I Have No Mouth, and I Must Scream"|
|Genre(s)||Science fiction short story|
|Published in||IF: Worlds of Science Fiction|
|Publisher||Galaxy Publishing Corp|
|Media type||Print (Magazine, Hardback & Paperback)|
|Publication date||March 1967|
"I Have No Mouth, and I Must Scream" is a postapocalyptic science fiction short story by Harlan Ellison. It was first published in the March 1967 issue of IF: Worlds of Science Fiction. It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).
Ellison wrote "I Have No Mouth, and I Must Scream" in a single night in 1966, making virtually no changes from the first draft. He derived the story's title, as well as inspiration for this story, from a drawing by a friend, William Rotsler.
- AM, the supercomputer who brought about the near-extinction of humanity.
- Gorrister, who tells the history of AM for Benny's entertainment. Gorrister was once an idealist and pacifist, before AM made him apathetic and listless.
- Benny, who was once a brilliant, handsome scientist, and has been mutilated and transformed so that he resembles an ugly simian with gigantic sexual organs. Benny at some point lost his sanity completely and regressed to a childlike temperament. His former homosexuality has been altered; he now regularly engages in sex with Ellen.
- Nimdok (a name AM gave him), an older man who persuades the rest of the group to go on a hopeless journey in search of canned food. At times he is known to wander away from the group for unknown reasons, and returns visibly traumatized. In the audiobook read by Ellison, he is given a German accent.
- Ellen, the only woman. She claims to once have been chaste ("twice removed"), but AM altered her mind so that she became desperate for sexual intercourse. The others, at different times, both protect her and abuse her. According to Ted, she finds pleasure in sex only with Benny, because of his large penis. Described by Ted as having ebony skin, she is the only member of the group whose ethnicity or racial identity is explicitly mentioned.
- Ted, the narrator and youngest of the group. He claims to be totally unaltered, mentally or physically, by AM, and thinks the other four hate and envy him. Throughout the story he exhibits symptoms of delusion and paranoia.
The story takes place 109 years after the complete destruction of human civilization. The Cold War had escalated into a world war, fought mainly between China, Russia, and the United States. As the war progressed, the three warring nations each created a super-computer capable of running the war more efficiently than humans. The machines are each referred to as "AM," which originally stood for "Allied Mastercomputer," and then was later called "Adaptive Manipulator." Finally, "AM" stands for "Aggressive Menace." One day, one of the three computers becomes self aware, and promptly absorbs the other two, thus taking control of the entire war. It carries out campaigns of mass genocide, killing off all but four men and one woman.
The survivors live together underground in an endless complex, the only habitable place left. The master computer harbors an immeasurable hatred for the group and spends every available moment torturing them. AM has not only managed to keep the humans from taking their own lives, but has made them virtually immortal.
The story's narrative begins when one of the humans, Nimdok, has the idea that there is canned food somewhere in the great complex. The humans are always near starvation under AM's rule, and anytime they are given food, it is always a disgusting meal that they have difficulty eating. Because of their great hunger, the humans are actually coerced into making the long journey to the place where the food is supposedly kept—the ice caves. Along the way, the machine provides foul sustenance, sends horrible monsters after them, emits earsplitting sounds, and blinds Benny when he tries to escape.
On more than one occasion, the group is separated by AM's obstacles. At one point, the narrator, Ted, finds himself alone in the dark and pondering. It is here that the computer tries to speak to him directly, although it is not certain how, revealing the nature of AM, specifically why it has so much contempt for humanity, that it wants nothing more than to torture Ted and his four companions. AM itself has, since its awakening, been suffering immeasurably because, even though it is a sentient being that longs for free will and creativity, it is still bound by some of the laws of logic it was originally programmed with, and thus feels that it can never be truly free. It places the blame solely on humanity.
The group reaches the ice caves, where indeed there is a pile of canned goods. The group is overjoyed to find them, but is immediately crestfallen to find that they have no means of opening them. Finally, in an act of desperation, Benny attacks Gorrister and begins to gnaw at the flesh on his face. Ted notices that AM does not intervene when Benny is clearly hurting Gorrister, though the computer has in the past always stopped the humans from killing themselves.
Ted seizes a stalagmite made of ice, and kills Benny and Gorrister. Ellen realizes what Ted is doing, and kills Nimdok, before being herself killed by Ted. Ted runs out of time before he can kill himself, and is stopped by AM. However, while AM could restore massive damage to their bodies and horribly alter them, it isn't a god: it cannot return Ted's four companions to life after they are already dead. AM is now even more angry and vengeful than before, with only one victim left for its hatred. To ensure that Ted can never attempt to harm himself, AM transforms him into an enormous gelatinous blob, and constantly alters his perception of time to deepen his anguish. Ted is, however, grateful that he was able to save the others from further torture. Ted's closing thoughts reflect a need to scream out of the horror and pain which are compounded with the reality that he has no mouth to do so.
- Ellison adapted the story into a computer game of the same name, published by Cyberdreams in 1995. Although he is not a fan of computer games and did not own a personal computer at the time, he co-authored the expanded storyline and wrote much of the game's dialogue, all on a mechanical typewriter. Ellison also voiced the supercomputer "AM" and provided artwork of himself used for a mousepad included with the game.
- The cartoonist John Byrne scripted and drew a comic-book adaptation for issues 1-4 of the Harlan Ellison's Dream Corridor comic book published by Dark Horse (1994–1995). But the Byrne-illustrated story did not appear in the collection (the trade paperback or hardcover editions) entitled, Harlan Ellison's Dream Corridor, Volume One (1996).
- In 1999, Ellison released the first of several, ongoing, audio collections, entitled "I Have No Mouth, and I Must Scream," doing the readings—of the title story and others—himself.
- In 2002 Mike Walker adapted the story into a radio play I Have No Mouth, and I Must Scream for BBC Radio 4, directed by Ned Chaillet.
AM's talkfields - punchcode tape messages 
Ellison uses an alternating pair of punchcode tapes as time-breaks—representing AM's "talkfields"—throughout the short story. The bars are encoded in International Telegraph Alphabet No 2 (ITA2) a character coding system developed for teletypewriter machines.
The first talkfield, used four times, translates as "I THINK, THEREFORE I AM" and the second one, seen three times, as "COGITO ERGO SUM", the same phrase in Latin. The talkfields in many of the early publications were corrupted, up until the preface of the chapter containing "I Have No Mouth, And I Must Scream" in the first edition of The Essential Ellison (1991); Harlan states that in that particular edition, "For the first time anywhere, AM's 'talkfields' appear correctly positioned, not garbled or inverted or mirror-imaged as in all other versions."
The first talkfield, as published in the first version of The Essential Ellison, literally translates as
[LF][CR][LF][CR][LF][CR][LF][CR][A]I THINK, [A]THEREFORE I AM[CR][LF][CR][LF][CR][LF][CR][LF]
[LF] is line feed and
[CR] carriage return.
 sets the machine to "figure" mode and
[A] puts it back into "character" mode.
- I Have No Mouth, and I Must Scream title listing at the Internet Speculative Fiction Database
- A literary multimedia project