I Now Pronounce You Chuck and Larry

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I Now Pronounce You Chuck & Larry
Promotional film poster
Directed by Dennis Dugan
Produced by Adam Sandler
Jack Giarraputo
Tom Shadyac
Michael Bostick
Screenplay by Barry Fanaro
Alexander Payne
Jim Taylor
Starring Adam Sandler
Kevin James
Jessica Biel
Ving Rhames
Steve Buscemi
Dan Aykroyd
Music by Rupert Gregson-Williams
Cinematography Dean Semler
Edited by Jeff Gourson
Distributed by Universal Pictures
Release dates
  • July 12, 2007 (2007-07-12) (Universal City premiere)
  • July 20, 2007 (2007-07-20)
Running time 115 minutes[1]
Country United States
Language English
Budget $85 million[2]
Box office $186,072,214[2]

I Now Pronounce You Chuck & Larry is a 2007 American comedy film directed by Dennis Dugan, written by Barry Fanaro, and starring Adam Sandler and Kevin James as the title characters. The film was released on July 20, 2007, in the United States; August 16, 2007, in Australia; and on September 21, 2007, in the United Kingdom and Ireland. Although the film received negative reviews by critics for its very crude humor and portrayal of gay people, it was a financial success, ranking #1 at the box office. The film is Sandler's first to be released by Universal Studios since Bulletproof in 1996.

The film's depiction of same-sex marriage in New York preceded the 2011 enactment of the Marriage Equality Act, which legalized marriage for same-sex couples in the state. At the time of the film's release, the state allowed for residents to file for unregistered cohabitation rights, and various municipal and county governments (including, as shown in-film, New York City) offered domestic partnership registries.


Chuck Levine and Larry Valentine are two veteran New York City fire fighters. Chuck is a bachelor and womanizer and Larry is a widower who tries to raise his two children.During a routine sweep of a burned building, a segment of floor collapses and Chuck almost dies. Larry eventually rescues Chuck by shielding him from the falling debris. As he and Larry awaken at a hospital later, Chuck vows to repay his debt in any way possible. The incident prompts Larry to realize the fact that death can come for him at any moment, but he has difficulties naming his children as primary beneficiaries in his life insurance policy. One of the ways suggested for him to do so is to get married so his new wife would be a primary beneficiary and this could be someone he just met. Inspired by a newspaper article about domestic partnerships, Larry asks Chuck to enter a civil union with him. Although at first Chuck declines, he is reminded of his debt to Larry and finally agrees. Chuck and Larry become domestic partners and Chuck becomes Larry's primary beneficiary in the event of his death. Soon, New York City investigators arrive to inquire about their partnership, suspecting fraud. Chuck and Larry decide to enlist the help of a lawyer, Alex McDonough, who suggests that they get married. Chuck and Larry then marry in Canada and move in together.

At a gay benefit costume party, the partygoers are confronted by homophobic protesters, whose leader, Jim the minister, calls Chuck a "faggot". Chuck punches him, causing the event to be published in a newspaper. With their apparent homosexuality and marriage revealed, the pair come under fire: Chuck and Larry are heckled, while their fellow FDNY firefighters refuse to work or even play basketball alongside the couple. Their only ally is Fred G. Duncan, an angry, intimidating firefighter who comes out to a very surprised Chuck. Larry's effeminate son, Eric is harassed in school by a homophobic bully - but he surprises everybody by easily winning the fight. During the ordeal, the previously homophobic pair come to understand what it is like to be persecuted, and become more accepting of homosexuality. Chuck becomes romantically interested in Alex after the two spend time together, but finds himself unable to get close to her because she thinks he is gay. Meanwhile, city agent Clinton Fitzer arrives to investigate the couple. The strain on both Larry and Chuck leads to a verbal fight and also working different shifts, although there was a petition to have Chuck and Larry thrown out of the firehouse. This prompts Larry to confront the crew about their personal embarrassments on the job that Chuck and Larry helped them overcome. After this a call goes out and before they go on the call Larry even goes as far as to say: "Oh! A fire. I hope its not a big one because the faggot who's been saving your sorry asses thanks to you is on another shift". After Larry's shift is over, Chuck and Larry reconcile their differences.

Spending time together, Chuck and Alex soon kiss but this shocks Alex because Chuck is gay and because he is married, making this wrong in her eyes. Chuck tries to explain that it's not about right or wrong. Alex kisses Chuck again and shocked that she did it again, she tells Chuck they cannot see each other outside of their lawyer-client relationship. Alex says she believes in marriage and what it represents and that she has betrayed both him and Larry. Chuck attempts to explain but unable to reveal the truth, Alex tells him to go and he has no choice but to do so. Soon the city agent Clinton Fitzer play basketball with Tori and Eric ask that Chuck should spent time with his Family and ask where he is. Tori mentions that Chuck is hanging out with Alex who he always talk about whenever Larry is not around and he is shocked to hear this

Larry confronts Chuck about his spending time with Alex. Larry said that if Chuck was around then the city agent would believe that Chuck like him soon Chuck and Larry argue Chuck said he had to lied to him because of it now had to lie to everybody especially Alex he was unable to be honest with her or get close to her or have fun with her then Larry ask why he could not had fun with him Chuck said he change ever since Larry force him to marry him saying he does act like his husband and unable to breath Larry said that only reason he feel that way because he was afraid feeling trap that what happen when get marry Chuck respond they are not really saying he just in a gay nightmare Larry reply he can not commit to anything and try make it work Chuck said it did and became work and then relationship become work Chuck tell Larry to Face it they are not supposed to be together and found someone he really be with and tell instead being jealous he should the same but Larry repllie to for in the love Paula Chuck reply he should just move on because his house is like a Shrine to Paula and he should just get a real wife while his kid would lie to every 2 second Larry respond he can not hold it for five minute it the reason this mess Chuck respond he know real reason why they are in this mess and said unable to deal with and Larry leaves but soon reconcile

The marriage soon comes under fire, as numerous women provide testimonies as to having slept with Chuck in the recent past, and the couple is called into court to defend their marriage on charges of fraud. They are defended by Alex, and their fellow firefighters arrive in support, after they realize all Chuck and Larry have done for them over the years, and how they were treating Chuck and Larry. Fitzer interrogates both men, who testify that they genuinely love each other (albeit in a platonic fashion). As his final demand, Fitzer asks for the pair to kiss to prove that their relationship is physical, but before they do so, they are interrupted by Captain Phineas J. Tucker, who finally reveals that their marriage is a sham and that they are both straight. Tucker attempts to save Chuck and Larry by claiming that he would have to be arrested as well, since he knew about the falsity, but failed to report it. This prompts the other firefighters to each claim a role in the wedding in a show of solidarity. However, Chuck, Larry, and the other firefighters are sent to jail, but they are quickly released after negotiating a deal to provide photos for an AIDS research benefit calendar. The deal including pleading guilty to fraud, which would reduce the charges to a misdemeanor. Two months later, Duncan and Alex's brother, Kevin, are married in Canada at the same chapel as Chuck and Larry were. At the wedding party, Larry finally moves on after the death of his wife and talks to a new woman, while Alex tentatively agrees to a dance with Chuck. The film ends when Lance Bass sings, and little Eric tap-dances.



Producer Tom Shadyac had planned this film as early as 1999. I Now Pronounce You Joe and Benny, as the film was then titled, was announced as starring Nicolas Cage and Will Smith with Shadyac directing. In the official trailer, the song "Grace Kelly" by British pop star, Mika, was included.[3]


MPAA rating[edit]

The film was originally rated R for "crude sexual humor and nudity". Universal appealed the rating, but it was upheld.[4] Upon losing the appeal, Universal edited the film: the film was re-rated PG-13 for "crude sexual content throughout, nudity, language and drug references".

Critical response[edit]

The film received generally negative reviews from critics. On the film review aggregation site Rotten Tomatoes, the film has a 14% "Rotten" critic rating from 154 reviews; the consensus states: "Whether by way of inept comedy or tasteless stereotypes, I Now Pronounce You Chuck & Larry falters on both levels."[5]

USA Today called it "a movie that gives marriage, homosexuality, friendship, firefighters, children and nearly everything else a bad name."[6] The Wall St Journal calls it "an insult to gays, straights, men, women, children, African-Americans, Asians, pastors, mailmen, insurance adjusters, firemen, doctors -- and fans of show music."[7]

The New York Post called it not an insult to homosexuality but to comedy itself.[8] The Miami Herald was slightly less critical, calling the film "funny in the juvenile, crass way we expect."[9]

Nathan Lee from the Village Voice wrote a positive review, praising the film for being "tremendously savvy in its stupid way" and "as eloquent as Brokeback Mountain, and even more radical."[10] Controversial critic Armond White championed the film as "a modern classic" for its "ultimate moral lesson—that sexuality has absolutely nothing to do with who Chuck and Larry are as people".[11]

Box office[edit]

Despite the generally negative critical reception, Chuck & Larry grossed $34,233,750 and ranked #1 at the domestic box office in its opening weekend, higher than the other opening wide release that weekend, Hairspray, and the previous weekend's #1 film, Harry Potter and the Order of the Phoenix.[12] By the end of its run, the film had grossed $120,059,556 domestically and $66,012,658 internationally for a worldwide total of $186,072,214. From an estimated $85 million budget, this can be considered a success.[2]


The film received eight Golden Raspberry Award nominations including Worst Picture, Worst Actor (Adam Sandler), Worst Supporting Actor (both Kevin James and Rob Schneider), Worst Supporting Actress (Jessica Biel), Worst Director (Dennis Dugan), Worst Screenplay and Worst Screen Couple (Adam Sandler with either Kevin James or Jessica Biel), but failed to win any.

Response from social groups[edit]

The film was screened prior to release for the Gay & Lesbian Alliance Against Defamation (GLAAD). GLAAD representative Damon Romine told Entertainment Weekly magazine: "The movie has some of the expected stereotypes, but in its own disarming way, it's a call for equality and respect".[13]


According to Alexander Payne, the writer of an initial draft of the film, Sandler took many liberties with his screenplay, "Sandler-izing" the movie, in his own words. At some point, he did not want his name attached to the project.[citation needed]

Critics have also said the character played by Rob Schneider is a racist depiction of Asians and he was also negatively received for donning Yellowface.[14]

In November 2007, the producers of the Australian film Strange Bedfellows initiated legal action against Universal Studios for copyright violation.[15] The suit was withdrawn in April 2008 after the producers of Strange Bedfellows received an early draft of Chuck & Larry that predated their film, and they were satisfied that they had not been plagiarized.[16]


  1. ^ "I NOW PRONOUNCE YOU CHUCK & LARRY (12A)". British Board of Film Classification. 2007-07-24. Retrieved 2013-07-16. 
  2. ^ a b c "I Now Pronounce You Chuck and Larry (2007)". Box Office Mojo. Retrieved June 10, 2011. 
  3. ^ "I, Nicolas Cage, take thee, Will Smith". The Advocate. 1999-05-25. p. 22. Retrieved 2010-08-02. 
  4. ^ MPAA Press Release on I Now Pronounce You Chuck and Larry
  5. ^ "I Now Pronounce You Chuck And Larry (2007)". Rotten Tomatoes. Flixster. Retrieved 2009-08-02. 
  6. ^ Puig, Claudia (2007-07-20). "'Chuck and Larry': It's a marriage of bad taste, bad gags". USA Today. Retrieved 2010-08-01. 
  7. ^ Kaufman, Joanne (2007-07-20). "'Hairspray' Is Campy Fun, but Travolta Is a Drag". Wall St Journal. Retrieved 2010-08-01. 
  8. ^ Smith, Kyle (2007-07-20). "'laughless comedy isn't a gay time'". New York Post. Retrieved 2010-08-01. 
  9. ^ "'Chuck & Larry'". The Miami Herald. Retrieved 2010-08-01. [dead link]
  10. ^ "'Queer as Folk'". The Village Voice. Retrieved 2010-08-01. 
  11. ^ "'Bossom Budies'". New York Press. Retrieved 2007-07-25. 
  12. ^ "Weekend Box Office Results for July 20-22, 2007". Box Office Mojo. Amazon.com. 2007-07-23. Retrieved 2013-07-16. 
  13. ^ "I Now Pronounce You Chuck and Larry". Entertainment Weekly. 2007-07-20. Retrieved 2011-03-25. 
  14. ^ afterelton.com Review of "I Now Pronounce You Chuck and Larry"
  15. ^ Filmmakers take on Hollywood over comedy 'copy' - Film - Entertainment
  16. ^ "Strange fluke, not plagiarism - Film - Entertainment". Sydney Morning Herald. 2008-04-06. Retrieved 2011-03-25. 

External links[edit]