I Should Care
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"I Should Care" is a popular song by Axel Stordahl, Paul Weston and Sammy Cahn, published in 1944. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 (in USA)[1] and by EMI on the His Master's Voice labels as catalog number B 10389.
The song has become a popular standard, with recordings by many artists.
[edit] Notable Recordings
- Bing Crosby
- Jeff Chandler single 45 recording 1953
- The Four Freshmen - Love Lost (1959)
- Modern Jazz Quartet - Dedicated to Connie (1960)
- Bill Evans Trio - How My Heart Sings! (1962)
- Thelonious Monk - Solo Monk (1965)
- Sergio Franchi - There Goes My Heart (RCA Victor, 1967)[1]
- Marian McPartland - Live At Maybeck Recital Hall [Vol. 9] (1991)
- Nat King Cole - The Billy May Sessions (1993)
- Abbey Lincoln and Hank Jones – When There Is Love (1994)
- Barry Manilow - Singin' with the Big Bands (1994)
- Dizzy Gillespie - The Complete RCA Victor Recordings (1995)
- Johnny Hartman - And I Thought About You (1997)
- Kay Starr - I Cry By Night/Losers Weepers (1997)
- Ralph Flanagan - Big Band Sounds of Ralph Flanagan (1998)
- Frank Sinatra - The Best of the Columbia Years (1998)
- Joe Pass - Unforgettable (1999)
- Nat Adderley - Introducing Nat Adderley (2001)
- June Christy - Something Cool (2001)
- The Four Freshmen - Voices In Love / Love Lost (2001)
- Stan Kenton - At The Rendezvous: Vol 2 (2000)
- Richard Doron Johnson - Battle Grounds (2010)
- Julie London - Julie Is Her Name (2009)
- Jane Monheit - Taking a Chance on Love (2004)
- Bud Powell - Bud's Bubble: 1944/1947 (2000)
- Mel Tormé - Tormé (2003)
More recently, the song has been performed live by Amy Winehouse.
[edit] References
- ^ http://www.discogs.com Sergio Franchi
[edit] Literature
- I Should Care (Transcription). Jazz Research News 6
- Stephan Richter: The Beauty of Building, Dwelling, and Monk: Aesthetics, Religion, and the Architectural Qualities of Jazz. African American Review, Vol. 29, No. 2 (1995), S. 259-268
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