Ibanez

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This article is about the guitar manufacturer. For people named Ibáñez, see Ibáñez (disambiguation).
Ibanez Guitars
Native name アイバニーズ
Type Private
Industry Musical instruments
Founded Nagoya, Japan 1957
Area served Global
Products Electric guitars
Bass guitars
Acoustic guitars
Amplifiers
Effects units
Parent Hoshino Gakki
Website Ibanez.com

Ibanez (アイバニーズ Aibanīzu?) is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as well as the first brand of guitars and basses to mass-produce the seven-string guitar, eight-string guitar, five-string and six-string bass guitar along with Schecter Guitar Research.

History[edit]

Ibanez in 1960s–1970s

Montclair (1960s)
Ibanez Artist
(mid 1970s)
Ibanez Iceman

The Hoshino Gakki company began in 1908 as the musical instrument sales division of the Hoshino Shoten, a bookstore company. The Ibanez brand name dates back to 1929 when Hoshino Gakki began importing Salvador Ibáñez guitars from Spain. After Telésforo Julve bought the company in 1933, Hoshino Gakki decided to make Spanish acoustic guitars in 1935, at first using the "Ibanez Salvador" brand name, and then later using the "Ibanez" brand name.[1]

The modern era of Ibanez guitars began in 1957[2] and the late 1950s and 1960s Ibanez catalogues show guitars with some wild looking designs,[3] manufactured by Guyatone, Kiso Suzuki Violin, and their own Tama factory.[4] After Tama factory stopped guitar manufacturing in 1966, Hoshino Gakki used the Teisco[citation needed] and FujiGen Gakki guitar factories to manufacture Ibanez guitars, and after the Teisco guitar factory (Teisco String Instrument, Company) once closed down in 1969/1970 Hoshino Gakki used the FujiGen Gakki guitar factory to make most Ibanez guitars.

Ibanez in 1980s–2000s

Ibanez JEM7V
Ibanez RG
Ibanez UV777

In the 1960s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender and Rickenbacker models started to appear. This resulted in the so-called Ibanez lawsuit period. During this lawsuit period Ibanez started producing guitars under the Mann name to avoid authorities in the US and Canada. After the lawsuit period Hoshino Gakki introduced Ibanez models that were definitely not copies of the Gibson or Fender designs such as the Iceman and The Ibanez Roadstar. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadstar and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model.

Ibanez Acoustic

Pat Metheny with his signature model
Ibanez AS200
Ibanez EW20ASE (Exotic Wood)

Hoshino Gakki also had semi acoustic, nylon and steel stringed acoustic guitars manufactured under the Ibanez name. Most Ibanez guitars were made for Hoshino Gakki by the FujiGen guitar factory in Japan up until the mid-to-late 1980s and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China and Indonesia. During the early 1980s the FujiGen guitar factory also produced most of the Roland guitar synthesizers, including the Stratocaster-style Roland G-505, the twin-humbucker Roland G-202 (endorsed by Eric Clapton, Dean Brown, Jeff Baxter, Yannis Spathas, Steve Howe, Mike Rutherford, Andy Summers and Steve Hackett) and the Ibanez X-ING IMG-2010.

Cimar and Starfield were guitar brands owned by Hoshino Gakki. In the 1970s, Hoshino Gakki and Kanda Shokai shared some guitar designs and so some Ibanez and Greco guitars have the same features. The Kanda Shokai Greco guitars were sold in Japan and the Hoshino Gakki Ibanez guitars were sold outside of Japan. From 1982, Ibanez guitars have also been sold in Japan as well as being sold outside of Japan.[5]

Guitar brands such as Antoria and Mann shared some Ibanez guitar designs. The Antoria guitar brand was managed by JT Coppock Leeds Ltd England. CSL was a brand name managed by Charles Summerfield Ltd England. Maurice Summerfield of the Charles Summerfield Ltd company contributed some design ideas to Hoshino Gakki and also imported Ibanez and CSL guitars into the UK with Hoshino Gakki cooperation from 1964–1987.[6] The Maxxas brand name came about because Hoshino Gakki thought that the guitar did not fit in with the Ibanez model range and was therefore named Maxxas by Rich Lasner from Hoshino USA.[7]

Lawsuit[edit]

Mid-1970's "Lawsuit Era" solid body, Set neck, Mann/Ibanez electric guitar

Harry Rosenbloom, founder of the (now-closed) Medley Music of Bryn Mawr, Pennsylvania, was manufacturing handmade guitars under the name "Elger." By 1965 Rosenbloom had decided to stop manufacturing guitars and chose to become the exclusive North American distributor for Ibanez guitars. In September 1972 Hoshino began a partnership with Elger Guitars to import guitars from Japan. In September 1981, Elger was renamed "Hoshino U.S.A.", retaining the company headquarters in Bensalem, Pennsylvania as a distribution and quality-control center.

On June 28, 1977, in the Philadelphia Federal District Court, a lawsuit was filed by the Norlin Corporation, the parent company of Gibson Guitars against Elger/Hoshino U.S.A.'s use of the Gibson headstock design and logo. Hoshino settled out of court in early 1978 and the case was officially closed on February 2, 1978.[8]

After the lawsuit Hoshino Gakki abandoned the strategy of copying "classic" U.S.A. electric guitar designs—having already introduced a plethora of original designs. Hoshino was producing Artist models of their own design from 1974, introducing a set neck model in 1975. In 1977 they upgraded and extended their Artist range and introduced a number of other top quality original designs made to match or surpass famous American brands; the Performer and short-lived Concert ranges which competed with the Les Paul; through neck Musicians; Studios in fixed and through neck construction; the radically shaped Iceman and the Roadster which morphed into the Roadstar range, precursor to the popular superstrat era in the mid-1980s. The newer Ibanez models began incorporating more modern elements into their design such as radical body shapes, slimmer necks, 2-octave fingerboards, slim pointed headstocks, higher-output electronics, humbucker/single-coil/humbucker (H/S/H) pickup configurations, locking tremolo bridges and different finishes.

Ibanez endorsers: past and present[edit]

Effect pedals[edit]

Ibanez TS9 Tube Screammer
Ibanez DE7 Delay/Echo Pedal

In the 1970s (THE FUTURE), the Nisshin Onpa AKA "NISSAN SKYLINE" company, who owned the Maxon brand name, developed and began selling a series of effect pedals in Japan. Hoshino Gakki licensed these for sale using the name Ibanez outside of Japan. These two companies eventually began doing less and less business together until Nisshin Onpa ceased manufacting the TS-9 reissue for Hoshino Gakki in 2002.

Tube Screamer[edit]

Main article: Ibanez Tube Screamer


Serial numbers[edit]

See also[edit]

Ibanez Artcore series

References[edit]

  1. ^ Hoshino Gakki History. hoshinogakki.co.jp
  2. ^ Ibanez, The Untold Story by Paul Specht (Michael Wright, Jim Donahue) ISBN 0-9764277-0-2
  3. ^ Vintage Ibanez Guitar Site – 1960's Models, Early Imports. Vintageibanez.tripod.com. Retrieved on 2012-01-12.
  4. ^ "富士弦楽器とIbanez" [FujiGen and Ibanez]. Matsumoto GUITARS [Guitar manufacturers in Matsumoto City] (in Japanese). The Junk Guitar Museum Matsumoto. 
  5. ^ Fujigen Gakki. Daeschler.com. Retrieved on 2012-01-12.
  6. ^ a b Ibanez: The Untold Story, 2005 Hoshino, USA
  7. ^ Rich Lasner interview. Ibanezregister.com (1984-12-04). Retrieved on 2012-01-12.
  8. ^ Blue Book of Acoustic Guitars by Zachary R. Fjestad page 331. Alfred Music Publishing 2008. ISBN 1-886768-74-9, ISBN 978-1-886768-74-1

External links[edit]