| Ihara Saikaku
Statue of Ihara Saikaku, in Ikukunitama shrine, Osaka.
Born as Hirayama Tōgo (平山藤五), the son of a wealthy merchant in Osaka, he first studied haikai poetry under Matsunaga Teitoku and later studied under Nishiyama Sōin of the Danrin School of poetry, which emphasized comic linked verse. Scholars have described numerous extraordinary feats of solo haikai composition at one sitting; most famously, over the course of a single day and night in 1677, Saikaku is reported to have composed at least 16,000 haikai stanzas, with some sources placing the number at over 23,500 stanzas.
Later in life he began writing racy accounts of the financial and amorous affairs of the merchant class and the demimonde. These stories catered to the whims of the newly prominent merchant class, whose tastes of entertainment leaned toward the arts and pleasure districts.
In 1642, Ihara Saikaku was born into a well-off merchant family in Osaka. From the age of fifteen Saikaku had begun to compose haikai no renga (linked verse). In 1662 at the age of twenty Saikaku had become a haikai master. Under the pen name Ihara Kakuei, Saikaku began to establish himself as a popular haikai poet. By 1670 Saikaku had developed his own distinctive style: In essence his haikai style relied on the use of colloquial language to depict contemporary chōnin life. Furthermore, during this time Saikaku owned and ran a medium-size business in Osaka.
In 1673 he changed his pen name to Saikaku. However, the death of his dearly beloved wife in 1675 had an extremely profound impact him. A few days after her death, in an act of grief and true love, Saikaku started to compose a thousand-verse haikai poem over twelve hours. When this work was published it was called ‘Haikai Single Day Thousand Verse’ (Haikai Dokugin Ichinichi).
It was the first time that Saikaku had attempted to compose such a lengthy piece of literature. The overall experience and success that Saikaku received from composing such a mammoth exercise has been credited with sparking the writer’s interest in writing novels.
Shortly after his wife’s death, the grief-stricken Saikaku decided to become a lay monk and began to travel all across Japan, thus leaving behind his three children (one of whom was blind) to be cared for by his extended family and his business by his employees. He started his travels after the death of his blind daughter.
In 1677 Saikaku returned to Osaka and had learnt of the success his thousand-verse haikai poem had received. From then on he pursued a career as a professional writer. Initially Saikaku continued to produce haikai poetry, but by 1682 he had published his first of many fictional novels The Life of an Amorous Man.
As Saikaku’s popularity and readership began to increase and expand across Japan so did the amount of literature he published. When he died in 1693 at the age of fifty-one Saikaku was one of the most popular writers of the entire Tokugawa period. At the time his work was never considered high literature because it had been aimed towards and popularised by the chonin. Nevertheless, Saikaku’s work is now celebrated for its significance for developing Japanese fiction literature.
Amorous or erotic stories
- The Life of an Amorous Man (好色一代男 Kōshoku Ichidai Otoko , 1682)
- The Great Mirror of Beauties: Son of an Amorous Man (好色二代男 諸艶大鏡 Kōshoku Nidai Otoko Shoen Okagami , 1684)
- Five Women Who Loved Love (好色五人女 Kōshoku Gonin Onna , 1685)
- The Life of an Amorous Woman (好色一代女 Kōshoku Ichidai Onna , 1686) (made into the 1952 movie The Life of Oharu by Kenji Mizoguchi)
- The Great Mirror of Male Love (The Encyclopedia of Male Love) (男色大鑑 Nanshoku Okagami , 1687)
Townspeople (町人 chōnin) stories
- Twenty Cases of Unfilial Children (本朝二十不孝 Honchō Nijū Fukō , 1686)
- The Eternal Storehouse of Japan (日本永代蔵 Nippon Eitaigura , 1688)
- Reckonings that Carry Men Through the World or This Scheming World (世間胸算用 Seken Munesan'yō , 1692)
- Transmission of the Martial Arts (武道伝来記 Budō Denraiki , 1687)
- Tales of Samurai Honor (武家義理物語 Buke Giri Monogatari , 1688)
- "Men take their misfortunes to heart, and keep them there. A gambler does not talk about his losses; the frequenter of brothels, who finds his favorite engaged by another, pretends to be just as well off without her; the professional street-brawler is quiet about the fights he has lost; and a merchant who speculates on goods will conceal the losses he may suffer. All act as one who steps on dog dung in the dark." —Ihara Saikaku, What the Seasons Brought to the Almanac-Maker (1686)
- Mathers, E. Powys, "Comrade Loves of the Samurai" (not a translation of The Great Mirror of Male Love, which was first published in its entirety in English translation in 1990, but of Ihara stories dealing with the titular matter, translated into English via French)
- Morris, Ivan, "The Life of an Amorous Woman and Other Writings" (translation and introduction)
- Schalow, Paul Gordon, "The Great Mirror of Male Love" (translation and introduction)
- Stubbs, David C. and Takatsuka, Masanori, "This Scheming World" (translation and introduction)
- Earl Miner, Hiroko Odagiri, and Robert E. Morrell, The Princeton Companion to Classical Japanese Literature (Princeton: Princeton University Press, 1985), 167. ISBN 0-691-00825-6
- Yoel Hoffman, Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death (Tuttle Publishing, 1998), 274. ISBN 0-8048-3179-3
- Rimer, Thomas J. A Reader's Guide to Japanese Literature. Kodansha International, 1988. ISBN 4-7700-1396-5 p66
- Donald Keene, translator, Anthology of Japanese literature, from the earliest era to the mid-nineteenth century (Grove Press, 1955), 350. ISBN 978-0-8021-5058-5
- Barrow, Terence (April 2007) [First published 1972]. "Introduction to the New Edition". Comrade Loves of the Samurai. Vermont: Tuttle Publishing. pp. ix–x. ISBN 978-4-8053-0771-7. Retrieved 22 March 2011.
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