Images of the Last Battalion

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Main article: Kerberos saga
Images of the Last Battalion
Directed by Koichi Kishita
Produced by Koichi Kishita
Written by Koichi Kishita
Music by Koichi Kishita
Cinematography Koichi Kishita
Edited by Koichi Kishita
Distributed by Digital Hollywood
Release date(s)
  • 2005 (2005)
Running time 2:29 minutes
Country Japan
Language Japanese

Images of the Last Battalion is a 2"29, black and white, Retro-fiction 3DCG/Animation short film directed by Koichi Kishita (岸田 幸士) in 2005, then he was student at the Digital Hollywood graduate school of Tokyo (デジタルハリウッド株式会社). This work was officially released at the Raiden theater in May 2006, as a trailer for Mamoru Oshii's Kerberos Panzer Jäger.[1]

Overview[edit]

Stills are used in the montage.

Images of the Last Battalion is a student concept work, it is designed like a trailer and it focuses on a Waffen-SS battalion from World War II. In the work, the soldiers are equipped with early Protect-Gears designed by Mamoru Oshii in his Kerberos saga.

Awards[edit]

The concept work's original title and length were altered when entering different festivals, hence different designations, including Image of the LastBattalion appearing in the 3" title screen added by DFGP officials.

Kishita's self-production impressed Mamoru Oshii as it demonstrates a striking visual influence by one of his own production, Avalon. Since then, Kishita became member of the Production I.G studio. He debuted in the 3D team of xxxHolic, the anime adaptation of a manga by Clamp.[2]

19th Digital Contents Grand Prix: Digital Creators Competition 2004 (DCAJ): 2nd, "Best Prize"
Digital Frontier Grand Prix '05 (DFGP): 1st, "Best VFX Award"

A Kerberos Panzer Cop tribute[edit]

Main article: Kerberos Panzer Cop

The photography and editing are perhaps inspired by[original research?] Production I.G directors works, such as Oshii's Avalon (アヴァロン) feature film released in 2001, from which it borrows various visual effects such as motion blur among other After Effects filters,[citation needed] and Hiroyuki Okiura's Jin-Roh, particularly the stills used in the prologue of the 1999 feature anime.[citation needed]

Another inspiration[original research?] could be Killzones CG cutscenes directed by Graham McKenna from the Glasgow based, Axis Animation studio. Some sequences from Images of the Last Battalion are restaging of Killzone's promo teaser and video cutscenes based on WWII key themes, e.g. the Nuremberg rally or the Trench warfare. The 2004 Dutch game inspired by the Kerberos saga was finally published in Japan, in 2005, by Sega. Killzone was finally released in Asia after the Killzone 3 E3 trailer shock.

The similarities between Images of the Last Battalion's characters and geographical background and the events portrayed in Kerberos Panzer Jäger could be interpreted as a direct motivation or inspiration[original research?] to the drama series. Actually the Panzer Jäger characters were introduced within the saga back in 1999, in the Kerberos Panzer Cop part 2 (Act 5) as well as German-built tanks. According to an interview published in the Japanese news website, WatchImpress, Kishita's original short film was modified to become a "trailer" for Panzer Kerberos Jäger which was showcased at the drama series' launch party. Cosmetic changes included alteration of the SS imagery, replaced by Jäger emblems, in order to fit the Kerberos saga's thematic universe.[citation needed]

Similarities with Kerberos Panzer Jäger[edit]

SS Panzer Battalion (Normandy) / 101st Panzer Company (101st SS Heavy Panzer Battalion)
Stahlhelm Helmet
Protect-Gears
MG42 machine guns
Stuka diving bombers
Tiger I Panzer tanks
Europe (explicit reference[original research?][citation needed] to the Battle of Normandy)

European controversy[edit]

Kishita's work quickly became famous[citation needed][original research?] outside Japan through online popular media such as personal blogs and anime/films forums. However a such art work remains controversial[original research?][citation needed] in Western countries because of its ambiguous and taboo theme: glorification tribute to the fall of a Schutzstaffel battalion. The massive use of Nazi imagery, from "SS" insignias, to Swastika and Hitler salutes could be interpreted as a Nazi propaganda film outside its Kerberos saga -unofficial- underlying reference, and apart its filmmaking and technical appreciation context.

In European countries such as Germany and France, the criminal or civil codes makes the public showing of the Swastika and other Nazi symbols illegal and punishable, except for scholarly reasons. The situation is different in Japan where the Nazi imagery is not a cultural nor historical taboo.

See also[edit]

References[edit]

External links[edit]