In Harm's Way
|In Harm's Way|
|Directed by||Otto Preminger|
|Produced by||Otto Preminger|
|Written by||James Bassett (novel)
|Music by||Jerry Goldsmith|
|Edited by||George Tomasini
Hugh S. Fowler
|Distributed by||Paramount Pictures|
|Running time||165 minutes|
|Box office||$4,500,000 (US/Canada rentals)|
In Harm's Way is a 1965 American epic war film produced and directed by Otto Preminger and starring John Wayne, Kirk Douglas, Patricia Neal, Tom Tryon, Paula Prentiss, Stanley Holloway, Burgess Meredith, Brandon deWilde, Jill Haworth, Dana Andrews, and Henry Fonda.
It was the last black-and-white World War II epic and the last black-and-white John Wayne film. It received a mixed response over the years as a war story that had a simple story, a charge leveled against Preminger's later movies, starting with this one. The screenplay was written by Wendell Mayes based on the novel Harm's Way by James Bassett.
The film recounts the lives of several US naval officers and their wives or lovers while based in Hawaii as the US involvement in World War II begins. The title of the film comes from a quote from American Revolutionary naval hero John Paul Jones: "I wish to have no connection with any ship that does not sail fast, for I intend to go in harm's way."
The film presents a relatively unromanticized and realistic picture of the American Navy and its officers in the period before and shortly after the start of World War II, complete with bureaucratic infighting among the brass and sometimes disreputable private acts by individuals. Its sprawling narrative is typical of Preminger's works in which he examined institutions and the people who run them (such as the American Congress and the Presidency in Advise and Consent, the Catholic Church in The Cardinal and the British Intelligence Service in The Human Factor).
John Wayne stars as U.S. Navy Captain Rockwell "Rock" Torrey, a divorced "second generation Navy" son of a career Chief Petty Officer. A Naval Academy graduate and career officer, Torrey is removed from command of his heavy cruiser for "throwing away the book" when pursuing the enemy and then being torpedoed by a Japanese submarine shortly after the attack on Pearl Harbor. Kirk Douglas portrays Torrey's executive officer, Commander (later Captain) Paul Eddington, a wayward sort of career officer who has resigned as a Naval Aviator and returned to the Surface Navy because of an unhappy marriage. His wife's numerous "love" affairs and drunken escapades have become the talk of Honolulu and her death during the Pearl Harbor attack – in the company of an Army Air Corps Officer (Hugh O'Brian), with whom she just had a wild fling on a local beach – drives Eddington into a bar brawl with a group of other Army Air Corps officers, a subsequent stint in the Pearl Harbor brig, and exile as the "...officer in charge of piers and warehouses..." in what he calls a "backwater island purgatory."
After several months of desk duty ashore in Hawaii and recuperation from a broken arm he suffered in the attack on his cruiser, Torrey finds his way into a romance with a divorced Navy Nurse Corps Lieutenant named Maggie Haynes (Patricia Neal), who tells him that his estranged son Jeremiah (Brandon De Wilde) is now an Ensign in the Naval Reserve. A brief and strained visit with Jeremiah brings Torrey in on a South Pacific island-hopping offensive codenamed "Skyhook", which is under command of the overly cautious and micro-managing Vice Admiral B.T. Broderick (Dana Andrews). On additional information from his roommate, Egan Powell (Burgess Meredith) a former Hollywood film writer and Naval Reserve intelligence officer recalled to active duty, Torrey guesses that the aim of Skyhook is to capture a strategic island named Levu-Vana, whose central plain would make an ideal airfield site for Army Air Forces B-17 squadrons. Shortly thereafter, Maggie informs him that her unit is to be shipped out to the same area in preparation for the offensive.
Maggie's roommate, a young nurse, Ensign Annalee Dohrn (Jill Haworth), has been dating Torrey's son. Jere is arrogant and conspiring with a superior officer, a former congressman named Neal Owynn (Patrick O'Neal), to do as little as possible in combat. Dohrn's romance with Jere ends and Eddington develops an interest in her. In the meantime, Torrey's loyal and resourceful young flag lieutenant, William "Mac" McConnell (Tom Tryon), uses a 30-day leave to get reacquainted with wife Beverly (Paula Prentiss), a civilian observer for the Navy who worries that Mac will be killed in action and wants a child.
Come the summer of 1942, Torrey is promoted to Rear Admiral by the Pacific fleet's commander-in-chief (Henry Fonda), who then gives him tactical command of Skyhook, an assignment requiring the same sort of guts and gallantry he previously displayed as commanding officer of his cruiser. Torrey personally selects Paul Eddington to be his Chief of Staff, and infuriates Broderick by immediately planning and executing an operation to overrun Gavabutu, an island to be used as a staging base for the invasion of Levu-Vana. Owynn is now Broderick's aide, with Jer still by his side.
The Japanese have withdrawn their garrisons from Gavabutu, making it an easy capture. But as Torrey turns his undivided attention to Levu-Vana, his attempts to secure more material and manpower are frustrated by General Douglas MacArthur's simultaneous and much larger campaign in the Solomon Islands. Reconnaissance aircraft prove especially difficult to come by, and surface combatant forces amount to little more than several cruisers and destroyers, including Torrey's former command. When the mission succeeds, Jere recognizes the disloyalty of Owynn and Broderick and gains a new regard for his father.
Eddington's instability drives him to rape Dohrn, who is now engaged to Torrey's son. The traumatized nurse, fearing she might be pregnant, commits suicide with an overdose of sleeping pills. As the truth is about to be revealed, Eddington – still a qualified aviator – commandeers a PBJ patrol bomber and flies solo on an unauthorized reconnaissance flight to locate elements of the Japanese fleet. He goes down in a fiery death in a redeeming act of sacrifice, finding and giving advance warning of a large Japanese task force centered around the super-battleship Yamato, on its way to blast Torrey's much smaller force off the islands.
Despite the new seaborne threat, Torrey nevertheless mounts the invasion of Levu-Vana and proceeds with a nothing-to-be-lost attempt to turn back the enemy force. Tragically, his son Jere is killed during a nighttime PT boat action. The following morning sees a pitched surface action off the shores of Levu-Vana, with the Americans drawing first blood and the Yamato decimating much of the U.S. force in response. Many lives are lost, Powell's among them. Severely injured at the height of the battle, Torrey is rescued by his flag lieutenant, LCDR McConnell, and is returned to Pearl Harbor aboard a hospital ship under Maggie's care. Expecting to be court-martialed, Torrey is instead congratulated by CINCPAC on successfully repelling the Japanese advance and allowing his Marines to take Levu-Vana.
- John Wayne as Captain Rockwell W. "Rock" Torrey USN, the commanding officer of a heavy cruiser referred to as Old Swayback (and represented in the film by the USS Saint Paul); afterwards Rear Admiral Rockwell W. Torrey, USN, "operational commander" of "Operation Skyhook."
- Kirk Douglas as Commander Paul Eddington, USN, a former Naval Aviator who has resigned from Naval Aviation due to marital problems; executive officer of Old Swayback under Captain Torrey; later, as Captain Paul Eddington, Admiral Torrey's first Chief of Staff
- Patricia Neal as Lieutenant Maggie Haines, Nurse Corps, USNR, a Navy nurse and Rock Torrey's love interest
- Tom Tryon as Lieutenant Junior Grade William "Mac" McConnell, USN, appearing first as Officer of the Deck aboard the destroyer USS Cassidy, which McConnell sorties from anchorage during the Pearl Harbor attack without the CO or XO and joins up on Captain Torrey's cruiser; afterwards Lieutenant then Lieutenant Commander William "Mac" McConnell, Flag Secretary in Admiral Torrey's command. "Mac" had known Admiral Torrey when the latter was an instructor at the United States Naval Academy.
- Paula Prentiss as Beverly McConnell, "Mac" McConnell's wife, who works briefly as a civil defense aircraft spotter near Pearl Harbor
- Stanley Holloway as Clayton Canfil, previously an Australian planter, but who now runs a system of native coastwatchers on the island of Gavabutu and later undertakes a hazardous reconnaissance of the target island of Levu-Vana
- Brandon deWilde as Ensign (later Lieutenant Junior Grade) Jeremiah Torrey, USNR, Rock Torrey's estranged son temporarily on Admiral Broderick's staff who later reconciles with his father and returns to duty as executive officer of a PT boat
- Jill Haworth as Ensign Annalee Dohrn, Nurse Corps, USNR, Navy nurse, Maggie Haines' roommate, and ENS/LTJG Jeremiah Torrey's girlfriend/fiancee
- Dana Andrews as Vice Admiral B. T. "Blackjack" Broderick, USN, Area Commander, Southwest Pacific Area Three
- Burgess Meredith as Commander Egan T. Powell, USNR, Admiral Torrey's Intelligence Officer and confidante. Powell is portrayed as a Naval Reservist recalled to active duty who is a Hollywood screenwriter in civilian life and has been married to... and divorced from... several Hollywood actresses. Meredith's character is based on Commander (later Rear Admiral) Gene Markey, USNR, a friend of John Wayne's in real life.
- Franchot Tone as "CINCPAC I", Commander-in-Chief Pacific during the attack on Pearl Harbor. His character is based on Admiral Husband E. Kimmel.
- Patrick O'Neal as Commander (and former Congressman) Neal Owynn, USNR, Admiral Broderick's Public Affairs Officer and briefly, a liaison officer between Admirals Broderick and Torrey
- George Kennedy as Lieutenant Colonel Gregory, USMC, commanding a parachute-capable Marine Corps battalion
- Carroll O'Connor as Commander, later Captain Burke; initially the Operations Officer of Captain Torrey's cruiser, the Old Swayback, and later her Commanding Officer when Rear Admiral Torrey returns, making Old Swayback his flagship. O'Connor's character was based on Captain (later Admiral) Arleigh Burke
- Barbara Bouchet as Liz Eddington, Paul's faithless wife; killed in an automobile accident on December 7, 1941 with an Army Air Corps major she previously seduced, while fleeing a strafing run by Japanese planes in the attack on Pearl Harbor
- Hugh O'Brian (uncredited) as a major in the U.S. Army Air Corps and fighter pilot who is Liz Eddington's lover while CDR Paul Eddington is at sea, and is driving the car that kills them both
- Bruce Cabot as Chief Petty Officer Quoddy, USN, chief quartermaster aboard the USS Cassidy
- Slim Pickens as Chief Petty Officer Culpeper, USN, chief boatswain's mate aboard the USS Cassidy
- James Mitchum as Ensign Griggs, USN, a young engineering officer aboard Old Swayback
- Larry Hagman as Lieutenant Junior Grade Cline, USN, Communications Officer aboard the USS Cassidy
- Henry Fonda as "CINCPAC II", Commander-in-Chief Pacific. His character is based on Admiral Chester W. Nimitz.
Background and production
It has been speculated that Wayne's lowkey performance was due to the fact that he was seriously ill with lung cancer when the film was made. Shortly after filming ended in August 1964 he was diagnosed with the disease and a month later underwent surgery to remove his entire left lung and two ribs. Co-star Franchot Tone was soon to develop lung cancer and died of the disease in September 1968.
Many of the non-military costumes and hairstyles worn by the women throughout the film were contemporary to the mid-1960s period during which the film was made, rather than of the early 1940s. This is particularly noticeable at the dance which opens the film. Many of the extras in this scene were, in fact, active duty officers and their spouses assigned to various commands in Oahu.
The film was shot in black-and-white by Loyal Griggs, who composed his scenes in a wide-screen Panavision format often using deep focus. Griggs was nominated for a Best Cinematographer Academy Award for his work. Jerry Goldsmith's musical score is also notable, as is the work of Saul Bass in the credit titles sequence (this sequence actually comes at the very end of the film, an interesting departure from the norm in a major Hollywood production at the time).
The film received extensive cooperation from the Department of Defense, especially the U.S. Navy and the U.S. Marine Corps. One of many problems encountered during production was that at the time of the filming (late 1963–1964), very few ships in active Navy service resembled their WW-II configuration. Only one WW-II vintage heavy cruiser; the USS Saint Paul (CA-73) was still in her war-time configuration (and as a result she stood in for a couple of unnamed cruisers during the movie), and an accompanying destroyer, USS Philip (DD-498), that took on the role of USS Cassidy were extensively filmed on. Other U.S. Navy ships that participated included the cruiser USS Boston (CA-69) (though only the forward 2/3's of the ship could be shown as she had missiles aft), destroyers USS Braine (DD-630), USS O'Bannon (DD-450), USS Renshaw (DD-499), USS Walker (DD-517), submarine USS Capitaine (SS-336) and the attack transport USS Renville (APA-227). All of the destroyers had to have their modern (1960s) ASW gear covered over with fake gun-mounts or deck houses. Additional smaller vessels were provided in support, as well as an HU-16 Albatross amphibious aircraft, even though said aircraft did not enter the U.S. inventory until 1949. The HU-16 likely substitutes for a PBY Catalina, of which no flyable examples were likely available for the film schedule.
Another anachronism is the widespread use of the M151 MUTT light utility vehicle as a World War II jeep instead of the World War II-era Willys MB and/or Ford GPW, the M151 having not even entered production until 1959. Also used were a few 1950s vintage 63 ft U.S. Coast Guard rescue launches that were made over to resemble Elco 80 ft torpedo boats, as the few that existed were not available for use.
The climactic battle with the Japanese fleet was staged mostly with model ships. Kirk Douglas thought that the special effects were poor and complained to both the director and the studio about it. He offered to re-stage the scenes at his own expense using the special effects people who worked with him on Paths of Glory.
In Harm's Way was nominated for the 1965 Academy Award for Cinematography (Black-and-White) for cinematographer Loyal Griggs. It was also screened at the 1965 Cannes Film Festival, but was not entered into the main competition.
Bosley Crowther of the New York Times panned the film observing, "This is a slick and shallow picture that Mr. Preminger puts forth here, a straight, cliché-crowded melodrama of naval action in the Pacific in World War II..." and characterized it as "a film that is virtually awash with flimsy and flamboyant fellows with all the tricks of the trade of Hollywood."
- This figure consists of anticipated rentals accruing distributors in North America. See "Big Rental Pictures of 1965", Variety, 5 January 1966 p 6
- Variety film review; March 31, 1965, page 6.
- "In Harm's Way: Articles". In Harm's Way. Turner Classic Movies.
- Stephen Shearer. Patricia Neal: An Unquiet Life. University Press of Kentucky. p. 362.
- Awards database
- "Festival de Cannes: In Harm's Way". festival-cannes.com. Retrieved 2009-03-07.
- Allmovie Awards
- Crowther, Bosley (April 7, 1965). "Movie Review – In Harm's Way". The New York Times. Retrieved 29 August 2010.
- In Harm's Way at the Internet Movie Database
- In Harm's Way at the TCM Movie Database
- In Harm's Way at AllMovie