In My Life

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"In My Life"
Song by The Beatles

from the album Rubber Soul

Released 3 December 1965
Recorded 18 October 1965
Abbey Road Studios
Genre Pop,[1] rock
Length 2:28
Label EMI, Parlophone, Capitol
Writer Lennon/McCartney
Producer George Martin
Rubber Soul track listing
Music sample

"In My Life" is a song by The Beatles written by John Lennon and Paul McCartney. The song originated with Lennon, and while McCartney contributed to the final version, the extent of his contribution is in dispute. Released on the 1965 album Rubber Soul, it is ranked 23rd on the Rolling Stone article "The 500 Greatest Songs of All Time", and placed second on CBC's 50 Tracks. Mojo magazine named it the best song of all time in 2000.

Contents

[edit] Composition

According to Lennon, the song's origins can be found when English journalist Kenneth Allsop made a remark that Lennon should write songs about his childhood.[2] Afterwards, Lennon wrote a song in the form of a long poem reminiscing on his childhood years. The original version of the lyrics was based on a bus route he used to take in Liverpool, naming various sites seen along the way, including Penny Lane and Strawberry Field.[3]

However, Lennon found it to be "ridiculous", calling it "the most boring sort of 'What I Did On My Holidays Bus Trip' song";[4] he reworked the words with Paul McCartney, replacing the specific memories with a generalized meditation on his past. "Very few lines" of the original version remained in the finished song.[3] According to Lennon's friend and biographer Peter Shotton, the lines "Some [friends] are dead and some are living/In my life I've loved them all" referred to Stuart Sutcliffe (who died in 1962) and to Shotton.[2]

Regarding authorship of the melody, Lennon’s and McCartney’s recollections differ. Referring to McCartney, Lennon said "his contribution melodically was the harmony and the middle-eight itself."[5][6] McCartney claimed he set Lennon's lyrics to music from beginning to end, taking inspiration for the melody from songs by Smokey Robinson and The Miracles.[7] "I liked 'In My Life'. Those were words that John wrote and I wrote the tune to it. That was a great one."[8] Of the disagreement, McCartney said, "I find it very gratifying that out of everything we wrote, we only appear to disagree over two songs",[7] the other being "Eleanor Rigby".[9]

[edit] Recording

The song was recorded on 18 October 1965, and was complete except for the instrumental bridge.[10] At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting "something Baroque-sounding".[11] Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded at half-tempo (one octave lower) and tape speed was doubled for the final recording, solving the performance challenge and giving the piano solo a unique, harpsichord-like timbre.[12][13]

[edit] Personnel

Personnel per Ian MacDonald[14]
Personnel notes
  • A ^ MacDonald was unsure if McCartney played electric piano.
  • B ^ MacDonald was unsure if Starr played bells.

[edit] Cover versions

The song has been covered by a number of artists, including Allison Crowe, Astrud Gilberto, Bonnie Tyler, Crosby, Stills & Nash, Dave Matthews Band, Jose Feliciano, Joseph Williams, Judy Collins, Kevin Kern, Kippington Lodge, Marie Osmond, Mary Hopkin, Bette Midler, Ozzy Osbourne, Renee Fleming, Rita Lee, Rod Stewart, Ronnie Von, and Selah.

Specific releases include the following:

Year Artist Release
1970 Miriam Makeba Keep Me In Mind[15]
1975 Keith Moon Two Sides of the Moon
1991 Bette Midler For the Boys (soundtrack)
1995 Susan Ashton and Gary Chapman Come Together: America Salutes The Beatles
1998 Sean Connery In My Life
2002 Johnny Cash American IV: The Man Comes Around
2005 Ozzy Osbourne Under Cover

[edit] Notes

  1. ^ BBC - Radio 2 2009.
  2. ^ a b Everett 2001, p. 319.
  3. ^ a b Spitz 2005, p. 587.
  4. ^ Sheff 2000, p. 152.
  5. ^ Sheff 2000, p. 178.
  6. ^ The section to which Lennon referred is unclear, as the song does not contain a recognizable middle-eight aside from a brief instrumental break (the melody for which is attributed to Martin).
  7. ^ a b Miles 1997, p. 277.
  8. ^ Gambaccini 1976, p. 19.
  9. ^ Miles 1997, p. 283.
  10. ^ Lewisohn 1988, p. 64.
  11. ^ Hertsgaard 1996, p. 156.
  12. ^ Spitz 2005, p. 591.
  13. ^ Lewisohn 1988, p. 65.
  14. ^ MacDonald 2005, p. 169.
  15. ^ Unterberger 2009.

[edit] References