Indo-Corinthian capital

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Figure of the Buddha, within an Corinthian capital, Gandhara, 3rd-4th century, Musee Guimet.

Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent, and usually combine Hellenistic and Indian elements. These capitals are typically dated to the first centuries of our era, and constitute an important aspect of Greco-Buddhist art.

Corinthian design[edit]

Indo-Corinthian capitals display a design and foliage structure which is derived from the academic Corinthian capital developed in Greece. Its importation to India followed the road of Hellenistic expansion in the East in the centuries after the conquests of Alexander the Great. In particular the Greco-Bactrian kingdom, centered on Bactria (today's northern Afghanistan), upheld the type at the doorstep of India, in such places as Ai-Khanoum until the end of the 2nd century BCE. In India, the design was often adapted, usually taking a more elongated form and sometimes being combined with scrolls, generally within the context of Buddhist stupas and temples.

Figurines[edit]

Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded by, and often under the shade of, the luxurious foliage of Corinthian designs. This practice was not limited to India, and also found favor in various areas of Central Asia. The depiction of figurines within the foliage of Corinthian capitals is not in itself an eastern development. In the ancient Greek world in the Mediterranean, figurines were often represented this way:

"Figural additions are very common in the classical world, and from an early period, usually take the form of heads or busts, but the Gandhara treatment is original in that the acanthus leaves form a canopy over it."[1]

Combinations with Buddhist architecture[edit]

Indo-Corinthian capital were also used in combination with architectural elements, such as Buddhist stupas. One of the best example was excavated and reconstituted at Sirkap.

"Perhaps the most notable divergence from the western concept of function occurs at Kalawan, Taxila, where a large acanthus capital set on a lotus base was inserted between the conventional square basement and cylindrical dome of a votive stupa."[1]

Further, in the art of Gandhara, Indo-Corinthian capitals on top of separating pilasters, are used extensively in narrative friezes of the life of the Buddha. This usage continued as late as the 5th century.

Gallery[edit]

See also[edit]

References[edit]

  1. ^ a b Errington et al. (1992), p. 205.

Sources[edit]

  • Errington, Elizabeth; Cribb, Joe and Claringbull, Maggie (1992). The Crossroads of Asia: Transformation in Image and Symbol in Art of Ancient Afghanistan and Pakistan. Cambridge: Ancient India and Iran Trust. ISBN 0-9518399-1-8.