The Shadow over Innsmouth
Dust-jacket from the first edition
|Author||H. P. Lovecraft|
|Cover artist||Frank Utpatel|
|Publisher||Visionary Publishing Company|
|Text||The Shadow over Innsmouth at Wikisource|
The Shadow over Innsmouth is a novella by H. P. Lovecraft in the horror fiction genre. The themes of the story are degeneration, tainted ancestry, forbidden mysteries, and a reality which human understanding finds both incomprehensible and intolerable.
The narrator is a student on a sightseeing tour of New England who learns of Innsmouth, a coastal town that, following an epidemic and rioting in the last century, fell into such decline that it is no longer shown on maps. Although he is cautioned that Innsmouth is avoided because of "race prejudice" against the townspeople, and that visitors sometimes disappear or go insane, he decides to stop there. He finds the inhabitants have a repulsive appearance and the whole town reeks of corruption and fish, most houses are boarded up and apparently derelict.
Interested in folklore, the narrator locates an elderly local drunk known for his tales. He hears that seafaring inhabitants of Innsmouth generations before had voyaged to the South Seas, finding a cult that practiced human sacrifice to placate immortal undersea creatures. The creatures made a pact with the sailors, who brought them back to Innsmouth to dwell on an offshore reef and be worshipped; in exchange the undersea creatures provided gold. The townsfolk revolted against making human sacrifices, but were defeated by the creatures following a nocturnal invasion. Surviving residents agreed to join the cult and keep its secrets. They were forced to intermarry with the creatures; the resulting children appeared human, but became undersea creatures in later life.
Staying overnight despite warnings, the young man flees from the hotel during an attempt on his life. He is pursued by inhuman-looking shapes, and he sees reinforcements swarming him. Confronted with the reality that they are a hybrid race, half-human and half an unknown marine creature, the narrator blacks out. Upon revival, he escapes and calls in the authorities. They secretly destroy the town and torpedo the reef. Learning later that his own ancestry goes back to people in Innsmouth, the young man believes he is fated to become one of the undersea creatures.
- 1 Inspiration
- 2 Plot
- 3 Characters
- 4 Cthulhu Mythos
- 5 Publication
- 6 Reception
- 7 Shadows over Innsmouth
- 8 Adaptations
- 9 Representations in other media
- 10 See also
- 11 References
- 12 External links
Both of Lovecraft's parents died in a mental hospital, and some critics believe that a concern with having inherited a propensity for physical and mental degeneration- a common pre-occupation among eugenecists of the time- is reflected in the plot of "The Shadow over Innsmouth." It also shares some themes with his earlier book, Facts Concerning the Late Arthur Jermyn and His Family. Cthulhu, an entity from previous Lovecraft stories, is the overlord of the sea creatures. The mind of the narrator deteriorates when he is afforded a glimpse of what exists outside his perceived reality. This is a central tenet of Cosmicism, which Lovecraft emphasizes in the opening sentence of "The Call of Cthulhu": "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents."
Publishing history and possible influences
Written in November–December 1931, the story was twice rejected by Weird Tales and first published in April 1936 in a bound booklet; it was the only fiction of Lovecraft's published during his lifetime that did not appear in a periodical. Lovecraft partly based the town of Innsmouth on his impressions of Newburyport, Massachusetts, which he had visited in 1923 and fall 1931.
Robert M. Price cites two works as literary sources for "The Shadow over Innsmouth": Robert W. Chambers' "The Harbor-Master" and Irvin S. Cobb's "Fishhead". Chambers' story concerns the discovery of "the remnants of the last race of amphibious human beings," living in a five-mile deep chasm just off the Atlantic coast. The creature of the title is described as "a man with round, fixed, fishy eyes, and soft, slaty skin. But the horror of the thing were the two gills that swelled and relaxed spasmodically." Lovecraft was evidently impressed by this tale, writing in a letter to Frank Belknap Long: "God! The Harbour-Master!!!" "Fishhead" is the story of a "human monstrosity" with an uncanny resemblance to a fish:His skull sloped back so abruptly that he could hardly be said to have a forehead at all; his chin slanted off right into nothing. His eyes were small and round with shallow, glazed, pink-yellow pupils, and they were set wide apart on his head, and they were unwinking and staring, like a fish's eyes. Lovecraft, in "Supernatural Horror in Literature," called Cobb's story "banefully effective in its portrayal of unnatural affinities between a hybrid idiot and the strange fish of an isolated lake".
Price notes that Fishhead, as the "son of a Negro father and a half-breed Indian mother," "embodies unambiguously the basic premise of 'The Shadow Over Innsmouth'.... This, of course, is really what Lovecraft found revolting in the idea of interracial marriage...the subtextual hook of different ethnic races mating and 'polluting' the gene pool." Price points out the resemblance in names between the Deep One city of Y'ha-nthlei and Yoharneth-Lahai, a fictional deity in Lord Dunsany's The Gods of Pegana, who "sendeth little dreams out of Pegana to please the people of Earth"—a precursor to Lovecraft's fictional deity Cthulhu, who sends less pleasant dreams from R'lyeh.
"Two large and protruding eyes projected from sockets in chameleon fashion, and it had a broad reptilian mouth with horny lips beneath its little nostrils. In the position of the ears were two huge gill-covers, and out of these floated a branching tree of coralline filaments, almost like the tree-like gills that very young rays and sharks possess. But the humanity of the face was not the most extraordinary thing about the creature. It was a biped; its almost globular body was poised on a tripod of two frog-like legs and a long, thick tail, and its fore limbs, which grotesquely caricatured the human hand, much as a frog’s do, carried a long shaft of bone, tipped with copper. The colour of the creature was variegated; its head, hands, and legs were purple; but its skin, which hung loosely upon it, even as clothes might do, was a phosphorescent grey."
The story is divided into five chapters. In the first chapter, the narrator begins by recounting to the reader of a secret investigation that was undertaken by the government at the ruined town of Innsmouth, Massachusetts, and that the story told to them by the narrator himself is the reason for this investigation. He proceeds to describe in detail the events surrounding his initial interest in the town (antiquarian and architectural), which lies along the route of his tour across New England, taken when he was twenty-one. While he waits for the bus that will take him to Innsmouth, he busies himself in the neighboring town of Newburyport by gathering information from local townsfolk; all of it with superstitious overtones.
The second chapter details his ride into Innsmouth, described in great detail as a crumbling, mostly deserted town full of dilapidated structures and people who look just a bit odd and who tend to walk with a distinct shambling gait. All of this is offputting to the narrator, who describes the people as having the "Innsmouth look", "queer narrow heads with flat noses and bulgy, stary eyes". Only one person in town appears normal, a young clerk at the local First National grocery store who comes from neighbouring Arkham. The narrator gathers much information from the clerk, including a map of the town and the name of a local who might be a good source of information: an ancient man named Zadok Allen, known to open up about the town when plied with drink.
The majority of the third chapter is composed of the conversation between Zadok and the narrator. Zadok, who is very old, has seen much in the town and goes on at length, telling a tale of fish-frog men known as Deep Ones who live beneath the sea. It seems they bring prosperity in the form of fish as well as fantastically wrought gold jewelry to those who offer them human sacrifice. These fish-frog men are amphibious and are able to mate with humans. The hybrid brood have the appearance of normal humans in early life but, in adulthood, slowly transform into Deep Ones. The completed transformation brings them eternal life, which they live in cities under the sea. These fish-frog men were first discovered in the Indies by a native island tribe, which was itself found by an Innsmouth merchant named Obed Marsh. When hard times befell Innsmouth, Obed and some followers did what they could to call up the fish-frog men in their New England town, causing an increase in the town's wealth. However, Obed and his minions were apprehended by the authorities and the remaining Innsmouth residents balked at the idea of sacrificing humans to the Deep Ones. Outraged, the Deep Ones attacked the town one night and slaughtered more than half its population; the survivors were left with no choice but to offer human sacrifices to the Deep Ones and also women to mate with them. The countless deaths were blamed on an unknown plague. Zadok is at first angry that the narrator appears not to believe him. After seeing strange waves approach the dock, he becomes frightened and tells the narrator to leave town because they have been seen. The narrator leaves and Zadok disappears and is never seen again. When the story is over, the narrator is unnerved but thinks it a product of a fertile imagination.
Chapter four tells of the night that the narrator was forced to spend in town, after being told that the bus in which he came to town is experiencing engine trouble. The narrator has no choice but to spend the night in a musty hotel. While attempting to sleep, he hears noises at his door like someone trying to enter. Wasting no time, he attempts to escape out a window and through the streets, at times imitating the peculiar walk of the Innsmouth locals. Eventually he makes his way to some train tracks where he hears a great many creatures passing in the road before him. He hides and resolves to close his eyes, having at this point come to accept the idea that Zadok's story is true. He cannot keep them closed, however, and upon seeing the fish-frog creatures in full light for the first time, faints in his hiding spot.
In the final chapter, we hear of how the narrator wakes up unharmed and quickly walks to the next town (Rowley). Over the years that pass, he begins doing research into his family tree, discovering some disturbing information along the way. Eventually it becomes clear that he is a descendant of Obed Marsh himself and nightmares accompany the narrator's realization that he is changing into one of the creatures. As the story ends, the narrator, by then a student at Oberlin College, tells us that his horror at the idea is changing into acceptance, and that he will be quite happy living forever in the city Y'ha-nthlei, deep beneath the sea. He also has a cousin, even further transformed than he, being held in a mental hospital whom he plans to break free and take with him.
The narrator of the story, he discovers Innsmouth on a tour of New England seeking genealogical information, and finds more than he bargains for. The character, unnamed in "The Shadow over Innsmouth", is called "Robert Olmstead" in Lovecraft's notes for the story, published in Arkham House's Something About Cats and Other Pieces (1949).
An H. P. Lovecraft Encyclopedia points out that Olmstead's travel habits parallel Lovecraft's own—Lovecraft too would "seek the cheapest route", and Olmstead's dinner of "vegetable soup with crackers" is typical of Lovecraft's low-budget diet.
A wealthy sea captain, patriarch of the elite Marsh family and the founder of the Esoteric Order of Dagon. He was referred to by Zadok Allen as being the man who first summoned the Deep Ones to Innsmouth. In 1846, he was jailed after the towns bordering Innsmouth became suspicious of his crew. He died in 1878.
According to Lovecraft's story notes, Marsh's daughter Alice is Robert Olmstead's great-grandmother.
Barnabas Marsh, known as Old Man Marsh, is the grandson of Obed Marsh and the owner of the Marsh refinery at the time of The Shadow Over Innsmouth. Barnabas' father was Onesiphorus Marsh, Obed's son by his first, fully human wife; though his mother, who was never seen in public, was apparently a deep one. Zadok Allen says of him: "Right naow Barnabas is abaout changed. Can't shet his eyes no more, an' is all aout o' shape. They say he still wears clothes, but he'll take to the water soon."
One of the few completely human residents of Innsmouth and an alcoholic. His drunken ramblings allow Lovecraft to convey much of the town's secret backstory to the story's protagonist. Born in 1831, Allen disappears and dies in 1927 after being taken and sacrificed by the Esoteric Order of Dagon.
An H. P. Lovecraft Encyclopedia notes that Allen resembles—and shares his years of birth and death with—Jonathan E. Hoag, an amateur poet of Lovecraft's acquaintance. A possible literary inspiration is the character of Dr. Humphrey Lathrop in Herbert Gorman's The Place Called Dagon (1927), who, like Allen, is a drinker who knows the secret history of his town.
Grocery Store Clerk
An unnamed youth of about seventeen who is a native resident of Arkham, and therefore completely human. His superiors transferred him to Innsmouth, and both he and his family loathe the idea of him working there, but he cannot afford to quit his job. He is only too happy to encounter the narrator, and describes the sinister goings-on in Innsmouth, but the boy is unaware of what is really happening in the town. He tells the narrator of the bizarre deformities afflicting the native townspeople, and how the older generation are almost never seen outdoors due to their monstrous appearance. He also briefly informs the narrator of the Esoteric Order of Dagon and what he knows of the town's society, and directs him to the drunkard Zadok Allen for more information.
- Towards the end Cthulhu and R'lyeh are mentioned.
- The creature known as Dagon is first introduced in Lovecraft's 1917 tale of the same name.
- As related in "The Thing on the Doorstep" (1937), Asenath Waite, the possessed victim of her father Ephraim Waite, is by implication one of the human/deep one hybrids, and was a resident of Innsmouth before attending Miskatonic University. The servants she brings into her marriage to Edward Derby are likewise Innsmouth natives. This occurs after The Shadow over Innsmouth and Asenath's father and she escaped the government raid mentioned in the original story.[original research?]
- The Waites, Gilmans, Eliots and Marshes are the "gently bred" families of Innsmouth. Despite his name, the protagonist of "The Dreams in the Witch House", Walter Gilman, is not established as having any links to Innsmouth or the deep ones.
- August Derleth also used the deep ones in the short story "Innsmouth Clay", which he completed from Lovecraft's notes. "The Shuttered Room" is another short story started by Lovecraft and finished by Derleth that involves the deep ones. It mentions a connection between the Marsh family of Innsmouth and the Whateley family of Dunwich from "The Dunwich Horror".
Lovecraft was quite critical of The Shadow over Innsmouth, writing to August Derleth that the story "has all the defects I deplore—especially in point of style, where hackneyed phrases & rhythms have crept in despite all precautions.... No—I don't intend to offer 'The Shadow Over Innsmouth' for publication, for it would stand no chance of acceptance."
The story was rejected by Weird Tales editor Farnsworth Wright when Derleth surreptitiously submitted it for publication in 1933. "I have read Lovecraft's story...and must confess that it fascinates me," he wrote to Derleth. "But I don't know just what I can do with it. It is hard to break a story of this kind into two parts, and it is too long to run complete in one part."
It was eventually published as a slim book by William L. Crawford's Visionary Publishing Company with a run of 200 copies—the only book of Lovecraft's fiction distributed during his lifetime. After Lovecraft's death (and Wright's), it appeared in an unauthorized abridged version in the January 1942 issue of Weird Tales.
Shadows over Innsmouth
The Shadow over Innsmouth was republished as an anthology with stories by other authors based on Innsmouth and the Old Ones in Shadows over Innsmouth. The collection was edited by Stephen Jones, and included contributions by Neil Gaiman, Ramsey Campbell, David Sutton, Kim Newman (both as himself and Jack Yeovil), and other authors.
Alberto Breccia adapted the story in 1973.
Film and television
Colombian writer Andres Caicedo adapted The Shadow over Innsmouth into a screenplay in 1973. He travelled to Hollywood in 1975 to sell it to Roger Corman, alongside his adaptation of Clark Ashton Smith's The Nameless Offspring, but failed in his purpose. Both of the screenplays were never shot and remain as part of the Andres Caicedo Collection in the Luis Angel Arango Library in Bogota.
Chiaki J. Konaka adapted The Shadow over Innsmouth for Japanese television as Insmus wo Oou Kage in 1992.
The Shadow over Innsmouth is the principal storyline in Stuart Gordon's 2001 film Dagon. Full Moon Entertainment was going to release Gordon's original adaptation (using the original short story's title) the original story in 1991, using Bernie Wrightson's character designs, but the project was unrealized, though Dagon uses some of Wrightson's designs.
The 2007 film Cthulhu is loosely based on The Shadow over Innsmouth.
Insmouse no Yakata was a 1995 3D first-person shooter video game for the Virtual Boy, released in Japan based on Chiaki J. Konaka's 1992 television series Insmus wo Oou Kage. It featured a branching level structure and four possible endings.
The town of Innsmouth is the backdrop for the 2005 first-person action-adventure video game Call of Cthulhu: Dark Corners of the Earth, the opening plot of which follows the second, third and fourth chapters of the novella with a great degree of accuracy (with a different protagonist). Dark Corners of the Earth was supposed to be followed by a sequel set in the 2000s, titled Call of Cthulhu: Destiny's End, now cancelled.
In the video game The Elder Scrolls IV: Oblivion there is a quest titled "A Shadow over Hackdirt" which follows a similar plot to Lovecraft's story. Bethesda distributed this game as well as Call of Cthulhu: Dark Corners of the Earth.
The H. P. Lovecraft Historical Society produced Dark Adventure Radio Theatre: The Shadow over Innsmouth, a Dark Adventure Radio Theatre adaptation of the story. In January 2012, the Cape Cod based Provincetown Theater announced a reading of a full-length play of the story, entitled HP Lovecraft's The Shadow over Innsmouth, adapted for the stage by Bragan Thomas.
The short story "Shoggoth's Old Peculiar" (Smoke and Mirrors, 1998) by Neil Gaiman contains many similarities to "The Shadow over Innsmouth": a student visits the coastal town of Innsmouth (in England rather than New England), he gets to talking to two drunks (parodies of Peter Cook and Dudley Moore), he sees horrors in the water, he passes out.
Representations in other media
- The Syrian "doom metal" band, Innzmouth, has taken its name from the story, and the band is heavily influenced by the themes of Lovecraft.
- The lyrics of Metallica's song, "The Thing That Should Not Be," from their 1986 album Master of Puppets, are based on The Shadow over Innsmouth.
- "The Shadow over Innsmouth" inspired the dark electronic band God Module's song "Foreseen" from the 2005 CD Viscera.
- Canadian punk band, Darkest of the Hillside Thickets, refers to this story in the song "The Innsmouth Look".
- The story appears to have influenced at least the title of the song, "Endsmouth," by Agents of Oblivion.
- Ronan, Margaret, Foreword to The Shadow over Innsmouth and Other Stories of Horror, Scholastic Book Services, 1971
- HP Lovecraft, "The Call of Cthulhu" (1928).
- August Derleth, "H. P. Lovecraft—Outsider," p. 18, Crypt of Cthulhu #93.
- The Call of Cthulhu and Other Dark Tales, Barnes and Noble, 2009, p. 344
- Robert W. Chambers, "The Harbor-Master," The Innsmouth Cycle, p. 22.
- H. P. Lovecraft, letter to Frank Belknap Long, October 17, 1930; cited in Robert M. Price, The Innsmouth Cycle, p. 3.
- Irvin S. Cobb, "Fishhead," The Innsmouth Cycle, p. 27.
- H. P. Lovecraft, "Supernatural Horror in Literature," Dagon and Other Macabre Tales, p. 411.
- Robert M. Price, The Innsmouth Cycle, p. 24. The creature in "The Harbor-Master" is mistaken for a "demented darky". Chambers, "The Harbor-Master," p. 20.
- Lord Dunsany, "Of Yoharneth-Lahai," The Innsmouth Cycle, p. 2.
- "In the Abyss"
- S. T. Joshi and David E. Schultz, "Olmstead, Robert", An H. P. Lovecraft Encyclopedia, p. 194.
- S. T. Joshi and David E. Schultz, "The Shadow Over Innsmouth", An H. P. Lovecraft Encyclopedia, pp. 239–240.
- Joshi and Schultz, "Olmstead, Robert", p. 194.
- S. T. Joshi and David E. Schultz, "Allen, Zadok", An H. P. Lovecraft Encyclopedia, pp. 3, 239.
- H. P. Lovecraft, letter to August Derleth, December 10, 1931; cited in Joshi and Schultz, p. 238.
- Farnsworth Wright, letter to August Derleth, January 17, 1933; cited in Joshi and Schultz, pp. 238–239.
- Lin Carter, Lovecraft: A Look Behind the Cthulhu Mythos, p. 83.
- Price, p. 34.
- Carter, p. 83.
- Robert Weinberg, The Weird Tales Story. FAX Colle ctor’s Editions.ISBN 0913960160 (p. 45)
- Mullins, Craig (2009-03-22). "Unfilmable.com: Pickman's Models: Shadow Over Innsmouth". Unfilmable.blogspot.com. Retrieved 2012-05-27.
- Sowers, Pru (2012-01-30). "Winter play series kicks off at Provincetown Theater - - Wicked Local Wellfleet". Wickedlocal.com. Retrieved 2012-05-27.
- "Encyclopaedia Metallum: The Metal Archives - Innzmouth". The Metal Archives. Retrieved 2012-05-27.
- Encyclopaedia Metallum: The Metal Archives - Innsmouth
- METALLICA - Encyclopedia Metallica - Song Info - The Thing That Should Not Be
- EThe Innsmouth Look - (Darkest of the Hillside Thickets) | Song | Free Music, Listen Now
- Endsmouth by Agents of Oblivion | Song | Free Music, Listen Now
- Chalker, Jack L.; Mark Owings (1998). The Science-Fantasy Publishers: A Bibliographic History, 1923-1998. Westminster, MD and Baltimore: Mirage Press, Ltd. p. 705.
- Derleth, August (Lammas 1996) . "H. P. Lovecraft—Outsider". Crypt of Cthulhu #93: A Pulp Thriller and Theological Journal 15 (3). Check date values in:
|date=(help) Robert M. Price (ed.), West Warwick, RI: Necronomicon Press. Original publication: "H. P. Lovecraft—Outsider". River 1 (3). June 1937.
- Lovecraft, Howard P.  (1984). "The Shadow Over Innsmouth". In S. T. Joshi (ed.). The Dunwich Horror and Others (9th corrected printing ed.). Sauk City, WI: Arkham House. ISBN 0-87054-037-8. Definitive version.
|Wikisource has original text related to this article:|
- "The Shadow Over Innsmouth," H. P. Lovecraft's original novella about Innsmouth
- "Map of Innsmouth and Environs" and a "Tourist's Guide to Innsmouth", from The Cthulhu Mythos: A Guide
- "The Harbor-Master" in In Search of the Unknown, Robert Chambers; complete text from manybooks.net
- "Fishhead", by Irwin S. Cobb; complete text from Gaslight
- "Of Yoharneth-Lahai" from The Gods of Pegana, Lord Dunsany
- Shadow Over innsmouth 1994 hardcover edition (cover below)
- "Fishmen", a Musical version on YouTube