Inside Daisy Clover

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Inside Daisy Clover
Inside Daisy Clover poster.jpg
Original film poster
Directed by Robert Mulligan
Produced by Alan J. Pakula
Written by Gavin Lambert
Starring Natalie Wood
Christopher Plummer
Robert Redford
Roddy McDowall
Ruth Gordon
Music by André Previn
Cinematography Charles Lang
Edited by Aaron Stell
Distributed by Warner Bros.
Release date(s)
  • December 1965 (1965-12)
Running time 128 minutes
Country United States
Language English
Box office $1.5 million (est. US/ Canada rentals)[1]

Inside Daisy Clover is a 1965 American drama film based on the 1963 novel by Gavin Lambert. It stars Natalie Wood, Christopher Plummer, Robert Redford, Roddy McDowall and Ruth Gordon (who was nominated for an Academy Award). It was directed by Robert Mulligan.

Plot[edit]

Set in the mid-1930s, the plot centers on Daisy Clover (Wood), a teenage tomboy who lives in a ramshackle trailer with her eccentric mother (Gordon) on a California beach and dreams of Hollywood stardom. She submits a song recording to the well-known film producer Ray Swan (Plummer), who puts her under contract. Ray and his wife Melora (Katharine Bard) foster Daisy's rise to fame by any means necessary, forcing Daisy to deal with the pressures of stardom and the Swans' manipulation of her life and career. Daisy reluctantly accepts the placement of her mother in a mental institution, to protect Daisy's reputation as "America's valentine", and is told to tell any interviewers that her mother is dead.

Daisy finds some relief in a fellow Swan-discovered star, Wade Lewis (Redford). The two begin a relationship, though their heavy drinking and partying is not good for either of their reputations. Soon they marry, to the dismay of Ray (whom Wade has nicknamed "The Prince of Darkness"), who fears that the romance will interrupt Daisy's busy schedule. On their honeymoon in Arizona, Wade drives off while Daisy is sleeping, abandoning her. Daisy returns to the Swan home and runs into an extremely intoxicated Melora who reveals to Daisy that Melora had an affair with Wade who is actually a closet homosexual. The next morning, Ray tells Daisy that he knew about Wade's sexual orientation, but that she had to find out for herself, as did his wife. Ray then scoops her into his arms and kisses her, which begins their affair.

Daisy takes her mother out of the mental institution and moves her into a beach house. When her mother later dies, Daisy has a nervous breakdown at the studio. She goes back to the beach house where she spends day after day silently in bed under the care of a private nurse. Melora visits, assuring Daisy she is not jealous of her affair with Ray. Wade comes to see Daisy, but the most he gets out of her is a smile. Ray, impatient that Daisy is taking so long to recover, loses his temper and tells her she must finish the pending motion picture. He also tells her that he has her under contract for five years, but doesn't care what happens to her after she completes this movie. Ray fires the nurse and leaves the beach house.

Right after Ray's departure, Daisy attempts suicide by putting her head in the oven, but her attempt is interrupted by ringing phones and visitors until she finally gives up. The next day Daisy cuts her hair, changes her clothes, and turns the gas oven back on. She then lights a flame on the stove, grabs a cup of coffee, and strolls out of the house to the beach. The house explodes behind her. When a passerby asks what happened, she shrugs and replies, "Someone declared war!"

Reception[edit]

Upon its release, the film was a box office and critical failure.[2] However, the film later gained a cult following when it was shown on television and released on home video.[3]

At the time of the film's release, homosexuality was a highly taboo subject matter within American society and, prior to the 1960s, had been one of the topics that the Hollywood Hays Code had expressly prohibited. Robert Redford reportedly insisted that his character, gay in the original novel, have some interest in women. Likewise the studio, fearful of the potential controversy, insisted that the film only acknowledge the character's bisexuality through a few bits of dialogue.[4] Despite these limitations, the film is generally recognized for one of the early depictions of a gay or bisexual character in American cinema who is not ashamed of his sexuality and who does not commit suicide.[4]

Soundtrack[edit]

Wood's singing voice was dubbed by session singer Jackie Ward with the exception of the introduction to the song "You're Gonna Hear from Me" (by Dory Previn and André Previn, who composed the score).[5] The song was later recorded by Barbra Streisand for the album The Movie Album (2003).

Vocal recordings completed by Natalie Wood of the film's other songs went unused and unheard on commercial recordings until the April 2009 release of the complete dramatic score and song score by Film Score Monthly.

Principal cast[edit]

Awards and nominations[edit]

Year Award Result Category Recipient
1966 Academy Awards Nominated Best Costume Design, Color Edith Head and Bill Thomas
Best Art Direction-Set Decoration, Color Robert Clatworthy and George Hopkins
Best Supporting Actress Ruth Gordon
Golden Globe Award Best Motion Picture Actress - Musical/Comedy Natalie Wood
Won Golden Globe Award for New Star of the Year – Actor Robert Redford
Best Supporting Actress Ruth Gordon

References[edit]

  1. ^ "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
  2. ^ Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 394. ISBN 0-375-41074-0. 
  3. ^ Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 589. ISBN 0-375-41074-0. 
  4. ^ a b http://www.afterelton.com/movies/2007/4/tenwhoplayedgay?page=0%2C1
  5. ^ Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 383. ISBN 0-375-41074-0. 

External links[edit]