||This article needs additional citations for verification. (February 2011)|
|Studio album by Genesis|
|Released||9 June 1986|
|Recorded||October 1985 – March 1986 at The Farm, Surrey|
|Genre||Pop rock, progressive rock, New Wave|
|Producer||Genesis and Hugh Padgham|
Invisible Touch is the thirteenth studio album by the band Genesis, released in 1986. It reached No.1 in the UK where it remained in the charts for 96 weeks, making it by far the most commercially successful album of their career, being certified 6x platinum in the US and 4x platinum in the UK. It eventually sold over 15 million copies worldwide. It received generally favourable reviews from critics and produced five US Top 5 singles, including the title track which reached the No.1 spot on the US chart, the only song by Genesis to do so.
A SACD and DVD double disc set (including new 5.1 and Stereo mixes) was released in October 2007.
Background and recording 
During the writing process, "Invisible Touch", produced through improvisation, became a standalone piece. It was originally conceived by Tony Banks as a part of the "Domino" suite.
Three songs were cut from the album and subsequently released as B-sides: "Feeding the Fire", "I'd Rather Be You", and "Do the Neurotic". In interviews promoting Invisible Touch, both Banks and Collins stated that they felt that there may have been enough room on the album for these tracks, but they had to pick and choose which songs they felt to be a better fit to the overall sound of the album. The cut songs were later re-released on the Genesis 1983–1998 box set.
The lyrics to "Land of Confusion" were written by Mike Rutherford and comment on the political turmoil of the Reagan/Thatcher/Gorbachev era. A video for "Land of Confusion", featuring the Spitting Image puppets, was nominated for MTV's Video of the Year Award, but lost to former lead singer Peter Gabriel's Sledgehammer. Phil Collins's lyrics to "Tonight, Tonight, Tonight", another hit song from the album, dealt with drug addiction, while "Anything She Does" (lyrics by Tony Banks) is about pornography. The lyrics to "Domino", explore various applications of the domino effect.
Critical reception 
|Chicago Tribune||(Not favourable)|
|Los Angeles Times||(Not favourable)|
|The Rolling Stone Album Guide|||
Rolling Stone's J. D. Considine praised the album, stating "every tune is carefully pruned so that each flourish delivers not an instrumental epiphany but a solid hook. Much of the credit for this belongs to Tony Banks, whose synth style has never seemed more appropriate; it's his keyboards that set the mood for "In the Glow of the Night" and maintain the tension in "Tonight, Tonight, Tonight"." Allmusic rated Invisible Touch three out of five stars. Stephen Thomas Erlewine, who reviewed the album, commented that "Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album .... Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths" and claimed "the heavy emphasis on pop tunes does serve the singer, not the band". However, he said that "[the] songs had big hooks that excused their coldness, and the arty moments sank to the bottom". Mark Putterford of Kerrang! remarks how the album shows "new ideas, new sounds, but still very definitely Genesis". The album received Genesis an American Music Award nomination for Favorite Pop/Rock Band, Duo, or Group. At the Brit Awards in 1987, producer Hugh Pagham was nominated for Best British Producer and Phil Collins was nominated for British Male Artist, both for their contributions to the album. In 1987 "The Brazilian" received a Grammy Award nomination for Best Pop Instrumental Performance (Orchestra, Group or Soloist).
Chart success and supporting tour 
Catching Genesis at their commercial peak, Invisible Touch debuted at No.1 in the UK, while it reached No.3 in the US and went six times platinum there. The album was supported by the 1986–87 Invisible Tour, a concert video of which was released in 1988 and on DVD in 2003.
In popular culture 
In the film American Psycho, protagonist Patrick Bateman proclaims that Invisible Touch is the group's "undisputed masterpiece," discussing its virtues at length with two prostitutes he has hired for the evening. The scene represents a chapter in the Bret Easton Ellis novel where Bateman muses about the significance of the album. "In Too Deep" plays during this sequence.
During the late 1980s, instrumental excerpts from the track 'Domino' were used on the BBC TV sports program Grandstand, as a bed over which presenter Desmond Lynam previewed what was coming up in that day's program.
"The Brazilian" is used in the television show Magnum, P.I. episode titled "Unfinished Business". It can also be heard (very faintly) in the 1986 animated film When The Wind Blows as a song playing on a transistor radio, and appears on the official soundtrack release for the film.
"Land of Confusion" was used in "Freefall," the final episode of the 1980s cop show Miami Vice (a show on which Phil Collins had guest starred) during a scene in which the characters Crockett (Don Johnson) and Tubbs (Philip Michael Thomas) were in the middle of a stakeout. The song implied the complexity of the story during the finale.
In "Old Stan In the Mountain" episode of American Dad! the song "Invisible Touch" was used as the theme music for Francine and Roger's dance.
Track listing 
- Side one
- "Invisible Touch" – 3:29
- "Tonight, Tonight, Tonight" – 8:53
- "Land of Confusion" – 4:45
- "In Too Deep" – 5:02
- Side two
- "Anything She Does" – 4:09
- "Domino" – 10:44
- Part one: In the Glow of the Night - 4:27
- Part two: The Last Domino - 6:15
- "Throwing It All Away" – 3:51
- "The Brazilian" – 4:50
|1.||"I'd Rather Be You"||4:04|
|2.||"Do The Neurotic"||7:08|
|3.||"Feeding the Fire"||5:54|
- "I'd Rather Be You" from the single "Throwing It All Away".
- "Do the Neurotic" from the single "In Too Deep".
- "Feeding the Fire" from the single "Land of Confusion".
Working titles for the songs 
Before Invisible Touch was released, five songs had working titles. Below is a list of the original song working titles and finalised song titles (in parentheses):
- "Monkey Zulu" ("Tonight, Tonight, Tonight")
- "Snake" ("Anything She Does")
- "Hawkwind" ("Domino")
- "Zephyr and Zeppo" ("Throwing It All Away")
- "Savage" ("The Brazilian")
- Tony Banks – keyboards, synth bass
- Phil Collins – drums, percussion, vocals
- Mike Rutherford – guitars, bass
Genesis toured in support of Invisible Touch between September 1986 and July 1987.
- "Land of Confusion"
- "That's All"
- "Domino (Part 1: In the Glow of the Night - Part 2: The Last Domino)"
- "In Too Deep"
- "The Brazilian"
- "Follow You Follow Me"
- "Tonight, Tonight, Tonight"
- "Home by the Sea"/"Second Home by the Sea"
- "Throwing It All Away"
- "In the Cage"*+/"...In That Quiet Earth"*/"Supper's Ready" (Apocalypse in 9/8 and "As Sure As Eggs Is Eggs" sections)*
- "Invisible Touch"
- "Drum Duet"
- "Los Endos"*+
On the Australian leg, the song "Your Own Special Way" was performed for the first time since 1977. The 1987 US and European legs of the tour saw the "Supper's Ready" section of the "In the Cage" medley dropped in favour of "Afterglow"*+. Also, the key of "Throwing It All Away" was dropped from C# to C. Also the key of "Land of Confusion" lowered from E Flat Minor to C# Minor. Finally, the songs "In Too Deep" and "Follow You Follow Me" were dropped completely.
Tour Band 
- Tony Banks – keyboards
- Phil Collins – drums, electronic percussion, lead vocals
- Mike Rutherford – lead guitar, bass guitar+, bass pedals, backing vocals, Moog Taurus
|Hong Kong (IFPI Hong Kong)||Gold||7,500*|
|Japan (Oricon Charts)||126,030|
|United Kingdom (BPI)||4× Platinum||1,200,000^|
|United States (RIAA)||6× Platinum||6,000,000^|
*sales figures based on certification alone
Chart positions 
Year-end charts 
Decade-end charts 
|Australian Albums Chart||39|
- Erlewine, Stephen Thomas. "Invisible Touch – Genesis". Allmusic. Rovi Corporation. Retrieved 27 June 2011.
- Brogan, Daniel (1986-06-27). "Genesis` `Invisible Touch` Low On Inventiveness, Power". chicagotribune.com (Chicago Tribune). Retrieved 2012-02-22.
- Putterford, Mark (26 June 1986). "Genesis 'Invisible Touch'". Kerrang! 123. London, UK: United Magazines ltd. pp. 14–15.
- Hochman, Steve (1986-06-29). "Summer Album Roundup : Gtr And Genesis Lack The Touch". articles.latimes.com. Los Angeles Times. Retrieved 2011-09-18.
- "Consumer Guide Album: Genesis: Invisible Touch". Robert Christgau. Retrieved 2012-03-02.
- Considine, J.D. (1986-08-14). "Genesis: Invisible Touch : Music Reviews". Rolling Stone. Archived from the original on 2007-12-01. Retrieved 2012-06-08.
- Nathan Brackett; Christian David Hoard (2004). The new Rolling Stone album guide. New York: Simon & Schuster. pp. 327–328. ISBN 978-0-7432-0169-8.
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- "American album certifications – Genesis – Invisible Touch". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
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- Invisible Touch (Music Video) at VH1 Classic
- Tonight, Tonight, Tonight (Music Video) at VH1 Classic
- Land of Confusion (Music Video) at VH1 Classic
- In Too Deep (Music Video) at VH1 Classic
- Anything She Does (Music Video) at VH1 Classic
- Throwing It All Away (Music Video) at VH1 Classic
A Kind of Magic by Queen
|UK number one album
21 June – 11 July 1986
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|Canadian RPM 100 number-one album
26 July – 2 August 1986
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