Irene Dalis (born October 8, 1925, San Jose, California) is a retired American mezzo-soprano, who had a long international career at the highest levels of world opera. In 1946 she received her bachelor’s degree from San Jose State College (now San Jose State University), where she regarded herself not as a singer, but as a pianist. Her master’s degree in music education is from Columbia University Teachers College, and she has received honorary doctorates from Santa Clara University and California State University.
Miss Dalis was awarded a Fulbright scholarship and went to Europe to begin her singing career. She studied in Milan and gave her first performance of any kind at the Oldenburgisches Stadtstheater in Germany. This was so successful that she was offered a Fest contract in Oldenburg and remained there for two years (1953–1955), making her professional debut there in 1953 as Princess Eboli in Verdi’s Don Carlo. She then moved to the Berlin Stadtische Oper  where her performance in Janáček's Jenufa led to an offer from The Metropolitan Opera, where she debuted, again as Eboli, in 1957  to great applause.
One New York reviewer wrote, “Her expert vocalism and musicianship were immediately apparent in the Veil Song, which Miss Dalis sang better than I have ever heard it sung. In the tricky ensemble with Carlo and Rodrigo in the Queen's gardens she was just as impressive, and her sweeping, almost torrential handling of ‘O don fatale’ won her a genuine ovation from the capacity audience. Everywhere, Miss Dalis' acting went hand-in-glove with her singing.” He concluded that her debut was “one of the most exciting in recent seasons” 
That was the first of 274 performances in the great New York opera company, through 20 seasons. She was particularly noted as Amneris in Verdi's Aïda, a part she sang 69 times at the Metropolitan. She was Brangäne when Birgit Nilsson sang her first Tristan und Isolde at the Metropolitan 1959, Amneris when Leontyne Price debuted in Aïda at the Metropolitan in 1961 and Princess di Bouillon for Plácido Domingo’s Met debut in Adriana Lecouvreur. She also performed with soprano Leonie Rysanek frequently, most notably in Salome and Aida.
In 1961, Miss Dalis appeared as the first American to sing the role of Kundry in Parsifal at the Bayreuth Festival. Her portrayal of this role was recorded in 1962 with Jess Thomas as Parsifal, Hans Hotter as Gurnemanz, and Hans Knappertsbusch conducting. This recording won the Grand Prix du Disc in 1964. In San Francisco, she sang the Nurse in Die Frau Ohne Schatten  and Ortrud in Lohengrin, among other roles. She performed in the gala to mark the conclusion of the career of Rudolf Bing 
One reviewer said of her Kundry, “Her broadcast portrayal is made memorable by the sensuous quality of her middle and upper voice…. she startles with the sheer beauty of her voice and her interpretive subtlety. The luscious timbre, with its seductive shimmer, contains its own magic ….Her flexible phrasing and command of text bespeak a singer who inhabits her character to the fullest, achieving a fusion of musical and dramatic elements…. Miss Dalis owns a singular combination of vocal and interpretive gifts. The eminent Birgit Nilsson said of her collegial intelligence, “Irene Dalis was wonderful to interact with: active, alert, but at the same time solicitous, as Isolde’s servant must be. I have had colleagues who ceaselessly tried to convince the audience that they should be the one singing Isolde. Then everything goes wrong and nothing in the relationship works. But here, everything ran perfectly.”  Fan appreciation also runs deep. Her home burned down in 1990 and she lost a lifetime’s collection of recordings and memorabilia. Unbeknownst to her, a former student quietly reassembled unauthorized recordings of her performances at the Met, San Francisco, Rome, and Bayreuth, and gave them to her as a gift.
Founding and directing Opera San Jose
After retiring from the Met in 1977, Miss Dalis returned to her hometown in California, where San Jose State University offered her the position of Professor of Music. There she developed the Opera Workshop program, which began turning out so many career-level graduate singers that she decided to form the Opera San Jose in 1984, a professional company that hires young singers on a multi-year contract basis, allowing them to perform principal roles in the company's four annual productions. "This company was based on my two years in Oldenburg,” Dalis says. "In my time there, I sang nine major roles—it would have been 10 but I had appendicitis! And I thought, 'Why not find young talent and have them sing the big roles, rather than starting in the chorus and working their way up?'” She has led the company as its chief officer for its entire history, taking particular pride in its fiscal stability.
Irene Dalis Vocal Competition
In keeping with her philosophy of encouraging young singers, Miss Dalis, with the support of an anonymous donor, established the Irene Dalis Vocal Competition in 2007, which is held in San Jose every spring. Ten finalists compete for $50,000 in cash prizes. IDVC finalists have gone on to significant careers; for instance, Audrey Luna (2009) has sung at the Met, Santa Fe, Tanglewood, and Spoleto Festival.
Awards and honors
Dalis was awarded the prestigious San Francisco Opera Medal in 1998. Her other credits include Principal Artist at the Metropolitan Opera, San Francisco Opera, Covent Garden, Bayreuth Festival, Chicago Lyric Opera, Berlin, Rome, Naples and others. Her awards include Fulbright Award, 1951; Richard Wagner Medallion, Bayreuth, West Germany, 1963; Tower Award, San José State University, 1974; Honored by the Board of Directors of the Metropolitan Opera Association on the occasion of her twentieth anniversary season, 1977; Woman of Achievement Award from the San José Mercury News and the League of Friends of Santa Clara County Commission on the Status of Women, 1983; Commendation from the Hon. John Vasconcellos, 23rd Assembly District, 1983; inducted into the California Public Educators Hall of Fame, 1985; Award of Merit from the People of the City of San Francisco, 1985; Honored Citizen of the City of San José, 1986; listed in Who's Who in America (since 1958); Who's Who in Opera (since 1971); and Who's Who in Music; Beautiful Minds Award recipient (2010). In 2013, she received the Cornerstone of the Arts awarded by the City of San Jose Arts Commission and the Career Award from the National Opera America Center.
|This section lacks ISBNs for the books listed in it. (April 2014)|
- Davis, Peter (1997). The American Opera Singer. New York: Doubleday. pp. 476–477.
- Bing, Rudolf (1981). A Knight at the Opera. New York: G.P. Putnam. p. 131.
- Erickson, Raymond (16 March 1957). "Review". Musical America.
- Goodwin, Noel (1992). New Grove Dictionary of Opera. London: MacMillan. p. 1050.
- Chatfield-Taylor, Joan. San Francisco Opera: The First 75 Years. San Francisco: Chronicle Books. p. 167.
- Bing, Rudolf (1981). A Knight at the Opera. New York: G. P. Putnam. pp. 50–51.
- Jackson, Paul (2006). Start-Up at the New Met. Pomtpon Plains, NJ: Amadeus Press. pp. 199–200.
- Nilsson, Birgit (2007). La Nilsson: My Life in Opera. Lebanon, NH: Northeastern University Press. p. 7.
- Scheinin, Richard (December 24, 2006). "Thanks to Fan, San Jose Opera Star Regains Recorded Legacy". San Jose Mercury News.
- Kosman, Joshua (August 29, 2010). "Irene Dalis: Grande Dame behind Opera San Jose". San Francisco Chronicle.