Irish social dances can be divided further into céilí and set dancing. Irish set dances are quadrilles, danced by four couples arranged in a square, while céilí dances are danced by varied formations (céilí) of two to sixteen people. In addition to their formation, there are significant stylistic differences between these two forms of social dance. Irish social dance is a living tradition, and variations in particular dances are found across the Irish dancing community; in some places, dances are deliberately modified and new dances are choreographed.
Irish dancing, popularized in 1994 by the world-famous show Riverdance, is notable for its rapid leg and foot movements, body and arms being kept largely stationary. The world of Irish dance has expanded to include Lord of the Dance, Celtic Tiger, and Heartbeat of Home. Most competitive dances are solo dances, though many stepdancers also perform and compete using céilí dances. The solo stepdance is generally characterised by a controlled but not rigid upper body, straight arms, and quick, precise movements of the feet. The solo dances can either be in "soft shoe" or "hard shoe".
The dancing traditions of Ireland probably grew in close association with traditional Irish music. Although its origins are unclear, Irish dancing was later influenced by dance forms from the Continent, especially the Quadrille. Travelling dancing masters taught all over Ireland, as late as the 18th and early 19th centuries. During this time, places for competitions and fairs were always small, so there was little room for the Dance Masters to perform. They would dance on tabletops, sometimes even the top of a barrel. Because of this, the dancing styles were very contained, with hands rigid at the sides, and a lack of arm movement and travelling across the stage. It is often said that when the British soldiers banned dancing across the land, the Irish would shut the bottom of their doors and continue to dance only using their feet--with their arms rigid by their sides. As time went on, larger places for dance competitions and performances were found, so styles grew to include more movement, more dancing across the stage as seen, for example, in Riverdance.
Irish céilí dances
Céilí dances may also be danced with an unlimited number of couples in a long line or proceeding around in a circle (such as in "The Walls of Limerick", "The Waves of Tory", "Haymakers Jig", "An Rince Mor" or "Bonfire Dance"). Céilí dances are often fast and some are quite complex ("Antrim Reel", "Morris Reel").
In a social setting, a céilí dance may be "called" – that is, the upcoming steps are announced during the dance for the benefit of newcomers. The céilí dances are typically danced to Irish instruments such as the Irish bodhrán or fiddle in addition to the concertina (and similar instruments), guitar, whistle or flute.
The term céilí dance was invented in the late 19th century by the Gaelic League. Céilí as a noun differs from the adjective céilí. A céilí is a social gathering featuring Irish music and dance. Céilí dancing is a specific type of Irish dance. Some céilithe (plural of céilí) will only have céilí dancing, some only have set dancing, and some will have a mixture.
Irish set dancing
Irish set dancing (also referred to as "country set dancing") are dances based on French quadrilles that were adapted by the Irish by integrating their sean-nós steps and Irish music. The distinguishing characteristics of Irish set dancing is that it is danced in square sets of four couples (eight people), and consist of several "figures," each of which has a number of parts, frequently repeated throughout the set. Each part of the set dance (figure) is danced to a music tempo, mostly reels, jigs, polkas, hornpipes and slides. The sets come from various parts of Ireland and are often named for their place of origin; examples are the Corofin Plain Set, the South Galway Set and the Clare Lancers Set.
The organisation Comhaltas Ceoltóirí Éireann promotes and hosts many set dance events.
Irish Step Dancing
Stepdancing as a modern form is descended directly from old-style step dancing. There are several different forms of stepdancing in Ireland (including sean-nós dancing and old-style stepdancing), but the style most familiar to the public at large is the Munster, or southern, form, which has been formalised by An Coimisiún le Rincí Gaelacha—the Irish Dancing Commission.
Irish stepdancing is primarily done in competitions, public performances or other formal settings.
Sean-nós dancing in the Irish diaspora
As Irish people emigrate all over the world, they took their cultural traditions with them. Many people theorise[who?] that Sean-nós dancing has influenced various other forms of traditional solo dance, especially those found in areas with strong Irish communities. Sean-nós dance likely influenced the development of many American and Canadian traditional percussive dance forms, such as buck dancing, flatfooting, clogging, and tap dancing. Sean-nós dancing in the United States and Canada is most commonly seen at folk festivals, although dance workshops are beginning to introduce the style more widely.
Old-style step dancing
Old-style step dancing is a tradition related to, yet distinct from, sean-nós dancing, though it is sometimes called "Munster-style sean-nós". Old-style step dancing evolved in the late 18th and early 19th century from the dancing of travelling Irish dance masters. The dance masters slowly formalised and transformed both solo and social dances. Modern masters of old-style step dancing style can trace the lineage of their steps directly back to 18th century dancers.
The Irish dance masters refined and codified indigenous Irish dance traditions. Rules emerged about proper upper body, arm, and foot placement. Also, dancers were instructed to dance a step twice—first with the right foot then with the left. Old-style step dancers dance with arms loosely (but not rigidly) at their sides. They dance in a limited space. There is an emphasis on making percussive sound with the toes. The Irish dance masters of this period also choreographed particular steps to particular tunes in traditional music creating the solo set dances such as the Blackbird, St. Patrick's Day, and the Job of Journey Work, which also persist in modern Irish stepdancing. In this context, "set dance" signifies a separate tradition from the social dance tradition also called set dance.
Irish solo stepdances fall into two broad categories based on the shoes worn: hard shoe (or heavy shoe) and soft shoe (or light shoe) dances.
There are four soft shoe dance styles: the reel, slip jig, light jig and single jig (also referred to as hop jig). Reels have a 4/4 (or sometimes 2/4 or 2/2) time signature. Slip jigs are in 9/8 time. Light and single jigs are in 6/8 time, with different emphasis within the measure distinguishing the music. Hard shoe dances include the hornpipe in syncopated 2/4 or 4/4 time, the treble jig (also called the heavy jig or hard jig) in a slow 6/8, the treble reel (heavy dance done to reel music) and traditional sets, which are a group of dances with set music and steps. Many traditional sets have irregular musical phrasing. There are also more advanced "non-traditional sets" done by advanced dancers. These have set music, but not steps. There are multiple traditional sets, including St. Patrick's Day, Blackbird, Job of Journeywork, Three Sea Captains, Garden of Daisies, and King of the Fairies.
Competitive dancers generally dance four or six steps at a time, depending on their dancing level. Each step lasts eight bars of music. They are each danced starting with the right foot, then repeated with the left foot. Set dances, however, have a different format. The dancer usually dances one step, which is not limited to eight bars, and is then repeated, resembling the steps of other dances. Then the dancer usually dances a "set" which is not repeated. It is a highly sought after and competitive feat to dance this "third round"--at regional, national, and world competitions, only a small percentage of dancers are invited back to perform.
The céilí dances used in competitions are more precise versions of those danced in less formal settings. There is a list of 30 céilí dances which have been standardised and published in An Coimisiún's Ar Rinncidhe Foirne as examples of typical Irish folk dances; these are called the "book" dances by competitive stepdancers. Most Irish dancing competitions only ask for a short piece of any given dance, in the interests of time.
Shoes and costume
There are two types of shoes; soft shoes (also known as ghillies) and hard shoes. Hard shoes are similar to tap shoes, except that the tips and heels are made of fiberglass, instead of metal, and are significantly bulkier. The first hard shoes had wooden or leather taps with metal nails. Later the taps and heels were changed into resin or fiberglass to reduce the weight and to make the sounds louder. The soft shoes, which are called ghillies, are black lace-up shoes. Ghillies are only worn by girls, while boys wear black leather shoes called "reel shoes", which resemble black jazz shoes with a hard heel. Boy's soft-shoe dancing features audible heel clicks. A new trend includes adding white laces to the soft shoes, and white tape to the straps of the hard shoes in order to give the illusion of elongating the legs.
Several generations ago, the appropriate dress for a competition was simply "Sunday best" (clothes one would wear to church). Irish Dance schools generally have school dresses, worn by lower-level competitors and in public performances. As dancers advance in competition or are given starring roles in public performances, they may get a solo dress of their own design and colours. In the 1970s and 1980s, ornately embroidered dresses became popular. Today even more ornamentation is used on girls' dresses. Solo dresses are unique to each dancer. Today most women and girls wear a wig or hairpiece for a competition, but some still curl their own hair. Most men wear a shirt, vest, and tie paired with black trousers.
An organized step dance competition is referred to as a feis (pronounced "fesh", plural feiseanna). The word feis means "festival" in Irish, and strictly speaking would also have competitions in music and crafts. Féile (/ˈfeɪlə/) is a more correct term for the dance competition, but the terms may be used interchangeably. Dance competitions are divided by age and level of expertise. The names of the levels and other organising rules vary between countries and regions. Dancers are scored based on technique (placement of the feet, turn out, off of their heels, etc.), style (grace, power, etc.) and other items such as timing, rhythm, and sounds in their hard shoe dances.
An annual regional Championship competition is known as an oireachtas (/oʊˈrɒktəs/). An Coimisiún holds various "national" championship competitions. Each of the major Irish step dance organisations hosts a premier championship, going by differing titles. An Coimisiún's World Championships are the largest, with over 6,000 dancers competing from over 30 countries world-wide.
Oireachtas Rince Na Cruinne, or "The World Championships" (for An Coimisiún dancers), first took place in Dublin in 1970 at Coláiste Mhuire, a school in Parnell Square. The "Worlds" outgrew its original location and moved around the Republic of Ireland and Northern Ireland. In 2002, for the first time, the "Worlds" left Ireland for Glasgow. In 2009, for the first time, the World Championships were held in the United States, in Philadelphia. The 2011 championships were held once again in Dublin. The 2012 championships were held in Belfast, with the 2013–2016 Worlds scheduled for Boston, London, Montréal and Glasgow respectively. The BBC documentary film Jig provided an insight into championship level dancers competing in the 2010 World Championships held in Glasgow.
An Comdhdail's All Ireland and International championships takes place each Easter week, with the competition being held in Ennis in 2011. The largest NAIDF (North American Irish Dance Federation) competition currently is The Nationals held at Lehigh University in Bethlehem, Pennsylvania, in 2010, and at The Valley Forge Convention Center in Pennsylvania in 2012. The WIDA (World Irish Dance Association), which is mainly dancers from European countries, also hold their own World and European Championships over the Easter week, with the competition being held in Berlin in 2011, and scheduled for Poland in 2012.
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- Royston, Peter Riverdance on Broadway – Study Guide Abhann Productions, p. 17-18
- McCarthy, Todd (16 June 2011). "Jig: Film Review". The Hollywood Reporter. Retrieved 4 February 2012.
- Brennan, Helen (1999). The Story of Irish Dancing. Mount Eagle. ISBN 0-86322-244-7.
- An Coimisiún le Rincí Gaelacha: Ár Rincí Fóirne [The Irish Dancing Commission: Our Dancing Staff] (2003). Thirty Popular Céilí Dances. Westside.
- Cullinane, John (1998). Aspects of the History of Irish Céilí Dancing. Clontarf, Dublin: The Central Remedial Clinic. ISBN 0-9527952-2-1.
- O'Keeffe, J. G.; O'Brien, Art (1902). A Handbook of Irish Dances (1st ed.). Dublin: O'Donochue. OL 7092184M.
- Murphy, Pat (1995). Toss the Feathers – Irish Set Dancing. Mercier. ISBN 1-85635-115-7.
- Murphy, Pat (2000). The Flowing Tide – More Irish Set Dancing. Mercier. ISBN 1-85635-308-7.
|Wikimedia Commons has media related to Irish dance.|
- Irish Dancing & Culture Magazine
- Set Dancing News: portal for set dancing information
- Diddlyi.com: Irish Dance and Music Social Network
- O'Keeffe & O'Brien – A Handbook of Irish Dance (1902)
- Diochra.com: Discover Irish dance!
- Beginners Guide to Irish Dancing
- The History of Irish Dance
- Irish Step Dancing
- Set Dance
- World Irish Dancing
- Dance instruction database
Irish Dance Organisations
- An Coimisiún le Rincí Gaelacha The Irish Dancing Commission
- An Comhdháil Múinteora Rince Gaelacha Congress of Irish Dance Teachers
- Cumann Rince Náisiúnta (CRN) National Dance Association
- World Irish Dance Association (WIDA)
- North American Irish Dance Federation (NAIDF)
- Irish Dancing Network
- Comhaltas Ceoltóirí Eireann Gathering of Musicians of Ireland
- Cumman Rince Dea Mheasa An Organisation of Good Will