|Directed by||Mani Ratnam|
|Produced by||Mani Ratnam
|Music by||A. R. Rahman|
|Edited by||Suresh Urs|
|Distributed by||Madras Talkies|
|January 14, 1997|
Iruvar (English: The Duo) is a 1997 Indian Tamil political drama film co-written, directed and produced by Mani Ratnam. The film is loosely based on the relationship between cinema and politics in Tamil Nadu, features Mohanlal in the lead role along with Prakash Raj, Aishwarya Rai, Tabu, Gouthami, Revathi and Nassar in pivotal roles. Rai, a former Miss World, made her screen debut through this film in dual characters. The film had a very successful music and acclaimed background score composed by A. R. Rahman and the cinematography was by Santosh Sivan. It was dubbed into Telugu as Iddaru and in Malayalam in the same name.
The film was showcased in the Masters section at the 1997 Toronto International Film Festival. The film was a critical success and won the Best Film award at the Belgrade International Film Festival and two National Film Awards. In 2012, Iruvar was included by critic Rachel Dwyer in the 2012 British Film Institute Sight and Sound 1000 greatest films of all time which is considered to be one of the most respected film polls all over the world.
Set in the 1950s, the film begins with Anandan (Mohanlal), a struggling actor, seeking opportunities which will give him a big break in the film industry. Under his uncle's help, Anandan is given an opportunity to audition for the lead role in a forthcoming film. He arrives in the studio and practices his combat skills with sword props provided on the sets while waiting for the director and the crew. At this juncture, he meets Tamizhselvan (Prakash Raj), a small time writer who enters the studio with some sarcastic poetry and this prompts both into a little debate. The debate turns into a mutual respect into each other, and impressed by Tamizhselvan's skills, Anandan requests Tamizhselvan to write dialogues for him to recite during the audition.
With the help of Tamizhselvan's dialogues, Anandan floors the director during the audition and is hired as the hero of the film. Anandan's friendship with Tamizhselvan grows as a result, and Anandan is introduced to Tamizhselvan's political party which is led by Velu Annachi (Nassar). He grows to the party's ideology as time passes by. Anandan then marries a village belle Pushpa (Aishwarya Rai) while Tamizhselvan marries another village girl (Revathy) under the supervision of the party leader. When Anandan returns to Madras, he is greeted by the bad news that the production of the film has been cancelled due to financial difficulties. As Tamizhselvan jubilates at his party's victory, a depressed Anandan is forced to return to old ways of playing extras in the movies. He even loses motivation and doesn't act some parts out well, causing further demotion in his roles. Anandan also sends Pushpa back to her village due to his financial difficulties. At one of the shootings, Anandan is greeted by his mother and uncle with the news that Pushpa has died due to a freak accident in her house. Tamizhselvan travels down to console a grief-stricken Anandan of his wife's death.
Few days later, Anandan's assistant (Delhi Ganesh) informs him that he has been called up for an audition of the same director's new project (the director who hired him for the stalled movie). Anandan is elated and calls up Tamizhselvan, who abandons his pregnant wife while she is giving birth to rush to aid Anandan. He writes dialogues for Anandan once again and the movie starts rolling. Anandan is paired with a rising actress Ramani (Gauthami) for the film. The film receives tremendous response upon release and becomes a huge success, propelling Anandan into fame. At this time, Tamizhselvan encourages Anandan to use his popularity to help the party gain attention. While shooting for his next venture, Anandan and Ramani have some romantic brushes, which causes Ramani's uncle (Nizhalgal Ravi), who lusts over her, to beat her up. Ramani comes to Anandan seeking refuge, and Anandan marries her. At this juncture, the party starts to contest in elections. Before elections, Velu Annachi gives Anandan an important mantle in the party, and a seat to contest,much to the displeasure of Tamizhselvan who thinks Anandan is just a film star is not exactly passionate about the party. But before the election, during a fine shoot anandan is shot in neck by a freak accident. The party sweeps elections with 152/234. Velu annachi denies CM post, and tamilselvan is made cm, worth full support of anandan. But from then Tamilselvan starts to see anandan as a threat to his chair. He however keeps Anandan only as a party spokesperson and doesn't provide him a ministry position. During a car trip with fellow members, Anandan's aides start breeding hatred by Anandan on Tamizhselvan, saying that Tamizhselvan purposely did not include Anandan in the cabinet. An infuriated Anandan chases the flamers away from his car, but has doubts in his mind nevertheless. Anandan finally asks Tamizhselvan for a ministry position which Tamizhselvan ridicules, finally flaming rivalry between the two. That time, Velu annachi dies and tamilselvan becomes leader if the party. Tamizhselvan is later shown to have an extramarital affair with a village girl who loves literature (Tabu), whom he first met while fighting for his party's causes before the party became successful. He marries her as his second wife subsequently. Meanwhile, Anandan, after his marriage with Ramani, calls up a new actress to audition to be his next heroine (it was a norm for an actor to work with same actress repeatedly during those days). The actress Kalpana (Aishwarya Rai again) resembles the late Pushpa, making Anandan uncomfortable. Ramani however insists that the actress is very talented and should be hired. Their association starts and the open nature of Kalpana's approach towards him makes Anandan more uncomfortable. Anandan finally reveals the truth about Pushpa, and this sparks off an affair between Anandan and Kalpana. In an ensuing party function held to pay tribute to Anna, Anandan creates controversy by revealing some inside truths of discomfort within the party, prompting Tamizhselvan to sack him from the party. Anandan retaliates by forming his own party to stand in the election. His party priorities see him distancing himself from Kalpana, to whom he has promised to marry. An infuriated Kalpana walks out and starts doing social work. Anandan's star power enables him to win the election as he uses his films to spread his political propaganda. As he becomes the new chief minister, a key deputy jumps from Tamizselvan's party to Anandan's party, in the belief that Anandan's reign will see less dirty politics. This sparks off a cat and mouse game as Tamizhselvan and Anandan start devising tactics to outdo each other. This includes Anandan having to order Tamizhselvan's arrest after some riots broke out. It slowly dawns that Anandan's reign is no different from Tamizhselvan's and the deputy points out that the same corruption exists in Anandan's reign, to which Anandan says it's the nature of politics. Anandan meets Kalpana again while she is doing social work after a while, and sends his assistant (Delhi Ganesh) to bring her back. While in the car, Kalpana, Anandan's assistant, and his driver meet with a fatal accident.
A distraught Anandan loses motivation after that as life begins to dawn upon him. Tamizhselvan, who just gets released from jail also slows down in his tactics to dethrone Anandan as age catches up with both of them. During the wedding of the grand daughter of Velu Annachi, Anandan and Tamizhselvan meet each other and share a gracious handshake. The wedding takes place in the same place where they first met, prompting some memories and sly smiles from both of them. At the conclusion of the wedding, Anandan loses his footing and falls. The next morning, Ramani tries in vain to wake up Anandan but he had died in his sleep.
Tamizhselvan receives the news that Anandan has died. Initially he thinks that as a rumour but later is proved true. He attends the funeral but is unable to see the body as it is being dressed for the funeral parade. Realizing that people there will always assume him as an enemy of Anandan, he heads back to the place they first met and in an emotional monologue, recites poetry mourning his friend's death which depicts the depth of their friendship. The film ends as Anandan's body is paraded across the streets, mourned by a legion of film fans and politicians, finally coming to the crematorium and being cremated.
- Mohanlal as Anandan
- Prakash Raj as Tamizhselvan
- Aishwarya Rai as Pushpavalli and Kalpana
- Revathi as Maragatham
- Gauthami as Ramani
- Tabu as Senthamarai
- Nassar as Ayya Veluthambi
- Madhoo as an actress (guest appearance)
- Kaka Radhakrishnan as Kasi
- Major Sundarrajan as a police officer
- Rajesh as Madhivanan
- Delhi Ganesh as Nambi
- Nizhalgal Ravi as Ramani's uncle
- Kalpana Iyer
- C. K. Saraswathi
- S. N. Lakshmi as Tamizhselvan's mother
- P. L. Narayana
- Gowtham Sundararajan as Arivazhagan
- Sujitha as Tamizhselvan's daughter
- Kreshna as Tamizhselvan's son
- Vishnuvardhan as Tamizhselvan's son
In October 1995, Mani Ratnam announced that he was set to make a feature film titled Anandan featuring dialogues written by Suhasini with Mohanlal and Aishwarya Rai in the lead roles. Initial speculation suggested that the film would visualise the duel between LTTE supremo Vellupillai Prabhakaran and his former deputy Mahattiya, who was executed in 1995 for an alleged plot to kill his mentor, with Aishwarya Rai reported to be playing Indira Gandhi. Mani Ratnam was quick to deny any political backdrop claiming that the film would be about the Indian movie industry, however this proved to bluff the public as the film was to be set within a political canvas. The film was later retitled Iruvar (The Duo) and the idea to make a film on the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi and their influential relationship between Tamil cinema and Dravidian politics by Mani Ratnam was sparked by a conversation he had with renowned Malayalam author, M. T. Vasudevan Nair.
When interviewed about the difficulties of casting, Mani Ratnam revealed he "struggled" citing that that casting "is most important as far as performance is concerned" and that "fifty per cent of the job is done if you cast correctly". Mohanlal was approached to play Anandan, a character inspired by the former actor-politician M. G. Ramachandran and about his performance in the film, Mani Ratnam claimed that Mohanlal had "the ability to make everything absolutely realistic with the least amount of effort". He described that debutant Aishwarya Rai, the former Miss World beauty pageant winner, who appeared in two different characters - one inspired by actress-politician Jayalalitha, as a "tremendous dancer" and "having a lot of potential". The director revealed that the only difficulty Mohanlal and Aishwarya had was the language, both being non-Tamil speakers adding that the pair had to work hard over the dubbing trying to get as close to the Tamil tongue. The actor to play the role of Tamizhselvan, inspired by politician M. Karunanidhi, took substantially longer to finalise with the initial choice, Nana Patekar, withdrawing after several discussions. Mohanlal's Malayalam counterpart Mammootty was offered the role but declined the offer, as did leading actors Kamal Hassan, Sathyaraj and Mithun Chakraborty. Mani Ratnam also called Madhavan, then a small-time model for the screen test, but left him out of the project citing that he thought his eyes looked too young for a senior role. Subsequently Prakash Raj, who had played a small role in Mani Ratnam's 1994 film Bombay was signed up to essay the character. Prakash Raj initially told Mani Ratnam that he was unprepared to essay such a delicate role in such short notice, with Prakash Raj later revealing that Mani Ratnam nurtured the character and brought self-confidence into the actor. Renowned for being a perfectionist film-maker, Mani Ratnam made Prakash Raj take 25 takes for his first shot, lasting over six hours. Actress Tabu was also signed to play an important role in the film and shot for Iruvar alongside her Tamil debut film, Kadhal Desam.
The film was shot across 1996 and schedules were canned all across India from Kerala to Leh with Mohanlal stating that it was the longest duration he had shot for a film. The film was briefly stopped by the FEFSI strike of 1996, making technicians unavailable for use, but Mani Ratnam carried on filming and completed a song using only natural light. After the shooting for Iruvar was completed, Mani Ratnam asked Prakash Raj to dub in Tamil himself for the first time, with his work taking four days to complete.
The censors saw the film on December 31, 1996 and opined that various characters in the film reflected the personal lives of some politicians and accordingly a certificate was denied. Following the producer’s protest, it was seen by an eight-member revising committee on January 2, 1997 which suggested deletion of some objectionable portions and cleared the film for U/A certification. Four dialogues from the film were subsequently cut.
Two days before the release of the film, Dravidar Kazhagam president K. Veeramani threatened to mobilise public opinion against its screening in theatres, because he felt that it contained “objectionable” footage denigrating the Dravidian movement founded by Periyar. The politician threatened legal action, if the film was screened in theatres without removing what he perceived as the “offending” portion, but Mani Ratnam dismissed that Veeramani was making rushed conclusions without having seen the film.
A month after release in February 1997, the regional chief of the censor board G. Rajasekharan brought up the issue again and referred the film to the Indian Home Office for “advice”, threatening that if more scenes were not deleted, it might ultimately, lead to a law and order problem.
The movie dealt with a very sensitive subject. The two men whose lives were chronicled enjoy an enormous fan following. The dash and flair and captivating oratorical abilities of M. Karunanidhi has attracted many millions over the 50 years of his political life. M. G. Ramachandran enjoys a semi-divine status in Tamil Nadu with people constructing temples for him. On account of this the movie invited much criticism from both the camps. Moreover the personal lives of the lead characters (their extramarital relations, ego problems) have been portrayed with near accuracy in the film. M. G. Ramachandran is shown as a relentless womanizer who meets his match in the wiles of J Jayalalithaa. When the movie was released, various political parties staged demonstrations to prevent theaters from showing the movie. Still it is regarded as one of Mani Rathnam's best works. The movie enjoys enormous fan following among the Tamils in the world and has achieved cult status. DVDs of the movie are continuously in demand.
- National Film Award for Best Supporting Actor - Prakash Raj
- National Film Award for Best Cinematography - Santosh Sivan
- International honors
- Belgrade International Film Festival - Best Film in the Festival of the Auteur Films
The Original Motion Picture Soundtrack
|Film score by A. R. Rahman|
|Recorded||Panchathan Record Inn|
|Producer||A. R. Rahman|
|A. R. Rahman chronology|
The film's soundtrack features six songs composed by A. R. Rahman with lyrics penned by Vairamuthu. It has songs ranging from pure Carnatic to Tamil folk and jazz. Rahman blended two Carnatic ragas—"Naatai" and "Ghambeera Naatai"—in "Narumugaye". "Venilla Venilla", sung by veteran singer Asha Bhonsle, and "Hello Mister Edirkatchi" are based on jazz music. "Udal Mannukku" and "Unnodu Naan Irundha" were recitals sung by actor Arvind Swamy. The soundtrack proved to be very successful, upon its release. The songs "Hello Mister Edirkatchi", "Narumugaye" & "Kannai Kattikolathey" are still very popular.
The background score of the film was widely acclaimed. Rahman composed some prominent leitmotifs, which dramatically enhanced Ratnam's intricate characterizations.
|2.||"Hello Mister Edirkatchi"||Harini, Rajagopal||4:12|
|3.||"Narumugaye"||Unnikrishnan, Bombay Jayashree||6:20|
|4.||"Venilla Venilla"||Asha Bhosle||4:59|
|5.||"Ayirathil Naan Oruvan"||Mano||5:51|
|6.||"Pookodiyin Punnagai"||Sandhya JK||5:31|
|7.||"Udal Mannuku"||Arvind Swamy||2:54|
|8.||"Unnodu Naan Irundha"||Arvind Swamy||2:35|
- Jayanthi (1995-10-15). "What makes Mani ?". The Indian Express. Retrieved 2011-09-23.
- Paneerselvam, A. V. (1996-02-14). "With A Sepia Edge". Outlook. Retrieved 2011-09-23.
- Umashankar, Sudha (1998). "Films must reflect the times you live in". The Hindu. Retrieved 2011-09-23.
- Ramanujam, D. S (1999-06-08). "Power packed performance". The Hindu. Retrieved 2011-09-23.
- Rangarajan, Malathi (2012-01-28). "Character Call". The Hindu. Retrieved 2012-02-12.
- Gliteratti (1996-07-24). "A Close Shave". Outlook India. Retrieved 2011-09-23.
- Ganapati, Priya (2000-03-08). "'People remember scenes, not episodes'". Rediff. Retrieved 2011-09-23.
- Taliculam, Sharmila (1997-04-04). "Commercial films can get you only so far". Rediff. Retrieved 2011-09-23.
- Warrier, Shobha (1997-04-04). "'I celebrate whether a film is a hit or a flop'". Rediff. Retrieved 2011-09-23.
- "Censors refer Iruvar to home dept". Times of India. 1998-02-28. Retrieved 2011-09-23.
- "Maniratnam’s film 'Iruvar' draws DK leader’s anger". Times of India. 1998-01-13. Retrieved 2011-09-23.
- VSNIPZ (5 April 2012). "Iruvar – The Doomed Masterpiece". MadAboutMoviez. Retrieved 24 December 2013.
- "WEDNESDAY WINNER - IRUVAR". Cinema Lead. Retrieved 24 December 2013.
- "paadal varigal - IRUVAR". tamilsonglyrics. Retrieved 18 January 2015.