||This biographical article needs additional citations for verification. (April 2011)|
Isabel Sarli in the late 1950s.
|Born||Hilda Isabel Gorrindo Sarli
9 July 1935
Concordia, Entre Ríos, Argentina
|Occupation||Actress, glamour model|
|Partner(s)||Armando Bó (1956-1981)|
Hilda Isabel Gorrindo Sarli (Spanish pronunciation: [isaˈβel ˈsarli]; born 9 July 1935), nicknamed Coca, is a retired Argentine actress and glamour model, known for her campy sexploitation films. Sarli is a considered a cultural icon and the quintessential sex symbol in her home country.
She was discovered by filmmaker Armando Bó after she became Miss Argentina in 1955. She never married him as he remained married to his first wife. She was his mistress for life and became the star of his films, starting with El Trueno entre las hojas in 1956. The film has since become a cult classic as the first Argentine feature-length with full frontal nudity in it. She went on to become an international Latin American star, filming in Brazil, Uruguay, Paraguay, Mexico, Panama and Venezuela and films like Fuego (1969) and Fiebre (1970) reached the American and European markets.
Bó later insisted in casting her in naturalistic melodramas. After his death in 1981, Isabel Sarli retired from the cinema industry altogether but came back in the mid-nineties for Jorge Polaco's picaresque film, La Dama Regresa (1996). The film was inspired largely on her life and public image, serving as an homage of sorts. In 2009 she teamed once more with Polaco in Arroz con leche for a bit part.
On 12 October 2012, it was reported that Argentine President, Cristina Fernández de Kirchner, named Sarli as Argentine Ambassador of Popular Culture. The Boletín Oficial de la República Argentina (es), under Decree 1876/2012, stated:
[…] Isabel Sarli is considered a true representative of the national culture, as much for her acting skills in films as for being considered a popular icon of her day and an emblematic figure of Argentine cinema.
|El Trueno entre las hojas||1958||Flavia Forkel|
|... Y el demonio creó a los hombres||1960|
|La Burrerita de Ypacaraí||1962|
|The Female: Seventy Times Seven||1962||Cora / Laura|
|La Diosa impura||1964||Laura|
|La mujer del zapatero||1965|
|La tentación desnuda||1966||Sandra Quesada|
|Los Días calientes||1966|
|La señora del Intendente||1967||Flor Tetis|
|La mujer de mi padre||1968||Eva|
|Desnuda en la arena||1969||Alicia|
|Intimidades de una cualquiera||1974||María|
|El sexo y el amor||1974|
|Una Mariposa en la noche||1977||Yvonne|
|El último amor en Tierra del Fuego||1979|
|Una viuda descocada||1980||Flor Tetis Soutién de Gambetta|
|La dama regresa||1996|
|Carne sobre carne||2007||Herself (archive material)|
|Arroz con leche||2009|
|Parapolicial negro, apuntes para una prehistoria de la AAA||2010||Herself (interviewed)|
|Mis días con Gloria||2010||Gloria Saten|
- Trerotola, Diego (20 April 2012). "Coca Camp". Página/12 (in Spanish). Retrieved 12 November 2013.
- Corliss, Richard (2010-08-07). "Isabel Sarli: A Sex Bomb at Lincoln Center". TIME. Retrieved 2011-04-13.
- "Cristina nombró a Isabel Sarli Embajadora de la Cultura Popular". La Nación. 12 October 2012. Retrieved 13 October 2012.
- "Decreto 1876/2012". Boletín Oficial de la República Argentina. 5 October 2012. Retrieved 13 October 2012.
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