Island (Huxley novel)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Island
Island.JPG
First US edition
(Harper and Brothers)
Author Aldous Huxley
Country United Kingdom
Language English
Genre Science fiction, Utopian fiction
Publication date
1962
Media type Print (hardback & paperback)
Pages 384 pp (Paperback edition)
ISBN ISBN 0-06-008549-5 (Paperback edition)
OCLC 20156268
Preceded by The Genius and the Goddess
Followed by None

Island is the final book by English writer Aldous Huxley, published in 1962. It is the account of Will Farnaby, a cynical journalist who is shipwrecked on the fictional island of Pala. Island is Huxley's utopian counterpart to his most famous work, the 1932 novel Brave New World, itself often paired with George Orwell's Nineteen Eighty-Four. The ideas that would become Island can be seen in a foreword he wrote in 1946 to a new edition of Brave New World:

If I were now to rewrite the book, I would offer the Savage a third alternative. Between the Utopian and primitive horns of his dilemma would lie the possibility of sanity... In this community economics would be decentralist and Henry-Georgian, politics Kropotkinesque co-operative. Science and technology would be used as though, like the Sabbath, they had been made for man, not (as at present and still more so in the Brave New World) as though man were to be adapted and enslaved to them. Religion would be the conscious and intelligent pursuit of man's Final End, the unitive knowledge of immanent Tao or Logos, the transcendent Godhead or Brahman. And the prevailing philosophy of life would be a kind of Higher Utilitarianism, in which the Greatest Happiness principle would be secondary to the Final End principle – the first question to be asked and answered in every contingency of life being: "How will this thought or action contribute to, or interfere with, the achievement, by me and the greatest possible number of other individuals, of man's Final End?"[1]

Plot summary[edit]

Englishman William Asquith "Will" Farnaby deliberately wrecks his boat on the Polynesian shores of the Kingdom of Pala, thus forcing his entry to this otherwise "forbidden island." Farnaby, a journalist, political huckster, and lackey for the oil baron Lord Joseph "Joe" Aldehyde, is tasked with persuading the island's current queen—the Rani—to sell Aldehyde rights to Pala's untapped oil assets. Farnaby awakens on the island with a leg injury, hearing a myna bird screaming "Attention", when a local boy and girl notice him and take him for medical treatment to their grandfather, Dr. Robert MacPhail. Dr. Robert and a young man named Murugan Mailendra carry Farnaby to Robert's house for a surprisingly successful hypnotherapy session led by Susila, Robert's daughter-in-law and the mother of the two children. Susila's husband (Robert's son) recently died in a climbing accident, and Susila is still grappling with the grief.

Farnaby and Murugan recognise each other from a recent meeting with Colonel Dipa, the military dictator of a threatening country called Rendang-Lobo that neighbours Pala—another force coveting Pala's oil. In private, Murugan reveals to Farnaby that he is in fact the Rani's son and will be assuming control over Pala in a few days as its new Raja. Both the Rani and Murugan were raised outside of Palanese culture, however, and so both are largely westernised, with Murugan especially influenced by materialism and consumerist greed. Contrary to these philosophies, most Palanese islanders engage in peaceful living, intellectual pursuits, and deep spiritualism that avoids superstition. The kingdom has no military and its inhabitants have cultivated a nearly utopian society by blending the most applicable elements from western science and eastern Mahayana Buddhism, also adopting a multiple-parents child-rearing strategy of mutual adoption clubs (MACs), as well as a bilingual culture of English and Palanese. Palanese citizens strive to live always in the moment, to directly confront suffering and death, to meditate often, to engage shamelessly in sexual continence, and to use moksha-medicine—a local psychedelic drug or entheogen—to help achieve these other goals. The Rani, however, who comes to visit Farnaby and is theatrical, larger-than-life, and more traditionally religious, is disgusted by these mainstream Palanese values and wishes to reform the country. Farnaby convinces her that Joe Aldehyde's oil money will help her in her quest to "save" the nation from blasphemy.

As he recuperates, Farnaby reads Dr. Robert's copy of the Old Raja's Notes on What's What, and What It Might be Reasonable to do about What's What, which outlines Palanese practical philosophies for self-improvement and self-actualisation. He then tours the island's educational system, which merges the sciences, the arts, and self-control techniques with the personal search for spiritual self-fulfillment. Dr. Robert recounts the island's history, including how his own Scottish grandfather, Dr. Andrew MacPhail, was called to the island over a century ago to treat the Old Raja's facial tumour using both trance-based mesmerization and actual surgery; this first brought scientific practices and the English language into Palanese culture.

Farnaby sees many other aspects of Palanese society as well, including a marionette version of Oedipus Rex called Oepidus in Pala with a revised and happy ending. The Palanese are so intimately connected with the reality of the moment that they even have taught the local myna birds to say "Attention" and "Karuṇā," to remind the people to stay focused on the here-and-now and to have compassion. The Palanese people are well aware that they will likely be invaded soon by Colonel Dipa's forces from Rendang, though they are resigned to pacifism. Farnaby too has been accepting the potential downfall of the island as a given, though he realises with discomfort that he may be an instrumental factor in causing such a downfall.

Farnaby begins to establish a strong bond with Susila, who directs Farnaby to re-explore his own troubled past, including the death of his wife, Molly, on the night he confessed to cheating on her and his whole hateful childhood; Susila guides him through his painful memories. In the meantime, Susila's mother-in-law and Dr. Robert's wife, Lakshmi, is now also dying, due to cancer. One night, when the Rani urgently sends a letter to Farnaby to meet with her, he decides to finally take a stand against the exploitation of the island by Aldehyde and Dipa, and so he ignores her letter, instead going to visit the quickly-fading Lakshmi who, surrounded by her family, finally dies.

Susila then invites Farnaby to try the moksha-medicine at last. His ensuing hallucinatory visions are vividly philosophical and unspeakably vibrant; he feels a loss of self in the oneness of everything and "knowledgless understanding," and he also horrifically watches a nearby mantis sexually cannibalise her partner, before Susila encourages him to let the medicine help him see the beauty in all things. As morning approaches, they suddenly hear gunfire and spot a caravan of military vehicles. Murugan's voice through a loudspeaker encourages the people to remain calm and welcome the invading forces, while announcing the formation of the new United Kingdom of Rendang and Pala with himself as the monarch and Colonel Dipa as its prime minister. The caravan stops to fire shots at Dr. Robert's house and then moves on, Susila horror-stricken, as a myna cries "Attention" one final time.

Major themes[edit]

Island explores many of the themes and ideas that interested Huxley in the post-World War II decades and were the subject of many of his nonfiction books of essays, including Brave New World Revisited, Tomorrow and Tomorrow and Tomorrow, The Doors of Perception, and The Perennial Philosophy. Some of these themes and ideas include overpopulation, ecology, modernity, democracy, mysticism, entheogens, and somatotypes.

Common background elements occur in both Island and Brave New World; they were used for good in the former and for ill in the latter. Such elements include:

Theme comparison
Island Brave New World
Drug use for enlightenment and self-knowledge Drug use for pacification and self-medication
Group living (in the form of Mutual Adoption Clubs) so that children would not have unalloyed exposure to their parents' neuroses Group living for the elimination of individuality.
Trance states for super learning Trance states for indoctrination
Assisted reproduction (low-tech artificial insemination) Assisted reproduction (high-tech test-tube babies)
Freely-available contraception to enable reproductive choice, expressive sex Mandatory contraception, socially-mandated recreational and promiscuous sex
Dangerous climb to a temple, as spiritual preparation Violent Passion Surrogate
Mynah birds trained to utter uplifting slogans Ubiquitous disembodied mechanical voices

The culture of Pala is the offspring of a Scottish secular humanist medical doctor, who made a medical visit to the island in the 19th century and decided to stay and work with its Raja, who embodies the island's Mahayana Buddhist tradition, to create a society that merges the best of East and West. The Old Raja's treatise, Notes on What's What, is a book within the book that explains Pala's philosophical foundations.

A central element of Palanese society is restrained industrialisation, undertaken with the goal of providing fulfilling work and time for leisure and contemplation. For the Palanese, progress means a selective attitude towards technology, which Huxley contrasts to the underdeveloped poverty of the neighbouring island of Rendang, and with the alienating overdevelopment of the industrialised West, chiefly through Will Farnaby's recollections of London. The Palanese embrace modern science and technology to improve medicine and nutrition, but have rejected widespread industrialisation. For example, hydroelectricity is made available for refrigeration, so that surplus fresh food can be stored, improving nutrition and protecting against food shortages. Huxley viewed this selective modernisation as essential for his "sane" society, even if it means that such a society is unable to militarily defend itself from its "insane" neighbours who wish to steal its natural resources.

The Palanese also circumspectly incorporated the use of "moksha medicine", a fictional entheogen taken ceremonially in rites of passage for mystical and cosmological insight. The moksha mushroom is described as "yellow" and not "those lovely red toadstools", e.g. the Amanita muscaria; this description of the moksha medicine is suggestive of Psilocybe mushrooms, a psychoactive that captivated Huxley during the latter half of his life. The recommended dosage of 400 mg, however, is in the dosage range of mescaline as opposed to psilocybin. Huxley had also been fascinated towards the end of his life by the potential benefit to humanity of substances such as mescaline and LSD. Brave New World and most of Huxley's other books were written before he first tried a psychedelic drug in 1953.[2]

Many of the ideas used to describe Pala as a utopia in Island appear also in Brave New World Revisited's last chapter, which aims to propose actions which could be taken to prevent a democracy from turning into a totalitarian world like the one described in Brave New World.

Huxley used a scene of two mantids (Gongylus gongyloides) mating to make philosophical observations about the nature of death. In another memorable scene, Will Farnaby watches a Palanese version of Oedipus Rex with a little girl. Will points out that in his version Oedipus pokes his eyes out. The girl replies that that is silly, since all the king had to do was stop being married to his mother.

Quotations[edit]

And always, everywhere, there would be the yelling or quietly authoritative hypnotists; and in the train of the ruling suggestion givers, always everywhere, the tribes of buffoons and hucksters, the professional liars, the purveyors of entertaining irrelevances. Conditioned from the cradle, unceasingly distracted, mesmerized systematically, their uniformed victims would go on obediently marching and countermarching, go on, always and everywhere, killing and dying with the perfect docility of trained poodles. And yet in spite of the entirely justified refusal to take yes for an answer, the fact remained and would remain always, remain everywhere – the fact that there was this capacity even in a paranoiac for intelligence, even in a devil worshipper for love; the fact that the ground of all being could be totally manifest in a flowering shrub, a human face; the fact that there was a light and that this light was also compassion.

History is the record of what human beings have been impelled to do by their ignorance and the enormous bumptiousness that makes them canonize their ignorance as a political or religious dogma.[this quote needs a citation]

From the Old Raja's Notes on What's What:

Nobody needs to go anywhere else. We are all, if we only knew it, already there. If I only knew who in fact I am, I should cease to behave as what I think I am; and if I stopped behaving as what I think I am, I should know who I am. What in fact I am, if only the Manichee I think I am would allow me to know it, is the reconciliation of yes and no lived out in total acceptance and the blessed experience of Not-Two. In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.

Good Being is knowing who in fact we are; and in order to know who in fact we are, we must first know, moment by moment, who we think we are and what this bad habit of thought compels us to feel and do. A moment of clear and complete knowledge of what we think we are, but in fact are not, puts a stop, for the moment, to the Manichean charade. If we renew, until they become a continuity, these moments of the knowledge of what we are not, we may find ourselves all of a sudden, knowing who in fact we are.

Faith is something very different from belief. Belief is the systematic taking of unanalysed words much too seriously. Paul's words, Mohammed's words, Marx's words, Hitler's words – people take them too seriously, and what happens?

What happens is the senseless ambivalence of history – sadism versus duty, or (incomparably worse) sadism as duty; devotion counterbalanced by organized paranoia; sisters of charity selflessly tending to the victims of their own church's inquisitors and crusaders. Faith, on the contrary, can never be taken too seriously. For faith is the empirically justified confidence in our capacity to know who in fact we are, to forget the belief-intoxicated Manichee in Good Being. Give us this day our daily Faith, but deliver us, dear God, from Belief.[this quote needs a citation]

References to Eastern religion[edit]

In popular culture[edit]

In his article, "Twisted Tales: The Beatles' Real-Life Dr. Robert Had the Feel-Good Cure for Celebs" (4 September 2009), Spinner's James Sullivan considers candidates for the real "Doctor Robert" referred to in the eponymous song on The Beatles' Revolver album: "The more literate among them might have suspected that 'Dr. Robert' came from a character of the same name in the last novel of noted LSD advocate Aldous Huxley." [3]

See also[edit]

References[edit]

  1. ^ Huxley, Aldous (2005). Brave New World and Brave New World Revisited. Harper Perennial Modern Classics. p. 7. ISBN 978-0060776091. 
  2. ^ https://www.youtube.com/watch?v=ivoeUybj8Hw
  3. ^ James Sullivan (4 September 2009). "Twisted Tales: The Beatles' Real-Life Dr. Robert Had the Feel-Good Cure for Celebs". Spinner. 

External links[edit]