|Parent company||Universal Music Group (since 1998)|
|Distributor(s)||The Island Def Jam Music Group (US)
Universal Music Group
Virgin EMI Records
|Genre||Various, with a focus on rock and pop|
|Country of origin||United Kingdom, Jamaica|
|Location||New York, New York
Santa Monica, California
|Official website||islandrecords.com (US) islandrecords.co.uk islandrecordsaustralia.com|
Island Records is a record label that was founded by Chris Blackwell and Graeme Goodall in Jamaica. It was based in the United Kingdom (UK) for many years and since 1998 has been owned by Universal Music Group (UMG). Until Blackwell sold the label to PolyGram in 1989, Island was the largest independent record label in history and had exerted a major influence on the progressive UK music scene in the early 1970s.
As of February 2014, three Island label brands exist in the world: Island UK, Island US, and Island Australia. Partially due to the label's significant legacy, Island remains one of UMG's pre-eminent record labels, alongside Interscope Records and Republic Records. In a 50-year anniversary documentary, Island Records artist Melissa Etheridge stated: "If you want to look at world music, music of the last 50 years that changed the world, you need look no further than Island Records."
Rise of the brand
Island Records was founded in Jamaica on 4 July 1959 by Blackwell and Goodall, partially financed by Stanley Borden from RKO, and its name was inspired by the Harry Belafonte song "Island in the Sun". Blackwell explained in 2009: “I loved music so much, I just wanted to get into it, or be as close to it as I could.”
Tom Hayes, the label's sales manager between 1965 and 1967, referred to the early period of the label in the UK as “organized chaos”. “My Boy Lollipop”, sang by Millie Small, was the label’s first success in the UK and led to a world tour that also involved Blackwell. Blackwell explained in a 50-year anniversary documentary that he was only interested in building long-term careers at that stage in time, rather than short-term projects.
Blackwell relocated to England in May 1962 to garner greater levels of attention after the local Jamaican sound systems proved to be overwhelmingly successful. The vast majority of the artists who had signed to Blackwell’s fledgling label while he was in Jamaica agreed to allow the musical entrepreneur to release their music in the UK. While in England, Blackwell travelled throughout the city carrying his stock with him and sold to record stores in the city. He did not provide any copies to radio stations, as they would not play any of the Island music; the music was also not reviewed by the press. Meanwhile, Goodall left to start the Doctor Bird record label in 1965.
Despite the initial establishment work that Blackwell completed almost single-handedly, Island struggled as a business in the late 1970s and early 1980s. Bob Marley's 1981 death was detrimental to the company, while Irish rock band U2, which had signed to Island in March 1980, was growing in popularity, but had not yet reached the international superstar status that was to come. In 1982, Paul Morley and producer Trevor Horn started the ZTT label under the Island banner and Blackwell was known to approve excessive spending by the label. Morley recalls in a 2009 book about Island Records:
I eventually grew to appreciate how Chris Blackwell, and therefore Island Records, was not about one thing, or one style, or one system, or one way of doing things ... [I began] reflecting how the world functions and reinvents itself precisely because it is a fluid, sometimes dangerous, always exhilarating union of systems and beliefs and the best way of allowing the world to progress is to mix up and place in glorious conflict these various systems and beliefs.
In 1983, Blackwell also used the label to finance a new film production and distribution company called Island Alive. In August 1987, the company was not able to pay a US$5 million sum that it owed to U2 in royalties for The Joshua Tree album, as it had diverted the funds to finance several unsuccessful films. U2 responded by negotiating a deal whereby they invested the unpaid royalties into the company in exchange for a stake in the company that was estimated to be around 10 per cent.
The label's 4th & Broadway division, operating since the mid-1980s, achieved some success marketing alternative hip hop and dance-pop music with artists such as Eric B and Rakim and the Stereo MCs. Mango (Chaka Demus and Pliers) was another Island dance-oriented subsidiary, while it was singer Robert Palmer who achieved worldwide success with the dance-pop song "Addicted to Love" in 1986. African musicians such as King Sunny Ade and Angélique Kidjo were also championed by Blackwell.
In July 1989, Blackwell sold Island Records and Island Music to the PolyGram UK Group for £180 million (US$300 million)—he explained in 2009: “It had gotten too big and too corporate for me and I couldn’t really handle it.” Following the sale, Island was no longer an independent company, but Blackwell was given a position on Polygram’s board and stayed on as CEO of PolyGram's new Island Entertainment division for ten years. PolyGram immediately began reissuing much of the Island back catalogue on compact disc and expanded Island's reach through its global manufacturing and distribution network, but the label was relatively unfocused in the 1990s.
Blackwell eventually ended his association with the company in 1997, as the corporate life hindered the independent ethos of his personal life. "I never really had a job until I sold Island to PolyGram in 1989. It had gotten too corporate," he commented afterwards. Blackwell left to found the Palm Pictures company and run a chain of boutique hotels in Miami, US and the Caribbean, including the very exclusive Goldeneye estate, once the Jamaican home of James Bond creator Ian Fleming. Then in May 1998, all of Polygram and its associated labels were purchased by Seagram which announced its plan to integrate Polygram with UMG to produce an estimated cost savings, within a couple of years, of between US$275 million and $300 million annually. Seagram further explained that the acquisition would unite a significant international presence with a thriving domestic business, as more than three-quarters of Polygram's sales were outside the US.
Under Universal Music Group
In December 1998 and the first three months of 1999, UMG placed three divisions under the management of the Island brand: one in the UK, one in the US, and one in Germany. In each territory, these companies were merged under umbrella groups:
- In the UK, Island and Mercury merged to become divisions of Island Mercury Group.
- In the US, Island and Mercury were merged into Island Mercury Group; however, within less than three months, the corporation decided to build upon the success of Def Jam Recordings and merged Def Jam with Island Mercury, resulting in the founding of The Island Def Jam Music Group.
- In Germany, Island and Mercury merged to become divisions of the Island Mercury Label group.
However, in 2001, UMG was merged with French company Vivendi S.A. to create Vivendi Universal S.A.; but the music company remains named Universal Music Group (UMG).
In the US, Island became a predominantly pop/rock label, as their urban artists were assigned to either Def Jam or Def Soul, a new Def Jam R&B imprint. Following the takeover of Island by UMG, flagship band U2 were dissatisfied after chief Jason Iley moved to the Mercury label in the mid-2000s and signed with Mercury for the UK and Interscope Records for the US. However, successful artists such as Tricky and PJ Harvey were impressed by the label and signed on as artists. Tricky explained: "I knew I could get freedom. I knew I could do what I wanted to do.", while Harvey later stated:
I came to work with them, sort of fully formed—the way that I looked, the way that I sounded: that was already there. And I felt, like, that they just supported where that was going to go.
The label celebrated its 50th anniversary in 2009 and an event was held in North London, UK to signify the occasion. The event was held in a two-storey venue and the bands that played at the event were: The Rumble Strips, Frankmusik, The King Blues and Innerpartysystem. Writing for the Daily Music Guide, Laura Bruneau referred to the line-up as a "reasonably mediocre selection".
Island Records Australia was launched in 2007 by Universal Music Group International and its key executives Max Hole (Chairman and CEO) and George Ash (President of Universal Music Australasia). Label head Mike Taylor, who relocated from the US, explained at the five-year mark in February 2013: "When we get it right, Island Australia is a home for artists who cut their own path, who start from the left, and who, in time, come into the mainstream on their own artistic terms."
In 2013, EMI integrated into UMG in Australia, in addition to other regions of the world, and Taylor explained the impact upon Island Australia's A&R strategy:
EMI has a successful roster of great Australian artists. At Universal, all the labels–Island, Mercury, Dew Process, Modular–compete internally. EMI will now be joining that list. It’s a healthy competition which gives Universal a wider chance of success in the market. For Island Australia, it’s business as usual.
Island signed a contract with Justin Bieber in 2008 after a vocal performance before L.A. Reid of IDJMG; as Bieber was already represented by Raymond Braun Media Group (RBMG), a joint venture was negotiated.
Since the beginning of the 21st century, UMG has prepared itself to become a 360 deal music entity, whereby artists are offered broader contracts that also encompass live music, merchandise and endorsement deals. Like the other major labels, UMG is responding to Internet piracy, as well as the lucrative nature of live performances and merchandise. As of 2011, UMG had acquired Bravado, a merchandising company; management company Twenty-First Artists; and Helter Skelter, a talent agency—all will be utilized in the 360 deal capacity of the company.
A December 2013 media report stated that Universal recently closed Mercury and transferred many of its acts across to a new Virgin/EMI imprint. The report was in specific relation to U2's next album and the band, rather than moving to the new imprint, decided to return to Island, which is under new management; however, the Island deal will only apply to the UK market.
Island Records and crowdfunding platform Indiegogo announced a new partnership called "Fan Republic" on February 8, 2014. The initiative has been promoted as "a new place to discover and support emerging artists worldwide," whereby artists who reach or exceed their funding targets will receive exclusive awards from Island. The Island Records A&R team will assess all artists who are eligible for the awards and Fan Republic is charging an administration fee of 4 per cent, which is being sold as the lowest of any crowdfunding platform in current existence. The exclusive awards that are on offer include mixing and mastering services, and discounts on video production negotiated by Island Records staff.
Island World Communications, under the leadership of Blackwell and Andy Frain, created Manga Entertainment Ltd, the anime and live action Japanese film division of Island in 1991. In that year, Island World Communications bought the distribution license for Akira from ICA Projects in London, and the distribution of what was the label's first release is considered a crucial milestone in the establishment of anime in the UK. In 1994, Island sold the distribution licenses for most of Manga's releases to Siren Entertainment, an independent entertainment company in Australia. Those rights were then given to Madman Entertainment in 1999 when Siren became solely an acquisitions company.
Artists and recordings
The recording roster of Island Records, both past and present, has been and continues to be diverse. The label continues to champion new music, a practice that was highlighted at the Island Records 50th anniversary event, at which new artists provided the entertainment.
Subsidiaries and labels
This list is probably incomplete, and some of the dates are uncertain.
- Al's Records (1996–1997)
- Aladdin Records (UK) (1865–66)
- Antilles Records (1972–1998)
- Apparent Records (2007–present)
- Apollo Recordings (2006–2007)
- Black Swan Records (UK) (1963–1965 and mid-1970s)
- Blue Mountain (UK imprint only, 1970s)
- Blue (1999–2001)
- Blunted (1993–1996)
- Defacto Records (2010 – present)
- Europa Recordings (2006–2007)
- Fallout Records (UK division)
- 4th & Broadway (1983–1998)
- Fruition (1996–1998)
- Gee Street Records (1990–1997)
- Great Jones (1988–1994)
- Hannibal (1981-unknown closing date, distributed under Antilles)
- Island Black Music (1995–1998)
- Island Jamaica (1993–1997)
- Island Jamaica Jazz (1996)
- Island Masters (1980s–1990s; reissues)
- Island Records Australia (2007–present)
- Island Reggae Greats (1985, compilation series; re-issued in several forms)
- Island Trading Company (US holding distributor under PolyGram; 1983–1989)
- Island Urban Music (2007)
- Island Visual Arts (1985 and 1990s)
- Jump Up Records (1963–67)
- Manga Entertainment (1991–1997, moved to Chris Blackwell's Palm Pictures, then was sold to Starz Media)
- Mango Records (1972–1997, US imprint only until 1993)
- Mango Street (1989–1992)
- MonarC Entertainment (2002, founded by Mariah Carey)
- Sense ("Sense of Island"; 1990–1991)
- Springtime! (1981–1985)
- Stiff Records (1984–1986 only)
- Stolen Transmission (−2007, still in business, but not part of Island any more)
- Sue Records (1963–68)
- Super Records (2007-)
- Surprise Records (mid-1960s, later known as Sportdisc)
- Trade 2 (1996–1997)
- Teen Island (2008–)
- Trojan Records (1967–1968 only)
- Tuff Gong (1990–present, founded by Bob Marley)
- Witchseason Productions (Joe Boyd)
- "interscope geffen a&m building - Google Maps". Maps.google.com. 1 January 1970. Retrieved 28 February 2013.
- Perrone, Pierre (1 May 2009). "Island: The record label that changed the world". The Independent (UK). Retrieved 1 May 2009.
- reggae page (10 May 2012). "Keep on Running: 50 Years of Island Records (full documentary)" (Video upload). YouTube. Google. Retrieved 8 February 2014.
- Southall, Brian (2000). The A-Z of Record Labels. London: Sanctuary Publishing. ISBN 1-86074-281-5.
- David Sinclair (30 May 2009). "A history of cool". The Guardian. Retrieved 8 February 2014.
- McGee, Matt (2008). U2:A Diary. Omnibus Press. ISBN 978-1-84772-108-2.
- Lars Brandle (8 February 2013). "HOT SEAT: MIKE TAYLOR – ISLAND RECORDS". The Music Network. The Music Network. Retrieved 8 February 2014.
- Geraldine Fabrikant (22 May 1998). "INTERNATIONAL BUSINESS; $10.6 Billion Seagram Deal For Polygram". The New York Times. Retrieved 8 February 2014.
- Geoffrey P. Hull; Thomas William Hutchison; Richard Strasser (2011). The Music Business and Recording Industry: Delivering Music in the 21st Century. Taylor & Francis. pp. 175–. ISBN 978-0-415-87560-8.
- Jem Aswad (30 December 2013). "U2 Return to 'Spiritual Home' Island Records for Next LP, Expected in April". Spin. BUZZMEDIA. Retrieved 8 February 2014.
- Laura Bruneau (27 April 2009). "Island Records' 50th Birthday Party - The Constitution,". Daily Music Guide. Daily Music Guide. Retrieved 9 February 2014.
- Aly Weisman (11 March 2013). "How Justin Bieber Turned Into A Notorious Bad Boy". Business Insider. Business Insider, Inc. Retrieved 8 February 2014.
- "A change of tune". The Economist. The Economist Newspaper Limited. 5 July 2007. Retrieved 8 February 2014.
- Tim Ingham (8 February 2014). "Island launches crowdfunding partnership with Indiegogo". Music Week. Intent Media. Retrieved 8 February 2014.
- Robert Frazer (June 2011). "Manga Entertainment's 20th Anniversary Party - Page 1". UK Anime Network. Etharius Ltd. Retrieved 8 February 2014.
- "Stolen Transmission splits from Island Records". Punknews.org. 2 December 2007. Retrieved 28 February 2013.
- Official website (US)
- Official website (UK)
- Official website (Australia)
- Island Records discography at Discogs (UK)
- Island Records discography at Discogs (US)
- Island Records 50th Anniversary website (U.K.)