|Written by||Archibald MacLeish|
A Distant Voice
|Date premiered||11 December 1958|
|Place premiered||ANTA Playhouse
New York City
|Subject||a retelling of the Biblical Book of Job|
|Setting||a corner inside an enormous circus tent|
J.B. is a 1958 play written in free verse by American playwright and poet Archibald MacLeish and is a modern retelling of the story of the biblical figure Job — hence the title: J.B./Job. The play went through several incarnations before it was finally published. MacLeish began the work in 1953 as a one-act production but within three years had expanded it to a full three-act manuscript.
The play opens in "a corner inside an enormous circus tent". Two vendors, Mr. Zuss (evoking the chief Greek god Zeus; zuss is also German for "sweet") and Nickles (suggesting the god of money, Mammon), begin the play-within-a-play by assuming the roles of God and Satan, respectively. They overhear J.B., a wealthy New York banker, describe his prosperity as a just reward for his faithfulness to God. Scorning him, Nickles wagers Zuss that J.B. will curse God if his life is ruined. The two then watch as J.B.'s children are killed and his property ruined and the former millionaire takes to the streets. J.B. is then visited by three Comforters (representing History, Science, and Religion) who each offer a different explanation for his plight. J.B. declines to believe any of them, instead asking God himself to explain. Instead he encounters Zuss and Nickles. Nickles urges him to commit suicide in order to spite God; Zuss offers him his old life back if he will promise to obey God. Instead, J.B. finds comfort in the person of his lone surviving family member, his wife Sarah, and they build a new life together.
The three-act version was first performed on 11 December 1958 in New York City at the ANTA Playhouse in a production directed by Elia Kazan with a cast including Raymond Massey, Christopher Plummer, Nan Martin, Ivor Francis, Pat Hingle, Clifton James, Judith Lowry, Candy Moore, James Olson, Ford Rainey, and Andreas Voutsinas. This production won both the Pulitzer Prize for Drama and the Tony Awards for Best Play and Best Direction in 1959.
An off-Broadway production opened on March 17, 1962, at the Master Theatre, starring John Cazale.  The play was performed at the University of Nevada in Reno and Johns Hopkins University in Baltimore in 1963.
- J.B. – based on the biblical character Job; a man confronted by many tests of his faith in God.
- Sarah – J.B.'s wife; not as confident in God as J.B.
- Mr. Zuss – A balloon vendor in the circus who assumes the role of God
- Nickles – A popcorn vendor in the circus who assumes the role Satan
- The Distant Voice – An anonymous voice that prompts more action in the play, as if to make it look like God himself is watching
- the children of J.B. and Sarah: David 13; Mary, 12; Jonathan 10; Ruth 8; Rebecca, 6
- two 'buxom, middle-aged' Maids
- two Messengers: 'dressed as soldiers' in Scene Three; with 'battered felt hats...a news camera... a notebook' in Scene Four; 'wearing steel helmets and brassards' in Scene Six
- a 'stylishly dressed Girl' (Scene Four)
- in Scene Eight, et seq.: 'Four Women' (Mrs. Adams, Mrs. Botticelli, Mrs. Lesure, and Mrs. Murphy) and 'a young girl' (Jolly Adams), 'their arms filled with blankets and newspapers.'
- in Scene Nine: 'Three Comforters ... in worn-out clothing': Zophar, a fat, red-faced man wearing 'the wreck of a clerical collar'; Eliphaz, lean and dark, wearing 'an intern's jacket which once was white'; and Bildad, a squat, thick man in a ragged wind-breaker.'