J. D. Sedding
|John Dando Sedding|
Holy Trinity, Sloane Street, Chelsea, London
|Born||13 April 1838
Eton, Berkshire, England
|Died||7 April 1891|
|Buildings||Holy Trinity Church, Sloane Street, London|
John Dando Sedding (1838–1891) was an English church architect, working on new buildings and repair work, with an interest in a "crafted Gothic" style. He was an influential figure in the Arts and Crafts movement, many of whose leading designers including Ernest Gimson, Ernest Barnsley and Herbert Ibberson, studied in his offices.
His 1889 lecture, "The Architectural Treatment of Gardens", was influential in the revival espoused by Reginald Blomfield, of "Jacobean" features such as terraces, covered walks, bowling greens, clipped yew hedges and topiary, which would combine with "cottage garden" elements in the Arts and Crafts gardens of 1890–1915.
The German architect and critic Hermann Muthesius said that "he formed the first bridge between the architects' camp and that of handicraft proper".
Sedding was born in 1838, at Eton in Berkshire. He was the son of a village schoolmaster, who spent much of his youth in Derbyshire. He was fifteen when "The Nature of Gothic" first appeared in John Ruskin's Stones of Venice (1853). In 1858, like William Morris, Philip Webb and Norman Shaw before him, Sedding became a pupil of the Gothic Revival architect, George Edmund Street (1824–1881). His elder brother, Edmund Sedding, had also trained as an architect with Street. Street had studied in the office of Sir Gilbert Scott (1811–1878), and his own practice was a cradle of the Arts and Crafts Movement.
Sedding left Street in 1863 and by about 1865 he had joined his brother Edmund, who had set up as an architect in Penzance, Cornwall. The brothers shared an interest in church music, and Edmund is remembered as the composer of the music for the hymn, Jerusalem the Golden. Edmund suffered from tuberculosis and died young in 1868.
Sedding moved first to Bristol, and then to London, though he always retained an affection for Cornwall, the West Country and country life. One of his first churches was the Anglo-Catholic St Martin's at Marple in Cheshire completed in 1872. The interior was designed by William Morris with contributions from Dante Gabriel Rossetti, Ford Madox Brown, Edward Burne-Jones and William Holman Hunt.
In 1875 he was elected a fellow of the Royal Institute of British Architects and moved from Bristol to set up in practice in London the following year, taking offices on the upper floors of 447 Oxford Street, next door to the premises of Morris & Co..
In 1876 Sedding met Ruskin under whose influence he developed a freer Gothic style, introducing natural ornament into his designs. Sedding encouraged his students to study old buildings at first hand, focusing on the practicalities of craft techniques. He placed an emphasis on texture and ornament; the naturalistic treatment of flowers, leaves and animals, always drawn from life; and the close involvement of the architect in the simple processes of building and in the supervision of a team of craftsmen employed direct. He was elected a member of the Art Workers Guild in 1884, the year of its foundation.
Buildings and church work
Sedding's buildings include the London churches of St Augustine, Archway (1884), Our Most Holy Redeemer, Clerkenwell (1887; in Italianate style), St Peter's Church, Ealing (1889) and Holy Trinity Sloane Street (begun in 1888 and completed by his pupil Henry Wilson), which Sir John Betjeman described as "the cathedral of the Arts and Crafts Movement", although much of the decoration Sedding intended was not carried out.
His West Country and other rural churches include St Clement's, Boscombe, Dorset (1871–73), and those at Holbeton and Ermington in Devon, and St Elwyn's (1886–88) at Hayle in Cornwall. At All Saints' Church, Falmouth (1887–90), he unconventionally combined tall round-arched arcades with Gothic windows. He also gained a reputation in the West Country as a skilled repairer of old churches. His most notable work in the Bristol area is the so-called "House of Charity" (1890–5), with picturesque detailing. He added a new vestry to St Mary's Church, Stamford, in 1890, and was the architect of St Edward's Church in the Hampshire village of Netley Abbey and the 1870 Church of St Martin, Marple, Stockport.
He carried out restorations at St. Levan's Church, St. Levan and St John's Church, West Wickham, Kent
He is noted for his many designs for church furnishings and plate, and contributed rich decorative features to numerous churches, such as screens at Axbridge, Somerset (1888) (with Art Nouveau-style detailing to the arches and lettering), and a reredos at St Saviour's, Walcot, Bath.
Sedding died on 7 April 1891, at Winsford in Somerset. There is a memorial on the north wall of the Lady Chapel of Holy Trinity Sloane Street. He was buried in the churchyard of St John's Church, West Wickham. His wife, Rose, died a few weeks after him.
Notes and references
- Recast in Sedding's, Garden-craft Old and New (1891).
- Davey, Peter (1995) . Arts and Crafts Architecture. Oxford: Phaidon. pp. 60–2. ISBN 0-7148-3711-3.
- Pevsner 1970, p.80. Pevsner describes the building as "not up to the standard of the architect of Holy Trinity, Sloane Street
- Pevsner 1970, p.67
- "Netley Abbey home page". Netley Abbey.
- Pevsner, Nikolaus (1970). Cornwall. The Buildings of England (2nd ed.). Harmondsworth: Penguin Books.
- Garden-craft Old and New (1891; repr. 1903)
- Art and Handicraft (1893)
- Architectural Association (1892) A Memorial of the Late J. D. Sedding; with a short sketch of his life by H. Wilson
- P. Skipwith (2002) Holy Trinity Sloane Street
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John Dando Sedding