Jackie Brown (film)

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Jackie Brown
Jackie Brown70's.jpg
Theatrical release poster
Directed by Quentin Tarantino
Produced by Lawrence Bender
Screenplay by Quentin Tarantino
Based on Rum Punch 
by Elmore Leonard
Starring Pam Grier
Samuel L. Jackson
Robert Forster
Bridget Fonda
Michael Keaton
Robert De Niro
Cinematography Guillermo Navarro
Edited by Sally Menke
Production
  company
A Band Apart
Distributed by Miramax Films
Release date(s)
  • December 25, 1997 (1997-12-25)
Running time 154 minutes[1]
Country United States
Language English
Budget $12 million[2]
Box office $72,673,162[2][3]

Jackie Brown is a 1997 crime drama film written and directed by Quentin Tarantino. It is an adaptation of Elmore Leonard's novel Rum Punch, the first adaptation from Tarantino, and stars Pam Grier in the title role. The film pays homage to 1970s blaxploitation films, particularly the films Coffy and Foxy Brown, both of which also starred Grier in the title roles.

The film's supporting cast includes Robert Forster, Robert De Niro, Samuel L. Jackson, Bridget Fonda and Michael Keaton. It was Tarantino's third film following his successes with Reservoir Dogs (1992) and Pulp Fiction (1994).

Grier and Forster were both veteran actors but neither had performed a leading role in many years. Jackie Brown revitalized both actors' careers. The film garnered Forster an Academy Award nomination for Best Supporting Actor, and Golden Globe Award nominations for Jackson and Grier.

Plot[edit]

Jackie Brown (Pam Grier) is a flight attendant for a small Mexican airline, the latest step down for her career. To make ends meet, she smuggles money from Mexico into the United States for Ordell Robbie (Samuel L. Jackson), a black-market gun runner living in the Los Angeles area under the A.T.F.'s close watch.

Ordell learns that another of his couriers, Beaumont Livingston (Chris Tucker), has been arrested. Fully aware that Livingston will become an informant in order to avoid jail time, Ordell arranges for his bail with bondsman Max Cherry (Robert Forster), then promptly coaxes Livingston into a car trunk and murders him.

Acting on information Beaumont had indeed shared, A.T.F. agent Ray Nicolet (Michael Keaton) and L.A.P.D. detective Mark Dargus (Michael Bowen) intercept Jackie as she returns to the U.S. with Ordell's cash and some cocaine that Brown was unaware was stashed in her bag. Initially refusing to cut a deal, she is sent to jail on possession of drugs with intent to sell. Sensing that Jackie may now be just as likely to inform as Beaumont had been, Ordell goes back to Max to arrange her bail.

Max arrives to pick up Jackie at the jail. Only partly masking his attraction to her, he offers to buy her a drink and help determine her legal options. Ordell later arrives at Jackie's house intending to murder her. She surprises him by pulling a gun that she surreptitiously borrowed from Max's glove compartment. Jackie negotiates a deal with Ordell to pretend to help the authorities while still managing to safely smuggle in $550,000 of Ordell's money, enough to allow him to retire.

To carry out this plan, Ordell is counting on Melanie Ralston (Bridget Fonda), a surfer girl he lives with who has little ambition past smoking marijuana and watching TV, and Louis Gara (Robert De Niro), a friend and former cellmate. He also intends to use a naïve Southern girl, Sheronda (Lisa Gay Hamilton). Unaware that Jackie and Ordell plan to transfer $550,000, Nicolet and Dargus devise a sting to catch Ordell during a transfer of $50,000. Unbeknownst to all, Jackie plans to double-cross everyone and keep the other $500,000 for herself. She recruits Max for her real plan and offers him a small cut.

After a trial run, the stage is set for the actual event. In a large shopping mall, Jackie enters a dressing room to try on a new suit. Her role is to swap bags there with Melanie, supposedly passing off the $550,000 under Nicolet's nose. Instead, the bag she gives Melanie contains only $50,000 and the rest is left behind in the dressing room for Max to pick up. Jackie then feigns despair as she calls Nicolet and Dargus out from hiding, claiming Melanie took all the money and ran.

In the parking lot, Melanie mocks Louis until he loses his temper and shoots her. Ordell asks Louis why he shot her and if she is really dead. Ordell is not satisfied with the answer to either question and grows even angrier when he sees that most of the money is gone. When Louis mentions that he saw Max Cherry in the store dress department and thought nothing of it, Ordell kills him and leaves with the bag.

Ordell figures out that Jackie betrayed him. He turns his anger on Max, who informs him that Jackie is frightened for her life and waiting in Max's office to hand over the money. A menacing Ordell holds him at gunpoint as they enter the office. Jackie suddenly yells that Ordell has a gun and he is shot dead by Nicolet, hiding in another room.

Receiving the plea bargain and in possession of the money, Jackie decides to leave the country and travel to Madrid, Spain. She invites Max to come along with her, but he declines, preferring to remain at his well controlled life instead of an uncertain life with Jackie in Spain. Jackie kisses Max goodbye, shares with him a meaningful moment, and leaves.

Cast[edit]

Production[edit]

Development[edit]

After completing Pulp Fiction, Quentin Tarantino and Roger Avary acquired the film rights to Elmore Leonard's novels Rum Punch, Freaky Deaky, and Killshot. Tarantino initially planned to film either Freaky Deaky or Killshot and have another director make Rum Punch, but changed his mind after re-reading Rum Punch, stating that he "fell in love" with the novel over again.[4] While adapting Rum Punch into a screenplay, Tarantino changed the ethnicity of the main character from white to black, as well as renaming her from Burke to Brown, titling the screenplay Jackie Brown. Avary and Tarantino hesitated to discuss the changes with Leonard, finally speaking with Leonard as the film was about to start shooting. Leonard loved the screenplay, considering it not only the best of the twenty-six screen adaptations of his novels and short stories, but also stating that it was possibly the best screenplay he had ever read.[4]

Tarantino's screenplay otherwise closely followed Leonard's novel, incorporating elements of Tarantino's trademark humor and pacing. The screenplay was also influenced by blaxploitation films, but Tarantino stated that Jackie Brown is not a blaxploitation film.[4]

Jackie Brown alludes to Grier's career in many ways. The film's poster resembles those of Grier's films Coffy and Foxy Brown and includes quotes from both films. The typeface for the film's opening titles was also used for those of Foxy Brown; some of the background music is lifted from these films.

The film's opening sequence is similar to that of The Graduate, in which Dustin Hoffman passes wearily through Los Angeles International Airport past white tiles to a somber "The Sound of Silence" by Simon and Garfunkel. In Jackie Brown, Grier walks past the same spot to a soaring soul music song, "Across 110th Street" by Bobby Womack, which is from the film of the same name that was a part of the same basic "blaxploitation" genre as that of Foxy Brown and Coffy.

Casting[edit]

Tarantino wanted Pam Grier to play the title character. She previously read for the Pulp Fiction character Jody, but Tarantino did not believe audiences would find it plausible for Eric Stoltz to yell at her.[5] Grier did not expect Tarantino to contact her after the success of Pulp Fiction.[4] When she showed up to read for Jackie Brown, Tarantino had posters of her films in his office. She asked if he had put them up because she was coming to read for his film, and he responded that he was actually planning to take them down before her audition, to avoid making it look like he wanted to impress her.[4]

While Jackie Brown was in production, Universal Studios was preparing to begin production on Out of Sight, directed by Steven Soderbergh, an adaptation of a Leonard novel that also featured the character of Ray Nicolet, and waited to see who Tarantino would cast as Nicolet for Jackie Brown.[4] Michael Keaton was hesitant to take the part of Ray Nicolet, even though Tarantino and Avary wanted him for it.[4] Keaton subsequently agreed to play Nicolet again in Out of Sight, uncredited, appearing in one brief scene. Although the legal rights to the character were held by Miramax and Tarantino, as Jackie Brown had been produced first, Tarantino insisted that the studio not charge Universal for using the character in Out of Sight, allowing the character's appearance without Miramax receiving financial compensation.

Reception[edit]

Critical response[edit]

Jackie Brown received positive reviews. Grier, Forster and Jackson's performances received praise from critics and was considered Grier and Forster's "comeback" by many. Review aggregation website Rotten Tomatoes gives it a score of 86% based on reviews from 74 critics with an average rating of 7.4/10. The site's consensus is: "Tarantino's third film, fashioned as a comeback vehicle for star Pam Grier, offers typical wit and charm -- and is typically overstuffed."[6]

Roger Ebert rated the film as one of his favorites of 1997.[7][8] Movie critic Mark Kermode for BBC Radio Five Live lists Jackie Brown as his favorite film by Quentin Tarantino.[citation needed] Film co-star and frequent collaborator of Quentin Tarantino, Samuel L. Jackson names this his own favorite of Tarantino's work as well.

Box office[edit]

The film grossed $39,673,162 in the North American domestic box office on a $12 million budget,[2] and an additional $33 million added the worldwide gross to $72,673,162.[3]

Awards[edit]

Grier and Jackson were nominated for Golden Globe Awards (Grier for Best Actress – Motion Picture Musical or Comedy and Jackson for Best Actor – Motion Picture Musical or Comedy). Forster was nominated for an Academy Award for Best Supporting Actor. The film was also nominated for the prestigious Grand Prix of the Belgian Syndicate of Cinema Critics. In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time, ranking in at #215.

At the 48th Berlin International Film Festival, Jackson won the Silver Bear for Best Actor award.[9]

Award Date of ceremony Category Recipients and nominees Result
Academy Awards March 23, 1998 Best Supporting Actor Robert Forster Nominated
Berlin International Film Festival February 11 to 22, 1998 Golden Berlin Bear Quentin Tarantino Nominated
Silver Bear for Best Actor Samuel L. Jackson Won
Chicago Film Critics Association March 1, 1998 Best Actress Pam Grier Nominated
Best Supporting Actor Robert Forster Nominated
Golden Globe Award January 18, 1998 Best Actor – Motion Picture Musical or Comedy Samuel L. Jackson Nominated
Best Actress – Motion Picture Musical or Comedy Pam Grier Nominated
Saturn Awards 24th Saturn Awards Saturn Award for Best Actress Pam Grier Nominated
Saturn Award for Best Supporting Actor Robert Forster Nominated

Soundtrack[edit]

The soundtrack album for Jackie Brown, entitled Jackie Brown: Music from the Miramax Motion Picture, was released on December 9, 1997.

Songs by a variety of artists are heard throughout the film, including The Delfonics, Bill Withers, The Grass Roots, and Foxy Brown. There are several songs included that were featured in Blaxploitation films as well, including Bobby Womack's "Across 110th Street," from the film of the same name, and Pam Grier's "Long Time Woman," from her 1971 film The Big Doll House. The original soundtrack also features separate tracks with dialogue from the film. Instead of using a new film score, Tarantino incorporated Roy Ayers' funk score from the film Coffy.

A number of songs used in the film do not appear on the soundtrack, such as "Cissy Strut" (The Meters) and "Undun" (The Guess Who).

Home media[edit]

The Special Edition DVD, released by Buena Vista in 2002, includes an introduction from Tarantino, an hour-long retrospective interview, a subtitle trivia track and soundtrack chapter selection, a half-hour making-of documentary ("How It Went Down"), the entire "Chicks Who Love Guns" video as seen in the film, many deleted and alternate scenes, including an alternate opening title sequence, Siskel and Ebert's review, Jackie Brown appearances on MTV, TV spots and theatrical trailers, written reviews and articles and filmographies, and over an hour of trailers for Pam Grier and Robert Forster films dating from the 1960s onwards. The box also includes a mini-poster of the film, similar to the one above, and on the back of that, two other mini-posters—one of Grier, the other of Forster, both similar to the album cover.

Although the Special Edition DVD's back cover states that the film is presented in a 2.35:1 aspect ratio, it was actually shot with a 1.85:1 ratio, the only Tarantino-directed film to date shot in such a format with the exception of his segment in the film Four Rooms, "The Man from Hollywood".

On October 4, 2011, Miramax released Jackie Brown on Blu-ray Disc along with Pulp Fiction. The film is presented in 1080p HD in its original 1.85:1 aspect ratio with a DTS-HD Master Audio 5.1 soundtrack. The disc was the result of a new licensing deal with Miramax and Lionsgate.[citation needed]

References[edit]

  1. ^ "JACKIE BROWN (15)". British Board of Film Classification. February 4, 1998. Retrieved August 13, 2012. 
  2. ^ a b c Jackie Brown at Box Office Mojo
  3. ^ a b "Jackie Brown Box Office Data". The Numbers. August 26, 2009. Retrieved 26 August 2009. 
  4. ^ a b c d e f g Jackie Brown: How It Went Down, Jackie Brown DVD, Miramax Home Entertainment
  5. ^ Enhanced Trivia Track, ch. 6, Pulp Fiction DVD (Buena Vista Home Entertainment). See also Rabin, Nathan (June 25, 2003). "Interviews: Pam Grier". Onion. The A.V. Club. Retrieved September 20, 2007. 
  6. ^ "Jackie Brown Movie Reviews, Pictures". Rotten Tomatoes. Flixster. Retrieved March 16, 2010. 
  7. ^ Roger Ebert's Four Star Reviews-1967-2007 - Roger Ebert - Google Books. Books.google.com. Retrieved 2012-07-17. 
  8. ^ http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19971224/REVIEWS/712240302/1023
  9. ^ "Berlinale: 1998 Prize Winners". berlinale.de. Retrieved 2012-01-16. 

External links[edit]