Jalal Mansur Nuriddin
|Jalal Mansur Nuriddin|
|Born||1944 (age 70–71)
Brooklyn, New York
|Genres||Spoken word, hip hop|
|Associated acts||The Last Poets, Malik & the O.G's Jalal Lightnin' Rod, Working Week Bondage Records (France)|
Jalaluddin Mansur Nuriddin (born in 1944) is one of the founding members of The Last Poets, a group of poets and musicians that evolved in the 1960s out of the Harlem Writers Workshop in New York City.
A devout Muslim, poet, acupuncturist, and martial art exponent (a practitioner of a form of Bak Mei), he was incarcerated and was given early release on condition that he join the US Army, where he trained as a paratrooper but was imprisoned again within the Army for refusing to salute the Flag. He did, however, received an honourable discharge and went to work for a bank on Wall Street. It was his experience there that spawned his poem "E-Pluribus Unum", released on Bill Laswell's label Axiom Records, a subsidiary of Chris Blackwell's Island Records. Jalal converted to Islam and learned to spiel, an early form of rap, which he called "spoagraphics" or "spoken pictures". It was also known as toasting, which was a form of rhythmic spoken poetry accompanied by ad hoc percussion by prison inmates, such as the famous Signified Monkey toast popularised by comedian Dolamite (not to be confused with the "toast" of Jamaican DJs, which is more reggae than rap). Jalal's talent and genius with words and rhythm are renowned and he has produced some epic poems such as "Be-Yon-Der", an 18-minute piece on The Last Poets album Delights of the Garden, which was released on Celluloid Records.
Jalal joined the first version of The Last Poets, with members Gylan Kain, David Nelson, and Felipe Luciano, but left before the trio recorded and released their only album, Right On, in 1967, the soundtrack to a documentary movie of the same name. As he informed them of the intention to form his own group called The Last Poets, the Right On album was released under the name The Original Last Poets.
Together with Umar Bin Hassan and the late Nilja, their percussionist, he released in 1969 the self-titled first album The Last Poets, followed in 1970 by This Is Madness. At the time his name was still credited as Alafia Pudim, but he later changed it to the Islamic name (Jalaluddin – The Glory of the Faith, Mansur – Victorious, Nuriddin – The Light of the Faith) by which he is known today. Jalal's fellow poet and friend the late Sulieman El-Hadi replaced Nilja as of the third album, Chastisement. Altogether, there were six albums released by the Jalal "mach two" edition of the Poets, culminating with 1977's Delights of the Garden with added percussionist Bernard Purdie. Later members included Kenyatte Abdur-Rahman, composer and vibraphonist on the album Sactter Rap – Home, and Abiodun Oyewole with whom Jalal and Umar reformed the Last Poets in 1984 at the prodding of producer Bill Laswell, making the album Oh My People. Since that time, the duo of Umar and Abiodun, and Jalal, have simultaneously led their own exclusive versions of the Last Poets, leading to legal battles over the name.
"Lightnin' Rod" was the pseudonym of Alafia Pudim when he released his seminal 1973 Hustlers Convention LP, featuring tracks such as "Sport" and "Spoon" and "Coppin' Some Fronts for the Set". The album release on United Artists featured Tina Turner and the Ikettes, Bernard Purdie, Billy Preston, Cornell Dupree, and Kool and the Gang. Most of the lyrics deal with the way of living in ghettos, i.e. hustling, drugs, gambling and money with the outcome being a shoot out with the cops followed by jail where the hustlers learn "The whole truth". A sequel, The Hustlers Detention is purportedly in the pipeline with the final part being "The Hustlers Ascension".
In April 2008 he reunited and reconciled with fellow Last Poets Umar Bin Hassan and Abiodun Oyewole, along with David Nelson and Felipe Luciano, all of whom appear in Made in Amerikkka, a documentary by French film-maker Claude Santiago.
Jalal did an album for Adrian Sherwood and The single "Mankind,Pt. 2", produced by Skip McDonald and released on Adrian Sherwood's label On-U Sound, can be heard over the closing credits of the film 187, featuring Samuel L. Jackson.
in 2004 Jalal wrote the foreword to Malik Al Nasir's poetry collection Ordinary Guy, published under Malik's pre-Islamic name Mark T. Watson in the UK by Fore-Word Press. Jalal also featured in the documentary Word Up – From Ghetto to Mecca, along with poets Gil Scott Heron, Mark T. Watson a.k.a. Malik Al Nasir, Rod Youngs (Gil Scott-Heron's Amnesia Express) and dub poet Benjamin Zephaniah, where he discussed the significance of the spoken word as an extension of the African oral tradition, as well as the origins of rap and the work of his student and friend Malik Al Nasir. In the film Jalal recites from Malik's book "Ordinary Guy" the poem he wrote as a foreword to the book called "Malik's Mode". Jalal also later recoded Malik's Mode with Malik's band "Malik & the O.G's" for the album Rhythms of the Diaspora Vol. 2 at Mercredi 9 Studios in Paris while filming the Word Up documentary.
Jalal spent several years in Europe, mainly in Aix-en-Provence in the south of France and Paris, and also in Liverpool and London, England. In 2009, he appeared live in New York, a return to the United States after more than twenty years. He now lives in the US. He is currently working on his autobiography.
Jalal returns to the UK in 2014 to perform the seminal solo album Hustlers Convention, credited as being the first ever RAP album live at the Jazz Café in Camden Town, London. The event was produced by Fore-Word Press for Riverhorse Communications who are filming it as part of a documentary on the forgotten roots of Rap. The executive producer in Public Enemy's front man Chuck D. The film Hustlers Convention is due to premier at The Smithsonian in Washington DC in 2014. The Hustlers Convention Live features The Jazz Warriors International Collective, Malik & the O.G's and poet Lemn Sissay.
- On The One
- The Fruits of Rap
- Science Friction
- Mean Machine (1984) 12"
The Last Poets
- Long Enough 12" (The Last Poets)
- Hustlers Convention (1973, United Artists Douglas Records Cat No: UA-LA156-F, featuring King Curtis, Cornell Dupree, Eric Gale, Gene Dinwiddie, Kool & the Gang, Billy Preston engineers Tony Bongiovi and Ron Saint Germain)
- Doriella Du Fontaine (session recorded by Alan Douglas in late 1969, with Jimi Hendrix and Buddy Miles).
- Material: The Third Power; E Pluribus Unum and Power Of Soul (Black Chant).
- Working Week: Working Nights / 12"; Stella Marina.
- Apollo 440: Dude Descending A Staircase; Hustler Groove and The Children of the Future.
- Cosmo Vitelli: Video; Science Affliction.
- Silent Poets: Words and Silence; Inquizative, Derivative, and The Children of the Future.
- Faya Dub: Sings and Plays; Reggae Monk.
- Seven Dub: Rock It Tonight; Land of the Lost and Naturally.
- Michel Benita: Drastic; Sky Screen.
- Aktivist: Stereotape; Nouvelle Experience.
- Various Artists: Acid Jazz And Other Illicit Grooves (spoken word — Introduction only)
- Various Artists: 12" / 30 Ans Apres Martin Luther King.
- Various Artists: Tempo Jazz Edition Volume 1 – Talking Loud; Mean Machine '90.
- Malik & the O.G's: "Rhythms of the Diaspora Vol II" (spoken word – Jazzoetry), unreleased; Malik's Mode.
- Poetic Justice, directed by John Singleton. With Janet Jackson and Tupac Shakur.
- Word Up - From Ghetto To Mecca, produced by Shirani Sabaratnam – documentary for Fore-Word Press with Mark T. Watson, a.k.a. Malik Al Nasir of the band Malik & the O.G's, Gil Scott-Heron and Benjamin Zephaniah.
- Art Blakey, directed by Dick Fontaine, featuring Art Blakey, Wayne Shorter, Branford Marsalis, Courtney Pine and Steve Williamson.
- "Jalal of The Last Poets", DMC World Magazine, January 31, 2014.
- Fore-Word Press
- Graeme Thomson, "Hustlers Convention: rap's great lost album", The Guardian,January 30, 2014.
- Hustlers Convention