Jal tarang

Jaltarang bowls

The Jal Tarang (Hindi: जल तरंग, Urdu: جل ترنگ), Jaltarang, Jal-tarang, Jal-yantra, Jalatarangam or Jalatharangam, is an Indian melodic percussion instrument. It consists of a set of ceramic bowls tuned with water. The bowls are played by striking the edge with beaters, one in each hand.

It is rarely seen or heard, even though the gentle tinkle of its unique sound is quite pleasing. Literally, jal tarang means "waves in water" but indicates motion of sound created or modified with the aid of water. In the wave-instruments, it is the most prominent and ancient instrument. This traditional instrument is used in Indian classical music.

The jal tarang developed on the pattern of gongs of gamelan orchestras played in Java, Bali, and Burma (now Myanmar). Gongs of gamelan are made up of copper and other metal alloys and are molded in different shapes to create various musical notes. Holding bamboo sticks in both hands with cotton on the striking end of sticks, the gongs are gently struck to create the desired sound. Some scholars opine that in the ancient period these were in routine use around the eastern border of India.

Jal-tarang finds its first mention in Sangeet Parijaat. This medieval musical treatise categorizes this instrument under Ghan-Vadya (Idiophonic instruments in which sound is produced by striking a surface, also called concussion idiophones.) SangeetSaar considered one with 22 cups to be complete jal tarang and one with 15 cups to be of mediocre status. Cups, of varying sizes were made of either bronze or porcelain. Today only china bowls are preferred by artistes, numbering around sixteen in normal use. Cups for Mandra Swar (notes of lower octave)are large while those for Taar Swar (notes of higher octaves) are smaller in size. Water is poured into the cups and the pitch is changed by adjusting the volume of water in the cup. The number of cups depends on the melody being

Jal-tarang was also called jal-yantra in the medieval times. Poets of Krishna cult (also called Asht-chhap poets)have mentioned this instrument, but there is no mention in literature prior to this. Dr.Lalmani Misra mentions in his Bharatiya Sangeet Vadya that some contemporary Jal-tarang players of Carnatic music do attempt to produce Gamak often in the face of sounds going awry lacking required control.

Jal tarang players

Some jaltarangists of Indian classical music include:

• Seetha Doraiswamy
• Ramrao Parsatwar
• Ragini Trivedi
• Ranjana Pradhan
• Hasan Mohammed
• Chintamni Jain
• Shankarrao Kanhere
• Anayampatti S. Dhandapani
• Anayampatti S. Ganesan
• Milind Tulankar
• Nemani Somayajulu
• Sejal Chokshi
• Liaqat Ali (Pakistan)
• Balraam Dubey
• Sudhir Gautam
• Dattatray Gangadhar Gaekwad

References

Bharatiya Sangeet Vadya. Bharatiya Janpith, New Delhi

External links

• Online Music Education web site
• Jaltarang.com
• Music makers
• Hansdhwani on Jal tarang
• Shuddh Kalyan on Jal Tarang