James Agee

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James Agee
James Agee 1937.jpg
Agee in 1937
Born James Rufus Agee
November 27, 1909
Knoxville, Tennessee, U.S.
Died May 16, 1955(1955-05-16) (aged 45)
New York City, New York, U.S.
Nationality American
Notable works A Death in the Family, Let Us Now Praise Famous Men
Spouse Via Saunders (1933-1938)
Alma Mailman (1938-1941)
Mia Fritsch (1946-1955; his death)
Children Joel (b. 1940)
Teresa
Andrea
John

James Rufus Agee (/ˈ/ AY-jee; November 27, 1909 – May 16, 1955) was an American author, journalist, poet, screenwriter and film critic. In the 1940s, he was one of the most influential film critics in the U.S. His autobiographical novel, A Death in the Family (1957), won the author a posthumous 1958 Pulitzer Prize.

Early life and education[edit]

Agee was born in Knoxville, Tennessee, at Highland Avenue and 15th Street, which was renamed James Agee Street in 1999, in what is now the Fort Sanders neighborhood to Hugh James Agee and Laura Whitman Tyler.[1] When Agee was six, his father was killed in an automobile accident. From the age of seven, Agee and his younger sister, Emma, were educated in boarding schools. The most influential of these was located near his mother's summer cottage two miles from Sewanee, Tennessee. Saint Andrews School for Mountain Boys was run by Episcopal monks affiliated with the Order of the Holy Cross. It was there that Agee's lifelong friendship with Episcopal priest Father James Harold Flye and his wife began in 1919. As Agee's close friend and spiritual confidant, Flye received many of Agee's most revealing letters.

James Agee Park in the Fort Sanders neighborhood of Knoxville, Tennessee is named after the author. Fort Sanders was Agee's childhood home and the setting for his novel A Death in the Family.

Agee's mother married Father Erskind Wright in 1924, and the two moved to Rockland, Maine.[2] Agee went to Knoxville High School for the 1924–1925 school year, then traveled with Father Flye to Europe in the summer, when Agee was sixteen. On their return, Agee transferred to a boarding school in New Hampshire, entering the class of 1928 at Phillips Exeter Academy. Soon after, he began a correspondence with Dwight Macdonald.

At Phillips Exeter, Agee was president of The Lantern Club and editor of the Monthly where his first short stories, plays, poetry and articles were published. Despite barely passing many of his high school courses, Agee was admitted to Harvard University's class of 1932. There Agee took classes taught by Robert Hillyer and I. A. Richards; his classmate in those was the future poet and critic Robert Fitzgerald, with whom he would eventually work at TIME.[2] Agee was editor-in-chief of the Harvard Advocate and delivered the class ode at his commencement.

Career[edit]

After graduation, Agee moved to New York, where he wrote for Fortune and Time magazines, although he is better known for his later film criticism in The Nation. In 1934, he published his only volume of poetry, Permit Me Voyage, with a foreword by Archibald MacLeish.

In the summer of 1936, during the Great Depression, Agee spent eight weeks on assignment for Fortune with photographer Walker Evans, living among sharecroppers in Alabama. While Fortune did not publish his article, Agee turned the material into a book entitled, Let Us Now Praise Famous Men (1941). It sold only 600 copies before being remaindered. Agee left Fortune in 1939.

Another manuscript from the same assignment discovered in 2003, titled Cotton Tenants, is believed to be the essay submitted to Fortune editors. The 30,000 word essay, accompanied by photographs by Walker Evans, was published as a book in June 2013. John Jeremiah Sullivan writes in the Summer 2013 issue of BookForum that "This is not merely an early, partial draft of Famous Men, in other words, not just a different book; it’s a different Agee, an unknown Agee. Its excellence should enhance his reputation."[3]

A significant difference between the works is the use of original names in Cotton Tenants; Agee assigned fictional names to the subjects of Famous Men in order to protect their identity.[4]

In 1942, Agee became the film critic for Time; at one point, he also reviewed up to six books per week. Together, he and friend Whittaker Chambers ran "the back of the book" for Time.[5]

Agee left to become film critic for The Nation.[citation needed]

In 1948, Agee quit both magazines to become a freelance writer. One of his assignments was a well-received article for Life Magazine about the great silent movie comedians Charles Chaplin, Buster Keaton, Harold Lloyd and Harry Langdon. The article has been credited for reviving Keaton's career. As a freelancer in the 1950s, Agee continued to write magazine articles while working on movie scripts, often with photographer Helen Levitt.[citation needed]

Agee was an ardent champion of Charlie Chaplin's then unpopular film Monsieur Verdoux (1947), since recognized as a film classic. He was also a great admirer of Laurence Olivier's Henry V and Hamlet, especially Henry V.[6]

Screenwriting[edit]

Agee's career as a movie scriptwriter was curtailed by his alcoholism. Nevertheless he is one of the credited screenwriters on two of the most respected films of the 1950s: The African Queen (1951) and The Night of the Hunter (1955).

His contribution to Hunter is shrouded in controversy. Some critics have claimed the published script was written by the film's director Charles Laughton. Reports that Agee's screenplay for Hunter was incoherent have been proved false by the 2004 discovery of his first draft, which although 293 pages in length, is scene for scene the film which Laughton directed. While not yet published, the first draft has been read by scholars, most notably Professor Jeffrey Couchman of Columbia University. He credited Agee in the essay, "Credit Where Credit Is Due." Also false were reports that Agee was fired from the film. Laughton renewed Agee's contract and directed him to cut the script in half, which Agee did. Later, apparently at Robert Mitchum's request, Agee visited the set to settle a dispute between the star and Laughton. Letters and documents located in the archive of Agee's agent Paul Kohner bear this out; they were documented by Laughton's biographer Simon Callow, whose BFI book about The Night of the Hunter set this part of the record straight.[citation needed]

Personal life[edit]

Soon after graduation from Harvard, he married Via Saunders on January 28, 1933; they divorced in 1938. Later that same year, he married Alma Mailman (they divorced in 1941) and Alma moved to Mexico with their year-old son Joel, to live with Communist politician and writer Bodo Uhse.

Agee began living in Greenwich Village with Mia Fritsch, whom he married in 1946. They had two daughters, Julia and Andrea, and a son John. In 1951 in Santa Barbara, Agee, a hard drinker and chain-smoker, suffered the first of two heart attacks. Four years later, on May 16, 1955, Agee was in New York City when he suffered the fatal second heart attack. Agee, 45, died in a taxi cab en route to a doctor's appointment, two days before the anniversary of his father's death.[7] He was buried on a farm he owned at Hillsdale, New York, property still held by Agee descendants.

Legacy[edit]

During his lifetime, Agee enjoyed only modest public recognition. Since his death, his literary reputation has grown. In 1957, his novel, A Death in the Family (based on the events surrounding his father's death), was published posthumously and in 1958 won the Pulitzer Prize for fiction. In 2007, Dr. Michael Lofaro published a restored edition of the novel using Agee's original manuscripts. Agee's work had been heavily edited before its original publication by publisher David McDowell.[8]

Agee's reviews and screenplays have been collected in two volumes of Agee on Film. The issues related to The Night of the Hunter attracted controversy.[citation needed]

Let Us Now Praise Famous Men has grown to be considered Agee's masterpiece.[9] Ignored on its original publication in 1941, the book has since been placed among the greatest literary works of the 20th century by the New York School of Journalism and the New York Public Library. It was the inspiration for the Aaron Copland opera The Tender Land.

1st edition cover
Houghton Mifflin

The composer Samuel Barber set sections of "Descriptions of Elysium" from Permit Me Voyage to music, creating a song of "Sure On This Shining Night." In addition, he set prose from the "Knoxville" section of A Death in the Family in his work for soprano and orchestra entitled Knoxville: Summer of 1915. "Sure On This Shining Night" has also been set to music by composers Z. Randall Stroope and Morten Lauridsen. The 2012 documentary film Shining Night: A Portrait of Composer Morten Lauridsen includes Lauridsen's composition of "Sure On This Shining Night" in the soundtrack.

Bibliography[edit]

Published as[edit]

References[edit]

  1. ^ "James Agee (1909–1955): Let us now praise famous writers". Chicago Tribune. February 27, 1977. Retrieved 2010-12-04. "James Agee was born in Knoxville in 1909, to a father whose people were farmers (in Tennessee and Virginia) and a mother whose family members considered themselves "more cosmopolitan." Agee's father died young, in an accident frequently memorialized (most eloquently in the autobiographical novel A Death in the Family), but the conflict he helped engender would persist..." 
  2. ^ a b Agee Chronology
  3. ^ Sullivan, John Jeremiah. "Southern Exposures". BookForum. BookForum. Retrieved 18 June 2013. 
  4. ^ Haughney, Christine. "A Paean to Forbearance (the Rough Draft)". New York Times. New York Times. Retrieved 18 June 2013. 
  5. ^ Chambers, Whittaker (1952). Witness. Random House. pp. 478, 493, 504, 615. ISBN 0-89526-571-0. 
  6. ^ http://www.murphsplace.com/olivier/henry5.html
  7. ^ James Agee (1909–1955) Chronology of his Life and Work
  8. ^ James Agee and Michael A. Lofaro, ed. A Death in the Family: A Restoration of the Author's Text. Knoxville: University of Tennessee Press, 2007. ISBN 1-57233-594-7
  9. ^ Morris, Nigel (2003). Poplawski, Paul, ed. Encyclopedia of Literary Modernism. Greenwood Publ. p. 4. ISBN 9780313310171. Retrieved 26 August 2013. 

Further reading[edit]

  • Letters of James Agee to Father Flye, ISBN 0-87797-301-6
  • James Agee, Let Us Now Praise Famous Men, etc., The Library of America, 159, with notes by Michael Sragow, 2005.
  • Alma Neuman, Always Straight Ahead: A Memoir, Louisiana State University Press, 176 pages, 1993. ISBN 0-8071-1792-7.
  • Kenneth Seib, "James Agee: Promise and Fulfillment", in Critical Essays in Modern Literature, University of Pittsburgh Press, 175 pages, 1968.
  • Geneviève Moreau, "The Restless Journey of James Agee", William Morrow and Company, New York, 1977.
  • Encyclopedia of the Documentary Film, ed. Ian Aitken, London: Routledge, 2005

External links[edit]