Jane Harrison (playwright)
A descendant of the Muruwari people of New South Wales, from the area around Bourke and Brewarrina, Harrison grew up in the Victorian Dandenongs with her mother and sister. She began her career as an advertising copywriter, before before becoming a playwright, writer and researcher. Her best-known work is Stolen, which received critical claim and has toured nationally and internationally.
Harrison's latest play, The Visitors, was part of the Melbourne Theatre Company Cybec Electric series and the Melbourne Indigenous Festival in February 2014, directed by Leah Purcell, after being work-shopped at the Yellamundie Festival in 2013. The Visitors re-imagines the arrival of the first fleet from the perspective of seven senior law men meeting on the shores of the harbour.
Stolen premièred in 1998 at Playbox (now Malthouse Theatre, Melbourne) followed by seven annual seasons in Melbourne, plus tours to Sydney, Adelaide, regional Victoria, Tasmania, the United Kingdom (twice), Hong Kong and Tokyo, with readings in Canada, New York and Los Angeles. In Sydney, it was performed at the Sydney Theatre Company, directed by Wayne Blair. Stolen is a play about the lives of five Aboriginal people from the “stolen generations”. For Stolen Harrison was awarded the Australian Writers' Guild AWGIE Nomination, was co-winner of the Kate Challis RAKA Award, and received an Honourable Mention in the CACS National Awards Individual Category for 'An Outstanding Contribution to Australian Culture'. Stolen has been studied on the Victorian VCE and NSW HSC English and drama syllabi.
Rainbow’s End premièred in 2005, and toured Melbourne, Sydney, regional Australia, and Japan in 2007. Harrison was awarded for Rainbow’s End the Drover Award (Tour of the Year) and a Helpmann nomination for Best Regional Touring Production. It is studied on the NSW HSC syllabus. Rainbow's End tells the simple, yet complicated story of three generations of Aboriginal women; young Dolly, her mother the happy-go-lucky Gladys, and the wise and stern Nan Dear, living in their shanty perched on the flats of the Goulburn River in 1950s regional Victoria. The play was directed by Wesley Enoch.
On a Park Bench
Blakvelvet won the 2006 Theatrelab Indigenous Award. On a Park Bench was Finalist, Lake Macquarie Drama Prize.
Indig-curious; Who can play Aboriginal roles? published by Currency House explores the issues raised by Aboriginal identity in theatre.
Harrison also contributed a chapter to Many Voices, Reflections on experiences of Indigenous child separation, which was published by the National Library of Australia, Canberra. This work was also related to the theme of the stolen generations.
- J. Harrison (2000) Stolen. Strawberry Hills (NSW): Currency Press (Author’s biography on 1st page)
-  Stolen
-  Contemporary Indigenous Plays Rainbow’s End
-  Medical Journal of Australia Healing our communities, healing ourselves
-  Currency House Indig-curious; Who can play Aboriginal roles?
-  La Trobe University Not one size fits all: Understanding the social and emotional wellbeing of Aboriginal children
-  National Library of Australia Many Voices: Reflections on Experiences of Indigenous Child Separation