Janet Baker in 1967
|Born||Janet Abbott Baker
21 August 1933
Hatfield, South Yorkshire
|Occupation||Opera singer (mezzo-soprano)|
She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing."
Biography and career
Janet Abbott Baker was born in Hatfield, South Yorkshire, where her father was an engineer as well as a chorister. Members of her family worked at Bentley Pit, in Doncaster, South Yorkshire. She attended York College for Girls and then Wintringham Girls' Grammar School in Grimsby. The death of her elder brother, Peter, when she was 10 years old, from a heart condition, was a formative moment that made her take responsibility for the rest of her life, she revealed in a BBC Radio 3 Lebrecht Interview in September 2011.
In her early years Baker worked in a bank, transferring to London in 1953 where she trained with Meriel St Clair and Helene Isepp, whose son Martin became her regular accompanist. Knocked down by a bus in 1956, she suffered concussion and a persistently painful back injury. That same year, she came second in the Kathleen Ferrier Memorial Competition at the Wigmore Hall, winning national attention.
In 1956, she made her stage debut with Oxford University's Opera Club as Miss Róza in Smetana's The Secret. That year, she also made her debut at Glyndebourne. In 1959, she sang Eduige in the Handel Opera Society's Rodelinda; other Handel roles included Ariodante (1964), of which she later made an outstanding recording with Raymond Leppard, and Orlando (1966), which she sang at the Barber Institute, Birmingham.
With the English Opera Group at Aldeburgh, Baker sang Purcell's Dido and Aeneas in 1962, Polly (in Benjamin Britten's version of The Beggar's Opera) and Lucretia (in Britten's The Rape of Lucretia). At Glyndebourne she appeared again as Dido (1966) and as Diana/Jupiter in Francesco Cavalli's La Calisto, and Penelope in Monteverdi's Il ritorno d'Ulisse in Patria. For Scottish Opera she sang Dorabella in Mozart's Così fan tutte, Dido in Berlioz's The Trojans as well as Dido in Purcell's Dido and Aeneas, Octavian in Richard Strauss's Der Rosenkavalier, the Composer in Ariadne auf Naxos and the role of Orfeo in Gluck's Orfeo ed Euridice. The latter was considered her signature role; she sang it in many productions and a videotaped performance from Glyndebourne is available (see below).
In 1966, Janet Baker made her debut as Hermia in Britten's Midsummer Night's Dream at the Royal Opera House, Covent Garden, and went on to sing Berlioz's Dido, Kate in Britten's Owen Wingrave, Mozart's Vitellia and Idamante, Cressida in William Walton's Troilus and Cressida and the title role in Gluck's Alceste (1981) there. For the English National Opera, she sang the title role in Monteverdi's L'incoronazione di Poppea (1971), Charlotte in Massenet's Werther, and the title roles in Donizetti's Maria Stuarda and Handel's Giulio Cesare.
Oratorio and song
During this same period she made an equally strong impact on audiences in the concert hall, both in oratorio roles and solo recitals. Among her most notable achievements are her recordings of the Angel in Elgar's The Dream of Gerontius, made with Sir John Barbirolli in December 1964 and Sir Simon Rattle over twenty years later; her 1965 performances of Elgar's Sea Pictures and Mahler's Rückert Lieder, also recorded with Barbirolli; and, also from 1965, the first commercial recording of Ralph Vaughan Williams's Christmas oratorio Hodie under Sir David Willcocks. She performed in 1971 for the Peabody Mason Concert series in Boston.
In 1976 she premiered the solo cantata Phaedra, written for her by Britten; and Dominick Argento's Pulitzer Prize-winning song cycle From the Diary of Virginia Woolf, also written with her voice in mind. She has also been highly praised for her insightful performances of Brahms's Alto Rhapsody, Wagner's Wesendonck Lieder as well as solo songs from the French, German and English repertoire.
Dame Janet Baker's final operatic appearance was as Orfeo in Gluck's Orfeo ed Euridice, on 17 July 1982, at Glyndebourne. She continued to perform lieder recitals for another seven years, retiring for good in 1989. She published a memoir, Full Circle, in 1982. In 1991, Baker was elected Chancellor of the University of York. She held the position until 2004, when she was succeeded by Greg Dyke. An enthusiastic Patron of the Leeds International Pianoforte Competition, she gave an address at the closing ceremony of the 2009 event.
Honours and awards
Janet Baker was made a Commander of the Order of the British Empire (CBE) in 1970 and appointed to Dame Commander (DBE) in 1976. She was appointed a member of the Order of the Companions of Honour (CH) in 1993. In 1968, she was initiated as an Honorary Member of Sigma Alpha Iota International Music Fraternity by the Alpha Omicron Chapter at Occidental College, California, United States. She received the Léonie Sonning Music Prize of Denmark in 1979. She is the recipient of both Honorary Membership (1987) and the Gold Medal (1990) of the Royal Philharmonic Society. In 2008, she received the Distinguished Musician Award from the Incorporated Society of Musicians and in 2011 she was installed as an Honorary Freeman of the Worshipful Company of Musicians at a ceremony in the City of London. This is the highest honour the Company can bestow on a fellow musician.
She was voted into Gramophone magazine's inaugural Hall of Fame in 2012.
She married James Keith Shelley in 1957 in Harrow. Following her retirement as a singer she did perform and record some spoken roles, for example the role of the Narrator in Britten's incidental music for The Rescue of Penelope; in later years, apart from occasional public appearances such as the 2009 Leeds event, she now has "nothing to do with anyone except close friends".
- Bellini: I Capuleti e i Montecchi, Beverly Sills, Robert Lloyd, Nicolai Gedda, Raimund Herincx, John Alldis Choir, New Philharmonia Orchestra, conducted by Giuseppe Patanè. 1975. Studio recording. EMI Records Ltd.
- Berlioz: Béatrice et Bénédict, with Christiane Eda-Pierre, Helen Watts, Robert Tear, London Symphony Orchestra, Colin Davis. Recorded Henry Wood Hall, 19-22 December 1977. LP Philips 6700 121. CD 416 952 2.
- Berlioz: Les Troyens : scenes from Act V and La Mort de Cléopâtre, London Symphony Orchestra, Alexander Gibson. Recorded Watford Town Hall, 14-15 September 1969. LP - ASD2516, CD CDM7 69544 2.
- Berlioz: L’Enfance du Christ, Op.25 - John Alldis Choir, London Symphony Orchestra, Colin Davis. Recorded Watford Town Hall, 24-28 October 1976. LP Philips 6700 106, CD 415 949 2.
- Britten: Spring Symphony, op44, with Sheila Armstrong, Robert Tear, London Symphony Orchestra, André Previn. Recorded Kingsway Hall, 28-29 June 1978. LP ASD3650, CD CDC7 47667 2
- Delius: Songs of Sunset, John Shirley-Quirk, Royal Liverpool Philharmonic Orchestra and Chorus, Charles Groves
- Elgar: Sea Pictures, Op. 37, London Symphony Orchestra, John Barbirolli. Recorded 30 August 1965, Abbey Road Studio 1. LP - ASD655, CD CDC7 47329 2
- Gluck: Orpheus and Euridice at Glyndebourne Festival Opera, conducted by Raymond Leppard. On video. Copyright 1982 by National Video Corporation, Limited.
- Handel: Julius Caesar with the English National Opera; Charles Mackerras conducting (Chandos CHAN 3019; recorded 1–7 August 1984; released 1999). A studio-made video of the ENO production, recorded at Limehouse Studio, was released on video and later DVD.
- Mahler: Kindertotenlieder with The Hallé Orchestra; John Barbirolli conducting (EMI LP cat. no. ASD 2338; released 1968)
- Mahler: Das Lied von der Erde with the Royal Concertgebouw Orchestra under Bernard Haitink
- Mahler: Symphony No. 2 in "The Klemperer Legacy"; Chor und Symphonie-Orchester des Bayerischer Rundfunks ; Otto Klemperer conducting (EMI, 1998)
- Mozart: La clemenza di Tito, conducted by Colin Davis (Philips)
- Purcell: Dido and Aeneas, conducted by Anthony Lewis, English Chamber Orchestra, The St. Anthony Singers; rec. Oct. 1961; with Raimund Herincx as Aeneas. Decca Legendary Performances/UMG. SOL 60047.
- Schubert: Lieder. A double-CD with pianists Gerald Moore and Geoffrey Parsons, containing forty-two songs. EMI classics, 7243 5 69389 2
- Blyth, Alan, "Baker, Dame Janet (Abbott)" in Sadie, Stanley, ed.; John Tyrell; exec. ed. (2001). New Grove Dictionary of Music and Musicians, 2nd ed. London: Macmillan; ISBN 978-1-56159-239-5 (hardcover) OCLC 419285866 (eBook).
- Janet Baker Biography at musicianguide.com, retrieved 12 December 2010. "In the mid 1960s ... she became known for her impressive handling of dramatic roles such as that of Dido in French composer Hector Berlioz's opera Les Troyens".
- David S. Gutman in Gramophone, April 1995, p. 60; retrieved 30 November 2009.
- Janet Baker on Opera Scotland
- ArkivMusic.com. Retrieved 30 November 2009.
- Louis Snyder, "Janet Baker recital cheered at Sanders", Christian Science Monitor, 12 February 1971.
- Limelight, April 2009, p. 52
- "Female winner makes history at Leeds Pianoforte Competition", Yorkshire Post, 14 September 2009. Retrieved 31 March 2013
- Sigma Alpha Iota. "International Music Fraternity". Honorary Members. Retrieved 25 February 2011.
- "Dame Janet Baker (mezzo-soprano)". Gramophone. Retrieved 11 April 2012.
- The LSO Discography by Philip Stuart accessed 9 June 2014.
- World Cat list 47925396
- Janet Baker at AllMusic
- An interview with Janet Baker recorded in 1994 - a British Library sound recording
|Chancellor of the University of York