Janet World Tour
| Janet. World Tour | ||||
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Tour Book Cover |
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| Tour by Janet Jackson | ||||
| Associated album | Janet | |||
| Start date | November 24, 1993 | |||
| End date | April 26, 1995 | |||
| Legs | 7 | |||
| Shows | 81 in North America 9 in Asia 11 in Australia 23 in Europe 125 in Total |
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| Janet Jackson tour chronology | ||||
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The Janet. World Tour (stylized as janet. World Tour) is the second concert tour by American recording artist Janet Jackson. It was launched in support of her fifth studio album Janet (1993). It began in November, 1993 and continued through April, 1995 before ending in London. Concerts were held in North America, Europe, Asia, and Australia.[1][2]
Jackson's Rhythm Nation World Tour of 1990 made history as the most successful debut concert tour in history. Like its predecessor, the Janet World Tour became reputable for its theatrical grandeur—incorporating complex choreography, pyrotechnics, video display, stage design and costuming—drawing comparison to Broadway theatre.
Although frequent criticisms included Jackson's lack of vocal proficiency and spontaneity, a number of reviews observed her showmanship had improved since the Rhythm Nation World Tour. Several critics compared her stage presence to that of her brother Michael Jackson, Prince, Madonna and Tina Turner.
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Development [edit]
Costumes and wardrobe for the tour were designed by stylist Tanya Gill, with outfits "rang[ing] from pipebone vests with high-heeled moccasin boots to zoot suits top-hats to circus-ringmaster bustiers."[3] With a show encompassing over 100 costumes, a team of over 50 costume makers was led by wardrobe supervisor, Helen Hiatt.[3]
Promotion [edit]
MTV promoted the Janet World Tour with a one-hour special in Jackson's honor, "hosted by MTV VJs Bill Bellamy and John Norris, [which featured] performance highlights, interviews with Jackson and her dancers, and behind-the-scenes production and rehearsal footage."[4] MTV publicist Jennifer Barner stated the channel wanted to give extensive coverage to Jackson's opening concert in Cincinnati, "because it is such a big tour and she's really, really hot now."[4] Despite heavy anticipation for the tour, news media were discouraged from attending opening night, which was seen as a dress rehearsal.[5] A spokeswoman for the tour stated "[w]e really don't want a lot of out-of-town media" even though music critic Rick Bird observed "[n]ormally, such an important tour opening would be attended by pop-music media and paparazzi from around the world.[5] However, Bird also noted a low-key premier was a strategic move for Jackson and her management, "since the complicated high-tech dance show will likely have some bugs to be worked out before it plays in larger media centers. And, given the adverse publicity the Jackson family is facing these days, the low-key opening night may indeed be the best strategy."[5]
Critical reception [edit]
Prior to the tour's launch, the Los Angeles Sentinel commented on the anticipation surrounding Jackson's return, stating: "Her first-ever concert tour in 1990 was the most successful premiere tour by any artist in pop music history. And now, amid great anticipation, Janet Jackson is set to return to the concert trail with her world tour in connection with her already triple platinum-plus 'janet' album ... The tour promises to be an innovative feast of sight and sound, a theatrical experience with spectacular choreography, staging and lighting."[6] Lenny Stoute in the Toronto Star gave a positive review to her performance at the SkyDome in Toronto, Ontario, Canada, stating that "as she'd done with the tour opener in Cincinnati Wednesday, it was a superb production that came with an emotional subtext."[7] Commenting on the highly athletic and sexually provocative performances of such songs as "If," "What Have You Done For Me Lately" and "Nasty", he states: "This pelvic-thrusting, butt-wiggling, lip-licking high-energy temptress is a long way from the cute 'n' chubby girl next door of her previous Rhythm Nation tour. And she came equipped with the tough dance moves, firm muscles and seven costume changes to emphasize the difference."[7]
In December, 1993, the Jackson had a five day engagement in New York City at Madison Square Garden, which saw its last concert on New Year's Eve. Jon Pareles of The New York Times stated: "The video-age arena spectacle is in good hands with Janet Jackson. Her current tour, which started a four-night run at Madison Square Garden on Friday night, piles on the production values: music, dancers, costumes, moving sets, video, lights, fireworks, everything but confetti and balloons."[8] He criticized the fact that the concert seemed overtly calculated, leaving little room for spontaneity. However, he compared her musical diversity favorably to other pop icons such as Prince, Madonna and her brother Michael.[8] In reference to her vocal capabilities, Pareles comments that "[l]ike many other video-promoted singers, Ms. Jackson doesn't have a big voice ... But Ms. Jackson is a stronger vocalist than she was when she last toured, three years ago."[8]
According to Andy Smith of the Providence Journal, "Jackson and company created a sensory overload of lights, dancers, video, fireworks, explosions, costumes and sets ... The music was competently performed, but this was a concert for the age of MTV, more satisfying to the eye than the ear."[9] Although he believed she gave a well performed production, he felt she lacked the stage presence of rivals such as Madonna and Tina Turner.[9] Greg Kot of Rolling Stone wrote: "If a performance can be faulted for being too well-rehearsed and too tautly paced, this was certainly an example ... Small of voice and slight of stature, Jackson seems more at home in a Fame-style ensemble than she does as a larger-than-life performer. Yet it's exactly that quality that makes her so endearing. Despite her impressive string of musical successes, Jackson still acts like the members of her audience."[10] Roberta Fusaro of the Telegram & Gazette, who reviewed her performance at the Worcester Centrum stated that Jackson "has shown incredible improvement as a performer since her Rhythm Nation tour ... specifically her dancing and her working of the crowd. She still lacks some of the spontaneity that could raise the level of her concerts from good ones to damn memorable ones, but Janet seemed pretty comfortable on stage last night in front of an all-forgiving near sold-out crowd, commanding the boards like a cross between Tina Turner and Madonna at some points."[11]
In reviewing her concert at the San Jose Arena, Michael Snyder of the San Francisco Chronicle wrote: "That once-blurry line between stadium-size pop music concerts and full-scale theatrical extravaganzas ... is completely eradicated."[12] Citing her tightly choreographed performance, Snyder comments "[h]er theatrical inclinations elevated the concert at San Jose, but some of the music was truncated in the service of the production."[12] Giving his opinion that Jackson proved to be a better performer than singer, he likened her concert to productions by Broadway theatre and Cirque du Soleil.[12] Karla Peterson of The San Diego Union-Tribune remarked: "Expertly designed, energetically choreographed, and engagingly performed by the large group of musicians and dancers, the 100-minute show ... had everything you'd expect from a pop pro of Jackson's stature."[13] Despite criticism that the show appeared overly structured, Peterson expressed: "To criticize Janet Jackson for cranking out a pre-programmed block of hits is like criticizing a cat for sleeping all day. It is simply what she does, and with the exception of Madonna, Jackson does this high-concept schtick better than anybody. She is a sharp dancer, an appealing performer, and as "That's the Way Love Goes" proves—an ace pop-song writer."[13] Renee Graham of The Boston Globe commented that "Jackson is not so much a singer as a performer and entertainer, more concerned with the visual presentation than scintillating vocals."[14]
Opening acts [edit]
- Tony! Toni! Tone! - (fall/winter '93/early '94 shows)
- Mint Condition - (spring shows)
- MC Lyte - (select summer shows)
- Tevin Campbell - (select summer shows)
- MN8 - (spring '95 shows)
- Bill Bellamy [15]
Set list [edit]
- "If"
- Medley:
- "Let's Wait Awhile"
- "Come Back To Me"
- "Throb"
- Whimsical Medley:
- "Love Will Never Do (Without You)"
- "Alright"
- "What'll I Do"
- "Any Time, Any Place"
- "Where Are You Now"1
- "Again"
- "And On and On"2
- "Black Cat"4
- "Rhythm Nation"
- "This Time"
- "That's the Way Love Goes"
- "New Agenda"1
- Encore
- "Because of Love"
- "You Want This"3
- "Whoops Now"5
1 Only performed in a few early performances
2 Only performed in a few last dates of summer leg due to the song's fame at the time, replacing "Black Cat"
3 Only performed on Australian leg and summer US leg
4 Not performed at open venues during summer US leg
5 Only performed on European leg
The band [edit]
- Musical Director/Keyboards: Rex Salas
- Drums: John Roberts
- Keyboards: Eric Daniels, Brian Simpson
- Percussion: Terry Santiel
- Guitar: David Barry
- Bass: Sam Sims
- Background vocals: Stacy Campbell, Romeo Johnson, and Lisa Taylor
- Dancers:Tina Landon (choreographer), Sean Cheesman, Cynthia Davila, Shawnette Heard
Jennifer Lopez (Portions), Kelly Konno, Omar Lopez, Nikki Pantenburg, Tish Oliver, Josie Harris(Australian Leg of the Tour)
Tour dates [edit]
Commercial reception [edit]
| Date | Venue | City | Attendance | Ticket Grossing | ||
|---|---|---|---|---|---|---|
| Tickets Sold | Tickets On Sale | Percentage Sold | ||||
| Dec 17, 1993 [16] | Madison Square Garden | New York City, New York | 14,621 | 14,621 | 100% | $548,902 |
| Dec 18, 1993 [16] | 14,621 | 14,621 | 100% | $548,902 | ||
| Dec 31, 1993 [16] | 15,472 | 15,472 | 100% | $838,500 | ||
| January 9, 1994 | Charlotte Coliseum | Charlotte, North Carolina | 23,302 | 23,302 | 100% | $414,972 |
| January 12, 1994 | Coliseum, Birmigham | Birmingham, Alabama | 7,650 | 10,846 | 89% | $212,288 |
| January 31, 1994 [15] | Spectrum | Philadelphia, Pennsylvania | 15,513 | 15,513 | 100% | $467,204 |
Miscellaneous [edit]
- During the late 1980s, Pioneer signed contracts with major music artists, such as Madonna, Janet Jackson, and others, to release their concerts on Laserdisc only. To this date, the contracts are still standing, and the concerts have not been re-released on DVD by Pioneer or others. As a result, the tour has never been released on home video. The tour has aired on television, however it has never aired in full. MTV covered the opening night of the tour as well as the European leg. Though on Feb. 28 2008, Janet announced on Larry King Live that for the first time publicly, she will definitely release the Janet. and Rhythm Nation Tours on DVD. She did not state when.
- It has been confirmed by Janet herself in an interview with fan Darren Burn that the tour will be released on DVD at some point in the future.[17]
- The janet. World Tour spanned 18 countries in 17 months, and marked the first time Janet performed in Australia and in South Asia.
- Janet's show at the Dean Smith Center in Chapel Hill, North Carolina had to be canceled when the venue board refused to grant a permit allowing the fireworks and the chemicals used to create the effects.
- Janet had to push back her concert in Worcester, Massachusetts twice, and finally a date was set --- Super Bowl Sunday. As an apology for scheduling the show on the day of the Super Bowl XXVIII, Janet screened the game on her four Jumbotrons before she took the stage.
- Janet Jackson took ill 40 minutes into her Salt Lake City concert. She was treated at a hospital emergency room for what was reported in the newspaper to be "flu-like symptoms and dehydration."
- In Kansas City, city organizers offered a gun-control program in which guns were swapped for cash and other much sought after items, like Janet tickets.
- Janet was the first Pop-artist to perform in the MGM Grand Garden Arena in 1994.
- Janet performed 2 concerts at Radio City Music Hall to benefit the Rwandan crisis. The shows were also recorded for a television special which never aired. The concert special was directed and filmed by her then husband Rene Elizondo, Jr.
- The Tour generated over $35 Million dollars in the US and over $75 million worldwide (equivalent roughly to $130 million, based on 2008 average ticket price).
- Estimated worldwide attendance at 2.5 million.
- Pioneer signed an exclusive deal to release the concert on laser disc only and thus no video or DVD has yet been released.
- there are a few Bootleg recordings of this tour that have surfaced:
-Sex is Happiness CD Live in Minneapolis, MN on December 2, 1993.
-Live in Peoria, IL on February 6, 1994.
-Jones Beach New York June 27, 1994.
-Jones Beach New York June 28, 1994.
-Live in Rotterdam, Netherlands at The Ahoy on March 21, 1995.
-Live in Barcelona Spain on March 26, 1995.
-Clips live in Australia performing "IF".
-Clips live in Philippines performing "IF".
-Clips live in Tokyo, Japan "IF".
References [edit]
- ^ "(In portuguese)Janet Jackson adia show no Brasil por "tempo indeterminado" - At UOL Music's Web Site". Retrieved 2011-12-17.
- ^ "(In portuguese)Janet Jackson adia show no Brasil por tempo indeterminado - At Veja Magazine's Web Site". Retrieved 2011-12-17.
- ^ a b McHugh, Catherine (1994-08-01). "Janet. (Janet Jackson)(Concerts - Costumes)". Theatre Crafts International 28. p. 36. ISSN 10639497
- ^ a b Dave Larsen (1993-11-24), "Janet Jackson Tour Opens in Cincinnati Tonight", Dayton Daily News, ISSN 08970920
- ^ a b c Rick Bird (1993-11-24), "Janet tour opener kept low-key", Cincinnati Post: 4.B
- ^ "Janet Jackson Launches Worldwide Concert Tour", Los Angeles Sentinel, 1993-11-17: B-4, ISSN 08904340
- ^ a b Lenny Stoute (1993-11-27), "Sexy Janet Jackson defies family woes in SkyDome smash", Toronto Star: A.2
- ^ a b c Jon Pareles (1993-12-20), "Wrapped in Song and Spectacle, Janet Jackson Plays the Garden", The New York Times: C.11, ISSN 03624331
- ^ a b Andy Smith (1993-12-29), "Janet Jackson more satisfying to the eye than to the ear", Providence Journal: E.01
- ^ Greg Kot (1994-01-27), "Performance: Janet Jackson", Rolling Stone (674): 25
- ^ Roberta Fusaro (1994-01-31), "Janet's gotten better", Telegram & Gazette: C.3
- ^ a b c Michael Snyder (1994-02-18), "Janet Jackson Makes All The Right Moves / Singer brings extravaganza to San Jose", San Francisco Chronicle: C.1
- ^ a b Karla Peterson (1994-02-26), "Pop goes Janet in concert full of programmed flash", The San Diego Union-Tribune: E.6
- ^ Graham, Renee (1994-06-20), "Janet Jackson: looks good, sounds bad", Boston Globe: 34
- ^ a b http://books.google.com/books?id=KQgEAAAAMBAJ&pg=PA14&vq=janet+jackson&source=gbs_search_r&cad=1_0
- ^ a b c http://books.google.com/books?id=HQgEAAAAMBAJ&pg=PA17&vq=Janet+Jackson&source=gbs_search_r&cad=1_0
- ^ "Darren speaks to Janet at premiere of Why Did I Get Married Too? in London". Janet Love. Retrieved 2010-06-28.
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