Jardin du Luxembourg
The Jardin du Luxembourg, or the Luxembourg Garden, located in the 6th arrondissement of Paris, was created beginning in 1612 by Marie de' Medici, the widow of King Henry IV of France, for a new residence she constructed, the Luxembourg Palace. The garden today is owned by the French Senate, which meets in the Palace. The park, which covers 23 hectares, is known for its lawns, tree-lined promenades, flowerbeds, the model sailboats on its circular basin, and for the picturesque Medici Fountain, built in 1620.
In 1611, Marie de' Medici, the widow of Henry IV and the regent for the King Louis XIII decided to build a palace in imitation of the Pitti Palace in her native Florence. She purchased the hotel du Luxembourg (today the Petit-Luxembourg palace) and began construction of the new palace. She commissioned Salomon de Brosse to build the palace and a fountain, which still exists. In 1612 she planted 2,000 elm trees, and directed a series of gardeners, most notably Tommaso Francini, to build a park in the style she had known as a child in Florence. Francini planned two terraces with balustrades and parterres laid out along the axis of the chateau, aligned around a circular basin. He also built the Medici Fountain to the east of the palace as a nympheum, an artificial grotto and fountain, without its present pond and statuary. The original garden was just eight hectares in size.
In 1630 she bought additional land and enlarged the garden to thirty hectares, and entrusted the work to Jacques Boyceau de la Barauderie, the indendant of the royal gardens of Tuileries and the early garden of Versailles. He was one of the early theorists of the new and more formal garden à la française, and he laid out a series of squares along an east-west alley closed at the east end by the Medici Fountain, and a rectangle of parterres with broderies of flowers and hedges in front of the palace. In the center he placed an octagonal basin with a fountain, with a perspective toward what is now the Paris observatory.
Later monarchs largely neglected the garden. In 1780, the Comte de Provence, the future Louis XVIII, sold the eastern part of the garden for real estate development. Following the French Revolution, however, the leaders of the French Directory expanded the garden to forty hectares by confiscating the land of the neighboring religious order of the Carthusian monks. The architect Jean Chalgrin, the architect of the Arc de Triomphe, took on the task of restoring the garden. He remade the Medici Fountain and laid out a long perspective from the palace to the observatory. He preserved the famous pepiniere, or nursery garden of the Carthusian order, and the old vineyards, and kept the garden in a formal French style.
During and after the July Monarchy of 1848, the park became the home of a large population of statues; first the Queens and famous women of France, lined along the terraces; then, in 1880s and 1890s, monuments to writers and artists, a small-scale model by Bartholdi of his Statue of Liberty and one modern sculpture by Zadkine.
In 1865, during the reconstruction of Paris by Louis Napoleon, the rue de l'Abbé de l'Épée, (now rue Auguste-Comte) was extended into the park, cutting off about seven hectares, including a large part of the old nursery garden. The building of new streets next to the park also required moving and rebuilding the Medici Fountain to its present location. The long basin of the fountain was added at this time, along with the statues at the foot of the fountain.
During this reconstruction, the director of parks and promenades of Paris, Gabriel Davioud, built new ornamental gates and fences around the park, and polychrome brick garden houses. He also transformed what remained of the old Chartreux nursery garden, at the south end of the park, into an English garden with winding paths, and planted a fruit garden in the southwest corner. He kept the regular geometric pattern of the paths and alleys, but did create one diagonal alley near the Medici fountain which opened a view of the Pantheon.
The garden in the late nineteenth century contained a marionette theater, a music kiosk. greenhouses, an apiary or bee-house; an orangerie also used for displaying sculpture and modern art (used until the 1930s); a rose garden, the fruit orchard, and about seventy works of sculpture.
The garden is largely devoted to a green parterre of gravel and lawn populated with statues and centred on a large octagonal basin of water, with a central jet of water; in it children sail model boats. The garden is famed for its calm atmosphere. Surrounding the bassin on the raised balustraded terraces are a series of statues of former French queens, saints and copies after the Antique. In the southwest corner, there is an orchard of apple and pear trees and the théâtre des marionnettes (puppet theatre). The gardens include a large fenced-in playground for young children and their parents and a vintage carousel. In addition, free musical performances are presented in a gazebo on the grounds and there is a small cafe restaurant nearby, under the trees, with both indoor and outdoor seating from which many people enjoy the music over a glass of wine. The orangerie displays art, photography and sculptures.
The central axis of the garden is extended, beyond its wrought iron grill and gates opening to rue Auguste Comte, by the central esplanade of the rue de l'Observatoire, officially the Jardin Marco Polo, where sculptures of the four Times of Day alternate with columns and culminate at the southern end with the 1874 "Fountain of the Observatory", also known as the "Fontaine des Quatre-Parties-du-Monde" or the "Carpeaux Fountain", for its sculptures by Jean-Baptiste Carpeaux. It was installed as part of the development of the avenue de l'Observatoire by Gabriel Davioud in 1867.
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The bronze fountain represents the work of four sculptors: Louis Vuillemot carved the garlands and festoons around the pedestal, Pierre Legrain carved the armillary with interior globe and zodiac band; the animalier Emmanuel Fremiet designed the eight horses, marine turtles and spouting fish. Most importantly Jean-Baptiste Carpeaux sculpted the four nude women supporting the globe, representing the Four Continents of classical iconography.
Open hours for the Luxembourg Garden depend on the month: opening between 7:30 and 8:15 am; closing at dusk between 4:45 and 9:45 pm.
The garden contains just over a hundred statues, monuments, and fountains, scattered throughout the grounds. Surrounding the central green space are about twenty figures of historical French queens and female saints commissioned by Louis-Philippe in 1848, standing on pedestals, including statues of Jeanne III of Navarre, Blanche of Castile, Anne of Austria, Louise of Savoy, and Anne of France.
Other sculptured work includes:
- Pierre Guillaume Frédéric le Play, by André Joseph Allar, 1906
- Statue of Liberty, first model, by Frédéric Bartholdi, 1870
- La Bocca della Verità, by Jules Blanchard
- Ludwig van Beethoven, by Antoine Bourdelle, placed here 1978
- Monument to Henri Murger, by Théophile-Henri Bouillon, 1895
- multiple animal sculptures by Auguste Cain
- Le Triomphe de Silène, 1885, Hommage to Delacroix, 1890, and Monument to Auguste Scheurer-Kestner, 1908, both by Jules Dalou
- Monument to Jean-Antoine Watteau, by Henri Désiré Gauquié, 1896
- Narcissus, 1869, and Arion assis sur un dauphin, 1870, both by Ernest-Eugène Hiolle
- Hippomenes by Jean Antoine Injalbert
- Bust of Charles Baudelaire, by Pierre Félix Masseau
- Polyphemus Surprising Acis and Galatea, the Fontaine Médicis, by Auguste Ottin, 1866
- Clémence Isaure by Antoine-Augustin Préault
- Theseus and the Minotaur, by Etienne-Jules Ramey, 1826
- Hercules Diverting the River Alpheus, 1900, and L'Effort, 1902, both by Pierre Roche
- Paul Verlaine, by Rodo (Auguste de Niederhäusern), 1911
- Monument to Édouard Branly, by Charles Marie Louis Joseph Sarrabezolles
- Georges Sand, by François-Léon Sicard, 1904
- Jules Massenet, by Raoul Verlet, 1926
- Marshal Ney, by François Rude (sculptor) and Alphonse de Gisors (pedestal), 1853.
The Medici Fountain (La fontaine Médicis) was built in 1630 by Marie de' Medici, the widow of King Henry IV of France and regent of King Louis XIII of France. It was designed by Tomasso Francini, a Florentine fountain maker and hydraulic engineer who was brought from Florence to France by King Henry IV. It was in the form of a grotto, a popular feature of the Italian Renaissance garden. It fell into ruins during the 18th century, but in 1811, at the command of Napoleon Bonaparte, the fountain was restored by Jean Chalgrin, the architect of the Arc de Triomphe. In 1864-66, the fountain was moved to its present location, centered on the east front of the Palais du Luxembourg. The long basin of water was built and flanked by plane trees, and the sculptures of the giant Polyphemus surprising the lovers Acis and Galatea, by French classical sculptor Auguste Ottin, were added to the grotto's rockwork.
Hidden behind the Medici Fountain is the Fontaine de Léda, (1807), a wall fountain built during the time of Napoleon Bonaparte at the corner of the Rue du Regard and Rue de Vaugirard, with a bas-relief sculpture depicting the legend of Leda and the Swan by Achille Valois. When the original site was destroyed during the prolongation of the Rue de Rennes in 1856 by Louis Napoleon, the fountain was preserved and moved in 1866 to the Luxembourg Gardens and attached to the back of the Medici Fountain.
Jardin du Luxembourg in popular culture
The gardens are featured prominently in Victor Hugo's novel Les Misérables. It is here that the principal love story of the novel unfolds, as the characters Marius Pontmercy and Cosette first meet. Henry James also uses the gardens, in The Ambassadors, as the place where his character Lambert Strether has an epiphany about his identity. The final scene of William Faulkner's novel Sanctuary is set in the gardens.
It is also the title of a song by the band, The Ghost of a Saber Tooth Tiger.
A few episodes of French in Action took place in the Jardin du Luxembourg.
- Jarrasse, Dominique, Grammaire des jardins Parisiens, p. 65-70
- Dominique Jarrassé, Grammaire des Jardins Parisiens, Parigramme, Paris, 2007, pg. 65
- Jarrassé, pg. 66.
- Jarrassé, pg. 68.
- Plan of the Gardens, identifying sculptures.
- Paris et ses fontaines, de la Renaissance à nos jours, texts assembled by Dominque Massounie, Pauline-Prevost-Marcilhacy and Daniel Rabreau, Délegation a l'action artistique de la Ville de Paris, and Yves-Marie Allain and Janine Christiany, L'art des jardins en Europe, Citadelles & Mazenod, Paris, 2006.
- Katia Frey, L'enterprise napoleonienne, p. 115 in Paris et ses Fontaines.
- André Arnold-Peltier and Vassili Karist, Le Jardin du Luxembourg / The Luxembourg gardens, Éditions Pippa, collection Itinérances (ISBN 2-916506-00-4) (photos)
- Paris et ses fontaines, de la Renaissance à nos jours, texts assembled by Dominque Massounie, Pauline-Prevost-Marcilhacy and Daniel Rabreau, Délegation a l'action artistique de la Ville de Paris. from the Collection Paris et son Patrimoine, directed by Beatrice de Andia. Paris, 1995.
- Dominique Jarrassé, Grammaire des Jardins Parisiens, Parigramme, Paris, 2007. (ISBN 978-2-84096-476-6)
- The Luxembourg Gardens page at the Project for Public Spaces
- The Jardin du Luxembourg - Current and old photographs of the garden, statues, fountains
- Detailed map with sculptures
- The Luxembourg Gardens at Twilight - One of a series of paintings featuring the gardens by American (b. Italy) artist John Singer Sargent
- Webpages about the Garden (French)
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