Jaune Quick–to–See Smith

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Jaune Quick–to–See Smith
Born 1940 (1940)
Salish and Kootenai Indian Reservation, Montana
Nationality Confederated Salish and Kootenai Tribes of the Flathead Nation
Education Framingham State College, University of New Mexico
Known for Painting, Printmaking

Jaune Quick–to–See Smith (born 1940) is a Native American contemporary artist. Notably her work is held in the collections of the National Museum of Women in the Arts,[1] the Smithsonian American Art Museum, the Whitney Museum of American Art, and Museum of Modern Art in New York City.

Biography[edit]

Born in 1940 on the Confederated Salish and Kootenai Indian Reservation, Montana, Jaune Quick–to–See Smith is an internationally renowned painter, printmaker and artist.[2]

She earned a BA in Art Education from Framingham State College, Massachusetts, and an MA in Art from the University of New Mexico.[3] Smith has been awarded four Honorary Doctorates, from Minneapolis College of Art and Design, Pennsylvania Academy of the Arts and Massachusetts College of Art. and the University of New Mexico

Smith has been creating complicated abstract paintings and lithographs since the 1970s. She employs a wide variety of media, working in painting, printmaking and richly textured mixed media pieces. Such images and collage elements as commercial slogans, sign-like petroglyphs, rough drawing, and the inclusion and layering of text are unusually intersected into a complex vision created out of the artist’s personal experience. Her works contain strong, insistent socio-political commentary that speaks to past and present cultural appropriation and abuse, while identifying the continued significance of the Native American peoples.

A guest lecturer at over 185 universities, museums and conferences around the world, Smith has also shown her work in over 90 solo exhibitions. Her work has been reviewed by The New York Times, ArtNews, Art In America, Art Forum, The New Art Examiner and many other notable publications. She has curated numerous Native American exhibitions and serves as an activist and spokesperson for contemporary Native art. She is in many private and public international collections, including The Whitney Museum of American Art, NY; The Museum of Mankind, Vienna, Austria; The Museum of Modern Art, Quito, Ecuador; and The Museum of Modern Art, NY.

Among other honors, she has received the Joan Mitchell Foundation Painters Grant, a Lifetime Achievement Award from the Women's Caucus for the Arts, the College Art Association’s Committee on Women in the Arts Award, the 2005 New Mexico Governor’s Outstanding New Mexico Woman’s Award, and the 2005 New Mexico Governor’s Award for Excellence in the Arts (Allan Houser Award). Smith also has been admitted to the New Mexico Women’s Hall of Fame. In 2011, she received a Visionary Woman Award from Moore College of Art & Design.

Smith’s work is included in many important museum collections: Museum of Modern Art, NY, NY; Whitney Museum of American Art, NY, NY; Metropolitan Museum of Art, NY, NY; Brooklyn Museum, NY; Smithsonian Museum of American Art, Washington, DC; the Walker Art Center, Minneapolis, MN; New Mexico Museum of Art, Santa Fe;[4] Victoria and Albert Museum, London; Museum for World Cultures, Frankfurt, Germany and Museum for Ethnology, Berlin - to name only a few. Recent awards include a grant from the Joan Mitchell Foundation to archive her work; the 2011 Art Table Artist Award; Moore College of Art & Design, PA, Visionary Woman Award for 2011; Induction into the National Academy of Art 2011; Living Artist of Distinction, Georgia O'Keeffe Museum, NM, 2012; and the Switzer Distinguished Artist Award for 2012. Smith also holds 4 honorary doctorates from the Pennsylvania Academy of the Arts, the Minneapolis College of Art and Design, Mass College of Art and the University of New Mexico.

She is exhibiting in a solo exhibition, Water and War, at Accola Griefen Gallery in New York City from February 18 - April 6, 2013.

Personal[edit]

Smith's son, Neal Ambrose Smith, is a contemporary printmaker and sculptor.[5]

Works[edit]

  • Celebrate 40,000 Years of American Art, 1995, collagraph, 71.38 x 47.40in., Whitney Museum, New York.
  • Flathead Vest: Father and Child, 1996, collage/acrylic on canvas, 60.039 x 49.83 in. Missoula Art Museum, MT.
  • Sticky Mouth, 1998, lithograph, 21.457 x 18.898 in. Missoula Art Museum, MT.
  • Salish Spring, Montana Memories series, 1988–89, oil and wax on canvas, 60.25 x 50 in. Missoula Art Museum, MT.
  • The Spaniard, Montana Memories series, 1988–89, oil and wax on canvas, 60 x 42 in.
  • Gifts of Red Cloth, Montana Memories series, 1989, oil and wax on canvas, 72 x 72 in.
  • The Red Mean: Self-Portrait,92, acrylic, newspaper collage, shellac, and mixed media on canvas, 90 x 60 in. Smith College of Art, MA.
  • Coyote Made Me Do It!, 1993, monotype on paper, 41 1/2 x 29 1/2 in. Smith College, MA.
  • Indian Handprint, 1993, monotype on paper, 20.984 x 17.953 in. Missoula, MT.
  • Rain II, 1993, monotype on paper, 41 1/2 x 29 1/2 in.
  • Escarpment, 1987, oil on canvas, 66 x 48 in.
  • War Zone, 1987, oil on canvas, 72 x 60 in.
  • The Great Divide, 1987, oil on canvas, 72 x 60 in. Saint Paul Travelers, MN.
  • Georgia on My Mind, 1986, oil on canvas, 64 x 48 in. Yellowstone Art Museum, MT.
  • The Court House Steps, 1987, oil on canvas, 72 x 60 in. Albuquerque Museum of Art and History, NM.
  • Herding, 1985, oil on canvas, 66 x 84 in. Albuquerque Museum of Art and History, NM.
  • Sunset on the Escarpment, 1987, oil on canvas, 72 x 60 in. Dorothee Peiper-Riegraf, Berlin, Germany.
  • Untitled, Wallowa Waterhole series, 1978, pastel on paper, 30 x 22 in.
  • Sunlit, 1989, oil on canvas, 72 x 72 in.
  • Starry Night, 1989, oil on canvas, 72 x 72 in. Destroyed by artist.
  • Rain, 1991, oil and wax on canvas with silver spoons, 80 x 30 in. Heard Museum, AZ.
  • Rain Dance, ink drawing, 12 x 12 in.
  • Prince William Sound, 1991, collage, mixed media on paper, 22 x 30 in.
  • Ode to Chief Seattle (State II), 1991, lithograph, 22 x 30 in.
  • Peyote, 1991, pastel and pencil on paper, 30 x 42 in. Georgia O'Keeffe Museum, NM.
  • Paper Dolls for a Post Columbian World with Ensembles Contributed by US Government, 1991-1992, watercolor, pen, and pencil on photocopy paper, each measuring 17 x 11 in. New Mexico Museum of Art, NM.
  • Trade (Gifts for Trading Land with White People), 1992, oil, mixed media, collage on canvas, objects, 152.4 x 431.8 cm. Chrysler Museum, VA.
  • I See Red (snowman), 1992, oil and mixed media collage on canvas, 66 x 50 in.[6][7]

References[edit]

  1. ^ http://www.nmwa.org/collection/profile.asp?LinkID=421
  2. ^ National Women's History Project
  3. ^ http://www.artnet.com/Galleries/Artists_detail.asp?gid=662&aid=15736
  4. ^ "Jaune Quick-To-See Smith". Matching Small Pox Suits for All Indian Families After U.S. Gov’t Sent Wagon Loads of Smallpox Infested Blankets to Keep Our Families Warm (from the series Paper Dolls for a Post Columbian World). New Mexico Museum of Art. Retrieved 9 December 2013. 
  5. ^ "Neal Ambrose-Smith." Indian Space Painters. (retrieved 10 May 2011)
  6. ^ Kastner, Jaune Quick-to-See Smith: An American Modernist, University of New Mexico Press: Albuquerque, 2013.
  7. ^ Ed. Abbot, Lawrence, I Stand in the Center of the Good: Interviews with Contemporary Native American Artists, University of Nebraska Press: Lincoln, 1994.

External links[edit]