|This is Wikipedia's current article for improvement, and you can help edit it!
You can discuss how to improve it on its talk page and ask questions at the help desk or Teahouse.
See the cheatsheet, tutorial, editing help and FAQ for additional information. Editors are encouraged to create a Wikipedia account and watchlist this article.
|This article needs additional citations for verification. (May 2008)|
A jazz band (jazz ensemble or jazz combo) is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it's common to find a jazz band made up of a rhythm section and a horn section.
The size of a jazz band is closely related to the style of jazz they play as well as the type of venues in which they play. Smaller jazz bands, also known as combos, are common in night clubs and other small venues and will be made up of 3 to 4 musicians; whereas Big bands are found in dance halls and other larger venues.
Jazz bands can vary in size from a Big band, to a smaller trio or quartet. The term jazz trio can refer to a three piece band with a pianist, double bass player and a drummer. Some bands use vocalists, while others are purely instrumental groups. Jazz bands usually have a bandleader. In a Big band setting, there are usually more than one player for a type of instrument.
Jazz bands and their composition have changed many times throughout the years just as the music itself changes with each performers personal interpretation and improvisation which is one of the greatest appeals of going to see a jazz band.
- 1 Ensemble types
- 2 Instrumentation
- 3 Musical styles
- 4 Repertoire
- 5 History
- 6 Notable jazz bands
- 7 Gallery
- 8 See also
- 9 References
- 10 External links
Small jazz bands of 3 to 4 musicians are often referred to as combos and can be found in small night club venues. In modern jazz, an acoustic bass player is almost always present in a small band, complimented by any other combination of instruments.
Its common for musicians in a combo to perform their music from memory. The improvisational nature of these performances make every show unique.
In jazz, there are several types of trios. One type of jazz trio is formed with a piano player, a bass player and a drummer. Another type of jazz trio that became popular in the 1950s and 1960s is the organ trio, which is composed of a Hammond organ player, a drummer, and a third instrumentalist (either a saxophone player or an electric jazz guitarist). In organ trios, the Hammond organ player performs the bass line on the organ bass pedals while simultaneously playing chords or lead lines on the keyboard manuals. Other types of trios include the "drummer-less" trio, which consists of a piano player, a double bassist, and a horn (saxophone or trumpet) or guitar player; and the jazz trio with a horn player (saxophone or trumpet), double bass player, and a drummer. In the latter type of trio, the lack of a chordal instrument means that the horn player and the bassist have to imply the changing harmonies with their improvised lines.
Jazz quartets typically add a horn (the generic jazz name for saxophones, trombones, trumpets, or any other wind or brass instrument commonly associated with jazz) to one of the jazz trios described above. Slightly larger jazz ensembles, such as quintets (five instruments) or sextets (six instruments) typically add other soloing instruments to the basic quartet formation, such as different types of saxophones (e.g., alto saxophone, tenor saxophone, etc.) or an additional chordal instrument.
The lineup of larger jazz ensembles can vary considerably, depending on the style of jazz being performed. In a 1920s-style Dixieland jazz band, a larger ensemble would be formed by adding a banjo player, woodwind instruments, as with the clarinet, or additional horns (saxophones, trumpets, trombones) to one of the smaller groups. In a 1940s-style Swing big band, a larger ensemble is formed by adding "sections" of like instruments, such as a saxophone section and a trumpet section, which perform arranged "horn lines" to accompany the ensemble. In a 1970s-style jazz fusion ensemble, a larger ensemble is often formed by adding additional percussionists or sometimes a saxophone player would "double" or "triple" meaning that they would also be proficient at the clarinet, flute or both. Also by the addition of soloing instruments.
Rhythm section consists of the percussion, double bass or bass guitar, and usually at least one instrument capable of playing chords, such as a piano, guitar, Hammond organ or vibraphone; most will usually have more than one of these. The standard rhythm section is piano, bass, and drums, augmented by guitar at times in small combos and regularly in large ones. Some large swing era orchestras also employed an additional piano, accordion, and banjo.
The horn section consists of woodwind section and brass section, which play the melody and main accompaniment. The standard small combo usually limits itself to one trumpet and one saxophone at times augmented by a second saxophone or a trombone. Typical horns found in a big jazz band include 4-5 trumpets, 5-6 woodwind instruments (usually saxophones), and 3-4 trombones.
The banjo has been used in jazz since the earliest jazz bands. The earliest use of the banjo in a jazz band was by Frank Duson in 1917, however Laurence Marrero claims it became popular in 1915.
There are three common types of banjo, the plectrum banjo, tenor banjo, and cello banjo. Over time, the four stringed tenor banjo became the most common banjo used in jazz. The drum-like sound box on the banjo made it louder than the acoustic guitars that were common with early jazz bands, and banjos were popular for recording.
Jazz bass is the use of the double bass or bass guitar, to improvise accompaniment and solos in a jazz band. Players began using the double bass in jazz in the 1890s, to supply the low-pitched walking basslines. From the 1920s and 1930s Swing and big band era, through Bebop and Hard Bop, to the 1960s-era "free jazz" movement, the resonant, woody sound of the double bass anchored everything from small jazz combos to large jazz groups.
Beginning in the early 1950s, jazz some bass players began to use the electric bass guitar in place of the double bass. Most jazz bassists specialize in either the double bass or the electric bass.
Jazz drumming is the art of playing percussion, usually the drum set, in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz-rock fusion and 1980s-era latin jazz. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique.
Jazz guitar refers to a variety of guitar playing styles used in the various jazz genres. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar.
Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a "floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used.
Jazz piano has played a leading role in developing the sound of jazz. The pianos role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument.
Jazz pianists also make extensive use of chord "extensions", such as adding the sixth, ninth, or thirteenth scale degree to the chord. When jazz pianists improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression.
The clarinet is an woodwind instrument. This instrument has a single-reed mouthpiece. Originally, the clarinet was an central instrument in jazz when it was first introduced into the genre. But as time passed, the instrument lost its position. A clarinet player is known as an clarinetist.
In the saxophone section, all of the saxophones will play a similar melodic line, but the baritone sax doubles by occasionally joining in with the bass trombone and bass to play the bass line. A big band saxophone section typically consists of two alto saxophones, two tenor saxophones, and one baritone saxophone. The tenor saxophone plays the counter melody, though have the lead in some cases. Saxophone players are often expected to double on clarinet, flute, or soprano saxophone. In earlier periods of jazz, a bass saxophone was used as a bass line instrument, though this is far less common today.
A trumpet player may sometimes double on a flugelhorn.
The tuba is the largest and lowest-pitched brass instrument. This instrument made its first appearance in the 19th century, being played at orchestras. When involved with jazz, most tubas are played outdoors. Tuba players are generally called "Jazz tubists."
Jazz violin is the use of the violin or electric violin to improvise solo lines. Although the violin has been used in jazz recordings since the first decades of the 20th century, it is more commonly associated with folk music than jazz. Jazz musician Milt Hinton claimed that the decline in violin players coincided with the introduction of sound movies, as many violin players were used as accompaniment for silent films.
The cello is an bowed string instrument. This instrument is the second largest bowed string instrument apart from the double bass. When being used in jazz, the cello is more commonly tuned to fourths. A cello player is known as an cellist.
The precise definition of what makes a jazz vocalist can be unclear, because jazz has shared a great deal with blues and pop music since the 1920s. In their book Essential Jazz, Henry Martin and Keith Waters identify five main characteristics that identify jazz singing, three of which are: "Loose phrasing [...], use of blue notes [...], [and] free melodic embellishment." Often the human voice can act in place of a brass section in playing melodies, both written and improvised.
Scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. The deliberate choice of scat syllables also is a key element in vocal jazz improvisation. Syllable choice influences the pitch articulation, coloration, and resonance of the performance.
- Acid Jazz
- Asian American Jazz
- Avant-garde Jazz
- Chamber Jazz
- Continental Jazz
- Cool Jazz
- Crossover Jazz
- Ethno Jazz
- European Free Jazz
- Cape Jazz
Another important aspect of jazz is improvisation ("jams"). Bands playing in this fashion fall under the category of jam bands. A common way to incorporate improvisation is to feature solo performances from band members made up on the spot, allowing them to showcase their skill.
Starting shortly after 1915, the first bands from New Orleans began to using the word "jass" or "jazz" in their band name, or to describe their music. Bandleader Tom Brown claims the first usage, which was disputed by Nick LaRocca of the Original Dixieland Jass Band.
Notable jazz bands
||This section is in a list format that may be better presented using prose. (July 2014)|
Some notable jazz bands include:
- King Oliver and his Creole Jazz Band
- Jelly Roll Morton and his Red Hot Peppers
- Louis Armstrong and His Hot Five
- The Fletcher Henderson Orchestra
- The Duke Ellington Orchestra
- The Count Basie Orchestra
- The Benny Goodman Orchestra
- The Dizzy Gillespie-Charlie Parker Quintet
- The Gerry Mulligan Quartet
- The Modern Jazz Quartet
- The Miles Davis Quintet
- The Jazz Messengers
- The Clifford Brown-Max Roach Quintet
- The Sun Ra Arkestra
- The John Coltrane Quartet
- The Bill Evans Trio
- Weather Report
- The Mahavishnu Orchestra
- Herbie Hancock's Headhunters
- The Art Ensemble of Chicago
- Return to Forever
- The Pat Metheny Group
- The World Saxophone Quartet
- Criswell, Chad. "What Is a Jazz Band?". Retrieved 25 July 2014.
- "Roles of the Instruments". Jazzinamerica.org. Retrieved May 21, 2014.
- Boyd, Jean A. (1998). The Jazz of the Southwest: An Oral History of Western Swing (First ed.). Austin: University of Texas Press. p. 147. ISBN 0-292-70860-2. Retrieved 21 July 2014.
- Hardie, Daniel (2002). "Exploring Early Jazz: The Origins and Evolution of the New Orleans Style". Exploring Early Jazz: The Origins and Evolution of the New Orleans Style (Writers Club Press). p. 264. ISBN 0-595-21876-8. Retrieved July 21, 2014.
- Roger Newell (October 24, 2011). "The history of the electric bass part one: the early days". Retrieved July 25, 2014.
- Gioia, T. (1997). The History of Jazz. Oxford University Press: New York, NY. ISBN 978-0-19-512653-2
- Brown, T, D. (1976). A History and Analysis of Jazz Drumming to 1942. University Microfilms: Ann Arbor, MI.
- Brown, T, D. (1969). The Evolution of Early Jazz Drumming. Percussionist, 7(2), 39–44.
- Rzepiela, Jeff. "A Guide to Playing in a Big Band Saxophone Section". Retrieved July 25,2014.
- Haigh, Chris. "Jazz violin". Fiddling Around the World. Retrieved July 23, 2014.
- Stewart, Zan (August 27, 1988). "They'll String Along With the Double Bass". Los Angeles Times. Retrieved July 23, 2014.
- Friedwald, Will (1996). "Jazz Singing: America's Great Voices from Bessie Smith to Bebop and Beyond". Jazz Singing: America's Great Voices from Bessie Smith to Bebop and Beyond (Da Capo Press). pp. x, xi. ISBN 0-306-80712-2. Retrieved July 23, 2014.
- Martin, Henry; Waters, Keith (2014). Essential Jazz: The First 100 Years (3rd ed.). Cengage Learning. p. 149. ISBN 978-1-133-96440-7. Retrieved July 23, 2014.
- Berliner 1994, p. 125
- Hobson, Jacob (September 9, 2013). "Improvising Art: From Jam Bands to Jazz". All About Jazz. Retrieved July 21, 2014.
- "What is Jazz?". http://www.smithsonianjazz.org/. Retrieved July 22, 2014.
- Charles Suhor (April 11, 2001). Jazz in New Orleans: The Postwar Years Through 1970. Scarecrow Press. p. 17. ISBN 978-1-4616-6002-6. Retrieved July 21, 2014.
- Knauer, Wolfram (2006). "An overview of the history of jazz". An overview of the history of jazz. Jazz Institut. Retrieved July 21, 2014.
|Wikidata has open data related to: Jazz band|