Jean-Louis Murat

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Jean-Louis Murat
Birth name Jean-Louis Bergheaud
Born (1952-01-28) 28 January 1952 (age 62)
Origin Clermont-Ferrand, France
Genres Pop rock, new wave
Occupation(s) Singer-songwriter
Instruments Vocalist, guitarist
Years active 1980–present
Associated acts William Sheller

Jean-Louis Murat (born 28 January 1952) is the pseudonym of the French singer/songwriter Jean-Louis Bergheaud. He spent much of his childhood with his grandparents in Murat-le-Quaire from which he got his pseudonym.

Biography[edit]

Jean-Louis Bergheaud was born in La Bourboule, France to a father who was a carpenter and a non-professional musician. Further to his parents’ divorce, he spent his whole youth in the isolated farm of his grand-parents in Murat-le-Quaire, a village overviewing the thermal city of La Bourboule. From his earliest days, solitary and introverted, Jean-Louis Murat showed he was gifted for music and for many instruments, which will lead him to the local wind section at the age of 7 with his father, then to the conservatory brass class where he will improve his talent for singing too. At the same time at 15, his English teacher let him discover Soul and Jazz music and he met several Blues artists as John Lee Hooker, T-Bone Walker or Memphis Slim. Thanks to his English teacher, he continued studying against his father’s advice. Keen on poetry as well as romantic and upheaval literature amongst others, Oscar Wilde, André Gide, D.H Lawrence or Vladimir Nabokov, he was the first one of his family to pass the Baccalauréat . Married at the age of 17, he joined the University of Clermont-Ferrand for a short period of time; he divorced when his son was 19 and left in order to travel and lived by doing odd jobs in France and Europe all by himself, in the style of Jack Kerouac. He held a couple of positions between Paris and several French tourist spots; he was ski instructor in Avoriaz or a beach attendant in Saint-Tropez, and he finally went back to his village in 1977 at the age of 23 and devoted himself to music, that has never left so far.

Difficult beginnings[edit]

With some Clermontois’ friends, he created a band rock called « Clara » whose singer and songwriter he was, and he also played the saxophone and the guitar in it. William Sheller noticed them and invited them to do a couple of his opening acts and then employed them as musicians for a while. The band split and thanks to William Sheller, Jean-Louis Berghaud at the age of 27, in 1981 (under the name of Murat) recorded a 45 rpm record including 3 songs, called [1] with Pathé Marconi EMI, with Jean-Baptiste Mondino’s photo as cover of the sleeve; critic notices it partly thanks to the title but the sales did not take off. The french radio station « Europe 1 » censored the song since a girl was said to commit suicide because of it. A mini eponym followed in 1982 album including 6 songs, under the name of Murat and an album in 1984 called;[2] sales were still at their lowest ebb (2,000 copies), and after a tour with Charlélie Couture, his record label did not continue the adventure. At that time he was around thirty.

Growing Success[edit]

In 1985, Jean-Louis Murat did some recording with CBS but none of the discs came out, then the year after, he jumped on the opportunity to record at Virgin and in 1998, the 45 rpm record [3] came out. This one met with some success, allowing the singer to start being recognized at last. His success was confirmed the sales of his new album which came out in 1989, called Cheyenne Autumn. It was recorded in London and included other singles which were also successful ([4]) . This beginning of fame brought him to be noticed by the movie industry, so Jean-Louis Murat appeared in 1990 as an actor in a film by Jacques Doillon who offered him a role in La vengeance d’une femme, with Isabelle Huppert and Beatrice Dalle. But what made him definitely known in the eyes of a wider public is the single Regrets (in duet with Mylène Farmer) in 1991 (Third at the Top 50 and more than 300,000 copies sold), while he was turning 40. At that same time, his new studio album came out, Le Manteau de Pluie. His titles Col de la Croix-Morand and Sentiment Nouveau met with a great success; Sentiment nouveau entered the top 50 position in the early 1992’s. Since then, his albums have regularly been into the French Top 20. Deeply attached to the Auvergne where he lives, countryside and nature give him a very personal poetic inspiration. Very prolific, guitar player and singer with a typical tone, Jean-Louis Murat writes, produces and publishes more than one album a year including Venus in 1993, Dolorès in 1996, most of his albums are followed by long tours characterized by an interesting musical work, none of the tours looks like the previous one, those give birth to live album as Murat Live in 1995, Live in Dolores in 1966 or Muragostang in 2000. He likes to being surrounded with his family and relatives in order to be helped when he creates and when he moves around. As for movies side, he was on the bill of a film in 1996, Mademoiselle personne, especially with Elodie Bouchez and Romain Duris ; he is actually behind this full-length feature film (nevertheless whose broadcasting will be limited) presented as a musical movie (produced by Pascal Bailly), whose soundtrack he composed.

In March 2003 his album Toboggan came out

Intersted in Buddhism, Murat got involved in the Tibetan cause.

In October 2014, his new album called Babel came out, recorded with Delano Orchstra band.

Discography[edit]

Albums[edit]

  • Suicidez-vous, le peuple est mort ! (1981)
  • Murat (1982)
  • Passions privées (1984)
  • Cheyenne autumn (1989)
  • Murat en plein air (1991)
  • Le manteau de pluie (1991)
  • Murat 82...84 (1991)
  • Vénus (1993)
  • Face Nord (1994)
  • Mademoiselle Personne (1995)
  • Murat Live (1995)
  • Dolorès (1996)
  • Live in Dolorès (1998)
  • Mustango (1999)
  • Muragostang (2000)
  • Madame Deshoulières (2001 in collaboration with Isabelle Huppert)
  • Le moujik et sa femme (2002)
  • Lilith (2003)
  • A bird on a poire (2004 in collaboration with Jennifer Charles, and Fred Jimenez)
  • Moscou (Москва) (2005)
  • 1829 (2005)
  • Taormina (2006)
  • Tristan (2008)
  • Le Cours Ordinaire des Choses (2009)
  • Grand Lièvre (2011)
  • Toboggan (2013)
  • Babel (2014 in collaboration with the Delano Orchestra)

EPs[edit]

  • Sentiment nouveau... (1991, 5 tracks)
  • Au Mont Sans-Soucis (2000 5 tracks)
  • Polly Jean (2000 8 tracks)
  • L'au-delà (2002 4 tracks)
  • Le Cri du Papillon (2003 4 tracks)
  • Mashpotétisés (2004 4 tracks)

References[edit]

  1. ^ « Kill yourself, population is dead »
  2. ^ "Private Passion"
  3. ^ "If I Had to Miss You"
  4. ^ The fallen Angel ; Keeping You by my Side