Jean Ray (author)

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For other people named Jean Ray, see Jean Ray (disambiguation).

Jean Ray is the best-known pseudonym among the many used by Raymundus Joannes de Kremer (8 July 1887 – 17 September 1964), a prolific Belgian (Flemish) writer. Although he wrote journalism, stories for young readers in Dutch by the name John Flanders, and scenarios for comic strips and detective stories, he is best known for his tales of the fantastique written in French under the name Jean Ray. Among speakers of English, he is famous for his macabre novel Malpertuis (1943), which was filmed by Harry Kümel in 1971 (starring Orson Welles). He also used the pseudonyms King Ray, Alix R. Bantam and Sailor John, among others.

Biography[edit]

Frontipiece for Malpertuis (1943)

Ray was born in Ghent, his father being a minor port official, his mother the director of a girls' school. Ray was a fairly successful student but failed to complete his university studies, and from 1910 to 1919 he worked in clerical jobs in the city administration.

By the early 1920s he had joined the editorial team of the Journal de Gand. Later he also joined the monthly L'Ami du Livre. His first book, Les Contes du Whisky, a collection of fantastic and uncanny stories, was published in 1925.

In 1926 he was charged with embezzlement and sentenced to six years in prison, but served only two years. During his imprisonment he wrote two of his best-known long stories, The Shadowy Street and The Mainz Psalter. From the time of his release in 1929 until the outbreak of the Second World War, he wrote virtually non-stop.

Between 1933 and 1940, Ray produced over a hundred tales in a series of detective stories, The Adventures of Harry Dickson, the American Sherlock Holmes. He had been hired to translate a series from the German, but Ray found the stories so bad that he suggested to his Amsterdam publisher that he should re-write them instead. The publisher agreed, provided only that each story be about the same length as the original, and match the book's cover illustration. The Harry Dickson stories are admired by the film director Alain Resnais among others. During the winter of 1959–1960 Resnais met with Ray in the hope of making a film based on the Harry Dickson character, but nothing came of the project.

During the Second World War Ray's prodigious output slowed, but he was able to publish his best works in French, under the name Jean Ray: Le Grand Nocturne (1942), La Cité de l'Indicible Peur, also adapted into a film starring Bourvil, Malpertuis, Les Cercles de L'Epouvante (all 1943), Les Derniers Contes de Canterbury (1944) and Le Livre des Fantômes (1947).

After the war he was again reduced to hackwork, writing comic-strip scenarios by the name of John Flanders. He was rescued from obscurity by Raymond Queneau and Roland Stragliati, whose influence got Malpertuis reprinted in French in 1956.

A few weeks before his death, he wrote his own mock epitaph in a letter to his friend Albert van Hageland: Ci gît Jean Ray/homme sinistre/qui ne fut rien/pas même ministre ("Here lies Jean Ray/A man sinister/who was nothing/not even a minister").

Selected bibliography[edit]

in English[edit]

  • Ghouls in my Grave (Berkley Publishing Corporation, 1965, F1071) translated from French by Lowell Bair
    • Gold Teeth
    • The Shadowy Street (alternate title: The Tenebrous Alley)
    • I Killed Alfred Heavenrock
    • The Cemetery Watchman (alternate titles: The Graveyard Duchess / The Guardian of the Cemetery)
    • The Mainz Psalter
    • The Last Traveler
    • The Black Mirror
    • Mr Glass Changes Direction
  • My Own Private Spectres (Midnight House, 1999) limited edition of 350 copies
  • The Horrifying Presence and Other Tales (Ex Occidente, 2009) translated from French by António Monteiro

in French (Jean Ray)[edit]

  • Les Contes du Whisky [The Tales Of Whiskey] (1925, rev. 1946)
  • La Croisière des Ombres [The Cruise Of Shadows] (1932)
  • Le Grand Nocturne [The Great Darkness] (1942)
  • Les Cercles de l'Epouvante [The Circles Of Terror] (1943)
  • Malpertuis (1943; transl. Atlas Press, 1998)
  • La Cité de l'Indicible Peur [The City Of The Unspeakable Fear] (1943)
  • Les Derniers Contes de Canterbury [The Last Tales Of Canterbury] (1944)
  • La Gerbe Noire (editor) (1947)
  • Le Livre des Fantômes [The Book Of Ghosts] (1947; rev. 1966)
  • 25 Histoires Noires et Fantastiques [25 Dark And Fantastic Tales] (1961)
  • Le Carrousel des Malefices [The Spellbound Merry-Go-Round] (1964)
  • Les Contes Noirs du Golf [Dark Tales Of Golf] (1964)
  • Saint Judas-de-la-Nuit [St. Judas-Of-The-Night] (1964)

in Dutch (John Flanders)[edit]

  • Spoken op de ruwe heide [Ghosts on the heath] (1935)
  • Het monster van Borough [The monster of Borough] (1948)
  • Geheimen van het Noorden [Secrets of the North] (1948)
  • Het zwarte eiland [The black island] (1948)

in German (Jean Ray)[edit]

  • Die Gasse der Finsternis (Suhrkamp Taschenbuch, 1984)
    • Die Gasse der Finsternis [La ruelle ténébreuse / The Tenebrous Alley] (1932)
    • Null Uhr Zwanzig [Minuit vingt / Twenty Minutes past Midnight] (1925)
    • Die weiße Bestie [La bete blanche] (1925)
    • Der Friedhofswächter [Le gardien du cimetière / The Cemetery Watchman] (1925)
    • M. Wohlmut und Franz Benscheider [M. Wohlmut et Franz Benscheider] (1947)
    • Die Nacht von Pentonville [La nuit de Pentonville] (1947)
    • Nächtlicher Reigen in Königstein [Ronde de nuit à Koenigstein] (1947)
    • Der Uhu [Le uhu / The Uhu] (1944)
    • Mainzer Psalter [Le psautier de Mayence / The Mainz Psalter] (1932)
    • Vetter Passeroux [Le cousin Passeroux] (1947)
    • Der eiserne Tempel [Le temple de fer] (1967)
    • Straßen [Rues / Streets] (1947)

[1] [2]

Further reading[edit]

Hubert Van Calenbergh. "Jean Ray and the Belgian School of the Weird". Studies in Weird Fiction, No. 24: 14-17. Winter 1999.

See also[edit]

References[edit]

External links[edit]