Joan of Arc
|Saint Joan of Arc|
Painting, c. 1485. An artist's interpretation, since the only known direct portrait has not survived. (Centre Historique des Archives Nationales, Paris, AE II 2490)
|Born||6 January, c. 1412
Domrémy, Duchy of Bar, France.
|Died||30 May 1431 (aged approx. 19)
(then under English rule)
|Honored in||Roman Catholic Church
|Beatified||18 April 1909, Notre Dame de Paris by Pope Pius X|
|Canonized||16 May 1920, St. Peter's Basilica, Rome by Pope Benedict XV|
|Patronage||France ; martyrs; captives; military personnel; people ridiculed for their piety; prisoners; soldiers, women who have served in the WAVES (Women Accepted for Volunteer Emergency Service); and Women's Army Corps|
Joan of Arc (French: Jeanne d'Arc, IPA: [ʒan daʁk]; ca. 1412 – 30 May 1431), nicknamed "The Maid of Orléans" (French: La Pucelle d'Orléans), is considered a heroine of France and a Roman Catholic saint. She was born to a peasant family at Domrémy in north-east France. Joan said she received visions of the Archangel Michael, Saint Margaret and Saint Catherine instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The uncrowned King Charles VII sent Joan to the siege of Orléans as part of a relief mission. She gained prominence after the siege was lifted in only nine days. Several additional swift victories led to Charles VII's coronation at Reims. On 23 May 1430, she was captured at Compiègne by the English-allied Burgundian faction, was later handed over to the English, and then put on trial by the pro-English Bishop of Beauvais Pierre Cauchon on a variety of charges, was convicted on 30 May 1431 and burned at the stake when she was about 19 years old.
Twenty-five years after her execution, an inquisitorial court authorized by Pope Callixtus III examined the trial, pronounced her innocent, and declared her a martyr. Joan of Arc was beatified in 1909 and canonized in 1920. She is one of the nine secondary patron saints of France, along with St. Denis, St. Martin of Tours, St. Louis, St. Michael, St. Remi, St. Petronilla, St. Radegund and St. Thérèse of Lisieux.
Joan of Arc has been a popular figure in cultural history since the time of her death, and many famous writers, filmmakers and composers have created works about her. Cultural depictions of Joan of Arc have continued in films, theatre, television, video games, music, and performances to this day.
The historian Kelly DeVries describes the period preceding her appearance in the following terms: "If anything could have discouraged her, the state of France in 1429 should have." The Hundred Years' War had begun in 1337 as a succession dispute over the French throne with intermittent periods of relative peace. Nearly all the fighting had taken place in France, and the English army's use of chevauchée tactics (similar to scorched earth strategies) had devastated the economy. The French population had not recovered from the Black Death of the previous century and its merchants were isolated from foreign markets. At the outset of Jeanne d'Arc's appearance, the English had nearly achieved their goal of a dual monarchy under English control and the French army had not achieved any major victories for a generation. In DeVries' words, "The kingdom of France was not even a shadow of its thirteenth-century prototype."
The French king at the time of Joan's birth, Charles VI, suffered bouts of insanity and was often unable to rule. The king's brother Louis, Duke of Orléans, and the king's cousin John the Fearless, Duke of Burgundy, quarreled over the regency of France and the guardianship of the royal children. This dispute escalated to accusations of an extramarital affair with Queen Isabeau of Bavaria and the kidnappings of the royal children. The matter climaxed with the assassination of the Duke of Orléans in 1407 on the orders of the Duke of Burgundy.
The factions loyal to these two men became known as the Armagnacs and the Burgundians, respectively. Henry V of England took advantage of this turmoil to invade France, winning a dramatic victory at Agincourt in 1415 and capturing many northern French towns. In 1418, Paris was taken by the Burgundians, who massacred the Count of Armagnac and about 2,500 of his followers. The future French king, Charles VII, assumed the title of Dauphin – the heir to the throne – at the age of fourteen, after all four of his older brothers had died in succession. His first significant official act was to conclude a peace treaty with Burgundy in 1419. This ended in disaster when Armagnac partisans assassinated John the Fearless during a meeting under Charles's guarantee of protection. The new duke of Burgundy, Philip the Good, blamed Charles for the murder and entered into an alliance with the English. The allied forces conquered large sections of France.
In 1420, the queen of France Isabeau of Bavaria signed the Treaty of Troyes, which granted the succession of the French throne to Henry V and his heirs instead of her son Charles. This agreement revived rumors about her alleged affair with the late duke of Orléans and raised fresh suspicions that the Dauphin was illegitimate rather than the son of the king. Henry V and Charles VI died within two months of each other in 1422, leaving an infant, Henry VI of England, the nominal monarch of both kingdoms. Henry V's brother, John of Lancaster, 1st Duke of Bedford, acted as regent.
By the beginning of 1429, nearly all of northern France and some parts of the southwest were under Anglo-Burgundian control. The English controlled Paris and Rouen while the Burgundian faction controlled Reims, which had been the traditional site of French coronations since 816. This was an important consideration since neither claimant to the throne of France had been officially crowned yet. The English had laid siege to Orléans, which was one of the few remaining cities still loyal to Charles VII and it held a strategic position along the Loire River, which made it the last obstacle to an assault on the remainder of the French heartland. In the words of one modern historian, "On the fate of Orléans hung that of the entire kingdom." No one was optimistic that the city could long withstand the siege.
Joan was born the daughter of Jacques d'Arc and Isabelle Romée in Domrémy, a village which was then in the French part of the duchy of Bar. Joan's parents owned about 50 acres (20 hectares) of land and her father supplemented his farming work with a minor position as a village official, collecting taxes and heading the local watch. They lived in an isolated patch of eastern France that remained loyal to the French crown despite being surrounded by pro-Burgundian lands. Several local raids occurred during her childhood and on one occasion her village was burned.
At her trial, Joan stated that she was about 19, so she must have been born around the year 1412. She later testified that she experienced her first vision around 1424 at the age of 12 years, when she was in her "father's garden" and saw visions of figures she identified as Saint Michael, Saint Catherine, and Saint Margaret, who told her to drive out the English and bring the Dauphin to Reims for his coronation. She said she cried when they left, as they were so beautiful.
At the age of 16, she asked a relative named Durand Lassois to take her to the nearby town of Vaucouleurs, where she petitioned the garrison commander, Robert de Baudricourt, for permission to visit the royal French court at Chinon. Baudricourt's sarcastic response did not deter her. She returned the following January and gained support from two of Baudricourt's soldiers: Jean de Metz and Bertrand de Poulengy. Under their auspices, she gained a second meeting, where she made a remarkable prediction about a military reversal near Orléans.
Robert de Baudricourt granted her an escort to visit Chinon after news from Orleans confirmed her prediction. She made the journey through hostile Burgundian territory in male disguise. Upon arriving at the Royal Court she impressed Charles VII during a private conference. During this time Charles' mother-in-law Yolande of Aragon was financing a relief expedition to Orléans. Joan asked for permission to travel with the army and wear protective armor, which was provided by the Royal government. She depended on donated items for her armor, horse, sword, banner, and other items utilized by her entourage. Historian Stephen W. Richey explains her attraction to the royal court by pointing out that they may have viewed her as the only source of hope for a regime that was near collapse:
|After years of one humiliating defeat after another, both the military and civil leadership of France were demoralized and discredited. When the Dauphin Charles granted Joan’s urgent request to be equipped for war and placed at the head of his army, his decision must have been based in large part on the knowledge that every orthodox, every rational option had been tried and had failed. Only a regime in the final straits of desperation would pay any heed to an illiterate farm girl who claimed that the voice of God was instructing her to take charge of her country’s army and lead it to victory.|
Upon her arrival, Joan effectively turned the longstanding Anglo-French conflict into a religious war. But this course of action was not without its risks. Charles' advisers were worried that unless Joan's orthodoxy could be established beyond doubt – that she was not a heretic or a sorceress – Charles' enemies could easily make the allegation that his crown was a gift from the devil. To circumvent this possibility, the Dauphin ordered background inquiries and a theological examination at Poitiers to verify her morality. In April 1429, the commission of inquiry "declared her to be of irreproachable life, a good Christian, possessed of the virtues of humility, honesty and simplicity." The theologians at Poitiers did not render a decision on the issue of divine inspiration; rather, they informed the Dauphin that there was a 'favorable presumption' to be made on the divine nature of her mission. This was enough for Charles, but they put the ball back in his court by stating that he had an obligation to put Joan to the test. 'To doubt or abandon her without suspicion of evil would be to repudiate the Holy Spirit and to become unworthy of God's aid', they declared. The test for the truth of her claims would be the raising of the siege of Orléans.
She arrived at the siege of Orléans on 29 April 1429, but Jean d'Orléans, the acting head of the ducal family of Orléans on behalf of his captive half-brother, initially excluded her from war councils and failed to inform her when the army engaged the enemy. However, his exclusions did not prevent her presence at most councils and battles.
The extent of her actual military leadership is a subject of historical debate. On the one hand, noblemen such as the Duke of Alençon always had direct command; but on the other hand, many of these same noblemen stated that Joan had a profound effect on their decisions. Traditional historians, such as Édouard Perroy, conclude that she was a standard bearer whose primary effect was on morale. This type of analysis usually relies on the condemnation trial testimony, where she stated that she preferred her standard to her sword. Recent scholarship that focuses on the nullification trial testimony asserts that the army's commanders esteemed her for the advice she gave them. In either case, historians agree that the army enjoyed remarkable success during her brief time with the army.
|"... the Maiden lets you know that here, in eight days, she has chased the English out of all the places they held on the river Loire by attack or other means: they are dead or prisoners or discouraged in battle. Believe what you have heard about the earl of Suffolk, the lord la Pole and his brother, the lord Talbot, the lord Scales, and Sir Fastolf; many more knights and captains than these are defeated."|
|Her Letter to the citizens of Tournai, 25 June 1429; Quicherat V, pp. 125–126, trans. Wikipedia.|
Joan of Arc's appearance at Orléans was followed by a sudden change in the pattern of the siege. During the five months before her arrival, the defenders of Orléans attempted only one aggressive move and that had ended in disaster. But now, On 4 May, the Armagnacs attacked and captured the outlying fortress of Saint Loup (bastille de Saint-Loup), which was followed on 5 May with a march to a second fortress called Saint-Jean-le-Blanc, which was found deserted. When English troops came out to oppose the advance, a quick cavalry charge drove them back into their fortresses, apparently without a fight. The Armagnacs then attacked and captured an English fortress built around a monastery called Les Augustins. Armagnac troops maintained positions on the south bank of the river before attacking the main English stronghold called "les Tourelles" on the morning of 7 May. Contemporaries acknowledged Joan as the heroine of the engagement after she was wounded by an arrow between the neck and shoulder while holding her banner in the trench outside Les Tourelles, but she later returned to encourage a final assault which succeeded in taking the fortress. The English retreated from Orléans the next day, and the siege was over.
At Chinon and Poitiers Joan had declared that she would give a sign at Orléans. The lifting of the siege was interpreted by many people to be that sign, and it gained her the support of prominent clergy such as the Archbishop of Embrun and theologian Jean Gerson, who both wrote supportive treatises immediately following this event.
The sudden victory at Orléans also led to many proposals for further offensive action. Joan persuaded Charles VII to allow her to accompany the army with Duke John II of Alençon, and she gained royal permission for her plan to recapture nearby bridges along the Loire as a prelude to an advance on Reims and the coronation of Charles VII. This was a bold proposal because Reims was roughly twice as far away as Paris and deep within enemy territory. The English expected an attempt to recapture Paris or an attack on Normandy.
The Duke of Alençon accepted Joan's advice concerning strategy. Other commanders including Jean d'Orléans had been impressed with her performance at Orléans and became her supporters. Alençon credited her with saving his life at Jargeau, where she warned him that a cannon on the walls was about to fire at him. During the same siege she withstood a blow from a stone which hit her helmet while she was near the base of the town's wall. The army took Jargeau on 12 June, Meung-sur-Loire on 15 June, and Beaugency on 17 June.
The English army withdrew from the Loire Valley and headed north on 18 June, joining with an expected unit of reinforcements under the command of Sir John Fastolf. Joan urged the Armagnacs to pursue, and the two armies clashed southwest of the village of Patay. The battle at Patay might be compared to Agincourt in reverse. The French vanguard attacked a unit of English archers who had been placed to block the road. A rout ensued that decimated the main body of the English army and killed or captured most of its commanders. Fastolf escaped with a small band of soldiers and became the scapegoat for the humiliating English defeat. The French suffered minimal losses.
|"Prince of Burgundy, I pray of you — I beg and humbly supplicate — that you make no more war with the holy kingdom of France. Withdraw your people swiftly from certain places and fortresses of this holy kingdom, and on behalf of the gentle king of France I say he is ready to make peace with you, by his honor."|
|"Her Letter to Philip the Good, Duke of Burgundy", 17 July 1429; Quicherat V, pp. 126–127, trans. Wikipedia.|
The French army left Gien on 29 June on the march toward Reims, and accepted the conditional surrender of the Burgundian-held city of Auxerre on 3 July. Other towns in their path returned to French allegiance without resistance. Troyes, the site of the treaty that tried to disinherit Charles VII, was the only one which put up even brief opposition. The army was in short supply of food by the time it reached Troyes. But the army was in luck: a wandering friar named Brother Richard had been preaching about the end of the world at Troyes and convinced local residents to plant beans, a crop with an early harvest. The hungry army arrived as the beans ripened. Troyes capitulated after a bloodless four-day siege.
Reims opened its gates to the army on 16 July. The coronation took place the following morning. Although Joan and the Duke of Alençon urged a prompt march on Paris, the royal court preferred a negotiated truce with the duke of Burgundy. Duke Philip the Good broke the agreement, using it as a stalling tactic to reinforce the defense of Paris. The French army marched through towns near Paris during the interim and accepted several peaceful surrenders. The Duke of Bedford led an English force and confronted the French army in a standoff at the battle of Montépilloy on 15 August. The French assault at Paris ensued on 8 September. Despite a wound to the leg from a crossbow bolt, Joan remained in Paris' inner trench until she was carried back to safety by one of the commanders. The following morning the army received a royal order to withdraw. Most historians blame French Grand Chamberlain Georges de la Trémoille for the political blunders that followed the coronation. In October, Joan was with the royal army when it took Saint-Pierre-le-Moûtier, followed by an unsuccessful attempt to take La-Charité-sur-Loire in November and December. On 29 December, Joan and her family were granted nobility by Charles VII as a reward for her actions.
Ruin of the great hall at Château de Chinon where she met the future King Charles VII. The castle's only remaining intact tower, now known as the 'Joan of Arc Tower', has been turned into a museum dedicated to her.
Entrance of Joan of Arc into Reims in 1429, painting by Jan Matejko
The inner keep at Beaugency is one of the few surviving fortifications from Joan's campaigns. English defenders retreated to the tower at upper right after the French breached the town wall.
Notre-Dame de Reims, traditional site of French coronations. The structure had additional spires prior to a 1481 fire.
Joan at the coronation of Charles VII, by Jean Auguste Dominique Ingres in 1854, is a famous painting that is often reproduced in books on Joan of Arc.
A truce with England during the following few months left Joan with little to do. On 23 March 1430, she dictated a threatening letter to the Hussites, a dissident group which had broken with the Catholic Church on a number of doctrinal points and had defeated several previous crusades sent against them. Joan's letter promises to "remove your madness and foul superstition, taking away either your heresy or your lives." However, the truce with England quickly came to an end. Joan traveled to Compiègne the following May to help defend the city against an English and Burgundian siege. A skirmish on 23 May 1430 led to her capture, when her force attempted to attack the Burgundians' camp at Margny. When the troops began to withdraw toward the nearby fortifications of Compiègne after the advance of an additional force of 6,000 Burgundians, Joan stayed with the rear guard. Burgundian troops surrounded the rear guard, and she was pulled off her horse by an archer. She agreed to surrender to a pro-Burgundian nobleman named Lionel of Wandomme, a member of Jean de Luxembourg's unit.
|"It is true that the king has made a truce with the duke of Burgundy for fifteen days and that the duke is to turn over the city of Paris at the end of fifteen days. Yet you should not marvel if I do not enter that city so quickly. I am not content with these truces and do not know if I will keep them, but if I hold them it will only be to guard the king's honor: no matter how much they abuse the royal blood, I will keep and maintain the royal army in case they make no peace at the end of those fifteen days."|
|Her Letter to the citizens of Reims, 5 August 1429; Quicherat I, p. 246, trans. Wikipedia.|
Joan was imprisoned by the Burgundians at Beaurevoir Castle. She attempted several escapes, on one occasion jumping from her 70 foot (21 m) tower, landing on the soft earth of a dry moat, after which she was moved to the Burgundian town of Arras. The English negotiated with their Burgundian allies to transfer her to their custody, with Bishop Pierre Cauchon of Beauvais, an English partisan, assuming a prominent role in these negotiations and her later trial. The final agreement called for the English to pay the sum of 10,000 livres tournois to obtain her from Jean de Luxembourg, a member of the Council of Duke Philip of Burgundy. The English moved Joan to the city of Rouen, which served as their main headquarters in France. Historian Pierre Champion notes that the Armagnacs attempted to rescue her several times by launching military campaigns toward Rouen while she was held there. One campaign occurred during the winter of 1430-1431, another in March 1431, and one in late May shortly before her execution. These attempts were beaten back.
The trial for heresy was politically motivated. The tribunal was composed entirely of pro-English and Burgundian clerics, and overseen by English commanders including the Duke of Bedford and Earl of Warwick.
To summarize some major problems: Under ecclesiastical law, Bishop Cauchon lacked jurisdiction over the case. Cauchon owed his appointment to his partisan support of the English government which financed the trial. Clerical notary Nicolas Bailly, commissioned to collect testimony against Joan, could find no adverse evidence. Without such evidence the court lacked grounds to initiate a trial. Opening a trial anyway, the court also violated ecclesiastical law by denying her the right to a legal adviser. Worse, stacking the tribunal entirely with pro-English clergy violated the medieval Church's requirement that heresy trials needed to be judged by an impartial or balanced group of clerics. Upon the opening of the first public examination Joan complained that those present were all partisans against her and asked for "ecclesiastics of the French side" to be invited in order to provide balance.
The vice-inquisitor of France objected to the trial at its outset, and several eyewitnesses later said he was forced to cooperate after the English threatened his life.
The trial record demonstrates her remarkable intellect. The transcript's most famous exchange is an exercise in subtlety. "Asked if she knew she was in God's grace, she answered: 'If I am not, may God put me there; and if I am, may God so keep me.'" The question is a scholarly trap. Church doctrine held that no one could be certain of being in God's grace. If she had answered yes, then she would have convicted herself of heresy. If she had answered no, then she would have confessed her own guilt. Notary Boisguillaume later testified that at the moment the court heard this reply, "Those who were interrogating her were stupefied."
Several court functionaries later testified that significant portions of the transcript were altered in her disfavor. Many clerics served under compulsion, including the inquisitor, Jean LeMaitre, and a few even received death threats from the English. Under Inquisitorial guidelines, Joan should have been confined in an ecclesiastical prison under the supervision of female guards (i.e., nuns). Instead, the English kept her in a secular prison guarded by their own soldiers. Bishop Cauchon denied Joan's appeals to the Council of Basel and the pope, which should have stopped his proceeding.
The twelve articles of accusation that summarize the court's finding contradict the already doctored court record. The illiterate defendant signed an abjuration document she did not understand under threat of immediate execution. The court substituted a different abjuration in the official record.
Heresy was a capital crime only for a repeat offense. Joan agreed to wear feminine clothing when she abjured. This created a problem. According to the later descriptions of some of the tribunal members, she had previously been wearing male (i.e. military) clothing in prison because it gave her the ability to fasten her hosen and tunic together into one piece, which deterred rape by making it difficult to pull her hosen off. A woman's dress offered no such protection. A few days after adopting a dress, she told a tribunal member that "a great English lord had entered her prison and tried to take her by force. [i.e. rape her]" She resumed male attire either as a defense against molestation or, in the testimony of Jean Massieu, because her dress had been taken by the guards and she was left with nothing else to wear.
Her resumption of male military clothing was labeled a relapse into heresy, although this would later be disputed by the inquisitor who presided over the appeals court which examined the case after the war. Medieval Catholic doctrine held that cross-dressing should be evaluated based on context, as stated in the "Summa Theologica" by St. Thomas Aquinas, which says that necessity would be a permissible reason for cross-dressing. This would include the use of clothing as protection against rape if the clothing would offer protection. In terms of doctrine, she had been justified in disguising herself as a pageboy during her journey through enemy territory and she was justified in wearing armor during battle and protective clothing in camp and then in prison. The Chronique de la Pucelle states that it deterred molestation while she was camped in the field. Clergy who later testified at the posthumous appellate trial affirmed that she continued to wear male clothing in prison to deter molestation and rape.
She referred the court to the Poitiers inquiry when questioned on the matter. The Poitiers record no longer survives but circumstances indicate the Poitiers clerics had approved her practice. She also kept her hair cut short through her military campaigns and while in prison. Her supporters, such as the theologian Jean Gerson, defended her hairstyle for practical reasons, as did Inquisitor Brehal later during the appellate trial. Nonetheless, at the trial in 1431 she was condemned and sentenced to die.
Eyewitnesses described the scene of the execution by burning on 30 May 1431. Tied to a tall pillar at the Vieux-Marché in Rouen, she asked two of the clergy, Fr Martin Ladvenu and Fr Isambart de la Pierre, to hold a crucifix before her. An English soldier also constructed a small cross which she put in the front of her dress. After she died, the English raked back the coals to expose her charred body so that no one could claim she had escaped alive, then burned the body twice more to reduce it to ashes and prevent any collection of relics. They cast her remains into the Seine from the only bridge called Mathilda. The executioner, Geoffroy Therage, later stated that he "...greatly feared to be damned."
The Hundred Years' War continued for twenty-two years after her death. Charles VII succeeded in retaining legitimacy as the king of France in spite of a rival coronation held for Henry VI at Notre-Dame cathedral in Paris, on 16 December 1431, on the boy's tenth birthday. Before England could rebuild its military leadership and force of longbowmen, lost in 1429, the country lost its alliance with Burgundy at the Treaty of Arras in 1435. The Duke of Bedford died the same year and Henry VI became the youngest king of England to rule without a regent; his weak leadership was probably the most important factor in ending the conflict. Kelly DeVries argues that Joan of Arc's aggressive use of artillery and frontal assaults influenced French tactics for the rest of the war.
In 1452, during the posthumous investigation into her execution, the Church declared that a religious play in her honor at Orléans would allow attendees to gain an indulgence (remission of temporal punishment for sin) by making a pilgrimage to the event.
A posthumous retrial opened after the war ended. Pope Callixtus III authorized this proceeding, also known as the "nullification trial", at the request of Inquisitor-General Jean Bréhal and Joan's mother Isabelle Romée. The aim of the trial was to investigate whether the trial of condemnation and its verdict had been handled justly and according to canon law. Investigations started with an inquest by Guillaume Bouillé, a theologian and former rector of the University of Paris (Sorbonne). Bréhal conducted an investigation in 1452. A formal appeal followed in November 1455. The appellate process involved clergy from throughout Europe and observed standard court procedure. A panel of theologians analyzed testimony from 115 witnesses. Bréhal drew up his final summary in June 1456, which describes Joan as a martyr and implicated the late Pierre Cauchon with heresy for having convicted an innocent woman in pursuit of a secular vendetta. The technical reason for her execution had been a Biblical clothing law. The nullification trial reversed the conviction in part because the condemnation proceeding had failed to consider the doctrinal exceptions to that stricture. The appellate court declared her innocent on 7 July 1456.
Joan of Arc became a symbol of the Catholic League during the 16th century. When Félix Dupanloup was made bishop of Orléans in 1849, he pronounced a fervid panegyric on Joan of Arc, which attracted attention in England as well as France, and he led the efforts which culminated in Joan of Arc's beatification in 1909. Pope Benedict XV canonized Joan on 16 May 1920. As Saint Joan of Arc, she has become one of the most popular saints of the Roman Catholic Church.
Joan of Arc became a semi-legendary figure for the four centuries after her death. The main sources of information about her were chronicles. Five original manuscripts of her condemnation trial surfaced in old archives during the 19th century. Soon, historians also located the complete records of her rehabilitation trial, which contained sworn testimony from 115 witnesses, and the original French notes for the Latin condemnation trial transcript. Various contemporary letters also emerged, three of which carry the signature Jehanne in the unsteady hand of a person learning to write. This unusual wealth of primary source material is one reason DeVries declares, "No person of the Middle Ages, male or female, has been the subject of more study."
Joan of Arc came from an obscure village and rose to prominence when she was a teenager, and she did so as an uneducated peasant. The French and English kings had justified the ongoing war through competing interpretations of the thousand-year-old Salic law. The conflict had been an inheritance feud between monarchs. She gave meaning to appeals such as that of squire Jean de Metz when he asked, "Must the king be driven from the kingdom; and are we to be English?" In the words of Stephen Richey, "She turned what had been a dry dynastic squabble that left the common people unmoved except for their own suffering into a passionately popular war of national liberation." Richey also expresses the breadth of her subsequent appeal:
The people who came after her in the five centuries since her death tried to make everything of her: demonic fanatic, spiritual mystic, naive and tragically ill-used tool of the powerful, creator and icon of modern popular nationalism, adored heroine, saint. She insisted, even when threatened with torture and faced with death by fire, that she was guided by voices from God. Voices or no voices, her achievements leave anyone who knows her story shaking his head in amazed wonder.—Stephen Richey
From Christine de Pizan to the present, women have looked to Joan as a positive example of a brave and active female. She operated within a religious tradition that believed an exceptional person from any level of society might receive a divine calling. Some of her most significant aid came from women. King Charles VII's mother-in-law, Yolande of Aragon, confirmed Joan's virginity and financed her departure to Orléans. Joan of Luxembourg, aunt to the count of Luxembourg who held custody of her after Compiègne, alleviated her conditions of captivity and may have delayed her sale to the English. Finally, Anne of Burgundy, the duchess of Bedford and wife to the regent of England, declared Joan a virgin during pretrial inquiries. For technical reasons this prevented the court from charging her with witchcraft. Ultimately this provided part of the basis for her vindication and sainthood.
Joan of Arc has been a political symbol in France since the time of Napoleon. Liberals emphasized her humble origins. Early conservatives stressed her support of the monarchy. Later conservatives recalled her nationalism. During World War II, both the Vichy Regime and the French Resistance used her image: Vichy propaganda remembered her campaign against the English with posters that showed British warplanes bombing Rouen and the ominous caption: "They Always Return to the Scene of Their Crimes." The Resistance emphasized her fight against foreign occupation and her origins in the province of Lorraine, which had fallen under Nazi control.
Three separate vessels of the French Navy have been named after her, including a helicopter carrier which was retired from active service on 7 June 2010. At present, the controversial French far-right political party Front National holds rallies at her statues, reproduces her likeness in party publications, and uses a tricolor flame partly symbolic of her martyrdom as its emblem. This party's opponents sometimes satirize its appropriation of her image. The French civic holiday in her honour is the second Sunday of May. Traditionalist Catholics, in France and elsewhere, also use her as a symbol of inspiration, often comparing the 1988 excommunication of Archbishop Marcel Lefebvre (founder of the Society of St. Pius X and a dissident against the Vatican II reforms), to her excommunication.
Philippe-Alexandre Le Brun de Charmettes is the first historian who wrote Joan of Arc's complete history in 1817, in an attempt to restore her family's reputation from Joan's status as a relapsed heretic. His interest in Joan came at a time when France was still struggling to define its new identity after the Revolution and the Napoleonic wars. The national ethos was in search of non-controversial heroes. As a staunch supporter of King and country, Joan of Arc was an acceptable symbol to the monarchists. As a patriot and the daughter of commoners, she was seen as one prototype of the low-born volunteers, (the soldats de l'an II), who had victoriously fought for revolutionary France in 1792-1793 and as such could be claimed by the Republicans. As a religious martyr, she was also popular in the powerful Catholic community. De Charmette's Orléanide, today largely forgotten, was another attempt to magnify the national ethos as writers like Virgil (the Aeneid), or Camoens (Os Lusíadas) had done for Rome and Portugal.
Joan of Arc has been a popular figure to depict in the culture since the time of her death and many famous writers, filmmakers and composers who have created works about her. They include: William Shakespeare (Henry VI, Part 1), Voltaire (The Maid of Orleans), Friedrich Schiller (The Maid of Orleans), Giuseppe Verdi (Giovanna d'Arco), Pyotr Ilyich Tchaikovsky (The Maid of Orleans), Mark Twain (Personal Recollections of Joan of Arc), Jean Anouilh (L'Alouette), Bertolt Brecht (Saint Joan of the Stockyards), George Bernard Shaw (Saint Joan), Maxwell Anderson (Joan of Lorraine), Carl Theodor Dreyer (The Passion of Joan of Arc), Robert Bresson (The Trial of Joan of Arc), Arthur Honegger (Jeanne d'Arc au bûcher), Leonard Cohen (Joan of Arc), and Orchestral Manoeuvres in the Dark (Joan of Arc and Maid of Orleans). Cultural depictions of Joan of Arc have continued in film, theatre, television, video games, music, and performances to this day.
||This section possibly contains original research. (November 2013)|
Joan of Arc's religious visions have remained an ongoing topic of interest. The consensus among scholars is that her faith was sincere. She identified Saint Margaret, Saint Catherine, and Saint Michael as the source of her revelations, although there is some ambiguity as to which of several identically named saints she intended. Some Catholics[who?] regard her visions as divine inspiration.
Analysis of her visions is problematic since the main source of information on this topic is the condemnation trial transcript in which she defied customary courtroom procedure about a witness' oath and specifically refused to answer every question about her visions. She complained that a standard witness oath would conflict with an oath she had previously sworn to maintain confidentiality about meetings with her king. It remains unknown to what extent the surviving record may represent the fabrications of corrupt court officials or her own possible fabrications to protect state secrets. Some historians sidestep speculation about the visions by asserting that her belief in her calling is more relevant than questions about the visions' ultimate origin.
Documents from her own era and historians prior to the 20th century generally assume that she was both healthy and sane.
A number of more recent scholars attempted to explain her visions in psychiatric or neurological terms. Potential diagnoses have included epilepsy, migraine, tuberculosis, and schizophrenia. None of the putative diagnoses have gained consensus support, possibly due to the limited amount of information available about Joan's life. Two experts who analyse a temporal lobe tuberculoma hypothesis in the medical journal Neuropsychobiology express their misgivings this way:
It is difficult to draw final conclusions, but it would seem unlikely that widespread tuberculosis, a serious disease, was present in this "patient" whose life-style and activities would surely have been impossible had such a serious disease been present.
In response to another such theory alleging that she suffered from bovine tuberculosis as a result of drinking unpasteurized milk, historian Régine Pernoud wrote that if drinking unpasteurized milk could produce such potential benefits for the nation, then the French government should stop mandating the pasteurization of milk.
The fact that Joan of Arc gained favor in the court of King Charles VII has been suggested as evidence against mental illness hypotheses. The argument suggests that Charles VII would have been able to recognize "madness" because his own father, Charles VI, suffered from it. Charles VI was popularly known as "Charles the Mad", and much of the political and military decline that France had suffered during his reign could be attributed to the power vacuum that his episodes of insanity had produced. The previous king had believed he was made of glass, a delusion no courtier had mistaken for a religious awakening. Fears that King Charles VII would manifest the same insanity may have factored into the attempt to disinherit him at Troyes. This stigma was so persistent that contemporaries of the next generation would attribute to inherited madness the breakdown that England's King Henry VI was to suffer in 1453: Henry VI was nephew to Charles VII and grandson to Charles VI. Upon Joan's arrival at Chinon the royal counselor Jacques Gélu cautioned,
One should not lightly alter any policy because of conversation with a girl, a peasant ... so susceptible to illusions; one should not make oneself ridiculous in the sight of foreign nations.
Also potentially relevant is the fact that she displayed none of the objective symptoms that can accompany the mental illnesses which have been suggested, such as schizophrenia. Dr. Philip Mackowiak dismissed the possibility of schizophrenia and several other disorders in a chapter on Joan of Arc. She remained astute to the end of her life and the rehabilitation trial testimony frequently marvels at her astuteness:
Often they [the judges] turned from one question to another, changing about, but, notwithstanding this, she answered prudently, and evinced a wonderful memory.
Her subtle replies under interrogation even forced the court to stop holding public sessions.
Some psychiatrists have also urged that a distinction should be made between different types of experiences. Ralph Hoffman, professor of psychology at Yale University, argues that visionary and creative states, including "hearing voices", are not necessarily signs of mental illness. He lists Joan of Arc's case as a possible example of what Hoffman describes as an "inspired voice", without elaborating on the term.
Alleged relics disproven
In 1867, a jar was found in a Paris pharmacy with the inscription "Remains found under the stake of Joan of Arc, virgin of Orleans". They consisted of a charred human rib, carbonized wood, a piece of linen and a cat femur – explained as the practice of throwing black cats onto the pyre of witches. They are now in the Museum of Art and History in Chinon museum. In 2006, Philippe Charlier, a forensic scientist at Raymond Poincaré Hospital (Garches) was authorized to study the relics. Carbon-14 tests and various spectroscopic analyses were performed, and the results show that the remains come from an Egyptian mummy from the sixth to the third century BC. The charred appearance comes from the embalming substances, not from combustion. Large amounts of pine pollen were also found, consistent with the presence of resin used in mummification and some unburned linen was found to be similar to that used to wrap mummies. The famous perfumers Guerlain and Jean Patou said that they could smell vanilla in the remains, also consistent with mummification. Apparently the mummy was part of the ingredients of medieval pharmacopoeia and it was relabeled in a time of French nationalism.
The accuracy of the standard accounts of the life of Joan of Arc has been questioned by revisionist authors.
- Charles VI of France
- Charles VII of France
- The Fifteen Decisive Battles of the World, a book describing 15 military engagements which, in the opinion of the author, had a significant impact on world history. The Siege of Orléans is included.
- Françoise de Cezelli
- Gilles de Rais
- Henry V of England
- Jean d'Aulon
- Joan of Arc, a sculpture in Washington, D.C.
- Joanna of Flanders
- John the Fearless
- List of women warriors in folklore
- Maid of Lorraine prophecies
- Marie of Anjou
- Philip the Good
- Yolande of Aragon
- (See Pernoud's Joan of Arc By Herself and Her Witnesses, p. 98: "Boulainvilliers tells of her birth in Domrémy, and it is he who gives us an exact date, which may be the true one, saying that she was born on the night of Epiphany, 6 January").
- "Chemainus Theatre Festival - The 2008 Season - Saint Joan - Joan of Arc Historical Timeline". Chemainustheatrefestival.ca. Retrieved 2012-11-30.
- Church of England Holy Days
- Her name was written in a variety of ways, particularly prior to the mid-19th century. See Pernoud and Clin, pp. 220–221. Her signature appears as "Jehanne" (see www.stjoan-center.com/Album/, parts 47 and 49; it is also noted in Pernoud and Clin).
- Modern biographical summaries often assert a birthdate of January 6th for Joan, which is based on a letter from Lord Perceval de Boullainvilliers on 21 July 1429 (see Pernoud's Joan of Arc By Herself and Her Witnesses, p. 98: "Boulainvilliers tells of her birth in Domrémy, and it is he who gives us an exact date, which may be the true one, saying that she was born on the night of Epiphany, 6 January").
- Le Procès de Jeanne d'Arc, in Série "Les grands procès de l'histoire", Ministère de la Justice (France), 06 July 2012: http://www.justice.gouv.fr/histoire-et-patrimoine-10050/proces-historiques-10411/le-proces-de-jeanne-darc-24376.html
- Régine Pernoud, "Joan of Arc By Herself And Her Witnesses", pp. 179, 220-222
- Régine Pernoud, "Joan of Arc By Herself And Her Witnesses", p. 228
- Andrew Ward (2005) Joan of Arc at the Internet Movie Database
- John Aberth, From the Brink of the Apocalypse, Routledge, 2000 ISBN 0-415-92715-3, ISBN 978-0-415-92715-4 p. 85
- DeVries, pp. 27–28.
- "Charles VI". Institute of Historical Research. Retrieved 9 March 2010.
- Pernoud, Regine; Clin, Narue-Veronique (1999). Joan of Arc: Her Story. Palgrave Macmillan. p. 89.
- "The Glorious Age of the Dukes of Burgundy". Burgundy Today. Retrieved 9 March 2010.
- DeVries, pp. 15–19.
- Sizer, Michael (2007). "The Calamity of Violence: Reading the Paris Massacres of 1418". Retrieved 29 December 2013.
- Pernoud and Clin, p. 167.
- DeVries, p. 24.
- Pernoud and Clin, pp. 188–189.
- DeVries, pp. 24, 26.
- Pernoud and Clin, p. 10.
- DeVries, p. 28.
- Jacques d'Arc (1380–1440) was a farmer in Domremy who held the post of doyen – a local tax-collector and organizer of village defenses. He married Isabelle de Vouthon (1387–1468), called Romée, in 1405. Their other children were Jacquemin, Jean, Pierre and Catherine. Charles VII ennobled Jacques and Isabelle's family on 29 December 1429; the Chamber of Accounts registered the family's elevation to noble status on 20 January 1430. The grant permitted the family to change their surname to "du Lys".
- The French portion of the duchy, called the Barrois mouvant, was situated west of the Meuse River while the rest of the duchy (east of the Meuse) was a part of the Holy Roman Empire. The duchy of Bar was later incorporated to the province of Lorraine and the village of Domrémy renamed Domrémy-la-Pucelle, in honor of Joan of Arc. See Condemnation trial, p. 37.. Retrieved 23 March 2006.
- Pernoud and Clin, p. 221.
- Pernoud, Regine; Joan of Arc By Herself and Her Witnesses, p. 30
- Condemnation trial, pp. 58–59.. Retrieved 23 March 2006.
- DeVries, pp. 37–40.
- Nullification trial testimony of Jean de Metz.. Retrieved 12 February 2006.
- Oliphant, ch. 2.. Retrieved 12 February 2006.
- Richey, p. 4.
- Vale, M.G.A., 'Charles VII', 1974, p. 55.
- Vale, M.G.A., 'Charles VII', 1974, p. 56.
- Historians and authors of fictional works often refer to this man by other names. Some call him "count of Dunois" in reference to a title he received years after Joan's death. During her lifetime he preferred "Bastard of Orléans", which his contemporaries understood as an honor because it described him as a first cousin of King Charles VII. That name often confuses modern readers because "bastard" has become a popular insult. "Jean d'Orléans" is less precise but not anachronistic. For a short biography see Pernoud and Clin, pp. 180–181.
- Perroy, p. 283.
- Pernoud and Clin, p. 230.
- DeVries, pp. 74–83
- Fraioli, Deborah. "Joan of Arc, the Early Debate", pp. 87-88; 126-127.
- DeVries, pp. 96–97.
- Nullification trial testimony of Jean, Duke of Alençon.. Retrieved 12 February 2006.
- DeVries, pp. 114–115.
- Lucie-Smith, pp. 156–160.
- DeVries, pp. 122–126.
- DeVries, p. 134.
- Pernoud, Regine. "Joan of Arc By Herself And Her Witnesses" (1982), p. 137.
- These range from mild associations of intrigue to scholarly invective. For an impassioned statement see Gower, ch. 4. (Retrieved 12 February 2006) Milder examples are Pernoud and Clin, pp. 78–80; DeVries, p. 135; and Oliphant, ch. 6.. Retrieved 12 February 2006.
- Pernoud and Clin, pp. 258-259.
- Geiger,Barbara (April 2008). "A Friend to Compiegne". Calliope Magazine 18 (8): 32–34.
- DeVries, pp. 161–170.
- Pernoud, Régine. Joan of Arc: Her Story, p. 96.
- "Joan of Arc, Saint". Encyclopædia Britannica, 2007. Encyclopædia Britannica Online Library Edition, 12 September 2007 <http://www.library.eb.com.ezproxy.ae.talonline.ca/eb/article-27055>.
- Régine Pernoud & M-V Clin: Jeanne d'Arc, Fayard, Paris, 2 May 1986, p. 182.
- Champion's description is included in Barrett's translation of the trial transcript: Barrett, W.P. The Trial of Joan of Arc, p. 390.
- Pernoud, Régine. "Joan of Arc By Herself and Her Witnesses", pp. 165-167.
- Judges' investigations 9 January – 26 March, ordinary trial 26 March – 24 May, recantation 24 May, relapse trial 28–29 May.
- The retrial verdict later affirmed that Cauchon had no authority to try the case. See also Joan of Arc: Her Story, by Régine Pernoud and Marie-Veronique Clin, p. 108.
- Nullification trial testimony of Father Nicholas Bailly.. Retrieved 12 February 2006.
- Taylor, Craig, Joan of Arc: La Pucelle, p. 137.
- Condemnation trial, p. 52.. Retrieved 12 February 2006.
- Pernoud and Clin, p. 112. In the twentieth century George Bernard Shaw found this dialogue so compelling that sections of his play Saint Joan are literal translations of the trial record. See Shaw, "Saint Joan". Penguin Classics, Reissue edition (2001). ISBN 0-14-043791-6
- Pernoud and Clin, p. 130.
- Condemnation trial, pp. 314–316.. Retrieved 12 February 2006.
- Condemnation trial, pp. 342–343.. (Retrieved 12 February 2006) Also nullification trial testimony of Brother Pierre Migier, "As to the act of recantation, I know it was performed by her; it was in writing, and was about the length of a Pater Noster." (Retrieved 12 February 2006) In modern English this is better known as the Lord's Prayer, Latin and English texts available here:. Retrieved 12 February 2006.
- This painting is made in a romantic way. That is to say not realistic. The painter did not try to sketch reality but to express his feelings. For example, the Rouen Cathedral had a different tower and it could not be seen this way from the stake. From this standpoint, the Saint-Saviour church, that is represented on the left of the picture, was actually located on the right and partly hidden by a wooden market hall. On the left side, there were half-timbered houses with jettying stuck to each other. Concerning Joan of Arc's appearance : she wore a long white skirt and a mitre of infamy covered her head. There was probably no public to lament.
- The statue is the subject of a registration as a historic monument since 30 October 2002
- Nullification trial testimony of Guillaume de Manchon.. Retrieved 12 February 2006.
- According to medieval clothing expert Adrien Harmand, she wore two layers of hosen or "pants" ("trousers" in British-English) attached to the doublet with 20 fastenings. The outer pants were made of a boot-like leather. "Jeanne d'Arc, son costume, son armure."(French). Retrieved 23 March 2006.
- See Pernoud, p. 220, which quotes appellate testimony by Friar Martin Ladvenu and Friar Isambart de la Pierre.
- Nullification trial testimony of Jean Massieu.. Retrieved 12 February 2006.
- "Summa Theologica", II - II, Q 169, Art. 2, ad. 3 . Retrieved 8 January 2014
- Condemnation trial, p. 78. (Retrieved 12 February 2006) Retrial testimony of Brother Séguin, (Frère Séguin, fils de Séguin), Professor of Theology at Poitiers, does not mention clothing directly, but constitutes a wholehearted endorsement of her piety.. Retrieved 12 February 2006.
- Fraioli, "Joan of Arc: The Early Debate", p. 131.
- In February 2006 a team of forensic scientists announced the beginning of a six-month study to assess bone and skin remains from a museum at Chinon and reputed to be those of the heroine. The study cannot provide a positive identification but could rule out some types of hoax through carbon dating and gender determination. (Retrieved 1 March 2006) An interim report released 17 December 2006 states that this is unlikely to have belonged to her.. Retrieved 17 December 2006.
- Pernoud, p. 233.
- DeVries, pp. 179–180.
- Deuteronomy 22:5
- Nullification trial sentence rehabilitation.. Retrieved 12 February 2006.
- She is the most requested saint profile at Catholic.org.. Retrieved 12 February 2006.
- Pernoud and Clin, pp. 247–264.
- DeVries in "Fresh Verdicts on Joan of Arc", edited by Bonnie Wheeler, p. 3.
- English translation of Christine de Pizan's poem Le Ditié de Jeanne d'Arc by L. Shopkow. (Retrieved 12 February 2006) Analysis of the poem by Professors Kennedy and Varty of Magdalen College, Oxford. Archived June 16, 2008 at the Wayback Machine Retrieved 12 February 2006.
- These tests, which her confessor describes as hymen investigations, are not reliable measures of virginity. However, they signified approval from matrons of the highest social rank at key moments of her life. Rehabilitation trial testimony of Jean Pasquerel. Retrieved 12 March 2006.
- Front National publicity logos include the tricolor flame and reproductions of statues depicting her. The graphics forums at Étapes magazine include a variety of political posters from the 2002 presidential election.[dead link] (French) Retrieved 7 February 2006.
- Histoire de Jeanne d`Arc by P.A Le Brun de Charmettes-Tome1 Tome2 Tome3 Tome4
- Condemnation trial, pp. 36–37, 41–42, 48–49. Retrieved 1 September 2006.
- In a parenthetical note to a military biography, DeVries asserts:
"The visions, or their veracity, are not in themselves important for this study. What is important, in fact what is key to Joan's history as a military leader, is that she (author's emphasis) believed that they came from God," p. 35.
- Many of these hypotheses were devised by people whose expertise is in history rather than medicine. For a sampling of papers that passed peer review in medical journals, see
d'Orsi G, Tinuper P (August 2006). ""I heard voices...": from semiology, an historical review, and a new hypothesis on the presumed epilepsy of Joan of Arc". Epilepsy Behav 9 (1): 152–7. doi:10.1016/j.yebeh.2006.04.020. PMID 16750938. (idiopathic partial epilepsy with auditory features)
Foote-Smith E, Bayne L (1991). "Joan of Arc". Epilepsia 32 (6): 810–5. doi:10.1111/j.1528-1157.1991.tb05537.x. PMID 1743152. (epilepsy)
Henker FO (December 1984). "Joan of Arc and DSM III". South. Med. J. 77 (12): 1488–90. doi:10.1097/00007611-198412000-00003. PMID 6390693. (various psychiatric definitions)
Allen C (Autumn–Winter 1975). "The schizophrenia of Joan of Arc". Hist Med 6 (3–4): 4–9. PMID 11630627. (schizophrenia)
- Nores JM, Yakovleff Y (1995). "A historical case of disseminated chronic tuberculosis". Neuropsychobiology 32 (2): 79–80. doi:10.1159/000119218. PMID 7477805.
- Pernoud, p. 275.
- Pernoud and Clin, pp. 3, 169, 183.
- Nullification trial testimony of Dame Marguerite de Touroulde, widow of a king's counselor: "I heard from those that brought her to the king that at first they thought she was mad, and intended to put her away in some ditch, but while on the way they felt moved to do everything according to her good pleasure." Retrieved 12 February 2006.
- Mackowiak, Philip; "Post-Mortem: Solving History's Great Medical Mysteries", ACP Press, 2007
- Nullification trial testimony of Guillaume de Manchon. Retrieved 12 February 2006.
- Hoffman, "Auditory Hallucinations: What's It Like Hearing Voices?" in HealthyPlace.com, 27 September 2003.. Retrieved 12 February 2006.
- Declan Butler. (4 April 2007). "Joan of Arc's relics exposed as forgery". Nature 446 (7136): 593. doi:10.1038/446593a.
- DeVries, Kelly (1999). Joan of Arc: A Military Leader. Stroud, Gloucestershire: Sutton Publishing. ISBN 0-7509-1805-5. OCLC 42957383.
- Famiglietti, Richard C. (1987). Royal Intrigue: Crisis at the Court of Charles VI 1392–1420. AMS studies in the Middle Ages, 9. New York: AMS Press. ISBN 0-404-61439-6.
- Lucie-Smith, Edward (1976). Joan of Arc. Bristol: Allen Lane. ISBN 0-7139-0857-2.
- Oliphant, Mrs. (Margaret) (June 2002 (Web page: November 2003)) . Jeanne d'Arc: Her Life and Death. Heroes of the Nations. IndyPublish.com. ISBN 978-1404310865.
- Pernoud, Régine; Marie-Véronique Clin (1999). Joan of Arc: Her Story. translated and revised by Jeremy duQuesnay Adams; edited by Bonnie Wheeler. New York: St. Martin's Press. ISBN 9780312214425. OCLC 39890535.
- Anon. The First Biography of Joan of Arc with the Chronicle Record of a Contemporary Account. trans. Rankin, Daniel & Quintal, Claire.
- Barrett, W.P., ed. (1932). The trial of Jeanne d'Arc. New York: Gotham house. OCLC 1314152.
- Brooks, Polly Schoyer (1999). Beyond the Myth: The Story of Joan of Arc. New York: Houghton Mifflin Co. ISBN 0-397-32422-7. OCLC 20319268.
- de Quincey, Thomas. The English Mail-Coach and Joan of Arc.
- Fraioli, Deborah (2002). Joan of Arc: The Early Debate. London: Boydell Press,. ISBN 0-85115-880-3. OCLC 48680250.
- France, Anatole. The Life of Joan of Arc.
- Gower, Ronald Sutherland. Joan of Arc.
- Heimann, Nora (2005). Joan of Arc in French Art and Culture (1700–1855): From Satire to Sanctity. Aldershot: Ashgate. ISBN 0-7546-5085-5.
- Heimann, Nora; Coyle, Laura (2006). Joan of Arc: Her Image in France and America. Washington, DC: Corcoran Gallery of Art in association with D Giles Limited. ISBN 1-904832-19-9.
- Le Brun de Charmettes, Philippe-Alexandre (1817). Histoire de Jeanne d`Arc (in French). Paris: ED. Artus Bertrand. OCLC 8443774.
- Le Brun de Charmettes, Philippe-Alexandre (1821). Smith, Audin, ed. L`ORLEANIDE,POEME NATIONAL EN VINGT-HUIT CHANTS (in French). Paris.
- Le procès de condamnation et le procès de réhabilitation de Jeanne d'Arc. L'histoire en appel. trans. Oursel, Raymond. Paris: Éditions Denoël. 1959. OCLC 1823703.
- Meltzer, Francoise (2001). For Fear of the Fire: Joan of Arc and the Limits of Subjectivity. Chicago: University of Chicago Press. ISBN 0-226-51982-1. OCLC 46240234.
- Pernoud, Régine (1955). The Retrial of Joan of Arc; The Evidence at the Trial For Her Rehabilitation 1450–1456. trans. J.M. Cohen. New York: Harcourt, Brace and Company. OCLC 1338471.
- Pernoud, Régine (1994). Joan of Arc By Herself and Her Witnesses. trans. E. Hymans. London: Scarborough House. ISBN 0-8128-1260-3. OCLC 31535658.
- Pernoud, Régine (1995). Jeanne d'Arc: La Reconquête de la France (in French). Gallimard. ISBN 2-07-040230-4. OCLC 39883861.
- Pernoud, Régine; Clin, Marie-Véronique (1999). Joan of Arc: Her Story. trans. Jeremy Duquesnay Adams. New York: St. Martin's Griffin. ISBN 0-312-22730-2. OCLC 39890535.
- Quicherat, Jules-Étienne-Joseph, ed. (1965) [1841–1849]. Procès de condamnation et de réhabilitation de Jeanne d'Arc dite la Pucelle. Publiés pour la première fois d'après les manuscrits de la Bibliothèque nationale, suivis de tous les documents historiques qu'on a pu réunir et accompagnés de notes et d'éclaircissements. (in French) 1–5. New York: Johnson. OCLC 728420.
- Richey, Stephen W. (2003). Joan of Arc: The Warrior Saint. Westport, CT: Praeger. ISBN 0-275-98103-7. OCLC 52030963.
- Richey, Stephen W. (2003). Joan of Arc: The Warrior Saint. Westport, CT: Praeger. ISBN 0-275-98103-7. OCLC 52030963.
- Romm F. (2008). Загадки Орлеанской девы [Mysteries of The Maid of Orleans] (in Russian). Moscow: ENAS.
- Russell, Preston (2005). Lights of Madness: In Search of Joan of Arc. Savannah, GA: Frederic C. Beil, Pub. ISBN 1-929490-24-0.
- Spoto, Donald (2007). Joan : the mysterious life of a heretic who became a saint. San Francisco: HarperSanFrancisco. ISBN 0-06-081517-5. OCLC 84655969.
- The trial of Joan of Arc : being the verbatim report of the proceedings from the Orleans manuscript. trans. Scot, W.S. London: Folio Society. 1956. OCLC 1182797.
- Related history
- Allmand, C. (1988). The Hundred Years War: England and France at War c. 1300 – 1450. Cambridge: Cambridge University Press. ISBN 0-521-31923-4.
- Davis, H.W.C. Medieval Europe.
- Guizot, François Pierre Guillaume. A Popular History of France from the Earliest Times 3.
- Haaren, John Henry; Poland, A.B. Famous Men of the Middle Ages.
- Lacroix, Paul. Manners, Custom and Dress During the Middle Ages and During the Renaissance Period.
- Lingard, John. The History of England.
- Perroy, Edouard (1965). The Hundred Years War. trans. W.B. Wells. New York: Capricorn Books.
- Pollard, A.F. The History of England: A Study in Political Evolution.
- Power, Eileen Edna. Medieval People.
- Vauchez, André (1997). Sainthood in the Later Middle Ages. trans. Jean Birrell. Cambridge: Cambridge University Press. ISBN 0-521-44559-0.
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- "Blessed Joan of Arc" (written before her canonization)—1919 version of the Catholic Encyclopedia
- Archive of Joan of Arc materials
- Médailles Jeanne d’Arc, Exonumia: Medallions devoted to Joan of Arc
- Garden of Praise – Joan of Arc
- Catholic Online Saints
- "Joan of Arc"—Encyclopaedia Britannica article
- Site of the Joan of Arc Museum in Rouen, France.
- "A Stirring Icon of Girl Power: A Father and a Daughter Follow the Trail of Joan of Arc"—Article in The Washington Post by Steve Hendrix, 12 October 2008.
- Important locations in Joan of Arc's campaigns and life - Google Maps feature showing locations from her birth until her death.
- Location of Joan of Arc's Execution - Google Maps satellite map of the square in Rouen and monument marking the site of her execution.
- Joan of Arc's Loire Valley Battles on Google Maps
- Poems by Florence Earle Coates: "Rouen: In the Prison of Joan of Arc", "Joan of Arc", "Blessèd", "Rheims"